Songs like The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 1, Lamentatio I by Jan Dismas Zelenka
Based on a tempo of (+/- 10%) and a similar genre
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Johann Christian Bach
Requiem: Requiem: III. Sequenz - Dies ir...
109 bpm • C min • 03:00 • -18.16db
12% Popularity • 32% Danceability • 16% Energy • 10% Liveness
21% Instrumentalness • 12% Positiveness
12% Popularity • 32% Danceability • 16% Energy • 10% Liveness
21% Instrumentalness • 12% Positiveness
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Johann Pachelbel
Christ lag in Todesbanden: Versus I
109 bpm • D min • 02:19 • -15.19db
16% Popularity • 26% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 21% Positiveness
16% Popularity • 26% Danceability • 26% Energy • 13% Liveness
9% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Dona nobis pac...
109 bpm • C# Maj • 03:36 • -14.8db
21% Popularity • 18% Danceability • 22% Energy • 8% Liveness
99% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 22% Energy • 8% Liveness
99% Instrumentalness • 5% Positiveness
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Jan Dismas Zelenka
6 Sonatas, ZWV 181, No. 1 in F Major: II...
109 bpm • C# min • 05:05 • -16.79db
0% Popularity • 56% Danceability • 28% Energy • 13% Liveness
95% Instrumentalness • 55% Positiveness
0% Popularity • 56% Danceability • 28% Energy • 13% Liveness
95% Instrumentalness • 55% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I Scene 1: Arioso "Om...
109 bpm • E Maj • 03:03 • -23.48db
39% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Matthew Locke
For Several Friends: Suite in G Major-mi...
109 bpm • F min • 01:36 • -17.24db
28% Popularity • 44% Danceability • 13% Energy • 10% Liveness
73% Instrumentalness • 35% Positiveness
28% Popularity • 44% Danceability • 13% Energy • 10% Liveness
73% Instrumentalness • 35% Positiveness
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Antonio Vivaldi
Gloria: Qui sedes ad dexteram Patris
109 bpm • A# min • 02:10 • -24.52db
29% Popularity • 46% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
29% Popularity • 46% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
109 bpm • A min • 03:53 • -20db
42% Popularity • 48% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 48% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 2 in ...
108 bpm • C# min • 03:45 • -21.53db
35% Popularity • 27% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
35% Popularity • 27% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
109 bpm • B min • 12:52 • -23.35db
20% Popularity • 22% Danceability • 8% Energy • 11% Liveness
48% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 8% Energy • 11% Liveness
48% Instrumentalness • 7% Positiveness
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George Frideric Handel
Judas Maccabaeus, HWV 63, Act III: Duet ...
109 bpm • F# Maj • 06:35 • -28db
25% Popularity • 33% Danceability • 2% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 33% Danceability • 2% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
Laudate pueri Dominum, RV 600: Sit nomen...
110 bpm • D Maj • 02:47 • -29.35db
44% Popularity • 35% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: III...
110 bpm • G min • 06:08 • -20db
22% Popularity • 54% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
22% Popularity • 54% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia artificioso-ariosa / Partia I: ...
107 bpm • C# min • 02:40 • -18db
17% Popularity • 27% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 33% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 33% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 1 Kyri...
110 bpm • C# Maj • 04:44 • -21db
5% Popularity • 31% Danceability • 9% Energy • 9% Liveness
79% Instrumentalness • 22% Positiveness
5% Popularity • 31% Danceability • 9% Energy • 9% Liveness
79% Instrumentalness • 22% Positiveness
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Agostino Steffani
Stabat Mater: Stabat Mater Dolorosa
111 bpm • G min • 02:09 • -18.08db
30% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ib. Ad ped...
107 bpm • B min • 01:21 • -22.64db
31% Popularity • 35% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 35% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: III....
111 bpm • F# Maj • 02:26 • -19.85db
28% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
107 bpm • F min • 04:29 • -20db
44% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Michel Corrette
Noel Symphony No. 4 in D Minor: I. Une j...
106 bpm • C# min • 01:42 • -20db
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jan Dismas Zelenka
Sonata for 2 Oboes, Bassoon and Basso Co...
109 bpm • F Maj • 06:37 • -16db
4% Popularity • 58% Danceability • 37% Energy • 9% Liveness
92% Instrumentalness • 69% Positiveness
4% Popularity • 58% Danceability • 37% Energy • 9% Liveness
92% Instrumentalness • 69% Positiveness
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Jean-Baptiste Lully
Ouverture
106 bpm • F# min • 03:01 • -22db
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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George Frideric Handel
Messiah, HWV 56, Pt. 1: And He Shall Pur...
112 bpm • F# min • 02:08 • -20.78db
11% Popularity • 46% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 46% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act III, Scen...
112 bpm • F# Maj • 03:28 • -19.1db
21% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
106 bpm • C min • 03:27 • -19db
52% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: Pt. II: Ar...
112 bpm • A# min • 05:54 • -28db
42% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Jan Dismas Zelenka
Zelenka: Laetatus sum, ZWV 90: II. Illuc...
110 bpm • C# Maj • 03:18 • -8.48db
10% Popularity • 39% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 39% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Henry Purcell
Circe, Z. 575: Magicians' Dance
113 bpm • A Maj • 01:34 • -35.82db
38% Popularity • 52% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 52% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
36% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem in C Minor: II. Graduale
105 bpm • G min • 01:42 • -24.55db
33% Popularity • 16% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: II. Cujus animam
105 bpm • G# Maj • 03:07 • -21.02db
38% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Aria: Qui sede...
113 bpm • A# min • 04:25 • -26db
24% Popularity • 25% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 25% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Jan Dismas Zelenka
Missa Votiva in E Minor, ZWV 18: VI. Gra...
105 bpm • D# min • 03:25 • -10db
3% Popularity • 27% Danceability • 38% Energy • 27% Liveness
3% Instrumentalness • 19% Positiveness
3% Popularity • 27% Danceability • 38% Energy • 27% Liveness
3% Instrumentalness • 19% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
105 bpm • E Maj • 05:10 • -18db
35% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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William Christie
Purcell : King Arthur : Act 3 "See, see,...
114 bpm • A# min • 01:27 • -24db
33% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Antonio Vivaldi
Stabat Mater RV 621: IV. Quis est Homo
114 bpm • F min • 03:02 • -23db
24% Popularity • 33% Danceability • 5% Energy • 24% Liveness
2% Instrumentalness • 4% Positiveness
24% Popularity • 33% Danceability • 5% Energy • 24% Liveness
2% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: VI. Gloria Patri
114 bpm • C# min • 01:07 • -14db
34% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jan Dismas Zelenka
Missa Votiva in E Minor, ZWV 18: IX. Quo...
110 bpm • C# Maj • 03:48 • -12.12db
3% Popularity • 55% Danceability • 36% Energy • 9% Liveness
28% Instrumentalness • 55% Positiveness
3% Popularity • 55% Danceability • 36% Energy • 9% Liveness
28% Instrumentalness • 55% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
104 bpm • C min • 03:41 • -18.55db
43% Popularity • 52% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 52% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
114 bpm • C Maj • 02:05 • -19.59db
47% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
47% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
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George Frideric Handel
Handel: Coronation Anthem No. 4, HWV 261...
115 bpm • G# Maj • 02:44 • -21db
28% Popularity • 44% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 44% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Dies irae dies illa
115 bpm • F min • 01:07 • -13db
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 2 Glor...
110 bpm • G# Maj • 02:17 • -18db
4% Popularity • 50% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 53% Positiveness
4% Popularity • 50% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 53% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
103 bpm • F# Maj • 03:47 • -22.13db
24% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
114 bpm • A min • 03:23 • -17db
48% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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Domenico Scarlatti
Salve Regina pour soprano, contre-ténor...
103 bpm • G# min • 02:07 • -27db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IX. Sancta Mater
115 bpm • A# Maj • 05:59 • -22.73db
32% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Jan Dismas Zelenka
Beatus vir, ZWV 75: Peccator videbit - A...
111 bpm • E Maj • 01:44 • -20.89db
6% Popularity • 29% Danceability • 16% Energy • 16% Liveness
94% Instrumentalness • 5% Positiveness
6% Popularity • 29% Danceability • 16% Energy • 16% Liveness
94% Instrumentalness • 5% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
29% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
103 bpm • D# Maj • 06:07 • -26db
48% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Vivaldi
Stabat Mater, RV 621: I. Stabat Mater do...
116 bpm • E min • 02:54 • -23.96db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
103 bpm • B Maj • 01:08 • -19db
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: II. Cujus anima...
103 bpm • G Maj • 02:07 • -16.32db
33% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
33% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Jan Dismas Zelenka
Missa Votiva, ZWV 18: Kyrie I.
116 bpm • D# min • 03:56 • -17db
13% Popularity • 36% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 56% Positiveness
13% Popularity • 36% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 56% Positiveness
► Preview
Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Duet....
103 bpm • F min • 03:41 • -24.65db
23% Popularity • 20% Danceability • 3% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 3% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Dixit Dominus Domino meo
102 bpm • F# min • 05:34 • -18db
30% Popularity • 46% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 46% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Christoph Graupner
Bassoon Concerto in C Minor: II. Vivace
116 bpm • B min • 06:44 • -20db
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
116 bpm • C min • 08:49 • -22db
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georg Philipp Telemann
Sonata for Violin and Basso Continuo in ...
116 bpm • F# Maj • 02:32 • -12db
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
► Preview
Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Ab i...
111 bpm • F# Maj • 03:39 • -20.65db
6% Popularity • 51% Danceability • 24% Energy • 12% Liveness
5% Instrumentalness • 84% Positiveness
6% Popularity • 51% Danceability • 24% Energy • 12% Liveness
5% Instrumentalness • 84% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
48% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
48% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
► Preview
Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
28% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
28% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Recit...
102 bpm • B min • 02:31 • -23.33db
31% Popularity • 46% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 46% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Jean-Philippe Rameau
Rameau: Nouvelles Suites de Pièces de C...
117 bpm • F Maj • 03:49 • -16.6db
14% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 32% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
101 bpm • D min • 03:07 • -16db
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
► Preview
Jan Dismas Zelenka
6 Trio Sonatas, ZWV 181, No. 5 in F Majo...
111 bpm • F Maj • 06:22 • -20.53db
5% Popularity • 51% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 55% Positiveness
5% Popularity • 51% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 55% Positiveness
► Preview
Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
► Preview
Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: VI. Et m...
116 bpm • D# min • 03:40 • -27db
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Claudio Monteverdi
Scherzi musicali, cioè arie, et madriga...
101 bpm • G Maj • 06:59 • -19.04db
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Asprilio Pacelli
Gaudent in caelis
101 bpm • F Maj • 03:18 • -20.07db
5% Popularity • 16% Danceability • 15% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
5% Popularity • 16% Danceability • 15% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
Gloria, ZWV 30: I. Gloria
112 bpm • B Maj • 05:32 • -22.56db
6% Popularity • 44% Danceability • 15% Energy • 11% Liveness
17% Instrumentalness • 40% Positiveness
6% Popularity • 44% Danceability • 15% Energy • 11% Liveness
17% Instrumentalness • 40% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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George Frideric Handel
Deborah, HWV 51: Part I: Chorus - Let th...
101 bpm • F# Maj • 03:25 • -21.16db
29% Popularity • 31% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
29% Popularity • 31% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Claudio Monteverdi
Ciaccona (Antonio Falconiero ca. 1585-16...
101 bpm • G Maj • 01:46 • -24db
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Jan Dismas Zelenka
Missa Votiva in E Minor, ZWV 18: I. Kyri...
112 bpm • D# min • 04:10 • -9.04db
6% Popularity • 46% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
6% Popularity • 46% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626: Overtu...
100 bpm • B min • 02:13 • -22.03db
28% Popularity • 45% Danceability • 34% Energy • 24% Liveness
76% Instrumentalness • 38% Positiveness
28% Popularity • 45% Danceability • 34% Energy • 24% Liveness
76% Instrumentalness • 38% Positiveness
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Wolfgang Amadeus Mozart
Zaïde - Arie: Ruhe Sanft, Mein Holdes L...
119 bpm • G Maj • 07:12 • -24db
21% Popularity • 32% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Aria:...
99 bpm • F# min • 03:23 • -28.93db
29% Popularity • 45% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 45% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
28% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Missa Votiva in E Minor, ZWV 18: XVIII. ...
111 bpm • G# min • 01:34 • -10.52db
2% Popularity • 37% Danceability • 39% Energy • 16% Liveness
90% Instrumentalness • 65% Positiveness
2% Popularity • 37% Danceability • 39% Energy • 16% Liveness
90% Instrumentalness • 65% Positiveness
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Joseph Haydn
Mass No. 7 in B-Flat Major, Hob. XXII:7,...
99 bpm • A# Maj • 02:10 • -17.14db
35% Popularity • 18% Danceability • 17% Energy • 21% Liveness
29% Instrumentalness • 7% Positiveness
35% Popularity • 18% Danceability • 17% Energy • 21% Liveness
29% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Christian Bach
Magnificat, W. E22: Et misericordia eius...
120 bpm • B min • 01:10 • -22db
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Canzonette d'amore
100 bpm • B min • 02:36 • -25db
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Johann David Heinichen
III. Un poco Allegro
99 bpm • E Maj • 02:23 • -35db
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Et resurr...
112 bpm • G# Maj • 01:38 • -16.69db
10% Popularity • 44% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 62% Positiveness
10% Popularity • 44% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 62% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: IV. Redemptionem ...
120 bpm • F# min • 01:00 • -17.77db
27% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 1. Exsultate...
121 bpm • F Maj • 04:38 • -24db
13% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: IV. Wie l...
120 bpm • D# Maj • 05:02 • -26.38db
12% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
