Songs like The Lady Iron Dragon by Mark Mothersbaugh
Based on a tempo of (+/- 10%) and a similar genre
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Mychael Danna
Voltar Thunderseer!
99 bpm • D Maj • 00:59 • -8.66db
15% Popularity • 33% Danceability • 58% Energy • 24% Liveness
47% Instrumentalness • 12% Positiveness
15% Popularity • 33% Danceability • 58% Energy • 24% Liveness
47% Instrumentalness • 12% Positiveness
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Mark Mothersbaugh
The Lady Iron Dragon
99 bpm • D Maj • 05:01 • -19.69db
23% Popularity • 19% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Joby Talbot
Rosita, Star Of The Show
99 bpm • G# Maj • 00:46 • -25.34db
15% Popularity • 41% Danceability • 5% Energy • 27% Liveness
27% Instrumentalness • 20% Positiveness
15% Popularity • 41% Danceability • 5% Energy • 27% Liveness
27% Instrumentalness • 20% Positiveness
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Kevin Kiner
Bad Batch Theme
100 bpm • C# Maj • 02:00 • -17.43db
41% Popularity • 48% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
41% Popularity • 48% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Michael Giacchino
Axelrod Exposed
100 bpm • B min • 02:22 • -15.04db
28% Popularity • 45% Danceability • 16% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
28% Popularity • 45% Danceability • 16% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Heitor Pereira
Groovy Kung Fu
98 bpm • D Maj • 01:32 • -11.4db
15% Popularity • 57% Danceability • 54% Energy • 30% Liveness
82% Instrumentalness • 32% Positiveness
15% Popularity • 57% Danceability • 54% Energy • 30% Liveness
82% Instrumentalness • 32% Positiveness
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Anthony Willis
Casting Hiccup, Casting...Gobber
98 bpm • C min • 02:16 • -21db
28% Popularity • 25% Danceability • 13% Energy • 8% Liveness
75% Instrumentalness • 14% Positiveness
28% Popularity • 25% Danceability • 13% Energy • 8% Liveness
75% Instrumentalness • 14% Positiveness
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John Williams
Eye To Eye
98 bpm • C# Maj • 06:32 • -32.56db
32% Popularity • 15% Danceability • 1% Energy • 29% Liveness
67% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 1% Energy • 29% Liveness
67% Instrumentalness • 4% Positiveness
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Sh4d0wStrider
The Bad Batch Theme (Star Wars: The Bad ...
100 bpm • G# Maj • 02:56 • -8.87db
25% Popularity • 55% Danceability • 56% Energy • 57% Liveness
83% Instrumentalness • 34% Positiveness
25% Popularity • 55% Danceability • 56% Energy • 57% Liveness
83% Instrumentalness • 34% Positiveness
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Brad Breeck
Robeast Arrives
100 bpm • A# min • 02:13 • -13.6db
15% Popularity • 53% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
15% Popularity • 53% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Michael Giacchino
This Title Makes Me Jurassic
100 bpm • D Maj • 02:54 • -13db
27% Popularity • 34% Danceability • 56% Energy • 11% Liveness
68% Instrumentalness • 5% Positiveness
27% Popularity • 34% Danceability • 56% Energy • 11% Liveness
68% Instrumentalness • 5% Positiveness
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Mark Mothersbaugh
Apocalypseburg
100 bpm • C# Maj • 00:57 • -20db
8% Popularity • 37% Danceability • 50% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
8% Popularity • 37% Danceability • 50% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
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AtinPiano
Star Wars V Avengers
100 bpm • E min • 02:47 • -12.44db
26% Popularity • 41% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
26% Popularity • 41% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
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Salla Hakkola
Ham'o'Ween
98 bpm • A# Maj • 01:12 • -14.21db
14% Popularity • 41% Danceability • 34% Energy • 68% Liveness
65% Instrumentalness • 20% Positiveness
14% Popularity • 41% Danceability • 34% Energy • 68% Liveness
65% Instrumentalness • 20% Positiveness
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Mychael Danna & Jeff Danna
Wednesday Leaves Home
98 bpm • F min • 01:50 • -20.33db
8% Popularity • 23% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
8% Popularity • 23% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Natalie Holt
Young Leia
97 bpm • G Maj • 01:04 • -17db
39% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
39% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
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Michael Giacchino
The Other Shoot
100 bpm • G Maj • 01:03 • -9.38db
30% Popularity • 46% Danceability • 71% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
30% Popularity • 46% Danceability • 71% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Kevin Kiner
Star Wars Main Title & A Galaxy Divided
101 bpm • E min • 01:13 • -4.4db
38% Popularity • 34% Danceability • 73% Energy • 14% Liveness
92% Instrumentalness • 52% Positiveness
38% Popularity • 34% Danceability • 73% Energy • 14% Liveness
92% Instrumentalness • 52% Positiveness
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Thomas Newman
Grand Redux
97 bpm • D Maj • 02:14 • -16.77db
35% Popularity • 67% Danceability • 41% Energy • 9% Liveness
41% Instrumentalness • 12% Positiveness
35% Popularity • 67% Danceability • 41% Energy • 9% Liveness
41% Instrumentalness • 12% Positiveness
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Noam Kaniel
Power Rangers Samurai Theme-1 - Mmpr Ope...
97 bpm • E min • 01:06 • -5.76db
32% Popularity • 40% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 37% Positiveness
32% Popularity • 40% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 37% Positiveness
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Steven Price
Moon Phases
97 bpm • D Maj • 02:12 • -19.17db
32% Popularity • 20% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Patrick Doyle
Desperate Deletion
97 bpm • G Maj • 02:39 • -13.52db
9% Popularity • 25% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 25% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Tim Davies
Jim And Blinky
96 bpm • F Maj • 02:50 • -20db
15% Popularity • 19% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
15% Popularity • 19% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Theodore Shapiro
Carnival Conniptions
102 bpm • A min • 02:16 • -9db
15% Popularity • 22% Danceability • 55% Energy • 36% Liveness
47% Instrumentalness • 6% Positiveness
15% Popularity • 22% Danceability • 55% Energy • 36% Liveness
47% Instrumentalness • 6% Positiveness
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Bear McCreary
The Larva
102 bpm • A Maj • 04:23 • -17.46db
32% Popularity • 17% Danceability • 35% Energy • 29% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 17% Danceability • 35% Energy • 29% Liveness
85% Instrumentalness • 3% Positiveness
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Joel McNeely
Becoming Friends
96 bpm • C Maj • 01:37 • -17.26db
34% Popularity • 64% Danceability • 30% Energy • 55% Liveness
10% Instrumentalness • 16% Positiveness
34% Popularity • 64% Danceability • 30% Energy • 55% Liveness
10% Instrumentalness • 16% Positiveness
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Steven Price
This Road is a Suicide Mission
97 bpm • F# min • 01:38 • -9.83db
28% Popularity • 43% Danceability • 94% Energy • 20% Liveness
95% Instrumentalness • 24% Positiveness
28% Popularity • 43% Danceability • 94% Energy • 20% Liveness
95% Instrumentalness • 24% Positiveness
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David Newman
Angered Rhinos
96 bpm • G Maj • 02:14 • -9db
34% Popularity • 39% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
34% Popularity • 39% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
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Mark Mancina
Hello Lincoln/Sixth Place
96 bpm • D Maj • 01:06 • -10.7db
31% Popularity • 30% Danceability • 20% Energy • 26% Liveness
97% Instrumentalness • 16% Positiveness
31% Popularity • 30% Danceability • 20% Energy • 26% Liveness
97% Instrumentalness • 16% Positiveness
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The Shaun The Sheep Band
Building The Horse
102 bpm • E Maj • 02:04 • -18.45db
4% Popularity • 42% Danceability • 24% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
4% Popularity • 42% Danceability • 24% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
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Bear McCreary
Agents of S.H.I.E.L.D. Overture
96 bpm • C# Maj • 02:51 • -13.02db
40% Popularity • 46% Danceability • 49% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
40% Popularity • 46% Danceability • 49% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
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Germaine Franco
La Candela
102 bpm • C Maj • 03:20 • -13db
39% Popularity • 18% Danceability • 34% Energy • 31% Liveness
99% Instrumentalness • 3% Positiveness
39% Popularity • 18% Danceability • 34% Energy • 31% Liveness
99% Instrumentalness • 3% Positiveness
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Sh4d0wStrider
Spider-Man: No Way Home Teaser Trailer M...
96 bpm • D Maj • 04:49 • -13.83db
17% Popularity • 43% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 15% Positiveness
17% Popularity • 43% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 15% Positiveness
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The Marcus Hedges Trend Orchestra
Super Mario Bros. Theme
95 bpm • C Maj • 01:57 • -10.97db
33% Popularity • 44% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
33% Popularity • 44% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Jay Vincent
Always A Need For A Ninja
103 bpm • D min • 02:51 • -14db
22% Popularity • 20% Danceability • 19% Energy • 31% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 19% Energy • 31% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
The Stealthbots
103 bpm • G# Maj • 01:21 • -30.23db
11% Popularity • 39% Danceability • 12% Energy • 11% Liveness
70% Instrumentalness • 12% Positiveness
11% Popularity • 39% Danceability • 12% Energy • 11% Liveness
70% Instrumentalness • 12% Positiveness
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Heitor Pereira
Going to Save the World
95 bpm • E Maj • 01:25 • -9.56db
34% Popularity • 65% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
34% Popularity • 65% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Bear McCreary
Ice Breaker
103 bpm • F min • 02:33 • -11.49db
29% Popularity • 23% Danceability • 54% Energy • 33% Liveness
96% Instrumentalness • 14% Positiveness
29% Popularity • 23% Danceability • 54% Energy • 33% Liveness
96% Instrumentalness • 14% Positiveness
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John Williams
Jurassic World: Fallen Kingdom (Main Tra...
103 bpm • C Maj • 01:35 • -14.55db
26% Popularity • 23% Danceability • 29% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 29% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Patrick Doyle
Tunnel to Dance App
104 bpm • A Maj • 02:20 • -20.51db
11% Popularity • 29% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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The Shaun The Sheep Band
Trumper on the Scent
104 bpm • C# min • 01:00 • -17.78db
12% Popularity • 43% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 43% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Rise Of The Robots
104 bpm • D Maj • 01:30 • -16.94db
18% Popularity • 46% Danceability • 61% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
18% Popularity • 46% Danceability • 61% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Ninjago Music
LEGO Ninjago Morro, Master of Wind
94 bpm • D# Maj • 04:34 • -12.9db
26% Popularity • 15% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 15% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Alexandre Desplat
Max's Busy Bee
104 bpm • C# Maj • 02:38 • -11.06db
14% Popularity • 41% Danceability • 30% Energy • 11% Liveness
51% Instrumentalness • 9% Positiveness
14% Popularity • 41% Danceability • 30% Energy • 11% Liveness
51% Instrumentalness • 9% Positiveness
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Rupert Gregson-Williams
Tasmanian Devils
104 bpm • G Maj • 01:09 • -15.79db
16% Popularity • 46% Danceability • 58% Energy • 11% Liveness
76% Instrumentalness • 59% Positiveness
16% Popularity • 46% Danceability • 58% Energy • 11% Liveness
76% Instrumentalness • 59% Positiveness
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Patrick Doyle
Smiler's Illegal Upgrade
94 bpm • C# Maj • 01:05 • -15.36db
17% Popularity • 28% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 26% Positiveness
17% Popularity • 28% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 26% Positiveness
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Jay Vincent
Discovering Spinjitzu / Dragon Ride
105 bpm • C Maj • 02:48 • -16db
29% Popularity • 26% Danceability • 46% Energy • 10% Liveness
67% Instrumentalness • 10% Positiveness
29% Popularity • 26% Danceability • 46% Energy • 10% Liveness
67% Instrumentalness • 10% Positiveness
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Mark Mothersbaugh
Entering Robot City
105 bpm • G# Maj • 03:05 • -18.43db
12% Popularity • 53% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
12% Popularity • 53% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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John Paesano
The Golden Age
105 bpm • E min • 03:06 • -14db
38% Popularity • 44% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
38% Popularity • 44% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Ninjago Music
LEGO Ninjago Built to Protect
104 bpm • B Maj • 05:17 • -12db
33% Popularity • 16% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Joby Talbot
Willy and Noodle at the Zoo
93 bpm • A# Maj • 02:25 • -23.1db
53% Popularity • 24% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
53% Popularity • 24% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Chaz's Show
105 bpm • A# Maj • 03:47 • -17.64db
20% Popularity • 43% Danceability • 27% Energy • 18% Liveness
96% Instrumentalness • 11% Positiveness
20% Popularity • 43% Danceability • 27% Energy • 18% Liveness
96% Instrumentalness • 11% Positiveness
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Alexandre Desplat
Snowball's Swirl
105 bpm • C Maj • 01:37 • -11.91db
9% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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George Shaw
Teenage Mutant Ninja Turtles Theme for O...
93 bpm • F Maj • 01:02 • -10.36db
27% Popularity • 49% Danceability • 40% Energy • 29% Liveness
71% Instrumentalness • 49% Positiveness
27% Popularity • 49% Danceability • 40% Energy • 29% Liveness
71% Instrumentalness • 49% Positiveness
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Mark Mothersbaugh
The Latest Invention
105 bpm • G Maj • 01:23 • -10.09db
15% Popularity • 41% Danceability • 56% Energy • 15% Liveness
91% Instrumentalness • 17% Positiveness
15% Popularity • 41% Danceability • 56% Energy • 15% Liveness
91% Instrumentalness • 17% Positiveness
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Ninjago Music
LEGO Ninjago Overture
105 bpm • D min • 01:40 • -10db
37% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Theodore Shapiro
Art Class Liberation
93 bpm • D Maj • 01:56 • -13.8db
22% Popularity • 29% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
22% Popularity • 29% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Pinar Toprak
New Clothes
93 bpm • G# Maj • 01:04 • -21.79db
37% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
37% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Mychael Danna
Swimming Lessons
93 bpm • C Maj • 02:29 • -19.86db
20% Popularity • 38% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 37% Positiveness
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Thomas Newman
Fern Grouchwood
92 bpm • E min • 01:41 • -27.26db
31% Popularity • 49% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 49% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Patrick Doyle
Bathroom Life Lesson
92 bpm • C Maj • 02:19 • -20.82db
19% Popularity • 65% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
19% Popularity • 65% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Anthony Willis
Parental Duet / Night Light Adventure
92 bpm • G Maj • 01:15 • -19.92db
35% Popularity • 30% Danceability • 26% Energy • 7% Liveness
50% Instrumentalness • 11% Positiveness
35% Popularity • 30% Danceability • 26% Energy • 7% Liveness
50% Instrumentalness • 11% Positiveness
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Amie Doherty
Squirrel Chase
92 bpm • G Maj • 01:01 • -12.01db
32% Popularity • 45% Danceability • 30% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
32% Popularity • 45% Danceability • 30% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Joanna Pena
Gentle Giant
91 bpm • D Maj • 01:52 • -17.61db
10% Popularity • 15% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Rob Simonsen
Protecting the Farm
91 bpm • G min • 05:39 • -10.57db
16% Popularity • 13% Danceability • 40% Energy • 24% Liveness
82% Instrumentalness • 3% Positiveness
16% Popularity • 13% Danceability • 40% Energy • 24% Liveness
82% Instrumentalness • 3% Positiveness
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Krutikov Music
Ninjago Overture Theme
91 bpm • D min • 02:30 • -11db
28% Popularity • 19% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 18% Positiveness
28% Popularity • 19% Danceability • 56% Energy • 17% Liveness
89% Instrumentalness • 18% Positiveness
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Thomas Newman
Elemental
108 bpm • D Maj • 03:43 • -22.28db
47% Popularity • 57% Danceability • 26% Energy • 11% Liveness
75% Instrumentalness • 19% Positiveness
47% Popularity • 57% Danceability • 26% Energy • 11% Liveness
75% Instrumentalness • 19% Positiveness
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Hans Zimmer
Welcome to Baby Corp
108 bpm • E Maj • 03:12 • -14.37db
22% Popularity • 39% Danceability • 38% Energy • 39% Liveness
93% Instrumentalness • 25% Positiveness
22% Popularity • 39% Danceability • 38% Energy • 39% Liveness
93% Instrumentalness • 25% Positiveness
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Germaine Franco
Antonio's Voice
108 bpm • G Maj • 02:14 • -11.36db
47% Popularity • 42% Danceability • 32% Energy • 11% Liveness
60% Instrumentalness • 21% Positiveness
47% Popularity • 42% Danceability • 32% Energy • 11% Liveness
60% Instrumentalness • 21% Positiveness
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Heitor Pereira
Fly Solo
108 bpm • D Maj • 01:23 • -17.57db
22% Popularity • 43% Danceability • 15% Energy • 9% Liveness
65% Instrumentalness • 9% Positiveness
22% Popularity • 43% Danceability • 15% Energy • 9% Liveness
65% Instrumentalness • 9% Positiveness
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Joanna Pena
Clever Girl
108 bpm • G Maj • 01:36 • -25.29db
9% Popularity • 25% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
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Joby Talbot
The Letter 'A'
108 bpm • F Maj • 01:37 • -20.34db
52% Popularity • 45% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 43% Positiveness
52% Popularity • 45% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 43% Positiveness
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Patrick Doyle
Seas and Whale Songs
90 bpm • E min • 01:28 • -17.6db
20% Popularity • 14% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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The Shaun The Sheep Band
Anarchy on the Farm
90 bpm • C# min • 01:17 • -13.33db
6% Popularity • 56% Danceability • 45% Energy • 18% Liveness
38% Instrumentalness • 15% Positiveness
6% Popularity • 56% Danceability • 45% Energy • 18% Liveness
38% Instrumentalness • 15% Positiveness
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Germaine Franco
The Ultimate Vision
108 bpm • D min • 02:10 • -14.05db
42% Popularity • 19% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 19% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Ninjago Music
LEGO Ninjago: After the Blackout
90 bpm • G Maj • 03:57 • -4.87db
42% Popularity • 51% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
42% Popularity • 51% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
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Christopher Lennertz
Gargamel’s Lair
90 bpm • F Maj • 01:45 • -17.6db
17% Popularity • 35% Danceability • 21% Energy • 9% Liveness
11% Instrumentalness • 18% Positiveness
17% Popularity • 35% Danceability • 21% Energy • 9% Liveness
11% Instrumentalness • 18% Positiveness
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Mark Mothersbaugh
Foolish Human Air
109 bpm • A Maj • 00:53 • -20.47db
13% Popularity • 54% Danceability • 17% Energy • 12% Liveness
72% Instrumentalness • 17% Positiveness
13% Popularity • 54% Danceability • 17% Energy • 12% Liveness
72% Instrumentalness • 17% Positiveness
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Mychael Danna
Family Struggle
90 bpm • D min • 01:23 • -27.64db
27% Popularity • 19% Danceability • 2% Energy • 11% Liveness
11% Instrumentalness • 5% Positiveness
27% Popularity • 19% Danceability • 2% Energy • 11% Liveness
11% Instrumentalness • 5% Positiveness
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Lorne Balfe
A Long Farewell
90 bpm • C Maj • 02:49 • -14.19db
19% Popularity • 14% Danceability • 11% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 11% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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John Paesano
Ready or Not
90 bpm • F Maj • 02:19 • -24.75db
35% Popularity • 20% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 20% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Ninjago Music
LEGO Ninjago Dragon Hunt
90 bpm • F min • 03:40 • -10.59db
26% Popularity • 16% Danceability • 67% Energy • 6% Liveness
33% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 67% Energy • 6% Liveness
33% Instrumentalness • 4% Positiveness
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Jay Vincent
The Mailman / Jay's Parents
110 bpm • C Maj • 01:42 • -22.13db
27% Popularity • 45% Danceability • 6% Energy • 8% Liveness
13% Instrumentalness • 39% Positiveness
27% Popularity • 45% Danceability • 6% Energy • 8% Liveness
13% Instrumentalness • 39% Positiveness
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Don Davis
The Dinosaur Fly-By
89 bpm • C# Maj • 02:15 • -14.17db
31% Popularity • 24% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Mychael Danna
Hello Arlo
110 bpm • C Maj • 02:49 • -20.21db
31% Popularity • 42% Danceability • 9% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
31% Popularity • 42% Danceability • 9% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
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Lorne Balfe
Open for Business
110 bpm • F Maj • 01:08 • -11.68db
20% Popularity • 48% Danceability • 64% Energy • 7% Liveness
78% Instrumentalness • 24% Positiveness
20% Popularity • 48% Danceability • 64% Energy • 7% Liveness
78% Instrumentalness • 24% Positiveness
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Tom Howe
Tractor Joyride
89 bpm • G Maj • 02:01 • -9.6db
11% Popularity • 63% Danceability • 86% Energy • 30% Liveness
77% Instrumentalness • 23% Positiveness
11% Popularity • 63% Danceability • 86% Energy • 30% Liveness
77% Instrumentalness • 23% Positiveness
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Alexandre Desplat
Max and Gidget
111 bpm • D Maj • 01:36 • -16.63db
15% Popularity • 41% Danceability • 9% Energy • 14% Liveness
40% Instrumentalness • 11% Positiveness
15% Popularity • 41% Danceability • 9% Energy • 14% Liveness
40% Instrumentalness • 11% Positiveness
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Germaine Franco
Chasing The Past
110 bpm • F# Maj • 02:26 • -10.58db
42% Popularity • 29% Danceability • 47% Energy • 20% Liveness
83% Instrumentalness • 6% Positiveness
42% Popularity • 29% Danceability • 47% Energy • 20% Liveness
83% Instrumentalness • 6% Positiveness
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John Paesano
Behind the Mask
88 bpm • G min • 02:19 • -19.74db
35% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Jay Vincent
Zane's True Potential
88 bpm • D min • 04:05 • -16.02db
29% Popularity • 12% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
29% Popularity • 12% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Lorne Balfe
The Phantom Zone
110 bpm • G Maj • 03:36 • -17.4db
19% Popularity • 24% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Discovering Dragonflies
111 bpm • C Maj • 01:35 • -19.54db
18% Popularity • 21% Danceability • 15% Energy • 24% Liveness
91% Instrumentalness • 25% Positiveness
18% Popularity • 21% Danceability • 15% Energy • 24% Liveness
91% Instrumentalness • 25% Positiveness
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Kevin Kiner
The Clones
88 bpm • G Maj • 02:29 • -10.15db
40% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
40% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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Rupert Gregson-Williams
Maddie Beautiful
88 bpm • F Maj • 01:41 • -20.39db
13% Popularity • 22% Danceability • 4% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 4% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
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Bear McCreary
Outpost 32
88 bpm • F min • 07:03 • -17.66db
29% Popularity • 18% Danceability • 34% Energy • 25% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 34% Energy • 25% Liveness
87% Instrumentalness • 4% Positiveness
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Jay Vincent
The Tinkerer's Tale
111 bpm • G min • 03:05 • -19.34db
18% Popularity • 22% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Joanna Pena
The Inevitable Conclusion
111 bpm • F min • 01:35 • -22.51db
11% Popularity • 16% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
11% Popularity • 16% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
