Songs like The Knock by Black Milk
Based on a tempo of (+/- 10%) and a similar genre
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Madlib
Mystic Bounce
122 bpm • C# Maj • 03:56 • -9.84db
38% Popularity • 78% Danceability • 43% Energy • 58% Liveness
83% Instrumentalness • 58% Positiveness
38% Popularity • 78% Danceability • 43% Energy • 58% Liveness
83% Instrumentalness • 58% Positiveness
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Black Milk
The Knock
122 bpm • A# min • 02:20 • -9.39db
31% Popularity • 57% Danceability • 74% Energy • 51% Liveness
83% Instrumentalness • 84% Positiveness
31% Popularity • 57% Danceability • 74% Energy • 51% Liveness
83% Instrumentalness • 84% Positiveness
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The Expansions
Ivory Mountain
123 bpm • A min • 06:08 • -10.58db
10% Popularity • 35% Danceability • 72% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
10% Popularity • 35% Danceability • 72% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Joe Armon-Jones
Tanner's Tango
121 bpm • G# min • 04:45 • -9.75db
24% Popularity • 50% Danceability • 58% Energy • 31% Liveness
66% Instrumentalness • 61% Positiveness
24% Popularity • 50% Danceability • 58% Energy • 31% Liveness
66% Instrumentalness • 61% Positiveness
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Yesterday's New Quintet
Broken Dreams
123 bpm • G Maj • 05:35 • -10.43db
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
21% Instrumentalness • 24% Positiveness
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
21% Instrumentalness • 24% Positiveness
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Kamaal Williams
Save Me
123 bpm • A# min • 05:58 • -8.54db
25% Popularity • 74% Danceability • 72% Energy • 11% Liveness
66% Instrumentalness • 81% Positiveness
25% Popularity • 74% Danceability • 72% Energy • 11% Liveness
66% Instrumentalness • 81% Positiveness
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The JuJu Exchange
Morning Of
120 bpm • C Maj • 04:27 • -10.77db
18% Popularity • 72% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
18% Popularity • 72% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
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Black Milk
Outtake 4
120 bpm • G Maj • 03:40 • -7.45db
5% Popularity • 50% Danceability • 59% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
5% Popularity • 50% Danceability • 59% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
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Henry Wu
Don't Want The Regular
120 bpm • B min • 03:41 • -8.26db
14% Popularity • 81% Danceability • 61% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
14% Popularity • 81% Danceability • 61% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
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Joe Armon-Jones
SE Discotheque
123 bpm • F min • 04:12 • -16.48db
32% Popularity • 53% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
32% Popularity • 53% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
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Yesterday's New Quintet
Life's Angles
120 bpm • B min • 03:07 • -7.22db
17% Popularity • 65% Danceability • 89% Energy • 18% Liveness
43% Instrumentalness • 55% Positiveness
17% Popularity • 65% Danceability • 89% Energy • 18% Liveness
43% Instrumentalness • 55% Positiveness
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DJ Harrison
Soul Food Nostalgia
119 bpm • D Maj • 01:11 • -6.72db
15% Popularity • 80% Danceability • 61% Energy • 10% Liveness
24% Instrumentalness • 91% Positiveness
15% Popularity • 80% Danceability • 61% Energy • 10% Liveness
24% Instrumentalness • 91% Positiveness
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Kiefer
Sunny
125 bpm • B Maj • 03:08 • -9.1db
14% Popularity • 84% Danceability • 53% Energy • 30% Liveness
77% Instrumentalness • 87% Positiveness
14% Popularity • 84% Danceability • 53% Energy • 30% Liveness
77% Instrumentalness • 87% Positiveness
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Black Milk
Eve
120 bpm • F min • 01:23 • -11.88db
9% Popularity • 19% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
9% Popularity • 19% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Henry Wu
Boards And Skins
124 bpm • C# Maj • 03:05 • -8.66db
15% Popularity • 44% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 44% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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Kaidi Tatham
Your Dreams Don't Mean a Thing
125 bpm • B Maj • 05:03 • -8.14db
10% Popularity • 70% Danceability • 80% Energy • 14% Liveness
86% Instrumentalness • 66% Positiveness
10% Popularity • 70% Danceability • 80% Energy • 14% Liveness
86% Instrumentalness • 66% Positiveness
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Underground Canopy
Stoopid Game
126 bpm • A min • 04:18 • -12.32db
38% Popularity • 62% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
38% Popularity • 62% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
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Àbáse
Align
126 bpm • A# min • 08:04 • -8.82db
9% Popularity • 57% Danceability • 63% Energy • 15% Liveness
60% Instrumentalness • 45% Positiveness
9% Popularity • 57% Danceability • 63% Energy • 15% Liveness
60% Instrumentalness • 45% Positiveness
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Dibia$E
Cosignin
126 bpm • B Maj • 02:56 • -9db
19% Popularity • 61% Danceability • 79% Energy • 26% Liveness
27% Instrumentalness • 64% Positiveness
19% Popularity • 61% Danceability • 79% Energy • 26% Liveness
27% Instrumentalness • 64% Positiveness
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Black Milk
Traveler
120 bpm • A# min • 03:03 • -7.19db
6% Popularity • 94% Danceability • 35% Energy • 15% Liveness
83% Instrumentalness • 92% Positiveness
6% Popularity • 94% Danceability • 35% Energy • 15% Liveness
83% Instrumentalness • 92% Positiveness
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Stretch And Bobbito
Anna From Woohside (Beat Sute)
118 bpm • F min • 04:32 • -10.2db
14% Popularity • 49% Danceability • 57% Energy • 18% Liveness
68% Instrumentalness • 32% Positiveness
14% Popularity • 49% Danceability • 57% Energy • 18% Liveness
68% Instrumentalness • 32% Positiveness
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Kaidi Tatham
Treacle Manifestations
126 bpm • F min • 05:20 • -10.9db
9% Popularity • 64% Danceability • 62% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
9% Popularity • 64% Danceability • 62% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
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Morgan Adams Quartet Plus Two
Funky Blue Note
117 bpm • B Maj • 03:07 • -7.6db
29% Popularity • 42% Danceability • 94% Energy • 27% Liveness
83% Instrumentalness • 68% Positiveness
29% Popularity • 42% Danceability • 94% Energy • 27% Liveness
83% Instrumentalness • 68% Positiveness
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Madlib
The Stroll
117 bpm • G# min • 03:51 • -13db
14% Popularity • 90% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 90% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Joe Armon-Jones
Mind's Eye
127 bpm • F min • 03:54 • -10.34db
30% Popularity • 70% Danceability • 66% Energy • 8% Liveness
81% Instrumentalness • 44% Positiveness
30% Popularity • 70% Danceability • 66% Energy • 8% Liveness
81% Instrumentalness • 44% Positiveness
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Black Milk
Dive Pt. 2
120 bpm • B min • 01:55 • -9.39db
5% Popularity • 49% Danceability • 76% Energy • 12% Liveness
87% Instrumentalness • 24% Positiveness
5% Popularity • 49% Danceability • 76% Energy • 12% Liveness
87% Instrumentalness • 24% Positiveness
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Mansur Brown
Me Up
117 bpm • F# min • 03:33 • -9.89db
20% Popularity • 55% Danceability • 63% Energy • 12% Liveness
86% Instrumentalness • 65% Positiveness
20% Popularity • 55% Danceability • 63% Energy • 12% Liveness
86% Instrumentalness • 65% Positiveness
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Ahmad Miller
Sunny C
127 bpm • B min • 03:15 • -8.55db
9% Popularity • 42% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 42% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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WAYNE SNOW
Fall
128 bpm • F min • 02:58 • -10.65db
10% Popularity • 79% Danceability • 58% Energy • 25% Liveness
17% Instrumentalness • 47% Positiveness
10% Popularity • 79% Danceability • 58% Energy • 25% Liveness
17% Instrumentalness • 47% Positiveness
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Oscar Jerome
Where Are Your Branches (Where Is Your F...
116 bpm • A# Maj • 05:28 • -12.75db
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
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Sir Froderick
Way
116 bpm • A# Maj • 02:10 • -11db
16% Popularity • 97% Danceability • 78% Energy • 35% Liveness
72% Instrumentalness • 84% Positiveness
16% Popularity • 97% Danceability • 78% Energy • 35% Liveness
72% Instrumentalness • 84% Positiveness
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Black Milk
Outtake 2
128 bpm • E min • 02:23 • -9.43db
6% Popularity • 58% Danceability • 70% Energy • 21% Liveness
79% Instrumentalness • 48% Positiveness
6% Popularity • 58% Danceability • 70% Energy • 21% Liveness
79% Instrumentalness • 48% Positiveness
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Duke Hugh
Loft Nights
115 bpm • E Maj • 03:39 • -13.45db
30% Popularity • 80% Danceability • 54% Energy • 6% Liveness
92% Instrumentalness • 65% Positiveness
30% Popularity • 80% Danceability • 54% Energy • 6% Liveness
92% Instrumentalness • 65% Positiveness
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MF DOOM
Black Snake Root
115 bpm • D Maj • 02:12 • -11db
33% Popularity • 92% Danceability • 41% Energy • 10% Liveness
79% Instrumentalness • 97% Positiveness
33% Popularity • 92% Danceability • 41% Energy • 10% Liveness
79% Instrumentalness • 97% Positiveness
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The Purist
Fool Me Twice
130 bpm • D min • 01:43 • -10.92db
35% Popularity • 65% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
35% Popularity • 65% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
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Mndsgn
Searchin I (4 That Familiar Feelin)
115 bpm • B min • 01:50 • -6.33db
33% Popularity • 87% Danceability • 57% Energy • 14% Liveness
82% Instrumentalness • 94% Positiveness
33% Popularity • 87% Danceability • 57% Energy • 14% Liveness
82% Instrumentalness • 94% Positiveness
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Kamaal Williams
Broken Theme
114 bpm • C# Maj • 04:26 • -11.07db
21% Popularity • 77% Danceability • 71% Energy • 7% Liveness
86% Instrumentalness • 74% Positiveness
21% Popularity • 77% Danceability • 71% Energy • 7% Liveness
86% Instrumentalness • 74% Positiveness
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Dibia$E
Genie In The Sky
114 bpm • G Maj • 02:11 • -9.02db
19% Popularity • 72% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 72% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Mansur Brown
Simese
112 bpm • G min • 02:24 • -11.86db
21% Popularity • 53% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 70% Positiveness
21% Popularity • 53% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 70% Positiveness
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Yesterday's New Quintet
Papa
112 bpm • D Maj • 04:34 • -8.75db
19% Popularity • 56% Danceability • 77% Energy • 24% Liveness
29% Instrumentalness • 56% Positiveness
19% Popularity • 56% Danceability • 77% Energy • 24% Liveness
29% Instrumentalness • 56% Positiveness
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Beatchild
Byram's Groove (Cut a Rug)
112 bpm • B min • 03:24 • -8db
28% Popularity • 85% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
28% Popularity • 85% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Mndsgn
Searchin III (4 Nothin Else)
114 bpm • G min • 02:36 • -9.36db
20% Popularity • 73% Danceability • 72% Energy • 10% Liveness
9% Instrumentalness • 79% Positiveness
20% Popularity • 73% Danceability • 72% Energy • 10% Liveness
9% Instrumentalness • 79% Positiveness
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Kamaal Williams
Rhythm Commission
113 bpm • G min • 02:34 • -11.51db
25% Popularity • 81% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 83% Positiveness
25% Popularity • 81% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 83% Positiveness
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Budgie
Confession 2
112 bpm • C# Maj • 01:08 • -10.05db
35% Popularity • 87% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 55% Positiveness
35% Popularity • 87% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 55% Positiveness
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Kankick
Intro
133 bpm • G# Maj • 02:31 • -7.32db
17% Popularity • 69% Danceability • 55% Energy • 17% Liveness
88% Instrumentalness • 54% Positiveness
17% Popularity • 69% Danceability • 55% Energy • 17% Liveness
88% Instrumentalness • 54% Positiveness
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Henry Wu
Century
133 bpm • D Maj • 04:28 • -5.17db
8% Popularity • 78% Danceability • 96% Energy • 8% Liveness
95% Instrumentalness • 51% Positiveness
8% Popularity • 78% Danceability • 96% Energy • 8% Liveness
95% Instrumentalness • 51% Positiveness
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ohbliv
GiveMeh
134 bpm • C# Maj • 03:58 • -11.07db
18% Popularity • 76% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 76% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Black Milk
Shut It Down - Instrumental
112 bpm • C min • 03:28 • -2.56db
4% Popularity • 44% Danceability • 62% Energy • 68% Liveness
76% Instrumentalness • 82% Positiveness
4% Popularity • 44% Danceability • 62% Energy • 68% Liveness
76% Instrumentalness • 82% Positiveness
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The Last Electro-Acoustic Space Jazz & Percussion Ensemble
Derf (For Derf Reklaw)
111 bpm • D Maj • 08:07 • -9.18db
10% Popularity • 54% Danceability • 64% Energy • 14% Liveness
91% Instrumentalness • 42% Positiveness
10% Popularity • 54% Danceability • 64% Energy • 14% Liveness
91% Instrumentalness • 42% Positiveness
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Kamaal Williams
LDN Shuffle
134 bpm • E Maj • 05:30 • -9.64db
18% Popularity • 39% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 63% Positiveness
18% Popularity • 39% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 63% Positiveness
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Àbáse
Crossroads
111 bpm • A# min • 08:42 • -12.27db
9% Popularity • 37% Danceability • 44% Energy • 11% Liveness
80% Instrumentalness • 10% Positiveness
9% Popularity • 37% Danceability • 44% Energy • 11% Liveness
80% Instrumentalness • 10% Positiveness
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Mndsgn
Searchin II (4 Sumthn New)
111 bpm • B min • 02:16 • -6db
20% Popularity • 84% Danceability • 86% Energy • 2% Liveness
90% Instrumentalness • 94% Positiveness
20% Popularity • 84% Danceability • 86% Energy • 2% Liveness
90% Instrumentalness • 94% Positiveness
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Knxwledge
tkekareofit
111 bpm • G Maj • 01:31 • -9db
28% Popularity • 67% Danceability • 55% Energy • 25% Liveness
54% Instrumentalness • 43% Positiveness
28% Popularity • 67% Danceability • 55% Energy • 25% Liveness
54% Instrumentalness • 43% Positiveness
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Black Milk
Will Remain
111 bpm • C# Maj • 04:32 • -9.87db
26% Popularity • 76% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
26% Popularity • 76% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Sound Directions
Fourty Days
110 bpm • A min • 05:06 • -7.79db
9% Popularity • 39% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 39% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Kamaal Williams
Salaam
135 bpm • G# min • 08:33 • -11db
29% Popularity • 69% Danceability • 47% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
29% Popularity • 69% Danceability • 47% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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The Colours That Rise
Get Away
110 bpm • C min • 05:26 • -14.66db
15% Popularity • 71% Danceability • 50% Energy • 18% Liveness
89% Instrumentalness • 63% Positiveness
15% Popularity • 71% Danceability • 50% Energy • 18% Liveness
89% Instrumentalness • 63% Positiveness
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Soul Supreme
Raid
110 bpm • F min • 04:49 • -10.44db
19% Popularity • 70% Danceability • 80% Energy • 19% Liveness
85% Instrumentalness • 84% Positiveness
19% Popularity • 70% Danceability • 80% Energy • 19% Liveness
85% Instrumentalness • 84% Positiveness
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DJ Day
Making a Mess (Day Remix Interlude)
110 bpm • F# min • 01:06 • -10.17db
32% Popularity • 53% Danceability • 87% Energy • 18% Liveness
82% Instrumentalness • 90% Positiveness
32% Popularity • 53% Danceability • 87% Energy • 18% Liveness
82% Instrumentalness • 90% Positiveness
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Taylor McFerrin
As You Are
110 bpm • D min • 01:17 • -10.09db
39% Popularity • 60% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
39% Popularity • 60% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Kiefer
Tubesocks
136 bpm • G# Maj • 02:07 • -5.68db
25% Popularity • 51% Danceability • 78% Energy • 27% Liveness
44% Instrumentalness • 65% Positiveness
25% Popularity • 51% Danceability • 78% Energy • 27% Liveness
44% Instrumentalness • 65% Positiveness
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Kamaal Williams
High Roller
110 bpm • C# Maj • 03:00 • -9.54db
29% Popularity • 66% Danceability • 63% Energy • 18% Liveness
91% Instrumentalness • 68% Positiveness
29% Popularity • 66% Danceability • 63% Energy • 18% Liveness
91% Instrumentalness • 68% Positiveness
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Black Milk
Why Worry
109 bpm • B min • 01:49 • -5.27db
16% Popularity • 75% Danceability • 76% Energy • 53% Liveness
76% Instrumentalness • 98% Positiveness
16% Popularity • 75% Danceability • 76% Energy • 53% Liveness
76% Instrumentalness • 98% Positiveness
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Tall Black Guy
Sparkling Adventure
108 bpm • A# min • 04:37 • -13db
18% Popularity • 77% Danceability • 63% Energy • 14% Liveness
81% Instrumentalness • 55% Positiveness
18% Popularity • 77% Danceability • 63% Energy • 14% Liveness
81% Instrumentalness • 55% Positiveness
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Sound Directions
Play Car
107 bpm • C# Maj • 03:15 • -10.52db
8% Popularity • 40% Danceability • 56% Energy • 38% Liveness
4% Instrumentalness • 56% Positiveness
8% Popularity • 40% Danceability • 56% Energy • 38% Liveness
4% Instrumentalness • 56% Positiveness
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Jameszoo
Flu
139 bpm • C Maj • 05:08 • -10.41db
14% Popularity • 66% Danceability • 46% Energy • 5% Liveness
22% Instrumentalness • 34% Positiveness
14% Popularity • 66% Danceability • 46% Energy • 5% Liveness
22% Instrumentalness • 34% Positiveness
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Butcher Brown
Nice
139 bpm • D Maj • 01:39 • -11.47db
40% Popularity • 50% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 50% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
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Henry Wu
Dutty Double
140 bpm • F# Maj • 05:21 • -7.81db
10% Popularity • 63% Danceability • 72% Energy • 9% Liveness
80% Instrumentalness • 34% Positiveness
10% Popularity • 63% Danceability • 72% Energy • 9% Liveness
80% Instrumentalness • 34% Positiveness
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Black Milk
Sound Check
107 bpm • F# Maj • 01:08 • -6.47db
35% Popularity • 60% Danceability • 84% Energy • 12% Liveness
75% Instrumentalness • 88% Positiveness
35% Popularity • 60% Danceability • 84% Energy • 12% Liveness
75% Instrumentalness • 88% Positiveness
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Yesterday's New Quintet
The One Who Knows
106 bpm • F# min • 03:43 • -7.46db
16% Popularity • 63% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 74% Positiveness
16% Popularity • 63% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 74% Positiveness
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Max Graef
Speed Metal Jesus
140 bpm • C# Maj • 02:13 • -12.88db
20% Popularity • 72% Danceability • 56% Energy • 11% Liveness
69% Instrumentalness • 49% Positiveness
20% Popularity • 72% Danceability • 56% Energy • 11% Liveness
69% Instrumentalness • 49% Positiveness
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Knxwledge
learn
140 bpm • C# Maj • 01:41 • -8.33db
29% Popularity • 80% Danceability • 44% Energy • 12% Liveness
50% Instrumentalness • 54% Positiveness
29% Popularity • 80% Danceability • 44% Energy • 12% Liveness
50% Instrumentalness • 54% Positiveness
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Emma-Jean Thackray
Red Bush
140 bpm • A# min • 04:12 • -14.87db
18% Popularity • 63% Danceability • 40% Energy • 16% Liveness
84% Instrumentalness • 23% Positiveness
18% Popularity • 63% Danceability • 40% Energy • 16% Liveness
84% Instrumentalness • 23% Positiveness
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Mndsgn
Travvlin
140 bpm • F# Maj • 02:22 • -10.62db
27% Popularity • 78% Danceability • 89% Energy • 12% Liveness
73% Instrumentalness • 73% Positiveness
27% Popularity • 78% Danceability • 89% Energy • 12% Liveness
73% Instrumentalness • 73% Positiveness
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Black Milk
Hell Below
140 bpm • E min • 04:02 • -7.95db
14% Popularity • 76% Danceability • 69% Energy • 65% Liveness
49% Instrumentalness • 67% Positiveness
14% Popularity • 76% Danceability • 69% Energy • 65% Liveness
49% Instrumentalness • 67% Positiveness
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Henry Wu
Cheese n Kraut
106 bpm • A min • 03:00 • -18.71db
24% Popularity • 65% Danceability • 26% Energy • 9% Liveness
75% Instrumentalness • 24% Positiveness
24% Popularity • 65% Danceability • 26% Energy • 9% Liveness
75% Instrumentalness • 24% Positiveness
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Sound Directions
Wanda Vidal
106 bpm • A Maj • 02:15 • -9.6db
12% Popularity • 58% Danceability • 71% Energy • 59% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 58% Danceability • 71% Energy • 59% Liveness
0% Instrumentalness • 81% Positiveness
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Les Prospection
Lido
141 bpm • G# Maj • 03:44 • -11.48db
22% Popularity • 32% Danceability • 38% Energy • 13% Liveness
75% Instrumentalness • 15% Positiveness
22% Popularity • 32% Danceability • 38% Energy • 13% Liveness
75% Instrumentalness • 15% Positiveness
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Underground Canopy
Tony Sendo
141 bpm • D min • 03:50 • -9.42db
36% Popularity • 56% Danceability • 53% Energy • 14% Liveness
65% Instrumentalness • 40% Positiveness
36% Popularity • 56% Danceability • 53% Energy • 14% Liveness
65% Instrumentalness • 40% Positiveness
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Mndsgn
Eko
140 bpm • G# Maj • 02:17 • -9.17db
31% Popularity • 79% Danceability • 44% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
31% Popularity • 79% Danceability • 44% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
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Black Milk
Hell Below (Instrumental)
140 bpm • E min • 03:49 • -7.83db
7% Popularity • 76% Danceability • 71% Energy • 13% Liveness
90% Instrumentalness • 61% Positiveness
7% Popularity • 76% Danceability • 71% Energy • 13% Liveness
90% Instrumentalness • 61% Positiveness
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Kaidi Tatham
Chui Nui
105 bpm • B Maj • 05:29 • -8.62db
19% Popularity • 76% Danceability • 43% Energy • 35% Liveness
88% Instrumentalness • 66% Positiveness
19% Popularity • 76% Danceability • 43% Energy • 35% Liveness
88% Instrumentalness • 66% Positiveness
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Sound Directions
Dice Game
106 bpm • D Maj • 03:42 • -9.03db
12% Popularity • 72% Danceability • 73% Energy • 17% Liveness
55% Instrumentalness • 27% Positiveness
12% Popularity • 72% Danceability • 73% Energy • 17% Liveness
55% Instrumentalness • 27% Positiveness
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Yussef Dayes
Purple Skies ~ Libations
142 bpm • E min • 06:46 • -12db
26% Popularity • 54% Danceability • 33% Energy • 10% Liveness
68% Instrumentalness • 43% Positiveness
26% Popularity • 54% Danceability • 33% Energy • 10% Liveness
68% Instrumentalness • 43% Positiveness
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DJ Harrison
Dilla’s Eclair
105 bpm • A# min • 02:44 • -15db
37% Popularity • 68% Danceability • 34% Energy • 14% Liveness
92% Instrumentalness • 68% Positiveness
37% Popularity • 68% Danceability • 34% Energy • 14% Liveness
92% Instrumentalness • 68% Positiveness
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Dego
Ankle Injury
142 bpm • A# min • 03:26 • -6.21db
22% Popularity • 72% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
22% Popularity • 72% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
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Black Milk
Out Loud
142 bpm • C Maj • 01:22 • -8.42db
12% Popularity • 50% Danceability • 73% Energy • 30% Liveness
86% Instrumentalness • 14% Positiveness
12% Popularity • 50% Danceability • 73% Energy • 30% Liveness
86% Instrumentalness • 14% Positiveness
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WAYNE SNOW
Under the Moon
105 bpm • A Maj • 05:35 • -10db
29% Popularity • 66% Danceability • 57% Energy • 11% Liveness
10% Instrumentalness • 32% Positiveness
29% Popularity • 66% Danceability • 57% Energy • 11% Liveness
10% Instrumentalness • 32% Positiveness
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Madlib
Young Warrior - Remix Edit
144 bpm • C# Maj • 06:23 • -5.63db
11% Popularity • 42% Danceability • 88% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
11% Popularity • 42% Danceability • 88% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
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Kiefer
AAAAA
144 bpm • C# Maj • 03:34 • -8.62db
24% Popularity • 52% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
24% Popularity • 52% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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Thes One
High Tide
144 bpm • F# Maj • 02:11 • -9.06db
28% Popularity • 85% Danceability • 78% Energy • 65% Liveness
89% Instrumentalness • 96% Positiveness
28% Popularity • 85% Danceability • 78% Energy • 65% Liveness
89% Instrumentalness • 96% Positiveness
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30/70
Cold Radish
148 bpm • G min • 02:54 • -13.01db
7% Popularity • 48% Danceability • 48% Energy • 12% Liveness
21% Instrumentalness • 78% Positiveness
7% Popularity • 48% Danceability • 48% Energy • 12% Liveness
21% Instrumentalness • 78% Positiveness
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Black Milk
600
104 bpm • F# Maj • 01:23 • -9.17db
12% Popularity • 67% Danceability • 78% Energy • 42% Liveness
69% Instrumentalness • 80% Positiveness
12% Popularity • 67% Danceability • 78% Energy • 42% Liveness
69% Instrumentalness • 80% Positiveness
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R.M.C.
Space & Time
148 bpm • C# Maj • 01:46 • -12.57db
18% Popularity • 72% Danceability • 44% Energy • 18% Liveness
81% Instrumentalness • 89% Positiveness
18% Popularity • 72% Danceability • 44% Energy • 18% Liveness
81% Instrumentalness • 89% Positiveness
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Mass Appeal
Sonshine
150 bpm • A# min • 04:04 • -7.4db
2% Popularity • 52% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
2% Popularity • 52% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Mndsgn
Schwinn
150 bpm • A# min • 01:51 • -11.45db
26% Popularity • 41% Danceability • 46% Energy • 19% Liveness
95% Instrumentalness • 19% Positiveness
26% Popularity • 41% Danceability • 46% Energy • 19% Liveness
95% Instrumentalness • 19% Positiveness
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Zimbabwe Legit
Shadow's Legitimate Mix
151 bpm • C Maj • 06:29 • -10.76db
29% Popularity • 59% Danceability • 55% Energy • 23% Liveness
39% Instrumentalness • 44% Positiveness
29% Popularity • 59% Danceability • 55% Energy • 23% Liveness
39% Instrumentalness • 44% Positiveness
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Kiefer
Ghosted
152 bpm • C# Maj • 03:53 • -6.23db
18% Popularity • 65% Danceability • 73% Energy • 11% Liveness
73% Instrumentalness • 40% Positiveness
18% Popularity • 65% Danceability • 73% Energy • 11% Liveness
73% Instrumentalness • 40% Positiveness
