Songs like The Last Emperor (Theme) by Ryuichi Sakamoto
Based on a tempo of (+/- 10%) and a similar genre
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Ludwig van Beethoven
Beethoven: Epilogue ( Beethoven Piano Co...
81 bpm • B Maj • 03:57 • -29.33db
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Atonement: Elegy for Dunkirk
81 bpm • B min • 05:24 • -20.85db
13% Popularity • 13% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Katsu Hoshi
Main Theme
81 bpm • C Maj • 01:49 • -25db
55% Popularity • 30% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
55% Popularity • 30% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
The Last Emperor (Theme)
81 bpm • G Maj • 05:54 • -23.77db
32% Popularity • 8% Danceability • 6% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 6% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Takayuki Hattori
Les enfants de la Terre〜地球のこ�...
81 bpm • G Maj • 05:57 • -12.04db
12% Popularity • 11% Danceability • 30% Energy • 19% Liveness
74% Instrumentalness • 7% Positiveness
12% Popularity • 11% Danceability • 30% Energy • 19% Liveness
74% Instrumentalness • 7% Positiveness
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Claudio Capponi
Tema di Jane Eyre
81 bpm • A Maj • 02:38 • -16.21db
23% Popularity • 11% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
23% Popularity • 11% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Joshua Bell
Heavenly Voice II (Alternative Version)
81 bpm • D# Maj • 01:52 • -28.66db
24% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
24% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
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Fumio Hayasaka
Ikiru
80 bpm • E Maj • 02:07 • -9.34db
22% Popularity • 28% Danceability • 23% Energy • 27% Liveness
96% Instrumentalness • 7% Positiveness
22% Popularity • 28% Danceability • 23% Energy • 27% Liveness
96% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
82 bpm • F Maj • 03:39 • -25.19db
33% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Ryuichi Sakamoto
Bolerish
82 bpm • F Maj • 06:10 • -21.48db
19% Popularity • 32% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
19% Popularity • 32% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Thomas Adès
Valse Du Salon
82 bpm • C# min • 03:36 • -24.15db
11% Popularity • 27% Danceability • 4% Energy • 41% Liveness
78% Instrumentalness • 11% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 41% Liveness
78% Instrumentalness • 11% Positiveness
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Craig Armstrong
Armstrong: Opening
82 bpm • C min • 01:31 • -8.26db
29% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
29% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
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Fumio Hayasaka
Rashomon Third Movement
80 bpm • G# Maj • 08:37 • -17db
7% Popularity • 35% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
7% Popularity • 35% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Éric Serra
Cute Name
82 bpm • A min • 03:28 • -13.25db
24% Popularity • 9% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 9% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Ryuichi Sakamoto
Open The Door
82 bpm • E min • 02:54 • -22.17db
24% Popularity • 34% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
24% Popularity • 34% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Philippe Rombi
Les retrouvailles
80 bpm • D# min • 04:57 • -18.89db
10% Popularity • 20% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Luciano Lombardi
C'era Una Volta In Italia, La Casa
80 bpm • G Maj • 03:02 • -17.56db
25% Popularity • 15% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
25% Popularity • 15% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Philippe Sarde
Venge-moi (Cavalleria rusticana - Interm...
82 bpm • F Maj • 04:06 • -17db
11% Popularity • 15% Danceability • 15% Energy • 24% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 15% Energy • 24% Liveness
84% Instrumentalness • 4% Positiveness
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Nicola Piovani
Palombella Rossa: Le Mamme Ci Asciugavan...
82 bpm • G min • 02:39 • -18db
37% Popularity • 37% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 37% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Trevor Jones
To Speed You on Your Way
80 bpm • A min • 02:31 • -17.43db
21% Popularity • 7% Danceability • 14% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 7% Danceability • 14% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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John Corigliano
I. Cremona, Main Title
80 bpm • G# Maj • 02:42 • -26.12db
19% Popularity • 7% Danceability • 4% Energy • 61% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 4% Energy • 61% Liveness
89% Instrumentalness • 3% Positiveness
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Andrea Morricone
Cinema Paradiso - Theme
80 bpm • A# Maj • 03:29 • -15.73db
12% Popularity • 15% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
12% Popularity • 15% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
30% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Christopher Gunning
Firelight
82 bpm • B min • 07:19 • -21.69db
7% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Claudio Capponi
Tema di Jane
82 bpm • D Maj • 01:28 • -17.52db
31% Popularity • 18% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
31% Popularity • 18% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Peter Hamilton Orchestra
Morte a Venezia - Adagietto From the 5th...
83 bpm • F Maj • 03:37 • -18.6db
23% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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조영욱과 THE SOUNDTRACKINGS
Spellbindingly Beautiful
79 bpm • D min • 01:20 • -12.48db
22% Popularity • 45% Danceability • 23% Energy • 32% Liveness
85% Instrumentalness • 28% Positiveness
22% Popularity • 45% Danceability • 23% Energy • 32% Liveness
85% Instrumentalness • 28% Positiveness
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Rachel Portman
Little Edie On Chair
83 bpm • F Maj • 02:47 • -20db
27% Popularity • 24% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
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Akira Ifukube
Japanese Rhapsody: I. Nocturne
79 bpm • B min • 08:01 • -32.18db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
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John Lunn
Gleam And Sparkle
79 bpm • A min • 02:48 • -16.7db
26% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
26% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Adagio
Gayane Ballet Suite (Adagio)
83 bpm • G# Maj • 05:17 • -25db
12% Popularity • 9% Danceability • 7% Energy • 30% Liveness
95% Instrumentalness • 3% Positiveness
12% Popularity • 9% Danceability • 7% Energy • 30% Liveness
95% Instrumentalness • 3% Positiveness
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Henry Mancini
Love Theme from "Sunflower"
79 bpm • F min • 02:26 • -9.62db
31% Popularity • 26% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
31% Popularity • 26% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Nicola Piovani
La Messa E' Finita: Il Valzer Della Cioc...
83 bpm • D min • 02:24 • -21.57db
26% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Clint Eastwood
Frankie's Dilemma
83 bpm • C# Maj • 01:09 • -19.42db
17% Popularity • 20% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Yuja Wang
Wallfisch: Gilbert's Theme
83 bpm • F Maj • 01:26 • -19.09db
26% Popularity • 22% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 4% Positiveness
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George Gershwin
ガーシュイン:ラプソディ・イ...
79 bpm • C Maj • 01:55 • -10.67db
37% Popularity • 48% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 32% Positiveness
37% Popularity • 48% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 32% Positiveness
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David Motion
The Maze
79 bpm • C Maj • 04:30 • -13.52db
22% Popularity • 37% Danceability • 37% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
22% Popularity • 37% Danceability • 37% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
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Orchestra Sinfonica Di Milano
The Shower - Excerpt from Dressed to Kil...
83 bpm • C Maj • 03:41 • -17.84db
16% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
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Umitaro Abe
天才少年の朝
83 bpm • C Maj • 02:09 • -17.36db
30% Popularity • 26% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
30% Popularity • 26% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Milo Paulus
Scarlett in the Mist: II. Leaving Home
83 bpm • F# Maj • 01:40 • -13.32db
18% Popularity • 24% Danceability • 28% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
18% Popularity • 24% Danceability • 28% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis - E...
83 bpm • C min • 05:14 • -19db
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Phantom Thread I
79 bpm • E min • 03:35 • -18.66db
30% Popularity • 10% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
30% Popularity • 10% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Éric Serra
Leon The Cleaner
79 bpm • A min • 01:50 • -12.93db
23% Popularity • 16% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Strauss
Also Sprach Zarathustra (Thus Spake Zara...
83 bpm • C Maj • 01:43 • -13.18db
21% Popularity • 20% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
21% Popularity • 20% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Howard Shore
Stoke Newington
79 bpm • A min • 01:42 • -23.57db
10% Popularity • 20% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
G線上のアリア（Ａｉｒ）
83 bpm • D Maj • 02:27 • -13.83db
19% Popularity • 14% Danceability • 24% Energy • 9% Liveness
15% Instrumentalness • 16% Positiveness
19% Popularity • 14% Danceability • 24% Energy • 9% Liveness
15% Instrumentalness • 16% Positiveness
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Rachel Portman
Opening Credits
83 bpm • G Maj • 03:11 • -17.64db
10% Popularity • 20% Danceability • 16% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 16% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Dario Marianelli
Elegy For Dunkirk
84 bpm • B min • 04:15 • -16.15db
37% Popularity • 14% Danceability • 14% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 14% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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Taeko Onuki
美貌の青空(Bibo no Aozora) - Geimor...
78 bpm • A min • 05:05 • -17.55db
27% Popularity • 39% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 39% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Christopher Palmer
The Deerhunter: Introduction and Cavatin...
78 bpm • E Maj • 06:59 • -20.37db
10% Popularity • 8% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo (Godfat...
78 bpm • F Maj • 03:39 • -22.62db
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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George Frideric Handel
Concerto grosso in B-Flat Major, Op. 6 N...
78 bpm • A# Maj • 01:11 • -21.49db
13% Popularity • 15% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
13% Popularity • 15% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Cole Porter
So in Love
84 bpm • G# Maj • 02:21 • -13.39db
9% Popularity • 10% Danceability • 30% Energy • 26% Liveness
87% Instrumentalness • 9% Positiveness
9% Popularity • 10% Danceability • 30% Energy • 26% Liveness
87% Instrumentalness • 9% Positiveness
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Ryuichi Sakamoto
Snake Eyes Main Theme - Long Version / F...
78 bpm • D min • 05:26 • -13.41db
16% Popularity • 12% Danceability • 29% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
16% Popularity • 12% Danceability • 29% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
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Geoffrey Burgon
Sebastian's Summer
85 bpm • D Maj • 05:35 • -22.22db
22% Popularity • 23% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Éric Serra
She Is Dead
78 bpm • D# Maj • 01:31 • -11.9db
26% Popularity • 14% Danceability • 27% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 27% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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David Arnold
Death of Vesper
77 bpm • E min • 02:50 • -24.41db
27% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Wojciech Kilar
Mina / Dracula
77 bpm • E min • 04:48 • -26db
17% Popularity • 7% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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MEMBERS OF ISRAEL
Very little wishes
85 bpm • C Maj • 02:29 • -32.2db
32% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Takashi Kako
パリは燃えているか - オープ�...
77 bpm • F min • 02:44 • -13.18db
26% Popularity • 18% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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David Byrne
Bed
85 bpm • B min • 05:00 • -25.44db
18% Popularity • 43% Danceability • 9% Energy • 28% Liveness
85% Instrumentalness • 7% Positiveness
18% Popularity • 43% Danceability • 9% Energy • 28% Liveness
85% Instrumentalness • 7% Positiveness
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Patrick Doyle
Remember Me
77 bpm • G Maj • 04:52 • -21.44db
12% Popularity • 7% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Katsu Hoshi
Ohanahan
77 bpm • F Maj • 01:27 • -17.75db
37% Popularity • 29% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
37% Popularity • 29% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Rachel Portman
Three Women - Instrumental
85 bpm • G Maj • 01:01 • -29.18db
44% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
44% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
► Preview
Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Luis Bacalov
Il Postino (Titoli)
85 bpm • C Maj • 02:44 • -16db
41% Popularity • 14% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Ulrich Herkenhoff
The English Patient: Convento di Sant'An...
85 bpm • G Maj • 03:31 • -20.84db
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Michiru Oshima
風笛
86 bpm • G Maj • 03:45 • -16.02db
30% Popularity • 30% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 16% Positiveness
30% Popularity • 30% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 16% Positiveness
► Preview
Katsu Hoshi
Scenery - Countryside's Theme
77 bpm • E min • 04:56 • -26db
23% Popularity • 32% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 7% Positiveness
23% Popularity • 32% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 7% Positiveness
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Shigeru Umebayashi
Lovers (Mei and Jin)
77 bpm • E min • 04:21 • -9.63db
24% Popularity • 9% Danceability • 29% Energy • 38% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 29% Energy • 38% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Justin Hurwitz
Docking Waltz
77 bpm • D Maj • 03:22 • -21db
35% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Howard Shore
It Ended in Silence
77 bpm • D min • 04:24 • -28.9db
8% Popularity • 7% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Milo Paulus
A Simple Gift
77 bpm • B Maj • 04:15 • -20.79db
9% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Ryuichi Sakamoto
First Coronation
77 bpm • E min • 01:46 • -22db
26% Popularity • 14% Danceability • 9% Energy • 34% Liveness
68% Instrumentalness • 13% Positiveness
26% Popularity • 14% Danceability • 9% Energy • 34% Liveness
68% Instrumentalness • 13% Positiveness
► Preview
Éric Serra
Leeloominai
86 bpm • B min • 01:41 • -24.1db
36% Popularity • 13% Danceability • 13% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 13% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Nico Muhly
The Egg
86 bpm • G min • 01:06 • -35.49db
32% Popularity • 34% Danceability • 3% Energy • 19% Liveness
98% Instrumentalness • 15% Positiveness
32% Popularity • 34% Danceability • 3% Energy • 19% Liveness
98% Instrumentalness • 15% Positiveness
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Wojciech Kilar
Thème pour cordes
86 bpm • D min • 01:51 • -14db
15% Popularity • 24% Danceability • 24% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
15% Popularity • 24% Danceability • 24% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Leonard Rosenman
Ferris Wheel
76 bpm • C Maj • 01:25 • -25.39db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Ikuma Dan
The Silk Road, Suite for Orchestra: Past...
76 bpm • A min • 08:23 • -26.59db
7% Popularity • 8% Danceability • 1% Energy • 14% Liveness
23% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 14% Liveness
23% Instrumentalness • 4% Positiveness
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Patrick Doyle
Violin Romance
86 bpm • C# Maj • 05:04 • -21.53db
20% Popularity • 13% Danceability • 14% Energy • 5% Liveness
45% Instrumentalness • 8% Positiveness
20% Popularity • 13% Danceability • 14% Energy • 5% Liveness
45% Instrumentalness • 8% Positiveness
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Jonny Greenwood
For the Hungry Boy
86 bpm • C Maj • 03:41 • -16.4db
33% Popularity • 16% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
33% Popularity • 16% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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John Lunn
A New Era
76 bpm • G# min • 05:22 • -13.62db
28% Popularity • 20% Danceability • 29% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
28% Popularity • 20% Danceability • 29% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
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Marvin Hamlisch
Theme from "The Swimmer" (Send for Me In...
76 bpm • F min • 03:04 • -16db
14% Popularity • 8% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
14% Popularity • 8% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Charlie Chaplin
City Lights: Reunited
86 bpm • A# Maj • 07:33 • -18db
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
35% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
35% Instrumentalness • 7% Positiveness
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Ryuichi Sakamoto
Where Is Armo?
86 bpm • A min • 02:26 • -22.59db
38% Popularity • 25% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
38% Popularity • 25% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Takashi Yoshimatsu
Symphony No. 2, "At terra": II. Requiem ...
86 bpm • A# Maj • 09:03 • -33.3db
8% Popularity • 9% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
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alva noto
Barco
76 bpm • F Maj • 04:14 • -18.6db
10% Popularity • 7% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Angelo Badalamenti
Theme From The Comfort Of Strangers - Ma...
86 bpm • A min • 04:05 • -23.78db
12% Popularity • 9% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Anne Dudley
The Crying Game - Instrumental
87 bpm • G Maj • 03:40 • -15.85db
8% Popularity • 14% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Eli's Theme
76 bpm • F min • 02:40 • -13db
29% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
29% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
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Shin’ichirō Ikebe
「影武者」メインタイトル
87 bpm • G min • 04:15 • -13.68db
9% Popularity • 14% Danceability • 16% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 16% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Alex Heffes
Grace Alone
76 bpm • G min • 01:38 • -19db
35% Popularity • 23% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 23% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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George Martin
Under Milk Wood Overture: I. Under Milk ...
87 bpm • E Maj • 02:29 • -21.22db
19% Popularity • 9% Danceability • 10% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 9% Danceability • 10% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
八重の桜 - メインテーマ
76 bpm • B min • 02:39 • -13db
24% Popularity • 17% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
24% Popularity • 17% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Jonny Greenwood
Open Spaces
87 bpm • A Maj • 03:55 • -18.54db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
