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The Land of Nod…
Songs like
The Land of Nod…
by
Tom Cipullo
Based on a tempo of (+/- 10%) and a similar genre
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Cecilia Livingston
Breath Alone: Paula Modersohn-Becker (Ve...
74 bpm • G min • 07:13 • -20.93db
13% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38: No. 19, ...
74 bpm • F min • 01:12 • -28.61db
10% Popularity • 17% Danceability • 10% Energy • 22% Liveness
63% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
4 Romances, Op. 2: No. 2, Eastern Song: ...
74 bpm • B min • 02:57 • -20.25db
8% Popularity • 34% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Teresa Berganza
El majo tĂmido
74 bpm • A# Maj • 00:56 • -30.37db
13% Popularity • 49% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Robert Schumann
Schumann: Liederkreis, Op. 39: No. 1, In...
74 bpm • A min • 02:05 • -24.57db
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder (Duette), Op. 63: III. GruĂź
74 bpm • D# Maj • 02:09 • -18.08db
10% Popularity • 35% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Tom Cipullo
Secrets: The Dogwoods
74 bpm • F# min • 02:20 • -17.58db
0% Popularity • 20% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Traditional
Traditional / Arr. Moore: Blow the Wind ...
74 bpm • G Maj • 03:07 • -20.03db
9% Popularity • 38% Danceability • 15% Energy • 86% Liveness
0% Instrumentalness • 28% Positiveness
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Liza Lehmann
Evensong
75 bpm • G# Maj • 02:36 • -26.6db
12% Popularity • 29% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 4 in G: 4. Sehr behaglich: ...
73 bpm • E min • 08:35 • -29.35db
1% Popularity • 16% Danceability • 3% Energy • 6% Liveness
10% Instrumentalness • 8% Positiveness
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Jean Sibelius
Maan virsi (Hymn to the Earth), Op. 95
73 bpm • C Maj • 07:43 • -22.76db
11% Popularity • 8% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Vom Himmel hoch: IV. Aria "Sei willekomm...
73 bpm • G Maj • 03:08 • -26db
9% Popularity • 30% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Durante
Danza, danza, fanciulla gentile
75 bpm • A# min • 01:38 • -20.51db
9% Popularity • 28% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Tom Cipullo
Long Island Songs: No. 4. The Crane at G...
75 bpm • C# min • 03:52 • -24.7db
0% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
Trois jours de vendange
73 bpm • D# min • 03:30 • -23.34db
7% Popularity • 28% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Edward German
Orpheus with his Lute
73 bpm • D# Maj • 02:23 • -27.83db
7% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Alma Mahler
5 Lieder: No. 3. Laue Sommernacht
73 bpm • A Maj • 01:53 • -30db
9% Popularity • 23% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "O Thou, Who Makest" (Re...
73 bpm • E Maj • 03:04 • -15.67db
9% Popularity • 15% Danceability • 24% Energy • 34% Liveness
1% Instrumentalness • 14% Positiveness
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Richard Strauss
Four Last Songs, TrV 296 (Arr. for Piano...
75 bpm • D Maj • 05:59 • -21.86db
7% Popularity • 20% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Tom Cipullo
The Husbands
73 bpm • E min • 09:54 • -17.38db
0% Popularity • 30% Danceability • 15% Energy • 10% Liveness
6% Instrumentalness • 5% Positiveness
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Maurice Ravel
Trois poemes de Stephane Mallarme: I. So...
75 bpm • G Maj • 03:48 • -30.18db
8% Popularity • 18% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Henri Dutilleux
Tout un monde lointain…: I. Énigme
73 bpm • G Maj • 06:49 • -26.93db
8% Popularity • 27% Danceability • 8% Energy • 22% Liveness
84% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Messa di Gloria: XVII. Benedictus
73 bpm • A# Maj • 02:14 • -23.41db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 7, Wohl...
72 bpm • G# Maj • 01:20 • -27.77db
14% Popularity • 28% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Matthew Coleridge
Requiem: Lacrimosa
72 bpm • D min • 05:14 • -27.71db
8% Popularity • 13% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Tom Cipullo
Secrets: RSVP Regrets Only
73 bpm • G Maj • 01:33 • -17.64db
0% Popularity • 40% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Maurice Ravel
L'enfant et les sortilèges, M. 71, Pt. ...
73 bpm • F# min • 01:13 • -28.86db
8% Popularity • 42% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
An die ferne Geliebte, Op. 98: No. 6, Ni...
76 bpm • D# Maj • 04:48 • -23.63db
7% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 8 in E Flat Major "Symphony...
76 bpm • E Maj • 02:03 • -21db
9% Popularity • 7% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Henri Dutilleux
Tout un monde lointain…: III. Houles
72 bpm • G Maj • 04:49 • -24.41db
8% Popularity • 20% Danceability • 13% Energy • 14% Liveness
82% Instrumentalness • 12% Positiveness
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Carl Orff
Carmina Burana, Pt. 1: No. 3, Veris leta...
72 bpm • A min • 04:06 • -44.08db
8% Popularity • 7% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 14% Positiveness
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Tom Cipullo
After Life: So Many Died
72 bpm • C# Maj • 07:30 • -17.6db
0% Popularity • 26% Danceability • 13% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Ravel
3 Poèmes de Stéphane Mallarmé, M. 64:...
72 bpm • D Maj • 04:16 • -21.01db
9% Popularity • 25% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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Ned Rorem
Rorem : "Early in the morning"
72 bpm • C min • 02:02 • -27db
8% Popularity • 39% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: II. A...
72 bpm • D# Maj • 09:55 • -13.24db
15% Popularity • 9% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: IV. Gratias
72 bpm • C# Maj • 03:40 • -22.16db
14% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Final...
72 bpm • E Maj • 05:01 • -23.99db
10% Popularity • 19% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Tom Cipullo
Secrets: The Almanac of Last Things
72 bpm • G Maj • 03:18 • -20.29db
0% Popularity • 34% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Max Reger
Ich sehe dich in tausend Bildern, Op.105...
72 bpm • F# min • 02:26 • -34.86db
7% Popularity • 24% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: L'enfant et les sortilèges, M. 7...
76 bpm • E min • 04:32 • -22.91db
0% Popularity • 25% Danceability • 4% Energy • 20% Liveness
3% Instrumentalness • 24% Positiveness
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Komitas
Armenian Songs: Mankakan aghotq - Hayr M...
76 bpm • D Maj • 00:58 • -23.28db
9% Popularity • 32% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Lasciatemi morire!
77 bpm • F min • 01:24 • -16.4db
17% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
72 bpm • A Maj • 02:01 • -24db
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Tom Cipullo
How to Get Heat Without Fire: How to Get...
72 bpm • D Maj • 04:42 • -17.98db
0% Popularity • 42% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Johannes Brahms
Liebesliederwalzer, Op. 52: III. O die F...
71 bpm • A# Maj • 01:17 • -21db
8% Popularity • 28% Danceability • 18% Energy • 27% Liveness
7% Instrumentalness • 16% Positiveness
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Frank Martin
Golgotha, Première Partie: II. Les Rame...
77 bpm • G# min • 09:37 • -20.46db
7% Popularity • 10% Danceability • 12% Energy • 11% Liveness
22% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Aria....
77 bpm • F Maj • 03:04 • -23.99db
23% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Petite Messe Solennelle / Credo: Crucifi...
77 bpm • G# Maj • 03:19 • -23.43db
9% Popularity • 23% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 14, Vocalise
77 bpm • C# min • 06:06 • -23.49db
15% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Tom Cipullo
After Life: I Resisted in My Art
76 bpm • G Maj • 05:44 • -15.5db
0% Popularity • 33% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr...
77 bpm • D# Maj • 03:02 • -23.3db
17% Popularity • 19% Danceability • 6% Energy • 29% Liveness
21% Instrumentalness • 15% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
9% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91 (Arr. Fontanel...
71 bpm • D min • 02:13 • -16.89db
9% Popularity • 34% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Bernstein - I hate music!: I hate music!
77 bpm • E min • 01:29 • -16db
9% Popularity • 44% Danceability • 10% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Henri Dutilleux
Tout un monde lointain…: V. Hymne
77 bpm • D Maj • 04:48 • -22.09db
12% Popularity • 26% Danceability • 20% Energy • 33% Liveness
86% Instrumentalness • 28% Positiveness
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Tom Cipullo
Secrets: Drift
76 bpm • D min • 03:14 • -19.74db
0% Popularity • 37% Danceability • 5% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Kun Jeesus Oli Vangittu
77 bpm • G Maj • 04:13 • -21db
11% Popularity • 23% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Ottorino Respighi
I Fontani di Roma, P. 106: II. La fontan...
77 bpm • C Maj • 02:17 • -13.35db
8% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Petite messe solennelle: VI. Gloria. Gra...
71 bpm • A Maj • 04:55 • -22.97db
10% Popularity • 17% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": VII...
77 bpm • D Maj • 04:27 • -17.3db
11% Popularity • 16% Danceability • 30% Energy • 11% Liveness
52% Instrumentalness • 26% Positiveness
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Charles Koechlin
4 Poèmes d'Edmond Haraucourt, Op. 7: No...
77 bpm • F Maj • 04:09 • -19.07db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Tom Cipullo
The Parting: The Moon Sways
76 bpm • A Maj • 06:18 • -19.88db
0% Popularity • 27% Danceability • 14% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Ricky Ian Gordon
27, Act IV: Introduction, "Twice Denying...
78 bpm • C Maj • 07:33 • -16.59db
8% Popularity • 27% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part III: When ...
78 bpm • F min • 02:37 • -26.54db
11% Popularity • 42% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Reynaldo Hahn
Ă€ Chloris
70 bpm • D Maj • 03:09 • -25.39db
13% Popularity • 17% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Gustav Mahler
Wer hat dies Liedlein erdacht
78 bpm • F Maj • 02:05 • -27db
8% Popularity • 45% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Brad Mehldau
The Folly of Desire: Leda and the Swan
70 bpm • E Maj • 04:17 • -17.3db
14% Popularity • 37% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Tom Cipullo
Secrets: In the Middle of a Life
76 bpm • A Maj • 04:11 • -18.94db
0% Popularity • 34% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Ernest Chausson
Sept mélodies, Op. 2: V. Sérénade ita...
78 bpm • B Maj • 01:49 • -18db
11% Popularity • 34% Danceability • 15% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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CĂ©cile Chaminade
Labsente
78 bpm • C Maj • 02:49 • -13.72db
17% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
78 bpm • E Maj • 01:50 • -23.64db
11% Popularity • 33% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Arnold Schoenberg
Vier Lieder, Op. 2: II. Schenk Mir Deine...
78 bpm • C# Maj • 03:32 • -21.03db
9% Popularity • 24% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Jan Sandström
Ecos de Eternidad: I Saludos II
70 bpm • G Maj • 01:00 • -34.3db
19% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Tom Cipullo
glances: III. Unbroken
77 bpm • C# Maj • 01:32 • -24.97db
0% Popularity • 21% Danceability • 5% Energy • 7% Liveness
54% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): V. Life in h...
78 bpm • A min • 10:44 • -20.73db
10% Popularity • 31% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Alberto Ginastera
Estancia, Op. 8: Scene 1, El Amanecer - ...
70 bpm • A min • 02:32 • -19.4db
9% Popularity • 29% Danceability • 15% Energy • 26% Liveness
8% Instrumentalness • 7% Positiveness
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Ernest Chausson
Chausson: Les papillons, Op. 2, No. 3
78 bpm • G Maj • 01:25 • -22db
8% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ernst von Dohnányi
6 Gedichte, Op. 14: No. 2, So fĂĽgt sich...
79 bpm • A Maj • 03:05 • -14.58db
14% Popularity • 31% Danceability • 26% Energy • 9% Liveness
10% Instrumentalness • 10% Positiveness
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Anonymous
Ah ! toi belle hirondelle (Arr. for Sopr...
79 bpm • D# Maj • 03:41 • -19.05db
21% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Tom Cipullo
Secrets: Because
71 bpm • C# Maj • 03:15 • -19.9db
0% Popularity • 37% Danceability • 7% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Alma Mahler
Laue Sommernacht - Vocal
79 bpm • E Maj • 01:50 • -24db
10% Popularity • 27% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
70 bpm • C Maj • 02:30 • -26.62db
10% Popularity • 18% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
79 bpm • G# Maj • 01:20 • -30.96db
11% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part II: Out on...
79 bpm • C Maj • 05:59 • -31.86db
12% Popularity • 20% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 3% Positiveness
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Yohan Susilo
Pray “Psalm 23”
69 bpm • A Maj • 03:06 • -20.96db
11% Popularity • 25% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Tom Cipullo
Drifts and Shadows: blizzard
70 bpm • F min • 02:03 • -16.63db
0% Popularity • 43% Danceability • 21% Energy • 20% Liveness
7% Instrumentalness • 30% Positiveness
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Alma Mahler
Leise weht ein erstes BlĂĽhn
69 bpm • D Maj • 03:59 • -19.65db
7% Popularity • 36% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Alessandro Scarlatti
Se Florindo è fedele
79 bpm • G# Maj • 02:45 • -20.37db
7% Popularity • 34% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sergei Rachmaninoff
6 Romances, Op. 38: No. 5, The Dream
69 bpm • F# Maj • 03:12 • -24.26db
15% Popularity • 34% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Hyde
Symphony, Op. 20: VII. Temps suspendu
79 bpm • G# min • 00:57 • -45.42db
13% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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CĂ©cile Chaminade
Rosemonde
79 bpm • E Maj • 03:02 • -17.13db
19% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Tom Cipullo
glances: VI. Glance
78 bpm • G Maj • 01:42 • -23.37db
0% Popularity • 46% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 7% Positiveness
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James MacMillan
Seven Last Words from the Cross: I. Fath...
80 bpm • B Maj • 05:48 • -25.9db
7% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: I. An...
80 bpm • G# Maj • 06:05 • -18.49db
24% Popularity • 16% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Humphrey Searle
2 Practical Cats: No. 2, Growltiger's La...
80 bpm • C# Maj • 05:42 • -23.78db
7% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Wagner
Les adieux de Marie Stuart, WWV 61 (Arr....
69 bpm • D# Maj • 06:55 • -17.89db
9% Popularity • 27% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Johannes Brahms
Liebesliederwalzer, Op. 52: I. Rede, Mä...
80 bpm • E Maj • 01:16 • -20db
12% Popularity • 46% Danceability • 23% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Cipullo
How to Get Heat Without Fire: How to Get...
78 bpm • C# min • 01:27 • -20.02db
0% Popularity • 25% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Per Egland
Sånger å de Osjungnas Vägnar: III. De...
80 bpm • D Maj • 01:03 • -28.73db
30% Popularity • 28% Danceability • 23% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
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Robert Schumann
Liederkreis, Op. 39: In der Fremde
68 bpm • B min • 02:26 • -29.44db
10% Popularity • 17% Danceability • 3% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
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The Land of Nod…