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The Long Road
Songs like
The Long Road
by
Riley Pearce
Based on a tempo of (+/- 10%) and a similar genre
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Riley Pearce
Statue
130 bpm • D Maj • 04:00 • -9.01db
20% Popularity • 60% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
50% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Birdtalker
Just This
130 bpm • C min • 04:05 • -7.7db
37% Popularity • 70% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Alivan Blu
February
130 bpm • E min • 03:22 • -9.13db
36% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Lumineers
Angela (Single Version)
130 bpm • E Maj • 02:58 • -7.99db
46% Popularity • 65% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Ed Patrick
So Glad (I Got You)
131 bpm • D# Maj • 02:59 • -15db
44% Popularity • 74% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 58% Positiveness
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Riley Pearce
The Long Road
130 bpm • A Maj • 03:45 • -9.36db
30% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Hayden Calnin
I Believe in Something More
129 bpm • E Maj • 03:01 • -8.84db
35% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Stu Larsen
I Will Be Happy and Hopefully You Will B...
129 bpm • D Maj • 03:20 • -12.11db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Matthew And The Atlas
No Dreamer
128 bpm • E Maj • 03:51 • -13.84db
16% Popularity • 43% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
50% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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The Franklin Electric
Burning Flame
128 bpm • F min • 03:00 • -12.79db
3% Popularity • 51% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Riley Pearce
Song for Zula
130 bpm • E Maj • 05:18 • -10.87db
21% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Hayden Calnin
Let's Dance
129 bpm • F# Maj • 04:01 • -8db
32% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Sons Of The East
Jacaranda Tree
132 bpm • E Maj • 03:36 • -8.1db
30% Popularity • 46% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Okay Mann
When She's Not Around
132 bpm • F# Maj • 04:40 • -13.23db
11% Popularity • 62% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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FIELDS
22:22
132 bpm • C# min • 04:16 • -10.98db
17% Popularity • 77% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
47% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jolé
New Start
128 bpm • E Maj • 02:41 • -8.25db
10% Popularity • 30% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Hayden Calnin
Majuy
132 bpm • C Maj • 03:55 • -8.47db
46% Popularity • 31% Danceability • 37% Energy • 7% Liveness
2% Instrumentalness • 9% Positiveness
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Joel Leggett
Jeans
132 bpm • G Maj • 03:17 • -6.77db
27% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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George Ogilvie
Nowhere
132 bpm • D Maj • 04:39 • -11.01db
25% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Barnes
Bad Luck
128 bpm • B Maj • 03:49 • -6.78db
10% Popularity • 49% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Felipe Baldomir
Ocean is Calling
128 bpm • B Maj • 03:26 • -11db
44% Popularity • 65% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sons Of The East
Lonely
128 bpm • D Maj • 03:49 • -6.69db
29% Popularity • 50% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Tors
Wilder Days - Acoustic
128 bpm • E Maj • 04:15 • -11.4db
16% Popularity • 55% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Joel Leggett
Bright Blue
132 bpm • G# Maj • 03:32 • -6.66db
28% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Blanco White
Outsider
128 bpm • E Maj • 04:44 • -11.19db
44% Popularity • 50% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Racing Glaciers
Sertraline
133 bpm • D Maj • 04:24 • -13.41db
27% Popularity • 55% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Felipe Baldomir
Amber
128 bpm • B Maj • 04:36 • -10.86db
35% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Sons Of The East
Lost Cause
127 bpm • G# Maj • 03:25 • -7.94db
47% Popularity • 60% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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William Wild
Sleeptalk
127 bpm • A Maj • 03:59 • -9.73db
23% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Straalen
Help
127 bpm • B min • 03:55 • -8.7db
14% Popularity • 41% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Boundary Run
Make It Out
134 bpm • D Maj • 03:41 • -11.44db
47% Popularity • 25% Danceability • 29% Energy • 8% Liveness
42% Instrumentalness • 22% Positiveness
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Ed Patrick
Mexico
127 bpm • D Maj • 02:52 • -15.18db
39% Popularity • 53% Danceability • 26% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Alexander Biggs
Tidal Wave
126 bpm • C Maj • 03:46 • -9db
28% Popularity • 53% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Sons Of The East
Façade
134 bpm • D# Maj • 03:49 • -12db
39% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Joel Leggett
Changing Currents
126 bpm • C Maj • 04:18 • -8db
31% Popularity • 74% Danceability • 49% Energy • 14% Liveness
7% Instrumentalness • 56% Positiveness
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Jake Etheridge
I Can Take It
126 bpm • F Maj • 03:39 • -10.72db
28% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Sam the Astronaut
Sunshine Gold - Version 2
134 bpm • D# Maj • 04:08 • -14db
24% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Austin Basham
Sounds Like Help
126 bpm • C Maj • 03:27 • -9db
37% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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This New Light
Awakening
135 bpm • D Maj • 04:23 • -8.04db
22% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Alivan Blu
Embers
125 bpm • C# Maj • 04:12 • -8.52db
31% Popularity • 40% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Joel Leggett
Bright Blue (Acoustic Version)
134 bpm • G# Maj • 03:33 • -16.79db
19% Popularity • 53% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Hudson Taylor
Run with Me - Acoustic
135 bpm • C Maj • 03:01 • -8.04db
31% Popularity • 66% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Hayden Calnin
Unfortunate Love
135 bpm • C# min • 03:46 • -11db
44% Popularity • 47% Danceability • 42% Energy • 17% Liveness
25% Instrumentalness • 16% Positiveness
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Nick Cunningham
Nervous
125 bpm • C Maj • 03:12 • -12db
34% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Harrison Storm
Be Yourself
135 bpm • C# Maj • 04:10 • -15.39db
36% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
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Alivan Blu
In My Head
125 bpm • A# Maj • 03:27 • -8.57db
29% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Wooly Mammoth
Edge
125 bpm • B Maj • 04:47 • -8db
23% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Joel Leggett
Honey I'm Sorry - Acoustic
125 bpm • E Maj • 03:15 • -6db
17% Popularity • 56% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Joe Probert
The Ocean Song
125 bpm • B Maj • 03:11 • -7db
22% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Nick Cunningham
Lucy
135 bpm • C# Maj • 03:34 • -20.66db
27% Popularity • 44% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Sons Of The East
The Farmer
125 bpm • G# Maj • 04:06 • -8.69db
40% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Beach
Our Favourite Song
125 bpm • C# Maj • 04:05 • -6.51db
23% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Donovan Woods
The First Time
125 bpm • F Maj • 03:20 • -9.28db
25% Popularity • 42% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 53% Positiveness
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Felipe Baldomir
Jonson Street
124 bpm • E Maj • 04:38 • -13db
31% Popularity • 64% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Jack Botts
I've Got You
124 bpm • G Maj • 03:38 • -8.9db
32% Popularity • 51% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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This New Light
Reverie
136 bpm • B Maj • 04:32 • -13.87db
31% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Riley Pearce
How Will I Know
136 bpm • F# Maj • 03:26 • -6.92db
40% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Tyson Motsenbocker
Can't Come Home Again
136 bpm • A Maj • 04:23 • -9.46db
28% Popularity • 63% Danceability • 57% Energy • 13% Liveness
26% Instrumentalness • 39% Positiveness
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Alivan Blu
Home - Acoustic
124 bpm • D Maj • 03:16 • -18.4db
36% Popularity • 55% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Bjéar
Firefall
124 bpm • A Maj • 05:17 • -16db
14% Popularity • 65% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
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The Dreggs
Postcards
136 bpm • G Maj • 03:53 • -11.68db
48% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tay Oskee
We Were Young
136 bpm • A Maj • 04:53 • -9.63db
36% Popularity • 31% Danceability • 56% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
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Riley Pearce
Eastbound
124 bpm • E Maj • 04:04 • -10.44db
27% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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George Ogilvie
Better Man
124 bpm • F Maj • 04:43 • -7db
31% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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All Faces
The Oaks
124 bpm • C Maj • 03:50 • -9.46db
29% Popularity • 52% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Sons Of The East
My Repair (Radio Mix)
124 bpm • D Maj • 03:06 • -7.95db
29% Popularity • 60% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Charlie Straw
Water Flows
124 bpm • G# Maj • 03:59 • -10.58db
12% Popularity • 53% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Hein Cooper
Curse My Life
136 bpm • B Maj • 03:07 • -9.92db
16% Popularity • 43% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Riley Pearce
Outside the Lines
124 bpm • F# Maj • 03:58 • -9.76db
33% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Bjéar
Nevada
124 bpm • D Maj • 04:40 • -8.41db
28% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Zac Saber
Dear Manners
124 bpm • D Maj • 03:44 • -10.83db
10% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sons Of The East
My Repair
124 bpm • D Maj • 03:05 • -8.28db
59% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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James New
All Eyes on You
137 bpm • D Maj • 03:54 • -8.91db
22% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Joe Mungovan
My Jumper
137 bpm • E Maj • 03:36 • -8.74db
16% Popularity • 43% Danceability • 81% Energy • 15% Liveness
14% Instrumentalness • 19% Positiveness
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Hazlett
Lowdown, Lay It On
137 bpm • D Maj • 03:54 • -13db
34% Popularity • 46% Danceability • 27% Energy • 66% Liveness
1% Instrumentalness • 4% Positiveness
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Harry Marshall
Nowadays
137 bpm • B Maj • 03:34 • -13.46db
10% Popularity • 65% Danceability • 48% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
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Jesse Daniel Smith
I Almost Went to College and Got a Job
123 bpm • G Maj • 04:15 • -5.62db
11% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Saint Raymond
Oh Brother
123 bpm • C Maj • 03:12 • -7.08db
30% Popularity • 64% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Joel Leggett
Loops
123 bpm • E min • 02:49 • -13.13db
35% Popularity • 77% Danceability • 64% Energy • 12% Liveness
17% Instrumentalness • 50% Positiveness
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This New Light
103
123 bpm • G Maj • 02:59 • -6.58db
35% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Mat Hunsley
Dropping
138 bpm • B min • 03:53 • -12.34db
11% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Salt Tree
Moving Away
138 bpm • D Maj • 03:40 • -12.02db
28% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
40% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Dusty Boots
To the Sea
122 bpm • C# min • 03:23 • -10db
38% Popularity • 36% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Didirri
Worth the Wait
122 bpm • C min • 05:38 • -13.38db
23% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Rod Ladgrove
The Beat Down
122 bpm • G Maj • 02:26 • -7.16db
11% Popularity • 69% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Riley Pearce
Free Coffee
122 bpm • D# Maj • 03:39 • -10.04db
35% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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FIELDS
Nothing Left to Lose
122 bpm • G Maj • 05:26 • -12.98db
15% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ryan Harris
Falling
122 bpm • G Maj • 02:31 • -12.2db
49% Popularity • 73% Danceability • 51% Energy • 12% Liveness
71% Instrumentalness • 41% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -12.83db
33% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Sons Of The East
Come Away
122 bpm • C Maj • 04:20 • -8.39db
57% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Zac Crook
rather be losing
139 bpm • F min • 03:37 • -7.86db
19% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Riley Pearce
Breathe & Release
122 bpm • E Maj • 03:35 • -7db
37% Popularity • 66% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Mt. Joy
Silver Lining - Recorded at Spotify Stud...
139 bpm • C Maj • 03:29 • -11db
40% Popularity • 49% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Felipe Baldomir
The Toothbrush Song
122 bpm • D Maj • 03:00 • -10db
37% Popularity • 42% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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AVEC
Sailing Away
121 bpm • G min • 04:16 • -10.25db
40% Popularity • 56% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Long Road