Songs like The Lonesome Road (Recorded 1927) by Gene Austin
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Dorsey
Besame Mucho
140 bpm • G min • 03:02 • -11db
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Roy and His Orchestra
They Can't Black Out the Moon
140 bpm • A min • 03:11 • -9.65db
17% Popularity • 59% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 64% Positiveness
17% Popularity • 59% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 64% Positiveness
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Frankie Carle and His Orchestra
Saturday Night
140 bpm • G min • 02:48 • -12.09db
10% Popularity • 61% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 61% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Helen Kane
That's My Weakness Now
140 bpm • G Maj • 03:32 • -14db
22% Popularity • 68% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 68% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Betty Hutton
Hit The Road To Dreamland - 1995 Remaste...
140 bpm • C Maj • 01:59 • -12.52db
30% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Flo Bert
All By Myself
140 bpm • G Maj • 03:09 • -13.19db
20% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Vernon Dalhart
Prisoner's Song
140 bpm • D Maj • 03:16 • -15.94db
5% Popularity • 33% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 38% Positiveness
5% Popularity • 33% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 38% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
32% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Ethel Waters
Taking A Chance On Love
139 bpm • G# Maj • 04:22 • -16db
16% Popularity • 50% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 50% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Ruth Etting
March Winds and April Showers
139 bpm • A min • 02:36 • -7.32db
24% Popularity • 58% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 58% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Benny Goodman & Frank Auburn Orchestra
I Found a Million Dollar Baby
138 bpm • A# Maj • 03:23 • -15db
17% Popularity • 60% Danceability • 21% Energy • 9% Liveness
5% Instrumentalness • 67% Positiveness
17% Popularity • 60% Danceability • 21% Energy • 9% Liveness
5% Instrumentalness • 67% Positiveness
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Gene Austin
China Boy
138 bpm • C# Maj • 02:56 • -13.54db
4% Popularity • 56% Danceability • 24% Energy • 27% Liveness
3% Instrumentalness • 48% Positiveness
4% Popularity • 56% Danceability • 24% Energy • 27% Liveness
3% Instrumentalness • 48% Positiveness
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Helen O'Connell
I Remember You
138 bpm • D# Maj • 03:01 • -20db
13% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
13% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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The Merry Macs
Mairzy Doats (Alternate Take)
141 bpm • A# min • 02:41 • -11db
23% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ethel Waters
I Got Rhythm
142 bpm • F Maj • 03:06 • -11.1db
33% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
33% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
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Xavier Cugat & His Orchestra
Amor
138 bpm • C Maj • 03:15 • -16.44db
10% Popularity • 45% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 45% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Van & Schenck
Magnolia
143 bpm • D Maj • 02:47 • -13db
16% Popularity • 68% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 68% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Cotton & His Band
I'm Just Wild About Harry
137 bpm • D# Maj • 02:24 • -19.16db
19% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
19% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Nat Shilkret
Dream Train
142 bpm • A# min • 03:11 • -18db
15% Popularity • 39% Danceability • 18% Energy • 31% Liveness
14% Instrumentalness • 56% Positiveness
15% Popularity • 39% Danceability • 18% Energy • 31% Liveness
14% Instrumentalness • 56% Positiveness
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Annette Hanshaw
You're the Cream in My Coffee
143 bpm • G min • 02:59 • -14.79db
26% Popularity • 50% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 50% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Lew Stone & His Band
Pop Goes Your Heart
137 bpm • G# Maj • 02:48 • -19.16db
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
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Eddie Lang
I'm Wild About That Thing
136 bpm • F min • 02:52 • -12.64db
26% Popularity • 70% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 70% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Larry Clinton
Saving Myself for You
137 bpm • G# Maj • 02:48 • -10.92db
12% Popularity • 56% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 56% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Martha Tilton
I’ll Get By
136 bpm • G Maj • 01:50 • -17db
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Gene Austin
All I Do Is Dream of You
136 bpm • B Maj • 02:49 • -14.43db
8% Popularity • 56% Danceability • 23% Energy • 13% Liveness
18% Instrumentalness • 55% Positiveness
8% Popularity • 56% Danceability • 23% Energy • 13% Liveness
18% Instrumentalness • 55% Positiveness
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Ted Lewis & His Orchestra
In a shanty in old shanty town
136 bpm • G Maj • 03:04 • -7.9db
4% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Eddie Cantor
You'd Be Surprised
135 bpm • G# Maj • 03:18 • -10.22db
1% Popularity • 63% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 84% Positiveness
1% Popularity • 63% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 84% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Ginger Rogers
I Used to Be Color Blind
146 bpm • C min • 03:27 • -12.32db
9% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
9% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
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Anne Shelton
Taking A Chance On Love
134 bpm • G Maj • 03:03 • -8.92db
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Gene Austin
Please Don't Talk About Me When I'm Gone
145 bpm • G min • 02:29 • -17.83db
13% Popularity • 57% Danceability • 14% Energy • 11% Liveness
11% Instrumentalness • 63% Positiveness
13% Popularity • 57% Danceability • 14% Energy • 11% Liveness
11% Instrumentalness • 63% Positiveness
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Sophie Tucker
Some of These Days 2
146 bpm • A min • 02:55 • -10db
24% Popularity • 49% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 49% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Nick Lucas
Lady Play Your Mandolin
134 bpm • F Maj • 02:19 • -9.95db
10% Popularity • 64% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 64% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Betty Hutton
She's a Lady
134 bpm • G Maj • 02:50 • -9.82db
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Whiteman & His Orchestra
I'm Old Fashioned
134 bpm • G min • 03:17 • -14db
7% Popularity • 37% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 37% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Rudy Vallee
Kitty from Kansas City
133 bpm • D Maj • 03:09 • -11.38db
19% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Gene Austin
I Got a Feeling I'm Falling
134 bpm • D# Maj • 02:52 • -16.89db
7% Popularity • 48% Danceability • 12% Energy • 34% Liveness
78% Instrumentalness • 25% Positiveness
7% Popularity • 48% Danceability • 12% Energy • 34% Liveness
78% Instrumentalness • 25% Positiveness
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Ted Weems & His Orchestra
Heartaches
133 bpm • G# Maj • 02:40 • -10.81db
12% Popularity • 71% Danceability • 76% Energy • 8% Liveness
72% Instrumentalness • 91% Positiveness
12% Popularity • 71% Danceability • 76% Energy • 8% Liveness
72% Instrumentalness • 91% Positiveness
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Jack Hylton & His Orchestra
Blue Skies Are Around The Corner
133 bpm • G Maj • 02:59 • -9.15db
22% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
22% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
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Sophie Tucker
I Know That My Baby Is Cheating on Me
149 bpm • C# Maj • 02:50 • -11.85db
7% Popularity • 71% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 71% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmie Lunceford
Ain't She Sweet
149 bpm • C# Maj • 02:30 • -18.73db
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Betty Hutton
I Wake Up In The Morning Feeling Fine
149 bpm • C# Maj • 02:46 • -8.48db
14% Popularity • 64% Danceability • 22% Energy • 74% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 64% Danceability • 22% Energy • 74% Liveness
0% Instrumentalness • 69% Positiveness
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Gene Austin
My Blue Heaven
134 bpm • D# Maj • 03:35 • -18.35db
4% Popularity • 47% Danceability • 9% Energy • 26% Liveness
83% Instrumentalness • 42% Positiveness
4% Popularity • 47% Danceability • 9% Energy • 26% Liveness
83% Instrumentalness • 42% Positiveness
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Billy Murray
That Old Gang of Mine
131 bpm • F Maj • 03:05 • -13.03db
13% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Maxine Sullivan
Loch Lomond
150 bpm • F Maj • 02:15 • -8.15db
11% Popularity • 56% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 56% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Roy Fox
The Very Thought of You (Roy Fox)
131 bpm • C min • 03:00 • -16.11db
8% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Whiteman & His Orchestra
3 O'clock in the Morning
130 bpm • A Maj • 03:15 • -10.63db
12% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
12% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Gene Austin
I've Got A Feeling I'm Falling
131 bpm • D# Maj • 02:53 • -20db
3% Popularity • 46% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 46% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Cliff Edwards
I Can't Give You Anything But Love
130 bpm • C# Maj • 03:00 • -15.33db
9% Popularity • 43% Danceability • 20% Energy • 52% Liveness
4% Instrumentalness • 54% Positiveness
9% Popularity • 43% Danceability • 20% Energy • 52% Liveness
4% Instrumentalness • 54% Positiveness
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Sophie Tucker
There'll Be Some Changes Made
130 bpm • C# Maj • 02:59 • -14.19db
10% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Billy Cotton & His Band
Too Many Tears
129 bpm • D min • 02:57 • -25db
9% Popularity • 52% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 52% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Roy Fox
My Sweet (Roy Fox)
130 bpm • G Maj • 03:04 • -21db
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Helen Kane
Do Something
152 bpm • A min • 02:40 • -14.83db
11% Popularity • 56% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 56% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Eddie Cantor
The Dumber They Come, the Better I Like ...
153 bpm • F Maj • 01:40 • -11.2db
19% Popularity • 71% Danceability • 51% Energy • 15% Liveness
78% Instrumentalness • 97% Positiveness
19% Popularity • 71% Danceability • 51% Energy • 15% Liveness
78% Instrumentalness • 97% Positiveness
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Larry Clinton And His Orchestra ‎
Because Of You
128 bpm • F min • 02:48 • -12.59db
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Frank Salvano & Ambassadors
Me and the Man in the Moon
128 bpm • D# Maj • 03:22 • -15.05db
19% Popularity • 72% Danceability • 16% Energy • 18% Liveness
75% Instrumentalness • 75% Positiveness
19% Popularity • 72% Danceability • 16% Energy • 18% Liveness
75% Instrumentalness • 75% Positiveness
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
29% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
29% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Roger Wolfe Kahn & His Orchestra
Russian Lullaby
127 bpm • F# min • 03:13 • -16db
10% Popularity • 36% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
10% Popularity • 36% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
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Jack Hylton & His Orchestra
Life Is Just a Bowl of Cherries
155 bpm • C# min • 02:54 • -14.85db
15% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
15% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
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Guy Lombardo & His Royal Canadians
Pennies from Heaven
127 bpm • A# Maj • 02:43 • -15.03db
18% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
18% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
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Cliff Edwards
That's My Weakness Now
127 bpm • G min • 02:36 • -14db
10% Popularity • 77% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 77% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Eddie Cantor
Makin' Whoopee
127 bpm • G min • 03:02 • -10db
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
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Helen Kane
I Wanna Be Loved by You - Remastered
126 bpm • G# Maj • 02:47 • -10db
15% Popularity • 64% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 64% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Jack Hylton & His Orchestra
Who
126 bpm • D# Maj • 03:12 • -12db
10% Popularity • 62% Danceability • 55% Energy • 46% Liveness
68% Instrumentalness • 81% Positiveness
10% Popularity • 62% Danceability • 55% Energy • 46% Liveness
68% Instrumentalness • 81% Positiveness
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Gene Austin
Yes Sir, That's My Baby
126 bpm • F Maj • 02:51 • -14.07db
2% Popularity • 75% Danceability • 18% Energy • 17% Liveness
22% Instrumentalness • 82% Positiveness
2% Popularity • 75% Danceability • 18% Energy • 17% Liveness
22% Instrumentalness • 82% Positiveness
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The Merry Macs
Breezin' Along with the Breeze
157 bpm • F min • 03:01 • -14.54db
21% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
21% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
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Ted Lewis
There's A New Day Comin'
125 bpm • G# Maj • 02:54 • -15.27db
7% Popularity • 81% Danceability • 30% Energy • 13% Liveness
72% Instrumentalness • 92% Positiveness
7% Popularity • 81% Danceability • 30% Energy • 13% Liveness
72% Instrumentalness • 92% Positiveness
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Eddie Cantor
Charleston
125 bpm • A# Maj • 03:02 • -13db
26% Popularity • 76% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 92% Positiveness
26% Popularity • 76% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 92% Positiveness
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Rudy Vallee
Honey
125 bpm • C min • 03:24 • -15db
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
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Jack Hylton & His Orchestra
Egyptian Ella
125 bpm • G min • 02:51 • -8.62db
19% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
19% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
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Chick Webb
Crying My Heart Out For You
125 bpm • G min • 03:05 • -8.11db
23% Popularity • 73% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 73% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Gene Krupa
Massachusetts
157 bpm • A# Maj • 03:15 • -9.85db
25% Popularity • 64% Danceability • 44% Energy • 23% Liveness
28% Instrumentalness • 82% Positiveness
25% Popularity • 64% Danceability • 44% Energy • 23% Liveness
28% Instrumentalness • 82% Positiveness
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Gene Austin
Yes Sir, That's My Baby
124 bpm • F Maj • 02:48 • -16.68db
7% Popularity • 72% Danceability • 13% Energy • 22% Liveness
2% Instrumentalness • 75% Positiveness
7% Popularity • 72% Danceability • 13% Energy • 22% Liveness
2% Instrumentalness • 75% Positiveness
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Ethel Waters
Don't Blame Me
124 bpm • G Maj • 03:14 • -18db
22% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
39% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Sophie Tucker
I Ain't Got Nobody
158 bpm • C Maj • 02:29 • -10.91db
12% Popularity • 51% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 51% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Flanagan & Allen
Underneath the Arches
123 bpm • C Maj • 03:01 • -16db
28% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
28% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
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Helen Kane
I Wanna Be Loved by You - Alternate Vers...
124 bpm • G# Maj • 02:04 • -10.43db
15% Popularity • 65% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 65% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
32% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
32% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Gene Austin
When Your Lover Has Gone
123 bpm • G Maj • 02:46 • -14.32db
3% Popularity • 30% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 30% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
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Eddie Cantor
If You Knew Susie
123 bpm • D Maj • 02:49 • -7db
6% Popularity • 86% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 86% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Irving Aaronson and His Commanders
I'm Just Wild About Animal Crackers
122 bpm • F Maj • 02:47 • -13.65db
8% Popularity • 81% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 81% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Helen Kane
Button up Your Overcoat
159 bpm • A min • 02:56 • -14.98db
17% Popularity • 63% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 63% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Arthur Fields
Five Foot Two, Eyes of Blue
122 bpm • A# Maj • 02:46 • -13db
7% Popularity • 74% Danceability • 29% Energy • 10% Liveness
69% Instrumentalness • 67% Positiveness
7% Popularity • 74% Danceability • 29% Energy • 10% Liveness
69% Instrumentalness • 67% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Gene Austin
St Louis Blues
122 bpm • G Maj • 03:24 • -11.58db
5% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Kay Starr
If I Could Be with You (One Hour Tonight...
122 bpm • A min • 02:44 • -11db
27% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Cantor
Lambeth Walk
161 bpm • G# Maj • 02:26 • -8.46db
24% Popularity • 61% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 61% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
