Songs like The Killing of Georgie (Pt. I and II) - 2009 Remaster by Rod Stewart
Based on a tempo of (+/- 10%) and a similar genre
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Kirsty MacColl
Days
98 bpm • A Maj • 03:00 • -6.63db
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Rod Stewart
The Killing of Georgie, Pt. I and II
98 bpm • D# Maj • 06:29 • -9.4db
31% Popularity • 35% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 35% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Art Garfunkel
(What A) Wonderful World
98 bpm • A Maj • 03:30 • -18db
36% Popularity • 65% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 65% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Joel
Don't Ask Me Why
98 bpm • F Maj • 02:57 • -7.35db
58% Popularity • 69% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 69% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Peter Frampton
I'm In You
98 bpm • C Maj • 04:10 • -7.16db
46% Popularity • 33% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 33% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Lindisfarne
Clear White Light
99 bpm • F Maj • 04:01 • -14.96db
24% Popularity • 48% Danceability • 51% Energy • 52% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 48% Danceability • 51% Energy • 52% Liveness
0% Instrumentalness • 50% Positiveness
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America
Don't Cross the River
97 bpm • D Maj • 02:29 • -10db
51% Popularity • 57% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 57% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Rod Stewart
The Killing of Georgie (Pt. I and II) - ...
98 bpm • D# Maj • 06:18 • -12.14db
43% Popularity • 40% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 40% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Elvis Costello & The Attractions
Good Year For The Roses
97 bpm • A Maj • 03:08 • -10.96db
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Crosby, Stills & Nash
Love the One You're With
97 bpm • C Maj • 03:04 • -12.9db
55% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
55% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Byrds
Ballad of Easy Rider
97 bpm • D Maj • 02:04 • -12db
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
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Them
Here Comes the Night
99 bpm • E Maj • 02:47 • -9.42db
47% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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David Soul
Black Bean Soup
96 bpm • A Maj • 02:39 • -15.12db
18% Popularity • 70% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 70% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Rod Stewart
The Killing of Georgie, Pts. I & II
98 bpm • D# Maj • 06:17 • -8.21db
24% Popularity • 31% Danceability • 70% Energy • 62% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 31% Danceability • 70% Energy • 62% Liveness
0% Instrumentalness • 37% Positiveness
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Robert Palmer
Can We Still Be Friends?
96 bpm • E min • 03:38 • -11db
40% Popularity • 78% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 78% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Seals and Crofts
Get Closer
96 bpm • D Maj • 03:58 • -12.64db
54% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Deacon Blue
Chocolate Girl
100 bpm • F Maj • 03:16 • -13db
28% Popularity • 66% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 66% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Raspberries
Overnight Sensation
100 bpm • F Maj • 05:36 • -6.7db
32% Popularity • 29% Danceability • 87% Energy • 24% Liveness
23% Instrumentalness • 47% Positiveness
32% Popularity • 29% Danceability • 87% Energy • 24% Liveness
23% Instrumentalness • 47% Positiveness
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Chas & Dave
Wish I Could Write a Love Song
100 bpm • G Maj • 04:01 • -9.07db
13% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Rod Stewart
This Old Heart of Mine - 2008 Remaster
99 bpm • A Maj • 04:05 • -10.52db
39% Popularity • 62% Danceability • 54% Energy • 25% Liveness
26% Instrumentalness • 84% Positiveness
39% Popularity • 62% Danceability • 54% Energy • 25% Liveness
26% Instrumentalness • 84% Positiveness
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Art Garfunkel
A Heart In New York
96 bpm • D min • 03:11 • -18.94db
36% Popularity • 44% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 44% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Congregation
Softly Whispering I Love You
96 bpm • A# Maj • 03:01 • -7.2db
34% Popularity • 36% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
34% Popularity • 36% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
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Dr. Hook
Only Sixteen
100 bpm • F Maj • 02:47 • -16.61db
50% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Moody Blues
Driftwood - Edit Version
100 bpm • D Maj • 04:21 • -13.79db
17% Popularity • 36% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
17% Popularity • 36% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
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David Soul
Going in with my eyes open
100 bpm • D Maj • 04:03 • -13.68db
28% Popularity • 57% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 57% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Rod Stewart
The Killing of Georgie (Pt. I) - Early V...
97 bpm • A# Maj • 04:24 • -15.15db
13% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bee Gees
Mr. Natural
100 bpm • C Maj • 03:48 • -12.04db
28% Popularity • 66% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 66% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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The Walker Brothers
No Regrets
101 bpm • D Maj • 05:43 • -15db
39% Popularity • 56% Danceability • 45% Energy • 14% Liveness
10% Instrumentalness • 50% Positiveness
39% Popularity • 56% Danceability • 45% Energy • 14% Liveness
10% Instrumentalness • 50% Positiveness
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Pretenders
Hymn to Her - 2007 Remaster
95 bpm • C Maj • 04:58 • -9.35db
45% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Electric Light Orchestra
Strange Magic
95 bpm • A min • 04:07 • -10.43db
55% Popularity • 44% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 44% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Glenn Frey
I Found Somebody
95 bpm • A Maj • 04:05 • -10.1db
36% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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C.C.S.
Tap Turns on the Water
95 bpm • E min • 03:43 • -10.21db
27% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Renaissance
Northern Lights
95 bpm • E Maj • 04:07 • -10.87db
36% Popularity • 50% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 50% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
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Traffic
Hole In My Shoe
102 bpm • B Maj • 03:01 • -8.8db
34% Popularity • 49% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 49% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
71% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
71% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Tom Robinson
War Baby
102 bpm • B min • 04:05 • -11db
26% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Bee Gees
Lonely Days
94 bpm • C min • 03:45 • -14.5db
51% Popularity • 33% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 33% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 37% Positiveness
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Badfinger
Come And Get It - Remastered 2010
94 bpm • G# Maj • 02:23 • -7db
49% Popularity • 62% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 62% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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The Moody Blues
Driftwood
102 bpm • D Maj • 05:01 • -16db
33% Popularity • 35% Danceability • 40% Energy • 19% Liveness
3% Instrumentalness • 40% Positiveness
33% Popularity • 35% Danceability • 40% Energy • 19% Liveness
3% Instrumentalness • 40% Positiveness
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Traveling Wilburys
You Took My Breath Away
94 bpm • C Maj • 03:18 • -6db
45% Popularity • 61% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 61% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Paul Simon
Take Me to the Mardi Gras
102 bpm • A Maj • 03:30 • -14.04db
39% Popularity • 69% Danceability • 47% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
39% Popularity • 69% Danceability • 47% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
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Art Garfunkel
Break Away
103 bpm • E Maj • 03:35 • -16db
31% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Dr. Hook
Better Love Next Time
103 bpm • A Maj • 03:02 • -10db
46% Popularity • 77% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 77% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Don McLean
Empty Chairs
93 bpm • G Maj • 03:27 • -20db
50% Popularity • 51% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 51% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Squeeze
Labelled With Love
93 bpm • E Maj • 04:43 • -18db
41% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Jackson Browne
The Pretender
103 bpm • G Maj • 05:51 • -7.98db
54% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Rod Stewart
You're in My Heart (The Final Acclaim)
103 bpm • A Maj • 04:30 • -11db
57% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Seals and Crofts
Hummingbird
93 bpm • D min • 04:33 • -10db
44% Popularity • 40% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 40% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Dr. Hook
If Not You
93 bpm • D Maj • 03:17 • -13.16db
46% Popularity • 55% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 40% Positiveness
46% Popularity • 55% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 40% Positiveness
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Lindisfarne
Meet Me On The Corner
93 bpm • A Maj • 02:40 • -14.44db
40% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Chicago
If You Leave Me Now
104 bpm • B Maj • 03:55 • -6.78db
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jackson Browne
Rosie - Remastered
104 bpm • E Maj • 03:41 • -14db
43% Popularity • 57% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 57% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Rod Stewart
The Best Days of My Life - 2008 Remaster
104 bpm • A Maj • 04:21 • -15db
27% Popularity • 56% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
27% Popularity • 56% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
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Hudson-Ford
Pick Up The Pieces
92 bpm • C# min • 02:36 • -8.85db
16% Popularity • 56% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 56% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Bread
Dismal Day
104 bpm • G Maj • 02:21 • -13.74db
30% Popularity • 69% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Seals and Crofts
I'll Play for You
92 bpm • G Maj • 04:05 • -12.31db
38% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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James Taylor
You've Got a Friend - 2019 Remaster
92 bpm • A Maj • 04:28 • -18.63db
68% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
68% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Don McLean
The Grave
105 bpm • F Maj • 03:14 • -18.49db
35% Popularity • 46% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 46% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Rod Stewart
Jodie - Single Version
92 bpm • B Maj • 03:12 • -9.81db
6% Popularity • 54% Danceability • 72% Energy • 14% Liveness
7% Instrumentalness • 74% Positiveness
6% Popularity • 54% Danceability • 72% Energy • 14% Liveness
7% Instrumentalness • 74% Positiveness
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Bee Gees
I Can't See Nobody
105 bpm • D Maj • 03:47 • -13.28db
42% Popularity • 29% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 29% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Faces
Stay with Me
91 bpm • A Maj • 04:39 • -8.38db
60% Popularity • 46% Danceability • 87% Energy • 36% Liveness
6% Instrumentalness • 81% Positiveness
60% Popularity • 46% Danceability • 87% Energy • 36% Liveness
6% Instrumentalness • 81% Positiveness
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Dr. Hook
A Little Bit More
91 bpm • G Maj • 03:18 • -10.33db
41% Popularity • 38% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 38% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Lindisfarne
Lady Eleanor - Remastered
105 bpm • B min • 04:15 • -13.82db
36% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Don McLean
Vincent
92 bpm • G Maj • 04:03 • -19.39db
70% Popularity • 42% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
70% Popularity • 42% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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The Christians
Ideal World
91 bpm • G Maj • 04:36 • -14db
36% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Jackson Browne
The Load-Out - Remastered
106 bpm • G Maj • 05:35 • -11.71db
51% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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10cc
Donna
106 bpm • C min • 02:57 • -6.62db
37% Popularity • 72% Danceability • 57% Energy • 15% Liveness
3% Instrumentalness • 45% Positiveness
37% Popularity • 72% Danceability • 57% Energy • 15% Liveness
3% Instrumentalness • 45% Positiveness
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Herman's Hermits
Oh You Pretty Things
91 bpm • C# Maj • 03:04 • -12.84db
17% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Billy Joel
An Innocent Man
106 bpm • C Maj • 05:18 • -9.44db
54% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Supertramp
Give A Little Bit
91 bpm • D Maj • 04:08 • -5.36db
75% Popularity • 53% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
75% Popularity • 53% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
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Bee Gees
Jive Talkin'
106 bpm • G min • 03:42 • -12.97db
62% Popularity • 81% Danceability • 55% Energy • 16% Liveness
9% Instrumentalness • 73% Positiveness
62% Popularity • 81% Danceability • 55% Energy • 16% Liveness
9% Instrumentalness • 73% Positiveness
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Rod Stewart
Man Of Constant Sorrow
91 bpm • G Maj • 02:31 • -15.75db
20% Popularity • 47% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 47% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Wings
Mull Of Kintyre - Remastered 1993
91 bpm • D Maj • 04:42 • -14db
51% Popularity • 35% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 35% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Paul McCartney
This One - Remastered 2017
106 bpm • A Maj • 04:12 • -9.49db
31% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Dr. Hook
More Like The Movies
106 bpm • D# Maj • 03:46 • -11.44db
34% Popularity • 50% Danceability • 39% Energy • 8% Liveness
4% Instrumentalness • 48% Positiveness
34% Popularity • 50% Danceability • 39% Energy • 8% Liveness
4% Instrumentalness • 48% Positiveness
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Al Stewart
Flying Sorcery - 2001 Remaster
90 bpm • D Maj • 04:22 • -11.51db
31% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Bee Gees
Lay It On Me
106 bpm • E Maj • 02:07 • -16.34db
30% Popularity • 76% Danceability • 39% Energy • 14% Liveness
11% Instrumentalness • 89% Positiveness
30% Popularity • 76% Danceability • 39% Energy • 14% Liveness
11% Instrumentalness • 89% Positiveness
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Rod Stewart
I Was Only Joking
106 bpm • A# Maj • 06:07 • -9db
50% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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America
Daisy Jane
90 bpm • C Maj • 03:06 • -17db
49% Popularity • 52% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 52% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Moody Blues
Never Comes The Day
107 bpm • G Maj • 04:43 • -11db
40% Popularity • 28% Danceability • 42% Energy • 46% Liveness
1% Instrumentalness • 18% Positiveness
40% Popularity • 28% Danceability • 42% Energy • 46% Liveness
1% Instrumentalness • 18% Positiveness
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Little River Band
Help Is On Its Way - Remastered 2022
107 bpm • G Maj • 03:57 • -6.59db
54% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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10cc
Good Morning Judge
107 bpm • A Maj • 02:54 • -9.49db
50% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Bee Gees
To Love Somebody
90 bpm • A Maj • 03:02 • -12.5db
69% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Rod Stewart
Oh! No Not My Baby - Single Version
90 bpm • E min • 03:41 • -9.03db
18% Popularity • 38% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 38% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Monkees
Pleasant Valley Sunday - 2007 Remaster
90 bpm • A Maj • 03:14 • -6.38db
44% Popularity • 42% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 42% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Gilbert O'Sullivan
Who Knows, Perhaps Maybe
107 bpm • A Maj • 03:13 • -7.54db
13% Popularity • 79% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 79% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Van Morrison
Spanish Rose
90 bpm • G Maj • 03:05 • -11.28db
38% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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10cc
The Things We Do For Love
107 bpm • C# Maj • 03:27 • -9.84db
65% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
65% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Jackson Browne
Stay - Remastered
107 bpm • G Maj • 03:24 • -8.27db
60% Popularity • 60% Danceability • 76% Energy • 11% Liveness
30% Instrumentalness • 72% Positiveness
60% Popularity • 60% Danceability • 76% Energy • 11% Liveness
30% Instrumentalness • 72% Positiveness
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Rod Stewart
What's Made Milwaukee Famous (Has Made A...
106 bpm • E Maj • 02:51 • -7.42db
18% Popularity • 62% Danceability • 58% Energy • 23% Liveness
3% Instrumentalness • 73% Positiveness
18% Popularity • 62% Danceability • 58% Energy • 23% Liveness
3% Instrumentalness • 73% Positiveness
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The Commitments
Try A Little Tenderness
107 bpm • C# min • 04:32 • -13.33db
42% Popularity • 37% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 37% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Don Henley
You Can't Make Love
107 bpm • A Maj • 03:33 • -13.36db
39% Popularity • 70% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 70% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Voyager
Halfway Hotel
107 bpm • C# Maj • 04:06 • -8.54db
22% Popularity • 74% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 74% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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Crosby, Stills & Nash
Marrakesh Express
107 bpm • G Maj • 02:39 • -14db
42% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Three Dog Night
Pieces Of April - Single Version
89 bpm • A# Maj • 04:10 • -20.18db
36% Popularity • 53% Danceability • 16% Energy • 13% Liveness
8% Instrumentalness • 32% Positiveness
36% Popularity • 53% Danceability • 16% Energy • 13% Liveness
8% Instrumentalness • 32% Positiveness
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Rod Stewart
I Was Only Joking - Early Take 4
107 bpm • A# Maj • 06:34 • -14.36db
8% Popularity • 65% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 65% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Carole King
Way Over Yonder
89 bpm • F min • 04:43 • -12db
46% Popularity • 49% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 49% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Gordon Lightfoot
Daylight Katy
108 bpm • B Maj • 04:20 • -12.9db
40% Popularity • 50% Danceability • 40% Energy • 7% Liveness
8% Instrumentalness • 37% Positiveness
40% Popularity • 50% Danceability • 40% Energy • 7% Liveness
8% Instrumentalness • 37% Positiveness
