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The King
Songs like
The King
by
Sarah Kinsley
Based on a tempo of (+/- 10%) and a similar genre
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Sarah Kinsley
The King
109 bpm • F# Maj • 03:26 • -6db
59% Popularity • 63% Danceability • 67% Energy • 9% Liveness
11% Instrumentalness • 72% Positiveness
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Lunar Vacation
Only You
109 bpm • E Maj • 04:36 • -8.53db
35% Popularity • 58% Danceability • 55% Energy • 15% Liveness
7% Instrumentalness • 42% Positiveness
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Hannah Jadagu
All My Time Is Wasted
110 bpm • F# Maj • 03:20 • -8db
36% Popularity • 64% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Delaney Bailey
Finish Line
109 bpm • D Maj • 02:38 • -16db
61% Popularity • 49% Danceability • 18% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Sophie May
Somewhere Far
110 bpm • C# Maj • 01:06 • -11.85db
49% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Babygirl
I Wish I Never Met You
110 bpm • C# Maj • 03:31 • -9.15db
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
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Japanese Breakfast
Be Sweet
110 bpm • D min • 03:15 • -5.82db
63% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Unflirt
Crush
110 bpm • G Maj • 02:13 • -13.25db
48% Popularity • 57% Danceability • 26% Energy • 12% Liveness
57% Instrumentalness • 20% Positiveness
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The Japanese House
Touching Yourself
108 bpm • D# Maj • 03:01 • -5.99db
65% Popularity • 71% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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girlpuppy
Surprise Me
110 bpm • A# Maj • 03:06 • -9.02db
36% Popularity • 61% Danceability • 44% Energy • 10% Liveness
26% Instrumentalness • 28% Positiveness
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Kate Bollinger
Yards / Gardens
108 bpm • A# Maj • 02:21 • -7.52db
60% Popularity • 80% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 74% Positiveness
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Chappell Roan
After Midnight
110 bpm • F Maj • 03:24 • -3.84db
69% Popularity • 71% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Sarah Kinsley
What Was Mine
108 bpm • E Maj • 03:14 • -6.25db
32% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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spill tab
Anybody Else
108 bpm • C min • 02:10 • -5db
32% Popularity • 66% Danceability • 67% Energy • 49% Liveness
0% Instrumentalness • 61% Positiveness
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Sophie May
High Life
108 bpm • B Maj • 02:37 • -10db
39% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Indigo De Souza
Good Heart
110 bpm • B Maj • 02:40 • -10.13db
48% Popularity • 58% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Leith Ross
Coming Back to Me
110 bpm • D Maj • 03:57 • -19db
43% Popularity • 42% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
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Annie DiRusso
Coming Soon
111 bpm • D Maj • 03:15 • -5.04db
48% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Clairo
Amoeba
111 bpm • F# Maj • 03:48 • -11.52db
72% Popularity • 74% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 71% Positiveness
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Ethel Cain
Hard Times
107 bpm • A# Maj • 05:03 • -10.64db
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
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Delaney Bailey
Coffee Stained Smile
111 bpm • G min • 03:00 • -18db
56% Popularity • 43% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Leith Ross
To Me
107 bpm • G Maj • 03:57 • -19.35db
39% Popularity • 45% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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Maya Hawke
Blue Hippo
107 bpm • A# Maj • 03:19 • -10db
38% Popularity • 69% Danceability • 45% Energy • 10% Liveness
12% Instrumentalness • 35% Positiveness
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Chappell Roan
Pink Pony Club
107 bpm • F# Maj • 04:18 • -6.16db
71% Popularity • 62% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Superfan
Back to the Start
111 bpm • F Maj • 03:23 • -5db
46% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sarah Kinsley
The Giver
111 bpm • D Maj • 03:47 • -10.99db
52% Popularity • 44% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Etta Marcus
View from the Bridge
111 bpm • F# Maj • 02:47 • -12.68db
24% Popularity • 34% Danceability • 13% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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runo plum
till i go red - ep version
112 bpm • A Maj • 03:12 • -16db
33% Popularity • 56% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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girlpuppy
Miniature Furniture
112 bpm • C Maj • 02:44 • -9.07db
26% Popularity • 68% Danceability • 62% Energy • 27% Liveness
2% Instrumentalness • 85% Positiveness
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Florist
White Light Doorway
112 bpm • A# Maj • 02:00 • -11db
51% Popularity • 59% Danceability • 55% Energy • 8% Liveness
41% Instrumentalness • 12% Positiveness
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Haley Blais
Be Your Own Muse
112 bpm • D Maj • 04:01 • -7.88db
37% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Alix Page
25
112 bpm • C# Maj • 03:35 • -9db
37% Popularity • 58% Danceability • 55% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
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Phoebe Bridgers
I Know The End
112 bpm • C# Maj • 05:44 • -10.27db
72% Popularity • 32% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 26% Positiveness
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runo plum
till i go red
112 bpm • A Maj • 03:08 • -9.78db
45% Popularity • 70% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 33% Positiveness
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Ha Vay
Moon Girl
112 bpm • B min • 03:26 • -7.91db
49% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Searows
I have more than enough
112 bpm • D# Maj • 05:28 • -14.48db
54% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Sarah Kinsley
Green
113 bpm • D# Maj • 04:51 • -8.51db
29% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sophie May
Hunted
113 bpm • C# Maj • 01:07 • -13.41db
46% Popularity • 72% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Suki Waterhouse
Bullshit on the Internet
113 bpm • A# Maj • 02:47 • -8.48db
50% Popularity • 68% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Wallice
Loser at Best
105 bpm • B min • 03:10 • -5.54db
30% Popularity • 66% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Clairo
Bags
105 bpm • C# Maj • 04:20 • -7.69db
78% Popularity • 74% Danceability • 55% Energy • 12% Liveness
38% Instrumentalness • 87% Positiveness
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Leith Ross
Too Much Time In My House Alone
105 bpm • B Maj • 04:04 • -11.14db
37% Popularity • 39% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
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Lorde
Oceanic Feeling
113 bpm • C Maj • 06:39 • -13.09db
48% Popularity • 47% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Ethel Cain
Family Tree (Intro)
105 bpm • E Maj • 03:41 • -9.38db
57% Popularity • 26% Danceability • 57% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
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Maya Hawke
Thérèse
104 bpm • A min • 03:27 • -12db
52% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
37% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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spill tab
Window
104 bpm • F min • 03:03 • -6.36db
39% Popularity • 72% Danceability • 50% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
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Sarah Kinsley
Over + Under
104 bpm • F# Maj • 03:56 • -11.14db
32% Popularity • 44% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Zeph
are you?
104 bpm • F# Maj • 03:17 • -7.52db
42% Popularity • 36% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Ethel Cain
Knuckle Velvet
104 bpm • E Maj • 03:22 • -10db
51% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Delaney Bailey
j's lullaby (darlin' i'd wait for you)
115 bpm • G# Maj • 04:49 • -20.08db
65% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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boygenius
Anti-Curse
115 bpm • C Maj • 03:18 • -9.92db
57% Popularity • 53% Danceability • 60% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
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Maya Hawke
Mermaid Bar
115 bpm • E Maj • 03:36 • -11.9db
36% Popularity • 57% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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BETWEEN FRIENDS
Bruise
103 bpm • F# Maj • 02:59 • -8.01db
61% Popularity • 69% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Eliza McLamb
Irish Exit
115 bpm • C Maj • 04:47 • -11.62db
30% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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The Japanese House
Boyhood
115 bpm • F Maj • 03:09 • -9.06db
57% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Rachel Chinouriri
All I Ever Asked
115 bpm • F Maj • 03:35 • -7.53db
59% Popularity • 91% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Abby Sage
Backwards Directions
115 bpm • A# Maj • 03:07 • -10db
57% Popularity • 85% Danceability • 38% Energy • 10% Liveness
45% Instrumentalness • 48% Positiveness
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Sarah Kinsley
Cypress
115 bpm • E Maj • 04:12 • -8db
36% Popularity • 56% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Odie Leigh
Ronnie's Song
115 bpm • C min • 02:32 • -11.36db
40% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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quinnie
promised
103 bpm • C# Maj • 03:58 • -6.51db
44% Popularity • 39% Danceability • 58% Energy • 6% Liveness
4% Instrumentalness • 72% Positiveness
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Mitski
Pink in the Night
103 bpm • D Maj • 02:16 • -9.64db
66% Popularity • 21% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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SOMOH
Anything
115 bpm • D# min • 02:23 • -5db
39% Popularity • 63% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Superfan
Too Tired
115 bpm • F# Maj • 03:14 • -5.25db
41% Popularity • 71% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Ethel Cain
Sun Bleached Flies
103 bpm • E Maj • 07:36 • -10db
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Indigo De Souza
Boys
103 bpm • D Maj • 03:32 • -15.65db
54% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Haley Blais
Survivor's Guilt
103 bpm • B Maj • 03:30 • -10.8db
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sophie May
Worst Thoughts In The World
116 bpm • D# Maj • 02:26 • -10.61db
44% Popularity • 73% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Sarah Kinsley
Black Horse - The Diamond Sessions
116 bpm • F# Maj • 03:33 • -14.2db
31% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Tommy Lefroy
The Cause
116 bpm • C Maj • 03:05 • -6.76db
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Japanese Breakfast
Posing For Cars
116 bpm • G Maj • 06:38 • -9.11db
47% Popularity • 30% Danceability • 27% Energy • 13% Liveness
5% Instrumentalness • 13% Positiveness
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Evangeline
Mystic
116 bpm • C# min • 02:55 • -9.7db
31% Popularity • 75% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 89% Positiveness
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Lunar Vacation
Mold
116 bpm • D Maj • 03:45 • -6.96db
11% Popularity • 61% Danceability • 56% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
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Dora Jar
It's Random
102 bpm • F Maj • 02:24 • -4.48db
31% Popularity • 72% Danceability • 68% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
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Ethel Cain
Strangers
102 bpm • C Maj • 05:44 • -8.93db
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Japanese Breakfast
In Hell
116 bpm • E Maj • 02:38 • -7db
43% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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quinnie
touch tank
102 bpm • E Maj • 02:59 • -7db
66% Popularity • 67% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
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Matilda Mann
In Plain Sight
102 bpm • C# Maj • 02:36 • -8.84db
37% Popularity • 51% Danceability • 60% Energy • 12% Liveness
8% Instrumentalness • 36% Positiveness
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Phoebe Bridgers
Georgia
102 bpm • D Maj • 04:07 • -11.88db
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Chappell Roan
Good Luck, Babe!
117 bpm • B min • 03:38 • -5.86db
76% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Faye Webster
Right Side of My Neck
117 bpm • C# Maj • 02:33 • -9.07db
73% Popularity • 72% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Superfan
Anybody Else
101 bpm • F Maj • 04:09 • -7.5db
17% Popularity • 59% Danceability • 76% Energy • 10% Liveness
4% Instrumentalness • 66% Positiveness
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Indigo De Souza
Kill Me
118 bpm • A Maj • 04:20 • -8.81db
47% Popularity • 63% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Phoebe Bridgers
That Funny Feeling
117 bpm • E Maj • 06:40 • -11db
63% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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boygenius
$20
118 bpm • G Maj • 03:20 • -6.9db
64% Popularity • 56% Danceability • 61% Energy • 18% Liveness
3% Instrumentalness • 41% Positiveness
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Tommy Lefroy
Worst Case Kid
118 bpm • D Maj • 02:32 • -4.52db
52% Popularity • 60% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Chappell Roan
Naked In Manhattan
118 bpm • C# Maj • 03:31 • -5.09db
68% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Eliza McLamb
Playhouse
118 bpm • F Maj • 03:48 • -11.04db
29% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Etta Marcus
Mechanical Bull
118 bpm • G# Maj • 03:56 • -8.31db
33% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Susannah Joffe
Your Mother's Name
118 bpm • C# Maj • 03:51 • -9.73db
46% Popularity • 48% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Frankie Cosmos
Slide
119 bpm • G Maj • 01:00 • -13.85db
44% Popularity • 59% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
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Hana Vu
April Fool
100 bpm • A Maj • 03:01 • -16db
35% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Sydney Rose
You’d Be Stars
100 bpm • C Maj • 03:42 • -8.01db
46% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Dora Jar
Quiver
100 bpm • E min • 03:23 • -10db
29% Popularity • 73% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Ha Vay
ohmygod
100 bpm • F Maj • 02:44 • -7.83db
33% Popularity • 63% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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The King