Songs like The Little Mermaid - Storyteller by Roy Dotrice
Based on a tempo of (+/- 10%) and a similar genre
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Roy Dotrice
The Little Mermaid - Storyteller
135 bpm • F Maj • 59:07 • -15.8db
34% Popularity • 56% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 56% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Hugh Griffin
Act II
135 bpm • F min • 36:15 • -16.81db
0% Popularity • 69% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 69% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Mickey Rooney
Life's A Happy Song
135 bpm • E min • 04:29 • -7.18db
49% Popularity • 63% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 63% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Janiee James
The Frog and the Ox
135 bpm • F# min • 01:04 • -8.14db
25% Popularity • 70% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 70% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Mandy Moore
I've Got a Dream
134 bpm • E Maj • 03:11 • -6.12db
56% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Robert Guillaume
Somewhere
136 bpm • E min • 03:19 • -10.83db
2% Popularity • 23% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 23% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Classical Gasbag
I'm Climb Straightengay
136 bpm • B min • 01:04 • -10.62db
15% Popularity • 70% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 70% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Howard Ashman
The Little Mermaid Medley
134 bpm • C Maj • 09:56 • -10.39db
32% Popularity • 45% Danceability • 45% Energy • 73% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 45% Danceability • 45% Energy • 73% Liveness
0% Instrumentalness • 49% Positiveness
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The Muppets
Life's A Happy Song Finale
134 bpm • G Maj • 02:22 • -6.33db
37% Popularity • 54% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 54% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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The Bradshaws
Two Balls
133 bpm • G# Maj • 03:45 • -11.33db
9% Popularity • 70% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 70% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
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Dav Pilkey
Chapter 5 - Captain Underpants and the W...
137 bpm • A# Maj • 03:01 • -17.08db
30% Popularity • 69% Danceability • 32% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 69% Danceability • 32% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
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Sierra Boggess as Ariel
Part of Your World
137 bpm • G Maj • 03:24 • -20.02db
43% Popularity • 42% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 42% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Anika Noni Rose
Down In New Orleans
138 bpm • C Maj • 02:26 • -5.66db
48% Popularity • 62% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 62% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Oliver Wallace
The Muzzle / Wrong Side of the Tracks
138 bpm • C Maj • 01:56 • -14.47db
26% Popularity • 47% Danceability • 33% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
26% Popularity • 47% Danceability • 33% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
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Marlin
Sharks - Score Version
138 bpm • F# Maj • 00:45 • -19.78db
30% Popularity • 68% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 68% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Shel Silverstein
My Hobby
132 bpm • E min • 00:59 • -19.63db
16% Popularity • 62% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 62% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Sondheim
"Take a Look, Lee."
138 bpm • E Maj • 05:27 • -16.51db
16% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Amy Adams
Fairytale Life (After the Spell)
131 bpm • E Maj • 04:02 • -7.95db
29% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Rabbi Yoel Ferber
Too Much Vodka
139 bpm • C# Maj • 07:45 • -15.67db
12% Popularity • 51% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 51% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Barrie
Collision Course
131 bpm • F# min • 06:46 • -16.39db
12% Popularity • 71% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 71% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Marlin
Sewage Treatment Plant - Score Version
132 bpm • C Maj • 00:42 • -15.27db
27% Popularity • 38% Danceability • 16% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 38% Danceability • 16% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
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Ned Washington
Clown Song
131 bpm • F Maj • 01:02 • -10.04db
24% Popularity • 86% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 86% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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The Listies
Richard's Funny Joke
131 bpm • G# Maj • 03:40 • -12.58db
11% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Chorus - Pocahontas
Savages - Pt. 1
140 bpm • C Maj • 01:43 • -15db
46% Popularity • 45% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 45% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Rabbi Yoel Ferber
A Special Surprise
131 bpm • A# min • 04:21 • -7.88db
18% Popularity • 67% Danceability • 77% Energy • 63% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 67% Danceability • 77% Energy • 63% Liveness
0% Instrumentalness • 67% Positiveness
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Andrew Rannells
Hello!
130 bpm • C Maj • 02:52 • -9.93db
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Angela Lansbury
Reprise: Eglantine / Portebello Road
140 bpm • A# Maj • 01:14 • -18.78db
29% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Ned Washington
Look out for Mister Stork
131 bpm • C min • 02:17 • -6.39db
22% Popularity • 59% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Anna Kendrick
Trolls 2 Many Hits Mashup
130 bpm • F# min • 01:01 • -3.34db
58% Popularity • 64% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 64% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Bob Peterson
Song in Here Somewhere
130 bpm • D Maj • 03:43 • -11.87db
1% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 53% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Rabbi Yoel Ferber
The Intercom
131 bpm • G Maj • 07:26 • -8.14db
20% Popularity • 70% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 70% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Dav Pilkey
Chapter 2 - Captain Underpants and the W...
130 bpm • G# min • 03:07 • -18db
31% Popularity • 70% Danceability • 23% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 70% Danceability • 23% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Bibi and Tina
Chapter 12: The Millionaire
130 bpm • C# Maj • 03:02 • -21.25db
8% Popularity • 71% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 71% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Robert Guillaume
From Both Sides Now
140 bpm • C# Maj • 05:28 • -11.75db
0% Popularity • 37% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 37% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Marlin
Finale - The Big Blue World (Reprise) - ...
141 bpm • D# Maj • 02:15 • -13db
32% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Jeff Gunn
Dancing on a Cloud
141 bpm • D Maj • 04:10 • -15.51db
12% Popularity • 23% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 23% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Miss Piggy
Me Party
129 bpm • C# Maj • 01:53 • -6.1db
39% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Carol Channing
Housework
129 bpm • F min • 02:57 • -18.01db
16% Popularity • 71% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 71% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Rabbi Yoel Ferber
Elevator Works
128 bpm • A# Maj • 06:14 • -13.01db
14% Popularity • 66% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 66% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Thurl Ravenscroft
The Adventurous Jungle Cruise (Pt. 1)
128 bpm • C Maj • 04:51 • -15db
25% Popularity • 58% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 58% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
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David Ogden Stiers
Savages
143 bpm • D min • 03:57 • -13db
35% Popularity • 36% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 36% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Fred MacMurray
What's Wrong with That
128 bpm • D# Maj • 01:32 • -13.54db
16% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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The Bible in Living Sound
The Fall of Jericho
128 bpm • D# Maj • 06:26 • -10.93db
9% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Big Joe The Storyteller
The Whistling Giant
127 bpm • G Maj • 09:45 • -15.6db
11% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Christopher Plummer
Scene V, Part II
127 bpm • F Maj • 01:05 • -25.13db
12% Popularity • 65% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 65% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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The Listies
Off to Bed
127 bpm • E min • 01:24 • -8.93db
16% Popularity • 71% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 71% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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David Ogden Stiers
Things Are Not What They Appear
143 bpm • D# Maj • 02:19 • -12db
26% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Bibi and Tina
Chapter 02: Dad's Pony
127 bpm • A# min • 03:07 • -20.33db
9% Popularity • 71% Danceability • 39% Energy • 55% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 71% Danceability • 39% Energy • 55% Liveness
0% Instrumentalness • 64% Positiveness
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George Bruns
Nation on Wheels
144 bpm • F Maj • 01:43 • -8.85db
32% Popularity • 48% Danceability • 44% Energy • 22% Liveness
6% Instrumentalness • 66% Positiveness
32% Popularity • 48% Danceability • 44% Energy • 22% Liveness
6% Instrumentalness • 66% Positiveness
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Billy Gorilly
Fast Freddie and Steady Eddie
144 bpm • A# Maj • 02:56 • -7.59db
18% Popularity • 68% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 68% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Robby Benson
Something There
126 bpm • C# Maj • 02:19 • -13db
54% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Listies
What's Ur Password
127 bpm • C# Maj • 02:20 • -12.72db
12% Popularity • 73% Danceability • 32% Energy • 75% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 73% Danceability • 32% Energy • 75% Liveness
0% Instrumentalness • 45% Positiveness
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Chorus - Mulan
Lesson Number One
126 bpm • G Maj • 02:26 • -9db
47% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Beatrix Potter
The Tale of the Flopsy Bunnies.2 - The C...
125 bpm • A Maj • 03:05 • -24.72db
13% Popularity • 72% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 72% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Barrie
Giant Cockroaches
126 bpm • A# min • 06:45 • -17.69db
11% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Burt Reynolds
You Can't Keep A Good Dog Down
125 bpm • C# Maj • 02:35 • -14.14db
25% Popularity • 60% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 60% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Bad Wolf Press
We're Argonauts - Vocals
146 bpm • E min • 01:47 • -12.1db
13% Popularity • 66% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 66% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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James Corden
Bustopher Jones: The Cat About Town
125 bpm • F Maj • 03:42 • -5.01db
25% Popularity • 46% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 46% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 70% Positiveness
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Christopher Plummer
Scene V, Part III
146 bpm • C Maj • 02:58 • -22.15db
4% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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George Bernard Shaw
Chapter 6 - The Doctor's Dilemma
124 bpm • G# Maj • 03:00 • -25.97db
3% Popularity • 72% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
3% Popularity • 72% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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The Cast of Mary Poppins
A British Bank (The Life I Lead)
124 bpm • A# Maj • 02:08 • -18.54db
5% Popularity • 72% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
5% Popularity • 72% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Sophia Loren
Bangers and Mash (With Peter Sellers)
124 bpm • C# Maj • 02:38 • -13.44db
10% Popularity • 70% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 70% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Angela Lansbury
Eglantine, Don't Let Me Down (Reprise: E...
124 bpm • G# Maj • 03:41 • -11db
27% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Chorus - Beauty And the Beast
The Mob Song
147 bpm • F Maj • 03:30 • -13.77db
35% Popularity • 48% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 48% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Fairy Tales for Kids
Three Billy Goats Gruff, Pt. 3
124 bpm • F Maj • 01:57 • -21.25db
22% Popularity • 72% Danceability • 16% Energy • 61% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 72% Danceability • 16% Energy • 61% Liveness
0% Instrumentalness • 39% Positiveness
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Brad Kane
One Jump Ahead - Remastered 2022
124 bpm • G Maj • 02:23 • -16.36db
46% Popularity • 56% Danceability • 34% Energy • 75% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 56% Danceability • 34% Energy • 75% Liveness
0% Instrumentalness • 66% Positiveness
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Craig Smith
Eating
124 bpm • D# Maj • 02:29 • -6.4db
31% Popularity • 78% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 78% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Kristen Anderson-Lopez
You're You - Outtake
147 bpm • G Maj • 01:48 • -12.6db
38% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Geronimo Stilton
Chapter 34 - Geronimo Stilton, Book 15: ...
123 bpm • F# Maj • 03:05 • -13.42db
7% Popularity • 72% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 72% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Bob Peterson
Older Woman
123 bpm • G# Maj • 04:35 • -10.75db
1% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Mickey Mouse
The Fall Song
148 bpm • D Maj • 00:50 • -7.88db
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Farmer Jason
Get Up Up Up!
148 bpm • C Maj • 01:37 • -7.59db
33% Popularity • 63% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 63% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Beau Black
Here Comes the Lion Guard
123 bpm • F# min • 02:28 • -5.54db
43% Popularity • 79% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
43% Popularity • 79% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Sean William
20,000 Gluckseys Under The Sea (Part of ...
123 bpm • B min • 03:07 • -15.76db
17% Popularity • 72% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 72% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Paige O'Hara
Belle Reprise
123 bpm • C# min • 01:05 • -15.63db
46% Popularity • 55% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 55% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Dav Pilkey
Chapter 8 - Captain Underpants and the A...
123 bpm • A min • 03:02 • -14.64db
28% Popularity • 60% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 60% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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William Woodson
Oliver and Company - Storyteller
123 bpm • G# Maj • 45:13 • -14.77db
28% Popularity • 61% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 61% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Roy Dotrice
Beauty And The Beast - Storyteller
123 bpm • C Maj • 44:00 • -19.89db
35% Popularity • 60% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 60% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Robert Guillaume
Send In The Clowns
149 bpm • C Maj • 03:53 • -10.74db
0% Popularity • 20% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 20% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Mezza Kids
The Tale Of The Merchant And The Genie (...
122 bpm • F min • 02:31 • -15.72db
9% Popularity • 72% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 72% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Geronimo Stilton
Chapter 11 - Geronimo Stilton, Book 15: ...
122 bpm • C min • 03:10 • -11.73db
9% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Max Casella
Tip And Dash
122 bpm • C Maj • 01:59 • -7.86db
33% Popularity • 49% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 49% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Walt Disney
Walt Disney and the Sherman Brothers Sin...
122 bpm • C Maj • 01:10 • -9.99db
31% Popularity • 69% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 69% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 83% Positiveness
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Amy Adams
Even More Enchanted (Finale)
149 bpm • D Maj • 01:37 • -9.8db
26% Popularity • 20% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 20% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Infectiouss
Boarding Olympiad Starways
150 bpm • G# Maj • 01:18 • -11.46db
16% Popularity • 44% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 44% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Brad Kane
One Jump Ahead (Reprise)
122 bpm • A# Maj • 01:01 • -19.68db
36% Popularity • 29% Danceability • 4% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
36% Popularity • 29% Danceability • 4% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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Judy Kuhn
What a Day in London
122 bpm • G Maj • 04:01 • -10.91db
26% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Leslie Bricusse
The Bubble Machine
150 bpm • A# Maj • 02:56 • -15.56db
31% Popularity • 24% Danceability • 58% Energy • 57% Liveness
6% Instrumentalness • 42% Positiveness
31% Popularity • 24% Danceability • 58% Energy • 57% Liveness
6% Instrumentalness • 42% Positiveness
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Richard Cadell
Sooty and Co in the Rainforest.2 - Sooty...
121 bpm • C# Maj • 03:16 • -12.2db
8% Popularity • 63% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 63% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Dav Pilkey
Chapter 2 - Captain Underpants and the P...
121 bpm • G# Maj • 03:04 • -18.13db
30% Popularity • 72% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 72% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Sierra Boggess as Ariel
Beyond My Wildest Dreams
121 bpm • F Maj • 03:03 • -20.01db
37% Popularity • 52% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 52% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Angela Lansbury
A Step In The Right Direction
121 bpm • F Maj • 02:25 • -11db
25% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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MGM Studio Orchestra
Ding-Dong! Emerald City - Alternate Vers...
121 bpm • C Maj • 01:06 • -17.81db
19% Popularity • 87% Danceability • 61% Energy • 8% Liveness
54% Instrumentalness • 81% Positiveness
19% Popularity • 87% Danceability • 61% Energy • 8% Liveness
54% Instrumentalness • 81% Positiveness
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Robert Guillaume
First Time Ever I Saw Your Face
120 bpm • A# Maj • 04:29 • -12.62db
1% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Car City
Broken Bulldozer Needs a New Bucket!
120 bpm • D Maj • 04:39 • -13.17db
10% Popularity • 72% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 72% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dav Pilkey
Chapter 8 - Captain Underpants and the W...
121 bpm • A Maj • 03:01 • -18db
29% Popularity • 72% Danceability • 30% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 72% Danceability • 30% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
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Zooey Deschanel
Hello
120 bpm • C min • 01:37 • -8.98db
56% Popularity • 54% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
56% Popularity • 54% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Amy Adams
Fairytale Life (The Wish)
120 bpm • A# Maj • 02:54 • -9.83db
29% Popularity • 35% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 35% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
