Songs like The Key To You by David Benoit
Based on a tempo of (+/- 10%) and a similar genre
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Brian Tarquin
Rainfall
80 bpm • C# min • 04:46 • -7.82db
15% Popularity • 65% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 65% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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David Benoit
The Key To You
80 bpm • G# Maj • 05:02 • -18.82db
43% Popularity • 60% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 60% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Scott
The Biggest Part of Me
80 bpm • D# Maj • 04:14 • -14.73db
12% Popularity • 64% Danceability • 46% Energy • 4% Liveness
2% Instrumentalness • 69% Positiveness
12% Popularity • 64% Danceability • 46% Energy • 4% Liveness
2% Instrumentalness • 69% Positiveness
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Dave Grusin
Haunting Me
79 bpm • F Maj • 05:07 • -14.04db
35% Popularity • 68% Danceability • 41% Energy • 6% Liveness
1% Instrumentalness • 54% Positiveness
35% Popularity • 68% Danceability • 41% Energy • 6% Liveness
1% Instrumentalness • 54% Positiveness
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Patti Austin
All Behind Us Now
81 bpm • G# Maj • 04:59 • -6db
50% Popularity • 63% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 63% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
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David Pack
That Girl Is Gone
81 bpm • A Maj • 04:44 • -7.01db
42% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Angela Bofill
Baby, I Need Your Love
81 bpm • G# Maj • 04:12 • -7.16db
31% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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David Benoit
Kei's Song
79 bpm • A Maj • 03:47 • -19db
30% Popularity • 36% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
30% Popularity • 36% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Bill LaBounty
Dream On
81 bpm • C Maj • 04:22 • -12.96db
52% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Ritenour
I Can’t Let Go - Remastered
82 bpm • F# Maj • 04:16 • -5.97db
45% Popularity • 64% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 67% Positiveness
45% Popularity • 64% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 67% Positiveness
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Kevyn Lettau
Every Breath You Take
78 bpm • D Maj • 05:48 • -7.79db
19% Popularity • 45% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 45% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Kenny Rankin
Strings
82 bpm • D Maj • 02:59 • -16.27db
30% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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John Klemmer
Let's Make Love
82 bpm • F min • 03:54 • -12.19db
25% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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David Benoit
Your Song
79 bpm • D# Maj • 03:32 • -17.48db
16% Popularity • 33% Danceability • 20% Energy • 21% Liveness
88% Instrumentalness • 14% Positiveness
16% Popularity • 33% Danceability • 20% Energy • 21% Liveness
88% Instrumentalness • 14% Positiveness
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Tom Grant
Blue Voyage
78 bpm • C Maj • 05:02 • -13.54db
33% Popularity • 54% Danceability • 59% Energy • 13% Liveness
74% Instrumentalness • 57% Positiveness
33% Popularity • 54% Danceability • 59% Energy • 13% Liveness
74% Instrumentalness • 57% Positiveness
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Dan Siegel
Friends Forever
82 bpm • F Maj • 04:12 • -10.81db
27% Popularity • 64% Danceability • 43% Energy • 10% Liveness
49% Instrumentalness • 26% Positiveness
27% Popularity • 64% Danceability • 43% Energy • 10% Liveness
49% Instrumentalness • 26% Positiveness
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Andrea Razzauti
Lover's Kiss
82 bpm • C Maj • 04:09 • -9db
29% Popularity • 72% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 72% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Kenny Rankin
Regrets - LP / Single Version
78 bpm • A Maj • 03:55 • -19.72db
30% Popularity • 50% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 50% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Workshy
Lately
82 bpm • A# Maj • 04:15 • -13.16db
30% Popularity • 70% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 70% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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David Benoit
Remembering What You Said
82 bpm • F Maj • 04:30 • -17.21db
15% Popularity • 52% Danceability • 42% Energy • 9% Liveness
26% Instrumentalness • 51% Positiveness
15% Popularity • 52% Danceability • 42% Energy • 9% Liveness
26% Instrumentalness • 51% Positiveness
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Nelson Rangell
That's The Way Of The World
82 bpm • C# Maj • 04:55 • -9.36db
25% Popularity • 58% Danceability • 58% Energy • 7% Liveness
46% Instrumentalness • 46% Positiveness
25% Popularity • 58% Danceability • 58% Energy • 7% Liveness
46% Instrumentalness • 46% Positiveness
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Gregg Karukas
Deep Into You
82 bpm • D min • 05:16 • -12.06db
31% Popularity • 63% Danceability • 51% Energy • 11% Liveness
52% Instrumentalness • 47% Positiveness
31% Popularity • 63% Danceability • 51% Energy • 11% Liveness
52% Instrumentalness • 47% Positiveness
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Incognito
A Shade Of Blue
82 bpm • A# min • 05:45 • -14.16db
32% Popularity • 68% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 68% Positiveness
32% Popularity • 68% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 68% Positiveness
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Walter Beasley
Do You Wanna Dance
78 bpm • G# Maj • 03:38 • -13.2db
40% Popularity • 61% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 61% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Lee Ritenour
Is It You?
82 bpm • G min • 04:34 • -10db
37% Popularity • 65% Danceability • 41% Energy • 80% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 65% Danceability • 41% Energy • 80% Liveness
0% Instrumentalness • 54% Positiveness
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David Benoit
Happiness
78 bpm • C# Maj • 03:47 • -17.59db
16% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Quincy Jones
Do Nothin' Till You Hear From Me
82 bpm • A Maj • 03:57 • -8.04db
41% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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John Klemmer
Lifesong
78 bpm • D# Maj • 04:01 • -16db
28% Popularity • 63% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 63% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Dave Grusin
Somewhere Between Old And New York
77 bpm • D# Maj • 04:35 • -14.11db
12% Popularity • 58% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 58% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Joe McBride
Never Let You Go
83 bpm • A# min • 04:13 • -9db
33% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Lee Ritenour
Is It You
82 bpm • A# Maj • 04:29 • -16.36db
53% Popularity • 72% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 82% Positiveness
53% Popularity • 72% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 82% Positiveness
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David Benoit
Searching For June
83 bpm • G min • 04:42 • -13.14db
25% Popularity • 53% Danceability • 45% Energy • 31% Liveness
84% Instrumentalness • 37% Positiveness
25% Popularity • 53% Danceability • 45% Energy • 31% Liveness
84% Instrumentalness • 37% Positiveness
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Tom Scott
Come Back to Me
77 bpm • C min • 04:19 • -14.62db
26% Popularity • 64% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 64% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Leif Garrett
When I Think of You
83 bpm • G min • 03:03 • -16db
38% Popularity • 50% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Brown
Don't Let Me Be Lonely Tonight
77 bpm • D Maj • 02:53 • -8.03db
35% Popularity • 72% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
35% Popularity • 72% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Maurice White
I Need You
77 bpm • C# Maj • 04:34 • -11db
36% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Lee Ritenour
Keep It Alive
83 bpm • F Maj • 04:51 • -14.52db
34% Popularity • 63% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 63% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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David Benoit
Someday Soon
83 bpm • D Maj • 04:55 • -12.85db
22% Popularity • 61% Danceability • 59% Energy • 13% Liveness
45% Instrumentalness • 38% Positiveness
22% Popularity • 61% Danceability • 59% Energy • 13% Liveness
45% Instrumentalness • 38% Positiveness
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Clair Marlo
Do You Love Me
83 bpm • G# Maj • 03:52 • -14.22db
38% Popularity • 41% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 41% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Deon Estus
Spell
76 bpm • C Maj • 04:36 • -16.39db
37% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Ambrosia
I Just Can't Let Go
76 bpm • E Maj • 05:20 • -8db
34% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Khani Cole
You've Made Me So Very Happy
84 bpm • C# Maj • 05:04 • -9.14db
21% Popularity • 38% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 38% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Bill Cantos
Who Are You
84 bpm • C# min • 04:36 • -11.56db
28% Popularity • 70% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 70% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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David Benoit
You Read My Mind
82 bpm • F Maj • 04:51 • -10db
50% Popularity • 58% Danceability • 64% Energy • 12% Liveness
90% Instrumentalness • 67% Positiveness
50% Popularity • 58% Danceability • 64% Energy • 12% Liveness
90% Instrumentalness • 67% Positiveness
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George Howard
Baby Come To Me
84 bpm • G# Maj • 06:34 • -8.92db
29% Popularity • 45% Danceability • 55% Energy • 6% Liveness
8% Instrumentalness • 68% Positiveness
29% Popularity • 45% Danceability • 55% Energy • 6% Liveness
8% Instrumentalness • 68% Positiveness
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Jay Graydon
Roxann
84 bpm • G Maj • 04:43 • -12db
30% Popularity • 64% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 64% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Bill LaBounty
Livin' It Up
84 bpm • F min • 04:21 • -14.08db
46% Popularity • 62% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
46% Popularity • 62% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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James Ingram
She Loves Me (The Best That I Can Be)
76 bpm • G Maj • 03:38 • -15.56db
44% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kim Pensyl
That's The Way Of The World
76 bpm • F# Maj • 05:43 • -12db
41% Popularity • 67% Danceability • 37% Energy • 4% Liveness
13% Instrumentalness • 63% Positiveness
41% Popularity • 67% Danceability • 37% Energy • 4% Liveness
13% Instrumentalness • 63% Positiveness
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David Benoit
Along The Milky Way
82 bpm • F Maj • 04:08 • -16.27db
10% Popularity • 61% Danceability • 35% Energy • 6% Liveness
2% Instrumentalness • 31% Positiveness
10% Popularity • 61% Danceability • 35% Energy • 6% Liveness
2% Instrumentalness • 31% Positiveness
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George Duke
You
84 bpm • G Maj • 04:38 • -12.83db
40% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Nicolette Larson
Let Me Go, Love
76 bpm • G# Maj • 03:49 • -15db
40% Popularity • 53% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 53% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Booker T.
I Came To Love You
85 bpm • C# Maj • 04:09 • -13.82db
33% Popularity • 67% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 67% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Dave Grusin
Tick Tock
75 bpm • E min • 04:16 • -17.13db
18% Popularity • 73% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
18% Popularity • 73% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
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Bobby Lyle
Feel Like Makin' Love
85 bpm • F min • 04:51 • -9.24db
24% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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David Benoit
If I Could Reach Rainbows
78 bpm • G Maj • 04:40 • -13.2db
11% Popularity • 46% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
11% Popularity • 46% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Dave Valentin
In Love's Time
75 bpm • D Maj • 04:57 • -11.13db
28% Popularity • 63% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 63% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Marc Antoine
Sand Castle
85 bpm • G Maj • 04:13 • -7.95db
33% Popularity • 56% Danceability • 77% Energy • 11% Liveness
89% Instrumentalness • 79% Positiveness
33% Popularity • 56% Danceability • 77% Energy • 11% Liveness
89% Instrumentalness • 79% Positiveness
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Channels
I'm so Sorry
86 bpm • D Maj • 05:00 • -5.23db
18% Popularity • 42% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 42% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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El DeBarge
Someone
85 bpm • C# min • 04:43 • -13db
45% Popularity • 61% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 61% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bobby Lyle
Poinciana
85 bpm • D Maj • 04:38 • -13db
34% Popularity • 65% Danceability • 49% Energy • 29% Liveness
75% Instrumentalness • 43% Positiveness
34% Popularity • 65% Danceability • 49% Energy • 29% Liveness
75% Instrumentalness • 43% Positiveness
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Paul Jackson, Jr.
Lost and Never Found
86 bpm • D Maj • 04:18 • -13.59db
18% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Anita Baker
Just Because
86 bpm • G# Maj • 05:11 • -9db
41% Popularity • 59% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 59% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
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Cynthia Rhodes
Finding Out The Hard Way
75 bpm • G Maj • 03:34 • -20.77db
40% Popularity • 59% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 59% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Patti Austin
In My Life
86 bpm • G# Maj • 04:04 • -13.2db
43% Popularity • 46% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 46% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Kevyn Lettau
Far Away
86 bpm • C# Maj • 03:59 • -13.17db
38% Popularity • 63% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 63% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Grant
Fantasy
86 bpm • E min • 04:54 • -10.24db
32% Popularity • 32% Danceability • 64% Energy • 14% Liveness
80% Instrumentalness • 31% Positiveness
32% Popularity • 32% Danceability • 64% Energy • 14% Liveness
80% Instrumentalness • 31% Positiveness
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Sheena Easton
So Much In Love
86 bpm • F# Maj • 03:04 • -15.06db
40% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Anita Baker
Just Because - Single Version #2
86 bpm • G# Maj • 04:20 • -7.28db
32% Popularity • 59% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 59% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Mark Winkler
Two for the Road
86 bpm • F# Maj • 03:35 • -15.2db
16% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Joe McBride
Baby Come Back
74 bpm • C# Maj • 04:09 • -9.58db
34% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Kevyn Lettau
Faw Away
86 bpm • C# Maj • 03:56 • -9.36db
21% Popularity • 72% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 72% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Andrea Razzauti
Not Just Another Love
74 bpm • A min • 04:32 • -10.04db
27% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Incognito
Still A Friend Of Mine
87 bpm • A Maj • 05:37 • -14.13db
45% Popularity • 65% Danceability • 54% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
45% Popularity • 65% Danceability • 54% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
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Angela Bofill
Break It To Me Gently
73 bpm • C Maj • 03:52 • -12db
47% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Andy Snitzer
You've Changed
73 bpm • C# min • 05:02 • -9.8db
37% Popularity • 62% Danceability • 51% Energy • 6% Liveness
69% Instrumentalness • 29% Positiveness
37% Popularity • 62% Danceability • 51% Energy • 6% Liveness
69% Instrumentalness • 29% Positiveness
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Hiroshima
Why can't i love you
73 bpm • F min • 04:50 • -18.46db
7% Popularity • 69% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 69% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Bill Champlin
Gotta Get Back to Love
73 bpm • C# Maj • 03:30 • -14.76db
28% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Workshy
In This Neighbourhood
73 bpm • B Maj • 05:01 • -18.73db
17% Popularity • 69% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
17% Popularity • 69% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Steve Oliver
I Know
88 bpm • F# min • 04:59 • -9.21db
13% Popularity • 68% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 68% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Andreas Aleman
Helplessly in Love
88 bpm • G# Maj • 04:16 • -7db
39% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Stephen Bishop
Send a Little Love My Way (Like Always)
73 bpm • A Maj • 03:46 • -11.05db
40% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Deodato
Forever for You
88 bpm • C Maj • 05:32 • -11.66db
20% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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State Cows
All Over
88 bpm • A Maj • 04:10 • -11.1db
32% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Stanley Clarke
Sweet Baby
73 bpm • E Maj • 03:47 • -14.22db
56% Popularity • 62% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
56% Popularity • 62% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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David Benoit
Never Can Say Goodbye
88 bpm • G Maj • 04:18 • -11db
33% Popularity • 67% Danceability • 57% Energy • 8% Liveness
95% Instrumentalness • 35% Positiveness
33% Popularity • 67% Danceability • 57% Energy • 8% Liveness
95% Instrumentalness • 35% Positiveness
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George Benson
I Just Wanna Hang Around You
73 bpm • B Maj • 04:28 • -13.73db
46% Popularity • 51% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 51% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Walter Beasley
It Might Be You
88 bpm • G Maj • 04:37 • -11.09db
34% Popularity • 63% Danceability • 41% Energy • 8% Liveness
5% Instrumentalness • 49% Positiveness
34% Popularity • 63% Danceability • 41% Energy • 8% Liveness
5% Instrumentalness • 49% Positiveness
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James Taylor
If I Keep My Heart Out of Sight
73 bpm • F# min • 02:57 • -14.2db
51% Popularity • 60% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 60% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Jackson, Jr.
Let's Wait Awhile
88 bpm • C# Maj • 05:17 • -13.89db
37% Popularity • 61% Danceability • 44% Energy • 4% Liveness
38% Instrumentalness • 54% Positiveness
37% Popularity • 61% Danceability • 44% Energy • 4% Liveness
38% Instrumentalness • 54% Positiveness
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Clair Marlo
'Til They Take My Heart Away
88 bpm • A Maj • 04:18 • -14.14db
63% Popularity • 56% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 56% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Stanley Clarke
Touch And Go
72 bpm • F# min • 04:37 • -15.27db
24% Popularity • 50% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 50% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Basia
Astrud
89 bpm • E min • 04:38 • -16.25db
29% Popularity • 65% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
29% Popularity • 65% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
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Lou Pardini
What Might Have Been
89 bpm • G# Maj • 05:26 • -8.25db
27% Popularity • 38% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 38% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 43% Positiveness
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Kim Waters
Midnight At The Oasis
89 bpm • G# Maj • 05:20 • -8.24db
49% Popularity • 64% Danceability • 64% Energy • 4% Liveness
78% Instrumentalness • 42% Positiveness
49% Popularity • 64% Danceability • 64% Energy • 4% Liveness
78% Instrumentalness • 42% Positiveness
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James Ingram
I Don't Have the Heart
89 bpm • D Maj • 04:13 • -8db
58% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Renato Falaschi
Breezin'
89 bpm • C# Maj • 04:44 • -7.2db
46% Popularity • 69% Danceability • 69% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
46% Popularity • 69% Danceability • 69% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
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Bob Baldwin
I Wanna Be Where You Are
89 bpm • E min • 05:46 • -8.17db
41% Popularity • 70% Danceability • 85% Energy • 10% Liveness
88% Instrumentalness • 67% Positiveness
41% Popularity • 70% Danceability • 85% Energy • 10% Liveness
88% Instrumentalness • 67% Positiveness
