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The Lamb
Songs like
The Lamb
by
John Tavener
Based on a tempo of (+/- 10%) and a similar genre
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USSR Ministry of Culture Chamber Choir
Hymn of the Cherubim (Excerpt)
126 bpm • D# min • 07:41 • -22.31db
39% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 1, Introï...
126 bpm • D Maj • 02:50 • -25db
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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William Byrd
Retire My Soul
126 bpm • C min • 04:26 • -23.72db
21% Popularity • 18% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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John Tavener
Tavener: Lamentations and Praises: XIII....
126 bpm • F Maj • 03:20 • -21.09db
2% Popularity • 21% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
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Kim André Arnesen
The Lamb
126 bpm • B min • 05:36 • -30db
19% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Oxford Camerata
Mass A 5: Kyrie
127 bpm • C min • 01:43 • -25.58db
26% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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John Tavener
The Protecting Veil: II. The Birth of th...
127 bpm • F# min • 05:51 • -22.44db
2% Popularity • 21% Danceability • 3% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ave generosa
127 bpm • C# Maj • 02:21 • -39db
11% Popularity • 19% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Knut Nystedt
Immortal Bach
127 bpm • D# Maj • 05:40 • -34db
20% Popularity • 17% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Jonathan Roberts
Never Seek to Tell Thy Love
127 bpm • F Maj • 03:50 • -35.04db
22% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
12% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
127 bpm • C Maj • 04:41 • -27.01db
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Antiphon Caritas habundant in omnia
125 bpm • F min • 02:18 • -26.93db
24% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Sally Beamish
In the Stillness
125 bpm • A min • 02:19 • -31.93db
18% Popularity • 17% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Arthur Bliss
Adam Zero: Approach of Autumn
128 bpm • D min • 03:34 • -38db
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Arvo Pärt
Da pacem Domine
128 bpm • A min • 05:43 • -29.06db
35% Popularity • 19% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
11% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
Illumina faciem tuam
128 bpm • F Maj • 04:25 • -26.07db
20% Popularity • 18% Danceability • 9% Energy • 29% Liveness
80% Instrumentalness • 4% Positiveness
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John Tavener
Tavener: Lamentations and Praises: XV. I...
129 bpm • G min • 03:12 • -16.79db
1% Popularity • 18% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 8% Positiveness
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Kjartan Sveinsson
Teil II
129 bpm • G min • 08:21 • -23db
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Spiritus Sanctus Vivificans
124 bpm • C# min • 02:50 • -29.86db
43% Popularity • 23% Danceability • 2% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Jonathan Dove
Into Thy Hands
129 bpm • E Maj • 05:44 • -23.15db
10% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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William Byrd
Mass for Four Voices: V. Agnus Dei
123 bpm • F min • 04:03 • -24.89db
20% Popularity • 18% Danceability • 6% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
30% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Frederick Delius
To Be Sung of a Summer Night on the Wate...
130 bpm • C# min • 02:26 • -21.11db
19% Popularity • 18% Danceability • 17% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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John Sheppard
Libera nos I & II: Libera nos I & II
130 bpm • G# Maj • 05:36 • -27db
14% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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John Tavener
Tavener: Lamentations and Praises: XIV. ...
130 bpm • A min • 04:03 • -32.99db
1% Popularity • 17% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Henryk Górecki
Miserere, Op. 44: 10. Domine Deus noster...
130 bpm • A min • 02:58 • -26.55db
9% Popularity • 16% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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John Taverner
In Nomine-Instrumentation colorée I (20...
122 bpm • D min • 02:09 • -35db
14% Popularity • 17% Danceability • 1% Energy • 8% Liveness
22% Instrumentalness • 9% Positiveness
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Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
35% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
15% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
131 bpm • E min • 04:57 • -35.96db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
27% Instrumentalness • 3% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
130 bpm • A min • 04:27 • -22db
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Kim André Arnesen
MAGNIFICAT: III. Quia fecit
120 bpm • G Maj • 05:48 • -24.42db
14% Popularity • 22% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Vladimir Martynov
I. Movement
120 bpm • A Maj • 03:19 • -11.9db
21% Popularity • 22% Danceability • 23% Energy • 5% Liveness
72% Instrumentalness • 4% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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John Tavener
Tavener: Lamentations and Praises: II. S...
131 bpm • G Maj • 06:15 • -28.23db
1% Popularity • 18% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Sanctus
132 bpm • A min • 04:55 • -23db
18% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Philip Glass
Echorus
120 bpm • C Maj • 05:51 • -24.31db
24% Popularity • 28% Danceability • 2% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ancient Suite
132 bpm • E min • 03:30 • -21.35db
24% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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John Tavener
Tavener: Lamentations and Praises: IX. Y...
132 bpm • A min • 02:11 • -23.65db
1% Popularity • 21% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
119 bpm • F# Maj • 07:07 • -30db
18% Popularity • 23% Danceability • 6% Energy • 11% Liveness
18% Instrumentalness • 4% Positiveness
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John Tavener
2 Hymns to the Mother of God: Hymn to th...
133 bpm • A# Maj • 02:36 • -26.1db
5% Popularity • 17% Danceability • 5% Energy • 4% Liveness
94% Instrumentalness • 3% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
28% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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John Tavener
Magnificat and Nunc Dimittis: Nunc Dimit...
134 bpm • B min • 02:58 • -31.97db
2% Popularity • 16% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Philip Glass
Medeira River
118 bpm • C Maj • 02:58 • -12db
27% Popularity • 47% Danceability • 49% Energy • 55% Liveness
92% Instrumentalness • 32% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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John Tavener
The Protecting Veil: III. Annunciation
119 bpm • G Maj • 03:15 • -20db
2% Popularity • 28% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
20% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Komm, süsser Tod, BWV 478 (Arr. L. Stok...
136 bpm • C min • 04:59 • -29.09db
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Nyman
Three movements from String Quartet No. ...
117 bpm • A# Maj • 03:37 • -21.46db
11% Popularity • 23% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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John Tavener
As one who has slept
134 bpm • B min • 04:58 • -29.2db
9% Popularity • 18% Danceability • 3% Energy • 20% Liveness
90% Instrumentalness • 3% Positiveness
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Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi / Arr Pluhar: Zefiro torna e ...
117 bpm • F Maj • 07:03 • -19.78db
30% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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David Lang
The Little Match Girl Passion (Version f...
136 bpm • G# Maj • 02:42 • -26.66db
12% Popularity • 27% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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USSR Ministry of Culture Chamber Choir
Amen, And with thy spirit
136 bpm • C Maj • 01:16 • -28db
30% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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John Tavener
Petra: a ritual dream
135 bpm • A# min • 10:34 • -29.47db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: X. Benigne fac Domine in bona ...
137 bpm • B min • 01:08 • -31.28db
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Sarah Kirkland Snider
Snider: Mass for the Endangered: Agnus D...
137 bpm • E min • 10:01 • -20.28db
9% Popularity • 17% Danceability • 9% Energy • 22% Liveness
5% Instrumentalness • 3% Positiveness
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Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
28% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 4, O...
138 bpm • F min • 02:53 • -24db
18% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Giovanni Girolamo Kapsberger
Toccata arpeggiata
115 bpm • F Maj • 02:39 • -39.9db
13% Popularity • 20% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 9% Positiveness
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Anna Thorvaldsdottir
Heyr þú oss himnum á
138 bpm • D min • 04:22 • -27.71db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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The King's Singers
Spem In Alium (Tallis)
138 bpm • A# Maj • 08:31 • -18.66db
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Gregorio Allegri
Miserere: Tunc imponent
138 bpm • C min • 02:54 • -23.24db
11% Popularity • 15% Danceability • 4% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
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Jan Garbarek
Beata viscera
138 bpm • G Maj • 06:34 • -26db
23% Popularity • 22% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
John Tavener
Tavener: Lamentations and Praises: VII. ...
138 bpm • A min • 02:07 • -26.97db
1% Popularity • 20% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Requiem, Op.48: Pie Jesu
138 bpm • A# Maj • 03:50 • -35.2db
10% Popularity • 15% Danceability • 1% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
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The Lamb