Songs like The Last Rose (from Martha) by Dame Joan Sutherland
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Di Stefano
O Lola - Cavalleria rusticana
79 bpm • F min • 02:37 • -10.98db
17% Popularity • 38% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
17% Popularity • 38% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Giacomo Puccini
La bohème, SC 67, Act I: O soave fanciu...
79 bpm • G Maj • 04:02 • -14.5db
19% Popularity • 20% Danceability • 20% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 20% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
19% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Jules Massenet
Le Cid / Act 3: "De cet affreux combat.....
79 bpm • B min • 05:35 • -15.59db
0% Popularity • 22% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Ruggero Leoncavallo
Mattinata (Orch. Faris)
79 bpm • E Maj • 01:58 • -14.46db
37% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dame Joan Sutherland
La traviata, Act 1: "Libiamo, ne' lieti ...
79 bpm • A# Maj • 03:15 • -19db
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 2: "Con o...
79 bpm • F# min • 05:30 • -12.08db
5% Popularity • 20% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
5% Popularity • 20% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
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Katia Ricciarelli
Gianni Schicchi (O mio bambino caro)
79 bpm • G# Maj • 02:55 • -14db
34% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act 1: "La dolcissi...
79 bpm • G# Maj • 02:31 • -17db
22% Popularity • 21% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 21% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: "Perdona, o mia d...
79 bpm • G# Maj • 10:58 • -18.5db
28% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Dame Joan Sutherland
The Last Rose
79 bpm • F# Maj • 03:16 • -22.88db
3% Popularity • 32% Danceability • 4% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 32% Danceability • 4% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
79 bpm • C Maj • 01:57 • -19.77db
22% Popularity • 12% Danceability • 16% Energy • 98% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 12% Danceability • 16% Energy • 98% Liveness
0% Instrumentalness • 10% Positiveness
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Ruggero Leoncavallo
Pagliacci / Prologue: Prelude..."Si può...
79 bpm • G Maj • 07:52 • -18db
20% Popularity • 22% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
William Tell / Act 4: "Ah.. non mi lasci...
78 bpm • C min • 09:43 • -13db
30% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Vincenzo Bellini
Norma: Sinfonia (Critical Ed. Maurizio B...
79 bpm • G min • 05:13 • -15.12db
12% Popularity • 24% Danceability • 21% Energy • 19% Liveness
94% Instrumentalness • 11% Positiveness
12% Popularity • 24% Danceability • 21% Energy • 19% Liveness
94% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
80 bpm • C# Maj • 06:03 • -19.88db
12% Popularity • 15% Danceability • 15% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 15% Energy • 4% Liveness
2% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527 / Act 2: "Don Giova...
80 bpm • A# Maj • 07:12 • -13db
3% Popularity • 23% Danceability • 30% Energy • 19% Liveness
4% Instrumentalness • 8% Positiveness
3% Popularity • 23% Danceability • 30% Energy • 19% Liveness
4% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Turandot: Act I: Signore, ascolta!
78 bpm • F# Maj • 02:19 • -29db
36% Popularity • 27% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
36% Popularity • 27% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Amilcare Ponchielli
La Gioconda / Act II: "Cielo e mar"
80 bpm • D# Maj • 05:14 • -18db
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
I Puritani / Act 1: O di Cromwell guerri...
79 bpm • F Maj • 06:16 • -19.27db
7% Popularity • 19% Danceability • 10% Energy • 19% Liveness
48% Instrumentalness • 10% Positiveness
7% Popularity • 19% Danceability • 10% Energy • 19% Liveness
48% Instrumentalness • 10% Positiveness
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Umberto Giordano
Andrea Chénier / Act 4: "Come un bel d�...
80 bpm • F# min • 02:52 • -14.98db
14% Popularity • 20% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 21% Positiveness
14% Popularity • 20% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 21% Positiveness
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Franz Lehár
Lehár: Die lustige Witwe, Act 3: "Lippe...
78 bpm • G Maj • 03:11 • -9.9db
16% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
16% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 4: "Sono andati"
78 bpm • G# Maj • 05:58 • -19.67db
24% Popularity • 20% Danceability • 11% Energy • 66% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 11% Energy • 66% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Vincenzo Bellini
I Puritani / Act II: Qui la voce sua soa...
79 bpm • D# Maj • 03:58 • -27.09db
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Act I: Glück, das mir verblieb (Mariett...
78 bpm • A# Maj • 06:08 • -16.28db
12% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 4: "Oh Dio! Mim...
80 bpm • A Maj • 05:13 • -22db
11% Popularity • 21% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 21% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: D'un pensiero e d...
80 bpm • D# Maj • 04:47 • -16.97db
6% Popularity • 31% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
6% Popularity • 31% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Arrigo Boito
Mefistofele / Act III: "L'altra notte in...
78 bpm • C Maj • 06:52 • -22db
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Sì. mi chi...
78 bpm • D Maj • 05:01 • -17.69db
30% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Leo Nucci
Mamma
77 bpm • F min • 03:21 • -11db
32% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi, Act I - Scene ...
80 bpm • G min • 04:12 • -30.32db
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ernesto de Curtis
Non ti scordar di me (Arr. for Soprano, ...
81 bpm • A Maj • 03:39 • -14.02db
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
25% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 3: "Dunque è p...
81 bpm • F# Maj • 05:54 • -15db
12% Popularity • 18% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
12% Popularity • 18% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La traviata / Act 1: "E strano!...Ah, fo...
81 bpm • F min • 06:43 • -16.96db
11% Popularity • 30% Danceability • 11% Energy • 5% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 30% Danceability • 11% Energy • 5% Liveness
3% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act 1: Ah! bello a me ritorna
78 bpm • F Maj • 04:19 • -17db
10% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 1 Scene 9: "Tre sbir...
81 bpm • D# Maj • 04:31 • -12.64db
6% Popularity • 16% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
6% Popularity • 16% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
34% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
34% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Vincenzo Bellini
Norma / Act 1: Norma! de'tuoi rimproveri
81 bpm • A# Maj • 02:52 • -17.29db
9% Popularity • 26% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 26% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 2: "Con o...
81 bpm • B min • 05:22 • -8.62db
9% Popularity • 19% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Son qua! Ritornano"
81 bpm • F# Maj • 03:11 • -17db
20% Popularity • 26% Danceability • 34% Energy • 55% Liveness
25% Instrumentalness • 22% Positiveness
20% Popularity • 26% Danceability • 34% Energy • 55% Liveness
25% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Vincenzo Bellini
Beatrice di Tenda / Act 1: Respiro io qu...
81 bpm • E Maj • 07:28 • -23.48db
6% Popularity • 29% Danceability • 2% Energy • 23% Liveness
2% Instrumentalness • 4% Positiveness
6% Popularity • 29% Danceability • 2% Energy • 23% Liveness
2% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
16% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 2: "Un be...
77 bpm • C# Maj • 04:43 • -11.78db
49% Popularity • 21% Danceability • 17% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
49% Popularity • 21% Danceability • 17% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Franz Lehár
The Merry Widow / Act 2: Vilia Song: Let...
82 bpm • F# Maj • 06:37 • -21.64db
7% Popularity • 24% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 24% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
Beatrice di Tenda / Act 2: Angiol di pac...
81 bpm • G# Maj • 03:13 • -19.3db
3% Popularity • 24% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 24% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
76 bpm • A# Maj • 08:02 • -14.55db
14% Popularity • 16% Danceability • 29% Energy • 22% Liveness
49% Instrumentalness • 8% Positiveness
14% Popularity • 16% Danceability • 29% Energy • 22% Liveness
49% Instrumentalness • 8% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • C Maj • 04:31 • -17.38db
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
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Giacomo Puccini
La bohème, SC 67, Act I: Che gelida man...
76 bpm • G# Maj • 04:38 • -12.9db
42% Popularity • 17% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
42% Popularity • 17% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
40% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
Norma / Act 1: Ah! si, fa core, abbracci...
81 bpm • C Maj • 03:00 • -19.33db
7% Popularity • 34% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 34% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act III: "In fernem ...
82 bpm • A Maj • 10:25 • -13.34db
23% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Reinhold Glière
Concerto for Coloratura and Orchestra, O...
82 bpm • A# min • 06:28 • -17.95db
7% Popularity • 19% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
82 bpm • A Maj • 03:26 • -20.35db
18% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Vincenzo Bellini
I puritani / Act 1: "A te, o cara"
76 bpm • D Maj • 06:56 • -17db
14% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
La Rondine: Act I: …Forse come la rond...
76 bpm • D min • 01:07 • -22db
41% Popularity • 29% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 3% Positiveness
41% Popularity • 29% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 3% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Stabat Mater: 1. Stabat Mater dolorosa
83 bpm • G min • 09:57 • -21.34db
20% Popularity • 10% Danceability • 5% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 5% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann: Non, ne me tente ...
82 bpm • E Maj • 06:28 • -13.52db
5% Popularity • 34% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
5% Popularity • 34% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Care compagne, e ...
82 bpm • D# Maj • 05:10 • -22db
6% Popularity • 30% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 30% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 1 Scene 5: "Ah, queg...
83 bpm • F min • 01:34 • -16.88db
21% Popularity • 29% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 29% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "Ma...
83 bpm • D Maj • 05:48 • -25.77db
7% Popularity • 27% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
7% Popularity • 27% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act I: "Recitar!" - "Vesti l...
83 bpm • E min • 04:03 • -15db
13% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Beatrice di Tenda / Act 1: Parti ... Deh...
75 bpm • D# Maj • 09:31 • -18.24db
6% Popularity • 23% Danceability • 21% Energy • 23% Liveness
1% Instrumentalness • 11% Positiveness
6% Popularity • 23% Danceability • 21% Energy • 23% Liveness
1% Instrumentalness • 11% Positiveness
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Giacomo Puccini
La Bohème / Act I: "O soave fanciulla"
75 bpm • A Maj • 04:10 • -19.71db
22% Popularity • 16% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
75 bpm • C Maj • 04:33 • -16db
18% Popularity • 41% Danceability • 37% Energy • 35% Liveness
74% Instrumentalness • 48% Positiveness
18% Popularity • 41% Danceability • 37% Energy • 35% Liveness
74% Instrumentalness • 48% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Mamma, quel vino ...
83 bpm • D# Maj • 05:11 • -15db
21% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
21% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act 1: Perfido!
82 bpm • D# Maj • 01:21 • -15.66db
10% Popularity • 48% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 48% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Vogli...
83 bpm • F Maj • 07:24 • -12.53db
9% Popularity • 20% Danceability • 23% Energy • 36% Liveness
16% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 23% Energy • 36% Liveness
16% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act II: "K...
84 bpm • E min • 06:41 • -23.02db
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
