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The Last of Us
Songs like
The Last of Us
by
Gustavo Santaolalla
Based on a tempo of (+/- 10%) and a similar genre
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Gustavo Santaolalla
The Last of Us
155 bpm • E min • 03:03 • -12.39db
62% Popularity • 57% Danceability • 47% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Alan Menken
Kingdom Dance
156 bpm • E Maj • 02:20 • -9.82db
62% Popularity • 24% Danceability • 61% Energy • 13% Liveness
40% Instrumentalness • 47% Positiveness
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Dave Porter
Breaking Bad Main Title Theme (Extended)
153 bpm • D min • 01:15 • -11.79db
50% Popularity • 63% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
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John Paesano
New York's Only Spider-Man
159 bpm • G# Maj • 02:53 • -11.93db
43% Popularity • 46% Danceability • 61% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Mahmoud Nader
Shadow Of War - Epic Version
151 bpm • A min • 02:43 • -8.93db
25% Popularity • 12% Danceability • 51% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Berlinist
Gris, Pt. 2
153 bpm • F min • 02:26 • -10.25db
38% Popularity • 11% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Gustavo Santaolalla
Chasing a Rumor
153 bpm • E min • 02:54 • -13db
41% Popularity • 44% Danceability • 39% Energy • 7% Liveness
87% Instrumentalness • 58% Positiveness
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Akira Yamaoka
Promise (Reprise)
150 bpm • G min • 01:44 • -18.47db
53% Popularity • 57% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 31% Positiveness
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Rhaeide
Silent Hill 2 - Promise (Reprise)
150 bpm • G min • 01:55 • -17.69db
33% Popularity • 58% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 48% Positiveness
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Ilan Eshkeri
Sacrifice of Tradition
160 bpm • C min • 04:29 • -10.53db
37% Popularity • 14% Danceability • 57% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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James Newton Howard
Eptesicus
150 bpm • G min • 04:20 • -27.06db
56% Popularity • 12% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Bear McCreary
A Son's Path
150 bpm • G Maj • 03:30 • -14db
47% Popularity • 40% Danceability • 49% Energy • 7% Liveness
96% Instrumentalness • 30% Positiveness
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Daniel Pemberton
The Prowler
150 bpm • A Maj • 02:45 • -12.26db
51% Popularity • 16% Danceability • 58% Energy • 14% Liveness
82% Instrumentalness • 7% Positiveness
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Gustavo Santaolalla
Vanishing Grace
161 bpm • C Maj • 02:06 • -30.43db
44% Popularity • 13% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Spikeroog
149 bpm • D min • 03:05 • -13.89db
53% Popularity • 14% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Henry Jackman
A Normal Life
150 bpm • E min • 01:17 • -24.33db
41% Popularity • 23% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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C418
Wet Hands
148 bpm • A Maj • 01:30 • -25.84db
68% Popularity • 62% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 64% Positiveness
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Marcin Przybyłowicz
Blood And Wine
146 bpm • G min • 02:57 • -11.15db
42% Popularity • 16% Danceability • 50% Energy • 12% Liveness
36% Instrumentalness • 6% Positiveness
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Ludwig Göransson
The Mandalorian
166 bpm • F min • 03:18 • -13.34db
60% Popularity • 42% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 23% Positiveness
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Gustavo Santaolalla
It Can't Last
164 bpm • E min • 02:19 • -16.28db
44% Popularity • 50% Danceability • 11% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Christopher Larkin
Hornet
145 bpm • A min • 02:46 • -12.62db
50% Popularity • 62% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 64% Positiveness
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Viriato Baltasar
Moonlight Sonata 1st Movement
166 bpm • C# min • 05:14 • -29.88db
57% Popularity • 27% Danceability • 1% Energy • 14% Liveness
90% Instrumentalness • 13% Positiveness
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Ramin Djawadi
Mhysa
144 bpm • D min • 03:54 • -14.34db
54% Popularity • 22% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Sonya Belousova
Everytime You Leave
144 bpm • B min • 02:07 • -15db
51% Popularity • 33% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Bear McCreary
God of War
144 bpm • G# Maj • 04:06 • -10.11db
55% Popularity • 20% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Gustavo Santaolalla
Vanishing Grace (Innocence)
147 bpm • G Maj • 00:55 • -26.79db
41% Popularity • 58% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
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Austin Wintory
Apotheosis
168 bpm • B min • 07:10 • -15db
39% Popularity • 9% Danceability • 27% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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C418
Aria Math
168 bpm • E min • 05:10 • -13.39db
67% Popularity • 52% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
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Super Guitar Bros
Fairy Fountain
143 bpm • C# min • 01:03 • -16db
68% Popularity • 41% Danceability • 29% Energy • 9% Liveness
79% Instrumentalness • 60% Positiveness
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Kyle Dixon & Michael Stein
Stranger Things
168 bpm • E min • 01:07 • -16.55db
55% Popularity • 35% Danceability • 55% Energy • 17% Liveness
90% Instrumentalness • 10% Positiveness
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Piotr Musiał
The Still, Cold World (Bonus Track)
142 bpm • B min • 02:29 • -11.83db
40% Popularity • 34% Danceability • 57% Energy • 23% Liveness
78% Instrumentalness • 24% Positiveness
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Gustavo Santaolalla
Soft Descent
145 bpm • B min • 01:50 • -19.55db
40% Popularity • 32% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Woody Jackson
The Wheel
142 bpm • C min • 03:53 • -16.45db
39% Popularity • 14% Danceability • 16% Energy • 16% Liveness
57% Instrumentalness • 7% Positiveness
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Danny Elfman
Victor's Piano Solo
142 bpm • C# min • 01:18 • -26.59db
61% Popularity • 41% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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C418
Moog City 2
142 bpm • E min • 03:00 • -24.89db
65% Popularity • 25% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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Ludovico Einaudi
Primavera
142 bpm • C min • 07:22 • -13.59db
61% Popularity • 23% Danceability • 21% Energy • 17% Liveness
86% Instrumentalness • 14% Positiveness
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Christopher Larkin
Greenpath
170 bpm • E min • 03:37 • -16.47db
52% Popularity • 45% Danceability • 30% Energy • 26% Liveness
86% Instrumentalness • 27% Positiveness
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Gustavo Santaolalla
The Last of Us (You and Me)
142 bpm • E min • 02:08 • -22.42db
45% Popularity • 49% Danceability • 1% Energy • 7% Liveness
29% Instrumentalness • 11% Positiveness
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Ramin Djawadi
Main Title
170 bpm • F min • 01:46 • -16.12db
61% Popularity • 20% Danceability • 60% Energy • 11% Liveness
79% Instrumentalness • 23% Positiveness
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Daniel Licht
Dishonored 2 Main Theme
141 bpm • C min • 02:30 • -17.31db
41% Popularity • 37% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Rod Herold
Not Tomorrow
170 bpm • A# Maj • 02:30 • -9.75db
33% Popularity • 59% Danceability • 62% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
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SYML
I Wanted to Leave
170 bpm • G# Maj • 03:23 • -20db
70% Popularity • 49% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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James Newton Howard
A Close Friend
170 bpm • A Maj • 01:51 • -33.36db
63% Popularity • 8% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
La Partida
142 bpm • G Maj • 01:29 • -9.65db
34% Popularity • 68% Danceability • 52% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Ramin Djawadi
Main Titles
171 bpm • G# Maj • 01:51 • -11db
55% Popularity • 19% Danceability • 70% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
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Christopher Larkin
Dirtmouth
171 bpm • E min • 01:55 • -18.47db
55% Popularity • 12% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Thomas Newman
1917
171 bpm • G min • 01:17 • -33db
57% Popularity • 8% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Johan Söderqvist
Lacrimosa (Battlefield 1 Epilogue)
140 bpm • G Maj • 03:50 • -21db
32% Popularity • 14% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Nicholas Britell
Succession (Main Title Theme)
140 bpm • G# Maj • 01:42 • -6.37db
60% Popularity • 37% Danceability • 47% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
Lima
142 bpm • D min • 01:21 • -10.36db
35% Popularity • 78% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 68% Positiveness
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Marcin Przybyłowicz
Been Good To Know Ya
140 bpm • F Maj • 04:14 • -12.94db
48% Popularity • 15% Danceability • 37% Energy • 18% Liveness
84% Instrumentalness • 3% Positiveness
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Tyler Bates
Frank's Choice
140 bpm • E min • 03:36 • -7.92db
48% Popularity • 46% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Rok Nardin
Where Is Your God Now
140 bpm • D Maj • 03:06 • -9.99db
45% Popularity • 33% Danceability • 76% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Woody Jackson
Blood Feuds, Ancient And Modern
140 bpm • C min • 07:15 • -13db
44% Popularity • 44% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Jessica Curry
Mandus
140 bpm • D min • 01:35 • -10db
44% Popularity • 28% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Gustavo Santaolalla
Apertura
142 bpm • G Maj • 02:48 • -12.57db
33% Popularity • 72% Danceability • 36% Energy • 8% Liveness
73% Instrumentalness • 12% Positiveness
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Johan Söderqvist
Battlefield One
140 bpm • A# min • 03:20 • -14db
42% Popularity • 45% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Marcin Przybyłowicz
Kaer Morhen
140 bpm • D min • 02:35 • -13.48db
55% Popularity • 40% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Daniel Pemberton
Spider-Man 2099 (Miguel O'Hara)
140 bpm • D Maj • 01:02 • -11.9db
56% Popularity • 30% Danceability • 34% Energy • 14% Liveness
26% Instrumentalness • 8% Positiveness
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Final Space
10 mInutes
173 bpm • C Maj • 01:07 • -42.12db
29% Popularity • 13% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Ludwig Göransson
Can You Hear The Music
139 bpm • E min • 01:50 • -12.46db
75% Popularity • 19% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Gustavo Santaolalla
All Gone (No Escape)
142 bpm • E min • 02:54 • -22.46db
49% Popularity • 14% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Hans Zimmer
Now We Are Free
138 bpm • A Maj • 04:14 • -18.6db
65% Popularity • 34% Danceability • 22% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Natalie Holt
History Is Now
138 bpm • F min • 02:31 • -10.99db
47% Popularity • 47% Danceability • 47% Energy • 20% Liveness
95% Instrumentalness • 37% Positiveness
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Daniel Pemberton
Spider-Woman (Gwen Stacy)
140 bpm • E min • 03:06 • -12.6db
53% Popularity • 27% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Audiomachine
Guardians At the Gate
138 bpm • F min • 02:05 • -9.64db
57% Popularity • 49% Danceability • 73% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
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Andrew Prahlow
14.3 Billion Years
138 bpm • C Maj • 05:20 • -11.48db
46% Popularity • 48% Danceability • 28% Energy • 11% Liveness
62% Instrumentalness • 8% Positiveness
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Mikolai Stroinski
The Wolf And The Swallow
174 bpm • D min • 02:36 • -16.6db
42% Popularity • 8% Danceability • 25% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
Procesión
137 bpm • A Maj • 01:11 • -27.89db
25% Popularity • 26% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Kiner
Ahsoka Leaves
176 bpm • G Maj • 02:22 • -16db
45% Popularity • 8% Danceability • 19% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Austin Wintory
Family
175 bpm • C min • 01:55 • -14db
40% Popularity • 10% Danceability • 36% Energy • 16% Liveness
80% Instrumentalness • 4% Positiveness
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Michael Giacchino
Bundle of Joy
137 bpm • A min • 02:48 • -20.32db
63% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
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Tyler Bates
Story Of Wick
176 bpm • G Maj • 03:04 • -12.1db
47% Popularity • 55% Danceability • 46% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
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Trent Reznor and Atticus Ross
At Dusk
137 bpm • C Maj • 05:41 • -15.56db
25% Popularity • 19% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Berlinist
Gris, Pt. 1
136 bpm • F min • 02:36 • -14.8db
45% Popularity • 17% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
The Way It Was
136 bpm • D# min • 01:31 • -31.88db
38% Popularity • 29% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Philip Sheppard
Little One - Kara
176 bpm • C min • 03:08 • -27.53db
39% Popularity • 52% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Jóhann Jóhannsson
Epilogue
136 bpm • A min • 01:48 • -24.71db
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Gustaf Grefberg
Farewell
178 bpm • C Maj • 02:53 • -18.27db
33% Popularity • 10% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Woody Jackson
American Venom
135 bpm • C min • 02:52 • -8.79db
56% Popularity • 52% Danceability • 80% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Lorne Balfe
Assassin's Creed III Main Theme
135 bpm • D min • 03:06 • -10.68db
49% Popularity • 41% Danceability • 88% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
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Daniel Pemberton
Across the Spider-Verse (Start a Band)
135 bpm • D Maj • 03:53 • -10.65db
54% Popularity • 24% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Darren Korb
No Escape
178 bpm • F Maj • 02:25 • -7.93db
47% Popularity • 37% Danceability • 72% Energy • 10% Liveness
83% Instrumentalness • 33% Positiveness
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Howard Shore
Feast of Starlight
135 bpm • D Maj • 02:48 • -26.99db
54% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Danny Elfman
The Piano Duet
134 bpm • D min • 01:53 • -20.77db
56% Popularity • 48% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
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Chris Remo
Camp Approach
178 bpm • A# min • 02:42 • -26db
46% Popularity • 44% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Woodkid
Run Boy Run - Instrumental
134 bpm • F min • 03:34 • -6.31db
51% Popularity • 54% Danceability • 95% Energy • 11% Liveness
48% Instrumentalness • 30% Positiveness
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Daniel Pemberton
Across the Spider-Verse (Intro)
135 bpm • D Maj • 02:45 • -13.2db
51% Popularity • 26% Danceability • 35% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
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Brian Tyler
Iron Man 3
134 bpm • D Maj • 02:23 • -11.52db
52% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Clint Mansell
Lux Aeterna
134 bpm • G min • 03:54 • -13.96db
56% Popularity • 38% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Gustavo Santaolalla
Grieving
134 bpm • B min • 02:19 • -20.68db
40% Popularity • 29% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Borislav Slavov
Divinity - Original Sin 2 - Main Theme
180 bpm • B min • 03:39 • -16db
46% Popularity • 30% Danceability • 19% Energy • 11% Liveness
48% Instrumentalness • 12% Positiveness
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Lorne Balfe
Mother Cloud
180 bpm • A min • 01:56 • -15.77db
28% Popularity • 32% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Kevin Sherwood
Damned
180 bpm • D min • 01:38 • -20.34db
52% Popularity • 44% Danceability • 43% Energy • 12% Liveness
96% Instrumentalness • 26% Positiveness
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Christopher Larkin
City of Tears
181 bpm • D# Maj • 02:58 • -14.98db
54% Popularity • 8% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 9% Positiveness
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Arcane
Fallout
133 bpm • A min • 02:21 • -12.16db
38% Popularity • 35% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Tobias Lilja
Little Nightmares II (Main Theme)
181 bpm • G# Maj • 02:44 • -18db
45% Popularity • 11% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
Amazonas
133 bpm • C# Maj • 01:00 • -24.66db
32% Popularity • 42% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
53% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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Crooked Still
Ecstasy (Instrumental Edit)
132 bpm • A min • 03:41 • -14.84db
41% Popularity • 62% Danceability • 40% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
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The Last of Us