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The Jungle of Escaping the Evil
Songs like
The Jungle of Escaping the Evil
by
Howie Lee
Based on a tempo of (+/- 10%) and a similar genre
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Maral
wondering dub
160 bpm • C# Maj • 02:07 • -16db
29% Popularity • 62% Danceability • 44% Energy • 18% Liveness
76% Instrumentalness • 45% Positiveness
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LI YILEI
YUN / 暈
160 bpm • G Maj • 05:12 • -19.66db
12% Popularity • 36% Danceability • 35% Energy • 16% Liveness
93% Instrumentalness • 80% Positiveness
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Salamanda
Between Blue and Purple
160 bpm • C# min • 03:40 • -16.46db
15% Popularity • 63% Danceability • 38% Energy • 22% Liveness
93% Instrumentalness • 39% Positiveness
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Samuel Organ
Opaque
160 bpm • C# min • 03:39 • -18.15db
20% Popularity • 70% Danceability • 45% Energy • 20% Liveness
88% Instrumentalness • 70% Positiveness
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Yu Su
Menta Y Menta
160 bpm • G Maj • 04:09 • -14.7db
22% Popularity • 71% Danceability • 47% Energy • 14% Liveness
87% Instrumentalness • 67% Positiveness
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Polygonia
Honsu
160 bpm • F# min • 05:48 • -12.06db
27% Popularity • 70% Danceability • 74% Energy • 38% Liveness
44% Instrumentalness • 48% Positiveness
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Maxwell Sterling
Decay Time
160 bpm • G Maj • 02:06 • -14.45db
12% Popularity • 56% Danceability • 54% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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3ASiC
沧海一声笑 - 3ASiC Flip
160 bpm • B Maj • 03:15 • -5.52db
7% Popularity • 59% Danceability • 93% Energy • 8% Liveness
81% Instrumentalness • 51% Positiveness
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Zaliva-D
Human Addict
160 bpm • G Maj • 05:15 • -10.85db
11% Popularity • 69% Danceability • 71% Energy • 8% Liveness
75% Instrumentalness • 59% Positiveness
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upsammy
Subsoil
160 bpm • E min • 04:18 • -7db
11% Popularity • 73% Danceability • 74% Energy • 5% Liveness
74% Instrumentalness • 81% Positiveness
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Ryoji Ikeda
data.matrix
160 bpm • F# min • 10:01 • -18.76db
26% Popularity • 62% Danceability • 53% Energy • 10% Liveness
79% Instrumentalness • 36% Positiveness
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Tyondai Braxton
Multiplay
160 bpm • D Maj • 03:39 • -10.44db
8% Popularity • 70% Danceability • 98% Energy • 7% Liveness
90% Instrumentalness • 43% Positiveness
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Dawuna
The Lighthouse
160 bpm • G# Maj • 04:31 • -15.72db
16% Popularity • 42% Danceability • 43% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
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Maral
Glimmer's Kiss
160 bpm • A# Maj • 03:30 • -12.91db
7% Popularity • 65% Danceability • 59% Energy • 7% Liveness
92% Instrumentalness • 49% Positiveness
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Eli Keszler
Static Doesn't Exist - Kode9 Remix
160 bpm • A min • 05:33 • -11.6db
8% Popularity • 63% Danceability • 82% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
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Salamanda
Overdose
160 bpm • C# Maj • 03:19 • -15db
15% Popularity • 55% Danceability • 64% Energy • 22% Liveness
88% Instrumentalness • 82% Positiveness
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Yu Su
Words Without Sound
160 bpm • D Maj • 06:04 • -15.44db
12% Popularity • 64% Danceability • 44% Energy • 14% Liveness
69% Instrumentalness • 8% Positiveness
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Koreless
Strangers
160 bpm • A Maj • 05:45 • -11.16db
13% Popularity • 35% Danceability • 32% Energy • 28% Liveness
6% Instrumentalness • 9% Positiveness
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Mark Redito
Barrio Fiesta (Howie Lee Remix)
160 bpm • A Maj • 03:36 • -7.33db
3% Popularity • 72% Danceability • 71% Energy • 69% Liveness
67% Instrumentalness • 17% Positiveness
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Howie Lee
The Jungle of Escaping the Evil
160 bpm • G# min • 03:01 • -9.7db
2% Popularity • 56% Danceability • 58% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
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Zatua
Silver Horizon
160 bpm • B min • 03:11 • -14.2db
15% Popularity • 67% Danceability • 41% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
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Debmaster
Space Tribe
160 bpm • C# min • 02:38 • -10.26db
8% Popularity • 37% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Tomaga
Intimate Immensity
159 bpm • C Maj • 04:44 • -6db
23% Popularity • 51% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 76% Positiveness
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HHY & The Kampala Unit
Lithium Blast
162 bpm • F# Maj • 04:30 • -10.87db
15% Popularity • 28% Danceability • 80% Energy • 32% Liveness
82% Instrumentalness • 47% Positiveness
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Asa Tone
Perpetual Motion Via Jungle Transport
161 bpm • G# Maj • 03:44 • -10db
11% Popularity • 37% Danceability • 77% Energy • 10% Liveness
89% Instrumentalness • 92% Positiveness
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Howie Lee
Island Birdy
160 bpm • E min • 04:18 • -13.58db
12% Popularity • 49% Danceability • 50% Energy • 22% Liveness
79% Instrumentalness • 14% Positiveness
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D.N. Hürter
Yeah Right
158 bpm • F min • 03:02 • -14.06db
12% Popularity • 70% Danceability • 64% Energy • 42% Liveness
89% Instrumentalness • 64% Positiveness
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Yu Su
Xiu - 宫廷 version
162 bpm • D Maj • 05:03 • -14.37db
13% Popularity • 63% Danceability • 57% Energy • 8% Liveness
86% Instrumentalness • 52% Positiveness
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Leila
Space , Love
157 bpm • C# Maj • 04:55 • -11.56db
11% Popularity • 55% Danceability • 53% Energy • 8% Liveness
12% Instrumentalness • 24% Positiveness
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Michel Banabila
Balafon Dub
165 bpm • C# min • 04:42 • -14.64db
15% Popularity • 75% Danceability • 56% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
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Actress
Reverend
163 bpm • F min • 02:58 • -15.58db
30% Popularity • 42% Danceability • 33% Energy • 14% Liveness
9% Instrumentalness • 5% Positiveness
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Howie Lee
Birdy Island
160 bpm • C Maj • 02:27 • -12.69db
30% Popularity • 46% Danceability • 49% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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33EMYBW
Arthropods Continent
165 bpm • G Maj • 07:35 • -7db
13% Popularity • 60% Danceability • 82% Energy • 30% Liveness
85% Instrumentalness • 27% Positiveness
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Yu Su
Xiu
162 bpm • E min • 04:25 • -12db
29% Popularity • 61% Danceability • 71% Energy • 9% Liveness
78% Instrumentalness • 82% Positiveness
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Andrew Pekler
Early Bird (Loose)
154 bpm • C Maj • 03:37 • -15.7db
17% Popularity • 49% Danceability • 48% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
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Gong Gong Gong 工工工
Gong Gong Gong Blues 工工工布é¯æ–¯ ...
166 bpm • C Maj • 04:26 • -12.05db
5% Popularity • 48% Danceability • 77% Energy • 13% Liveness
55% Instrumentalness • 45% Positiveness
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Astrid Sonne
My Attitude My Horoscope
166 bpm • C# min • 04:09 • -14db
30% Popularity • 79% Danceability • 39% Energy • 8% Liveness
91% Instrumentalness • 46% Positiveness
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Howie Lee
Flame Fighters
155 bpm • D Maj • 02:16 • -6.43db
6% Popularity • 78% Danceability • 60% Energy • 34% Liveness
14% Instrumentalness • 27% Positiveness
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Mong Tong
717
166 bpm • G min • 04:10 • -13.02db
20% Popularity • 49% Danceability • 42% Energy • 20% Liveness
77% Instrumentalness • 44% Positiveness
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Francis Harris
Rebstock Fold
166 bpm • C# Maj • 05:31 • -20.68db
16% Popularity • 59% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 73% Positiveness
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SSIEGE
Turbe In Sviluppo
166 bpm • G# Maj • 02:56 • -7db
13% Popularity • 57% Danceability • 42% Energy • 10% Liveness
17% Instrumentalness • 57% Positiveness
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Causalities
167 bpm • A Maj • 02:35 • -13db
12% Popularity • 46% Danceability • 95% Energy • 68% Liveness
89% Instrumentalness • 13% Positiveness
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Zara Knight
Streetlight Serenade
153 bpm • B Maj • 01:43 • -13.47db
15% Popularity • 44% Danceability • 87% Energy • 21% Liveness
38% Instrumentalness • 61% Positiveness
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Howie Lee
æ— ç”±é¢‚ The Unreasonable Song
153 bpm • F Maj • 03:22 • -6.36db
13% Popularity • 60% Danceability • 65% Energy • 10% Liveness
52% Instrumentalness • 56% Positiveness
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Yu Su
The Ultimate Which Manages The World
168 bpm • G Maj • 04:38 • -12db
18% Popularity • 69% Danceability • 58% Energy • 43% Liveness
50% Instrumentalness • 58% Positiveness
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Tristan Arp
Marble Net
168 bpm • F Maj • 01:59 • -12.71db
19% Popularity • 77% Danceability • 42% Energy • 7% Liveness
66% Instrumentalness • 14% Positiveness
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LI YILEI
YAN / 言
152 bpm • D Maj • 02:20 • -21.59db
29% Popularity • 40% Danceability • 35% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Meitei
Yoshiwara
170 bpm • E min • 01:44 • -13.81db
10% Popularity • 27% Danceability • 45% Energy • 35% Liveness
8% Instrumentalness • 62% Positiveness
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upsammy
Extra Warm
170 bpm • G Maj • 03:39 • -8.92db
12% Popularity • 68% Danceability • 83% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Leila
Don't Fall Asleep
170 bpm • C min • 03:27 • -10.23db
9% Popularity • 60% Danceability • 51% Energy • 11% Liveness
51% Instrumentalness • 35% Positiveness
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Facta
Sistine (Plucks)
170 bpm • C# min • 03:29 • -12.92db
19% Popularity • 62% Danceability • 28% Energy • 9% Liveness
51% Instrumentalness • 38% Positiveness
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Sweepsculp
Inking
170 bpm • G Maj • 04:06 • -13.35db
9% Popularity • 76% Danceability • 48% Energy • 7% Liveness
73% Instrumentalness • 32% Positiveness
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Kenna-Rae
CONFLICTIONS
170 bpm • F Maj • 06:01 • -15.67db
11% Popularity • 74% Danceability • 53% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
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Klein
Claim It
150 bpm • B Maj • 06:30 • -9.64db
19% Popularity • 53% Danceability • 59% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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PBDY
Ultra-Gash
150 bpm • F Maj • 01:31 • -14.61db
14% Popularity • 20% Danceability • 56% Energy • 49% Liveness
93% Instrumentalness • 20% Positiveness
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Sam Gendel
Mouthfeel 3
150 bpm • E min • 09:41 • -19.57db
12% Popularity • 60% Danceability • 20% Energy • 62% Liveness
90% Instrumentalness • 20% Positiveness
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Howie Lee
HAO RI ZI
150 bpm • D Maj • 02:38 • -5.7db
10% Popularity • 61% Danceability • 70% Energy • 20% Liveness
7% Instrumentalness • 15% Positiveness
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Yu Su
Touch-Me-Not
150 bpm • B min • 05:27 • -19.18db
22% Popularity • 59% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
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upsammy
Echo Boomed
150 bpm • C Maj • 03:16 • -8.26db
26% Popularity • 73% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Marina Herlop
miu
150 bpm • G# Maj • 04:03 • -14.28db
33% Popularity • 55% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 22% Positiveness
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33EMYBW
Symmetry
172 bpm • D Maj • 02:14 • -14.56db
11% Popularity • 22% Danceability • 22% Energy • 11% Liveness
61% Instrumentalness • 19% Positiveness
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Anthony Naples
Primo
172 bpm • C Maj • 02:52 • -15.75db
30% Popularity • 49% Danceability • 52% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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Tomaga
Ersangerkrieg
172 bpm • A# min • 03:37 • -11.38db
16% Popularity • 54% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 66% Positiveness
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Yu Su
Dusty
150 bpm • G min • 05:57 • -14.37db
14% Popularity • 65% Danceability • 52% Energy • 48% Liveness
90% Instrumentalness • 38% Positiveness
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Salamanda
Knowledge
172 bpm • F# Maj • 04:54 • -11.99db
21% Popularity • 66% Danceability • 58% Energy • 10% Liveness
90% Instrumentalness • 79% Positiveness
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Susumu Yokota
Spectrum of Love
172 bpm • C Maj • 05:13 • -11db
18% Popularity • 52% Danceability • 93% Energy • 42% Liveness
91% Instrumentalness • 40% Positiveness
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Meitei
Seto
149 bpm • F# Maj • 01:53 • -28.56db
40% Popularity • 37% Danceability • 30% Energy • 27% Liveness
26% Instrumentalness • 20% Positiveness
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Michel Banabila
Zoosemiotics - Short Mix
149 bpm • B min • 07:11 • -15.11db
9% Popularity • 36% Danceability • 58% Energy • 37% Liveness
45% Instrumentalness • 28% Positiveness
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Phoenix Dalton
Ashes and Flames
173 bpm • B min • 01:46 • -14.1db
29% Popularity • 42% Danceability • 90% Energy • 20% Liveness
49% Instrumentalness • 70% Positiveness
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Howie Lee
Time to the Sun
148 bpm • C Maj • 06:26 • -13.18db
13% Popularity • 44% Danceability • 30% Energy • 7% Liveness
9% Instrumentalness • 14% Positiveness
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Salamanda
Puddle Underwater
172 bpm • F# Maj • 04:07 • -15.11db
30% Popularity • 69% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 84% Positiveness
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Tomaga
More Flowers
148 bpm • C# Maj • 04:55 • -9.36db
18% Popularity • 63% Danceability • 85% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
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Sega Bodega
Akira
174 bpm • E min • 02:20 • -13.26db
31% Popularity • 35% Danceability • 62% Energy • 33% Liveness
60% Instrumentalness • 39% Positiveness
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Asa Tone
River At Work
174 bpm • A Maj • 04:01 • -14db
13% Popularity • 66% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 93% Positiveness
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BULLA MaQue
Esoteric
174 bpm • A min • 04:30 • -21.05db
14% Popularity • 48% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Tangents
Old Organs
175 bpm • C# Maj • 06:33 • -13.26db
15% Popularity • 28% Danceability • 71% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
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Salamanda
Kali
174 bpm • A Maj • 06:40 • -18.25db
22% Popularity • 62% Danceability • 20% Energy • 38% Liveness
7% Instrumentalness • 30% Positiveness
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Josh Johnson
856
146 bpm • D min • 02:09 • -17db
32% Popularity • 52% Danceability • 23% Energy • 7% Liveness
92% Instrumentalness • 62% Positiveness
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Roméo Poirier
Thalassocratie
175 bpm • F min • 04:58 • -19db
17% Popularity • 24% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Pablo's Eye
Tamil Nadu
176 bpm • D min • 02:18 • -21.05db
18% Popularity • 23% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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33EMYBW
Holes of Time
175 bpm • C# min • 05:38 • -11.84db
13% Popularity • 74% Danceability • 39% Energy • 9% Liveness
75% Instrumentalness • 14% Positiveness
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Howie Lee
The Gate
145 bpm • F# Maj • 04:56 • -10.68db
9% Popularity • 39% Danceability • 53% Energy • 10% Liveness
51% Instrumentalness • 13% Positiveness
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Koeosaeme
1520219:44
145 bpm • C# Maj • 02:50 • -15.12db
11% Popularity • 54% Danceability • 42% Energy • 11% Liveness
40% Instrumentalness • 66% Positiveness
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Qatidiq
145 bpm • A min • 04:12 • -11.94db
10% Popularity • 72% Danceability • 82% Energy • 27% Liveness
51% Instrumentalness • 49% Positiveness
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Asa Tone
To Tell A Picture
177 bpm • E min • 02:02 • -15db
30% Popularity • 67% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 97% Positiveness
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Persian Empire
Fick Berlin
144 bpm • A min • 01:59 • -24.6db
13% Popularity • 89% Danceability • 11% Energy • 24% Liveness
63% Instrumentalness • 99% Positiveness
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Nala Sinephro
Space 3
178 bpm • D# min • 01:15 • -15.58db
39% Popularity • 32% Danceability • 49% Energy • 13% Liveness
53% Instrumentalness • 50% Positiveness
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Gong Gong Gong 工工工
Wei Wei Wei å–‚å–‚å–‚ - Wu Zhuoling Remi...
178 bpm • B Maj • 04:48 • -10.35db
11% Popularity • 61% Danceability • 84% Energy • 7% Liveness
47% Instrumentalness • 25% Positiveness
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Aoki Takamasa
Rhythm Variation 03
178 bpm • C# min • 08:23 • -11.45db
10% Popularity • 81% Danceability • 28% Energy • 7% Liveness
87% Instrumentalness • 26% Positiveness
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Maria Teriaeva
How Are You Feeling?
180 bpm • C# Maj • 03:16 • -16.67db
10% Popularity • 73% Danceability • 56% Energy • 9% Liveness
81% Instrumentalness • 41% Positiveness
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Howie Lee
21th Century Suicide
180 bpm • E Maj • 04:57 • -11.39db
2% Popularity • 31% Danceability • 58% Energy • 11% Liveness
3% Instrumentalness • 7% Positiveness
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LI YILEI
CHU / 處
180 bpm • A Maj • 02:23 • -16db
38% Popularity • 50% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 19% Positiveness
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Parris
YÅ«rei
180 bpm • G Maj • 03:58 • -10.32db
16% Popularity • 76% Danceability • 64% Energy • 4% Liveness
12% Instrumentalness • 56% Positiveness
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Frank Bretschneider
A soft throbbing of time
180 bpm • G Maj • 07:46 • -17db
19% Popularity • 83% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Emeka Ogboh
Everydaywehustlin
180 bpm • E min • 09:36 • -13.87db
8% Popularity • 70% Danceability • 47% Energy • 7% Liveness
52% Instrumentalness • 26% Positiveness
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Astrid Sonne
Stuck in Pause
180 bpm • D Maj • 03:03 • -16.04db
35% Popularity • 49% Danceability • 32% Energy • 7% Liveness
94% Instrumentalness • 16% Positiveness
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Ingrid Mader
Can't Stop
180 bpm • F# min • 02:06 • -9.73db
21% Popularity • 61% Danceability • 96% Energy • 9% Liveness
89% Instrumentalness • 67% Positiveness
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Miyu Hosoi
(((|||
180 bpm • E min • 02:04 • -20.33db
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Asa Tone
Inexplicable Notion (Location Specific)
180 bpm • F Maj • 04:00 • -8.32db
7% Popularity • 67% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
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Howie Lee
Feather Signifier
180 bpm • C Maj • 04:32 • -14.21db
10% Popularity • 48% Danceability • 46% Energy • 10% Liveness
77% Instrumentalness • 13% Positiveness
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The Jungle of Escaping the Evil