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The Last Real Record Store on Earth
Songs like
The Last Real Record Store on Earth
by
Will Chase
Based on a tempo of (+/- 10%) and a similar genre
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Will Chase
The Last Real Record Store on Earth
137 bpm • A Maj • 07:39 • -7.44db
9% Popularity • 49% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
20% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Roger Bart
Man About Town
137 bpm • F Maj • 01:48 • -8.75db
23% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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David Josefsberg
Do Something - Honeymoon In Vegas Broadw...
137 bpm • G Maj • 03:47 • -5.29db
8% Popularity • 38% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Stephanie J. Block
The Love of My Life
137 bpm • C Maj • 03:32 • -8.21db
14% Popularity • 76% Danceability • 38% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Broadway Cast Recording
Cantiamo D'amore
137 bpm • F Maj • 01:28 • -9.5db
12% Popularity • 40% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Michael X. Martin
When I'm Gone
138 bpm • A Maj • 03:49 • -8.55db
15% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Friedman
Success
136 bpm • A# Maj • 05:25 • -11.56db
20% Popularity • 52% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Will Chase
I Slept with Someone (Who Slept with Lyl...
136 bpm • F Maj • 02:14 • -5.91db
4% Popularity • 74% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Anika Noni Rose
I Hate The Bus
136 bpm • E min • 01:41 • -16.26db
17% Popularity • 52% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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'Brigadoon' 2017 New York City Center Ensemble
Brigadoon / Vendors' Calls / MacConnachy...
136 bpm • G# Maj • 05:30 • -6.95db
10% Popularity • 41% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Broadway Cast Recording
We Open In Venice
138 bpm • C# Maj • 02:00 • -12.27db
17% Popularity • 62% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces
135 bpm • C Maj • 03:04 • -12.84db
23% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Peter Friedman
Gliding
136 bpm • F# Maj • 03:51 • -13.73db
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Megan Mullally
Alone
139 bpm • E min • 01:54 • -7db
17% Popularity • 42% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
20% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Sierra Boggess
Let Your Heart Be Your Compass
139 bpm • D Maj • 05:20 • -9.04db
9% Popularity • 45% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Roberts
Hey There, Single Guy/Gal
135 bpm • F Maj • 02:54 • -10.28db
14% Popularity • 60% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Will Chase
Where Is the Life That Late I Led
140 bpm • C Maj • 04:40 • -8.09db
11% Popularity • 49% Danceability • 43% Energy • 48% Liveness
0% Instrumentalness • 55% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jerry Dixon
Some Girls
134 bpm • D Maj • 03:44 • -30.17db
13% Popularity • 28% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Rose
Smile Girls - Bonus Track
140 bpm • C Maj • 02:49 • -5db
10% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Mary Faber
Cinderella, Darling
134 bpm • B Maj • 03:48 • -9.68db
15% Popularity • 52% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Julia Murney
Lucky
140 bpm • A# Maj • 02:33 • -11.07db
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Alice Ripley
Bubble Boy
134 bpm • F Maj • 05:38 • -8db
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Rebecca Naomi Jones
Out Of My Dreams
134 bpm • C Maj • 03:23 • -11.39db
16% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Raymond Jaramillo McLeod
Two of a Kind
133 bpm • A min • 02:31 • -6.24db
17% Popularity • 67% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Will Chase
1876
133 bpm • C Maj • 02:03 • -15.49db
4% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Steven Pasquale
The Streets of Dublin
141 bpm • E Maj • 03:25 • -9db
26% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm (Reprise)
141 bpm • A Maj • 01:00 • -13.25db
17% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Amar Ramasar
Blow High, Blow Low
142 bpm • G Maj • 05:45 • -12db
17% Popularity • 47% Danceability • 36% Energy • 15% Liveness
2% Instrumentalness • 35% Positiveness
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Sierra Boggess
Soldier On
142 bpm • F Maj • 02:19 • -7.69db
8% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sherie Rene Scott
A Part of That
142 bpm • F min • 04:01 • -11.22db
28% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Kay McClelland
What You Don't Know About Women
142 bpm • E min • 02:14 • -19db
19% Popularity • 61% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Josh Grisetti
Whatever
132 bpm • D Maj • 02:27 • -13.38db
8% Popularity • 36% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Ryan Silverman
Very Well-Connected
131 bpm • C Maj • 02:11 • -10.81db
9% Popularity • 76% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Rose
Who Needs Him? - Bonus Track
131 bpm • G Maj • 01:16 • -5.7db
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Jerry Herman
With Anne on My Arm
143 bpm • A min • 04:18 • -11.63db
21% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Steven Pasquale
Steal with Style
143 bpm • D Maj • 03:10 • -6.15db
11% Popularity • 44% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Tommy Hollis
Look What You've Done
131 bpm • F# min • 06:01 • -11.6db
16% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Idina Menzel
The Moment Explodes
144 bpm • C# min • 02:20 • -8.29db
17% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
18% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Julie Andrews
Putting It Together
131 bpm • D Maj • 03:36 • -16db
20% Popularity • 60% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Carmen Cusack
How?
144 bpm • C# Maj • 03:52 • -11.55db
7% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
25% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Megan Mullally
Deep Love
144 bpm • G# Maj • 03:13 • -7.3db
21% Popularity • 39% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Rose
Seattle to Los Angeles
130 bpm • C Maj • 01:32 • -3.32db
16% Popularity • 56% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Richard Myles
Jazz Me to Sleep
130 bpm • G# min • 04:10 • -5.12db
1% Popularity • 62% Danceability • 87% Energy • 11% Liveness
6% Instrumentalness • 75% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Two Kinsmen
130 bpm • D Maj • 01:32 • -8.93db
17% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Rob McClure
Isn't That Enough? - Honeymoon In Vegas ...
145 bpm • F# Maj • 02:42 • -13.33db
10% Popularity • 35% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Kelli O'Hara
We Open in Venice
130 bpm • C# Maj • 01:43 • -7.07db
13% Popularity • 64% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Kirby Ward
Stiff Upper Lip
130 bpm • A# Maj • 02:44 • -17.23db
17% Popularity • 64% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
25% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Richard Myles
Damn You Are Sexy
130 bpm • D Maj • 03:57 • -6.55db
0% Popularity • 70% Danceability • 91% Energy • 27% Liveness
1% Instrumentalness • 81% Positiveness
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Jerry Herman
With You on My Arm
145 bpm • D min • 02:51 • -9.72db
17% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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David Josefsberg
When You Say Vegas - Honeymoon In Vegas ...
145 bpm • A# Maj • 03:51 • -5.3db
13% Popularity • 48% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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The Original Broadway Cast Of 'Curtains'
Coffee Shop Nights
129 bpm • A Maj • 03:08 • -21.09db
20% Popularity • 60% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Stephanie Styles
Why Can't You Behave
129 bpm • C# Maj • 01:48 • -10db
14% Popularity • 44% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Richard Myles
Under a Love Spell
130 bpm • C# min • 03:29 • -6.24db
0% Popularity • 63% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Tonya Pinkins
16 Feet Beneath The Sea
145 bpm • G Maj • 01:45 • -15db
11% Popularity • 39% Danceability • 27% Energy • 67% Liveness
0% Instrumentalness • 8% Positiveness
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Harry Hadden-Paton
Why Can't the English?
129 bpm • C Maj • 02:52 • -10.62db
17% Popularity • 64% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
30% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Sherie Rene Scott
Lie to Me
146 bpm • G Maj • 02:52 • -9.4db
13% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jerry Herman
Cocktail Counterpoint
128 bpm • G# Maj • 02:30 • -8.91db
12% Popularity • 66% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Richard Myles
Reap What You Sow
130 bpm • C# min • 05:20 • -5.53db
1% Popularity • 59% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Will Chase
Were Thine That Special Face
147 bpm • F# Maj • 03:01 • -7.44db
11% Popularity • 31% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Lauren Kennedy
Fly into the Future
128 bpm • C# Maj • 03:53 • -10.58db
17% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Roger Rees
Princess
128 bpm • C Maj • 03:23 • -18db
14% Popularity • 43% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Christopher J. Hanke
The Company Way (Reprise)
128 bpm • A min • 01:39 • -9.65db
17% Popularity • 80% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Jerry Herman
We Are What We Are (Encore)
128 bpm • F min • 01:05 • -10.24db
18% Popularity • 82% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Richard Myles
Love Beyond the Universe
128 bpm • C min • 04:04 • -6.26db
0% Popularity • 62% Danceability • 95% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
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Will Chase
Laura, Laura
128 bpm • D Maj • 03:20 • -13.84db
7% Popularity • 52% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jane Krakowski
I Resolve
128 bpm • A# Maj • 02:16 • -8.01db
25% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Gwen Verdon
Me and My Baby
147 bpm • F min • 01:26 • -19.16db
15% Popularity • 42% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Brian Stokes Mitchell
His Name Was Coalhouse Walker
127 bpm • A# Maj • 02:38 • -13.65db
20% Popularity • 56% Danceability • 32% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Will Chase
Kiss Me, Kate - Act 1 Finale
128 bpm • F Maj • 02:26 • -7.26db
11% Popularity • 45% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Tveit
Goodbye
148 bpm • G# Maj • 03:34 • -7.06db
40% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Kate Baldwin
A Stranger
126 bpm • A Maj • 02:31 • -11db
9% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Julia Murney
Queenie Was a Blonde
127 bpm • C min • 05:58 • -7.07db
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Victoria Clark
Fable
126 bpm • C# Maj • 04:23 • -13.73db
18% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Siubhan Harrison
Millwork
149 bpm • D Maj • 04:01 • -14db
12% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Henry Krieger
Side Show: Act I: The Midway - Come Look...
149 bpm • A# min • 05:11 • -14.38db
9% Popularity • 47% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Wild Party Ensemble
By Now the Room Was Moving
149 bpm • F min • 01:17 • -7db
18% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Stephen Weller
I'm Martin Guerre
126 bpm • D Maj • 03:02 • -9db
13% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Will Chase
Here's Where It Begins
126 bpm • A Maj • 03:16 • -8.78db
1% Popularity • 53% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Original Cast of Amélie
World's Best Dad
150 bpm • D Maj • 02:19 • -7.05db
20% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Last Real Record Store on Earth