Songs like The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l by Wolfgang Amadeus Mozart
Based on a tempo of (+/- 10%) and a similar genre
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Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: II...
74 bpm • C Maj • 05:32 • -23db
49% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
49% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
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Endres Quartet
Quintet in A Major for Clarinet and Stri...
74 bpm • D Maj • 07:01 • -23db
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Frédéric Chopin
Nocturne No. 14 In F Sharp Minor, Op. 48...
75 bpm • C# Maj • 06:36 • -31.6db
41% Popularity • 27% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
41% Popularity • 27% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Violin Concerto No. 5 in A Major...
73 bpm • A Maj • 08:34 • -18.94db
16% Popularity • 31% Danceability • 12% Energy • 12% Liveness
21% Instrumentalness • 26% Positiveness
16% Popularity • 31% Danceability • 12% Energy • 12% Liveness
21% Instrumentalness • 26% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
50% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
50% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Nocturne No. 7 In C Sharp Minor, Op. 27 ...
73 bpm • A Maj • 04:13 • -25.45db
44% Popularity • 29% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 29% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Concerto en la majeur pour clarinette, K...
73 bpm • D Maj • 06:37 • -29db
17% Popularity • 10% Danceability • 1% Energy • 7% Liveness
66% Instrumentalness • 8% Positiveness
17% Popularity • 10% Danceability • 1% Energy • 7% Liveness
66% Instrumentalness • 8% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
75 bpm • E Maj • 02:49 • -13db
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Slovak Philharmonic Chorus
Die Entfuhrung Aus Dem Serail (Abduction...
72 bpm • D min • 01:26 • -17db
45% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Frédéric Chopin
Nocturne No. 11 In G Minor, Op. 37 No. 1
75 bpm • A# Maj • 05:21 • -33.28db
44% Popularity • 25% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
44% Popularity • 25% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
73 bpm • C Maj • 00:45 • -16.04db
42% Popularity • 19% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
42% Popularity • 19% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
58% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
58% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Etudes-tableaux, Op. 33: No. 5 in D Mino...
76 bpm • D min • 03:38 • -23.26db
26% Popularity • 33% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
26% Popularity • 33% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 27 in B-Flat Major, K...
72 bpm • D# Maj • 07:32 • -30.17db
51% Popularity • 17% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
51% Popularity • 17% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
57% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
57% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
28% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
28% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: III. Sequentia: a. Dies...
72 bpm • G min • 01:59 • -13.38db
49% Popularity • 46% Danceability • 39% Energy • 48% Liveness
28% Instrumentalness • 51% Positiveness
49% Popularity • 46% Danceability • 39% Energy • 48% Liveness
28% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Variatio 7...
71 bpm • G Maj • 02:20 • -25.7db
53% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
53% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
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Jenő Jandó
Piano Sonata No. 14 In C Minor, K. 457: ...
78 bpm • C min • 04:19 • -21.58db
33% Popularity • 31% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
33% Popularity • 31% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": II....
78 bpm • G Maj • 03:57 • -24db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
44% Instrumentalness • 7% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
44% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
78 bpm • A# Maj • 01:18 • -14db
33% Popularity • 34% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 64% Positiveness
33% Popularity • 34% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 64% Positiveness
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Wolfgang Amadeus Mozart
String Quintet No. 3 in C Major, K. 515*...
77 bpm • C Maj • 09:46 • -22.74db
46% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
46% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Das Wohltemperierte Klavier: Book 2, BWV...
70 bpm • F min • 04:08 • -30.61db
41% Popularity • 33% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
41% Popularity • 33% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117: No. 2
78 bpm • C min • 01:01 • -24db
43% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 4 ...
78 bpm • D Maj • 04:36 • -27.93db
28% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 12 in C Minor, K. 388: II. ...
77 bpm • D# Maj • 04:11 • -24.38db
49% Popularity • 16% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
49% Popularity • 16% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
58% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
58% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Grande Messe en ut mineur, K. 427: Grati...
77 bpm • D min • 01:16 • -17.28db
47% Popularity • 21% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
47% Popularity • 21% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Berceuse in D-Flat Major, Op. 57
69 bpm • C# Maj • 04:29 • -26.73db
50% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
50% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Robert Schumann
Waldszenen, Op. 82: 3. Einsame Blumen
69 bpm • A# Maj • 02:40 • -39db
37% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
37% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39: No. 15 in A Flat Maj...
69 bpm • G# Maj • 01:38 • -27.31db
42% Popularity • 38% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
42% Popularity • 38% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Slovak Philharmonic
Requiem In D Minor, K. 626: Sequence: I....
79 bpm • G min • 01:46 • -17.15db
40% Popularity • 43% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 43% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 8 in A Minor, K. 310: I...
77 bpm • F Maj • 06:19 • -28.84db
39% Popularity • 25% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
39% Popularity • 25% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 9 In B, Op. 32 No. 1
80 bpm • B Maj • 04:08 • -30.59db
43% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
43% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
61% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
61% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
Schumann: Albumblätter, Op. 124: No. 6,...
69 bpm • G Maj • 02:25 • -31.63db
30% Popularity • 31% Danceability • 1% Energy • 17% Liveness
88% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 1% Energy • 17% Liveness
88% Instrumentalness • 33% Positiveness
► Preview
Wolfgang Amadeus Mozart
Lucio Silla, K. 135: Overture
79 bpm • A Maj • 07:17 • -19.9db
11% Popularity • 34% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
11% Popularity • 34% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
► Preview
Wolfgang Amadeus Mozart
Requiem, K. 626: III. Sequentia: e. Conf...
70 bpm • F Maj • 02:34 • -22db
45% Popularity • 15% Danceability • 2% Energy • 19% Liveness
14% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 2% Energy • 19% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
36% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
36% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
37% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
49% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
49% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Der Stein der Weisen, Act I: Chorus and ...
79 bpm • G Maj • 07:07 • -25.48db
6% Popularity • 27% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 27% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Eder Quartet
String Quartet No. 4 in C Major, K. 157:...
81 bpm • C Maj • 01:50 • -19.06db
42% Popularity • 45% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 85% Positiveness
42% Popularity • 45% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 85% Positiveness
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Josef Mysliveček
Symphony in D Major, F. 29: II. Andante ...
81 bpm • D Maj • 02:55 • -30.16db
41% Popularity • 32% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 17% Positiveness
41% Popularity • 32% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 17% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: III. Sequentia: d. Reco...
80 bpm • F Maj • 05:04 • -23.97db
44% Popularity • 26% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
44% Popularity • 26% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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Johannes Brahms
Clarinet Trio in A Minor, Op. 114: I. Al...
68 bpm • A min • 07:39 • -20db
34% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20:...
81 bpm • E min • 03:27 • -18.56db
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 10. Fast zu ernst
67 bpm • G# min • 02:00 • -34.37db
42% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
42% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 25 in G Minor, K. 183: I. A...
80 bpm • G min • 07:40 • -13.76db
59% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
59% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Kyrie Eleiso...
82 bpm • F Maj • 02:44 • -20db
45% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
45% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 21 in C Major...
68 bpm • F Maj • 06:46 • -35db
36% Popularity • 11% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 11% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
49% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
49% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
