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The Lamb
Songs like
The Lamb
by
John Tavener
Based on a tempo of (+/- 10%) and a similar genre
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John Tavener
Sappho: Lyrical Fragments
83 bpm • G# Maj • 14:36 • -27.59db
6% Popularity • 15% Danceability • 4% Energy • 12% Liveness
10% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Ola Gjeilo
The Ground
83 bpm • D# Maj • 03:41 • -29db
27% Popularity • 10% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
83 bpm • D# Maj • 02:58 • -35.07db
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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John Tavener
Song for Athene
83 bpm • F Maj • 07:03 • -29db
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
BWV82: Aria: Ich habe genug
83 bpm • C# min • 07:41 • -22.58db
17% Popularity • 20% Danceability • 6% Energy • 13% Liveness
40% Instrumentalness • 11% Positiveness
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John Dowland
Flow, my tears
83 bpm • A# min • 05:10 • -25.77db
12% Popularity • 15% Danceability • 7% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
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Samuel Barber
Sure on this shining night, Op. 13, No. ...
83 bpm • A# Maj • 02:33 • -26.46db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
The Lord's Prayer
83 bpm • C Maj • 05:40 • -29.82db
25% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Psalm 23
83 bpm • D min • 02:43 • -31db
13% Popularity • 13% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
83 bpm • A min • 04:14 • -39.3db
24% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
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Zbigniew Preisner
Officium
83 bpm • G min • 03:45 • -24db
23% Popularity • 14% Danceability • 7% Energy • 34% Liveness
44% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Ave Verum Corpus, K. 618
83 bpm • F Maj • 02:45 • -20.06db
19% Popularity • 13% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Bless the Lord, My Soul
83 bpm • G Maj • 02:25 • -28.38db
22% Popularity • 15% Danceability • 3% Energy • 18% Liveness
13% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Eight Part Songs, Op. 115: III. The Blue...
83 bpm • F# Maj • 03:56 • -37.71db
34% Popularity • 17% Danceability • 0% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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John Dowland
Now, O Now I Needs Must Part
83 bpm • G Maj • 05:07 • -19db
12% Popularity • 19% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 17% Positiveness
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John Tavener
Song for Athene
83 bpm • F Maj • 06:43 • -25.48db
3% Popularity • 8% Danceability • 1% Energy • 10% Liveness
63% Instrumentalness • 3% Positiveness
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Eliza Gilkyson
Requiem (Arr. Johnson)
83 bpm • A# Maj • 04:11 • -30.04db
25% Popularity • 12% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
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Hildegard von Bingen
Antiphon, O quam mirabilis est
83 bpm • A Maj • 03:31 • -27.57db
31% Popularity • 24% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Ach Gott, vom Himmel sieh darein (Chorus...
84 bpm • F# min • 03:53 • -16.89db
12% Popularity • 16% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
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James MacMillan
A Child's Prayer
84 bpm • E min • 04:19 • -28db
7% Popularity • 8% Danceability • 3% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Sunrise Mass: Kyrie "The Spheres"
82 bpm • C# min • 04:29 • -26.89db
34% Popularity • 17% Danceability • 5% Energy • 8% Liveness
37% Instrumentalness • 3% Positiveness
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John Tavener
The Protecting Veil: The Dormition of th...
84 bpm • G Maj • 07:09 • -30.57db
10% Popularity • 15% Danceability • 1% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
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Samuel Barber
To be sung on the water, Op. 42, No. 2
82 bpm • C min • 03:17 • -34.26db
20% Popularity • 9% Danceability • 1% Energy • 13% Liveness
56% Instrumentalness • 4% Positiveness
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Michael Nyman
The Diary of Anne Frank (arr. Richard Bo...
84 bpm • E Maj • 03:31 • -25db
12% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Die Himmel erzahlen die Ehre Gottes, BWV...
82 bpm • D# min • 01:41 • -26.07db
7% Popularity • 29% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Karl Jenkins
The Armed Man - A Mass For Peace: III. K...
82 bpm • D min • 08:12 • -19db
29% Popularity • 8% Danceability • 19% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Unicornis captivatur
84 bpm • E min • 06:39 • -31.14db
19% Popularity • 20% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Robert Moran
Trinity Requiem: In paradisum
82 bpm • G# Maj • 04:44 • -25.92db
11% Popularity • 9% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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John Tavener
Tavener: Village Wedding
84 bpm • E min • 09:43 • -28.28db
4% Popularity • 13% Danceability • 3% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
34% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Die Himmel erzahlen die Ehre Gottes, BWV...
82 bpm • F# Maj • 00:55 • -24.47db
7% Popularity • 35% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sjaella
Ubi Caritas
82 bpm • A# min • 03:19 • -24.47db
29% Popularity • 28% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Richard Harvey
A Prayer
82 bpm • A Maj • 05:12 • -24.95db
13% Popularity • 13% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Symphonia et Ordo virtutum: O Euchari, i...
82 bpm • C# min • 01:43 • -27db
17% Popularity • 26% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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John Tavener
The Lord's Prayer
82 bpm • F Maj • 04:12 • -36.22db
3% Popularity • 8% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Shimmering - Ace generosa
82 bpm • B min • 05:13 • -22db
25% Popularity • 11% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Gottlob! Nun geht das Jahr zu Ende, BWV ...
82 bpm • B Maj • 04:24 • -19.18db
3% Popularity • 16% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 20% Positiveness
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Edward Elgar
Ave Maria, Op. 2, No. 2
85 bpm • A# Maj • 02:45 • -28.14db
27% Popularity • 12% Danceability • 6% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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John Tavener
Song for Athene
84 bpm • F Maj • 05:42 • -30.58db
14% Popularity • 18% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 3, Cho...
81 bpm • B min • 01:28 • -28db
30% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
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Henry Purcell
One Charming Night (Secrecy)
85 bpm • F# min • 02:13 • -25db
29% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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James Whitbourn
Give us the wings of faith
85 bpm • A min • 02:36 • -25db
35% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Song...
85 bpm • F# Maj • 03:21 • -29db
22% Popularity • 20% Danceability • 4% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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John Tavener
Funeral Ikos
85 bpm • G# Maj • 08:07 • -32.54db
20% Popularity • 10% Danceability • 4% Energy • 7% Liveness
54% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Al dolce soun
81 bpm • G# Maj • 03:05 • -24.45db
20% Popularity • 11% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Josquin des Prez
Nymphes des bois
81 bpm • G# min • 04:33 • -23.36db
19% Popularity • 8% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Joep Franssens
Harmony of the Spheres: I. First Movemen...
85 bpm • D Maj • 10:10 • -23.48db
8% Popularity • 12% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 3, Cour d'amou...
81 bpm • D Maj • 02:43 • -26.64db
23% Popularity • 11% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Begi...
81 bpm • C Maj • 02:32 • -21db
21% Popularity • 10% Danceability • 9% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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John Tavener
Tavener: Funeral Canticle
81 bpm • F min • 05:13 • -38.75db
32% Popularity • 11% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Sunrise Mass: IV. Identity
81 bpm • C min • 05:59 • -24.54db
23% Popularity • 14% Danceability • 10% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
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John Tavener
Out of the Night (Alleluia) - Reprise I ...
81 bpm • F Maj • 01:42 • -33.74db
5% Popularity • 15% Danceability • 0% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Kim André Arnesen
MAGNIFICAT: IV. Et misericordia
81 bpm • A# Maj • 04:56 • -19.81db
19% Popularity • 11% Danceability • 12% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus (8vv)
86 bpm • C min • 03:40 • -22db
14% Popularity • 10% Danceability • 20% Energy • 25% Liveness
23% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Psal...
81 bpm • C Maj • 06:25 • -32.03db
20% Popularity • 10% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Josquin des Prez
Mille regretz
86 bpm • F# min • 02:14 • -28.85db
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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John Tavener
The Lord's Prayer
81 bpm • F Maj • 03:41 • -35.24db
4% Popularity • 8% Danceability • 5% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
29% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
80 bpm • E min • 04:12 • -22.46db
32% Popularity • 12% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Klusas dziemas (silent songs): II. Dusi ...
80 bpm • A Maj • 01:35 • -35.5db
30% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
28% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Josquin des Prez
Obsecro Te
86 bpm • C min • 05:41 • -38.36db
34% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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John Tavener
The Lamb
81 bpm • E min • 03:48 • -32.75db
7% Popularity • 11% Danceability • 2% Energy • 7% Liveness
58% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
80 bpm • F min • 04:38 • -28.71db
42% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Mein Herr und mein Gott
80 bpm • C min • 09:29 • -23.07db
9% Popularity • 12% Danceability • 5% Energy • 33% Liveness
94% Instrumentalness • 3% Positiveness
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James Whitbourn
Requiem canticorum: De profundis
80 bpm • A min • 01:47 • -29db
32% Popularity • 18% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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John Tavener
Mother of God
86 bpm • F Maj • 03:01 • -28.8db
11% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Baïlèro, Serie 1, No. 2
87 bpm • A# Maj • 06:32 • -21db
22% Popularity • 15% Danceability • 15% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
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Henryk Górecki
Symphony No. 3, Op. 36, "Symfonia piesni...
87 bpm • A# min • 10:18 • -27db
26% Popularity • 9% Danceability • 2% Energy • 17% Liveness
66% Instrumentalness • 3% Positiveness
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Anton Bruckner
Pange lingua, WAB 33
79 bpm • A min • 04:46 • -31db
26% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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Carl Orff
Carmina Burana: No. 21, In trutina
80 bpm • D Maj • 02:29 • -40db
20% Popularity • 14% Danceability • 0% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
All-Night Vigil, Op. 37: O come and wors...
79 bpm • B Maj • 02:20 • -26.04db
8% Popularity • 16% Danceability • 6% Energy • 14% Liveness
39% Instrumentalness • 6% Positiveness
► Preview
John Tavener
Song of the Angel
86 bpm • F Maj • 04:29 • -26.23db
3% Popularity • 9% Danceability • 5% Energy • 11% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
MAGNIFICAT: I. Magnificat anima mea
87 bpm • E min • 06:04 • -24db
16% Popularity • 14% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
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Johannes Brahms
13 Canons, Op. 113: No. 13. Einformig is...
79 bpm • A min • 02:41 • -32.07db
24% Popularity • 13% Danceability • 2% Energy • 9% Liveness
39% Instrumentalness • 9% Positiveness
► Preview
Henryk Górecki
Symphonie No. 3, Op. 36: II. Lento e lar...
79 bpm • A# min • 09:37 • -25db
18% Popularity • 10% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act II: One Cha...
79 bpm • C# min • 02:37 • -21.21db
3% Popularity • 34% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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John Tavener
Tavener: The Protecting Veil: I. The Pro...
80 bpm • F Maj • 08:47 • -23.87db
15% Popularity • 11% Danceability • 12% Energy • 30% Liveness
83% Instrumentalness • 5% Positiveness
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BYU Singers
Lux Aurumque
79 bpm • C# min • 03:51 • -23.37db
18% Popularity • 10% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11 (Arr. Ru...
87 bpm • C# Maj • 04:15 • -19db
23% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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John Dowland
Lachrimae
87 bpm • F# min • 05:15 • -37db
30% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
► Preview
Samuel Barber
Adagio for Strings: Agnus Dei
78 bpm • A# min • 07:36 • -22.35db
23% Popularity • 8% Danceability • 9% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
St. Petersberg Chamber Choir
Alleluia, Behold the Bridegroom
79 bpm • C Maj • 05:31 • -20.94db
22% Popularity • 10% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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John Tavener
They are All Gone into the World of Ligh...
79 bpm • C Maj • 03:40 • -26db
6% Popularity • 14% Danceability • 8% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Trio Mediæval
O Jesu Dulcissime
78 bpm • D min • 05:05 • -23db
12% Popularity • 11% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
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The Lamb