Songs like The Long Way Around by The Chicks
Based on a tempo of (+/- 10%) and a similar genre
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Whitney Duncan
When I Said I Would
128 bpm • E Maj • 04:06 • -3db
16% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Maren Morris
Mona Lisas And Mad Hatters
128 bpm • F Maj • 05:04 • -7.56db
43% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Grace Potter
Ragged Company - Bonus Track
128 bpm • C Maj • 04:38 • -8.28db
23% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kellie Pickler
Best Days of Your Life
128 bpm • A Maj • 03:46 • -5db
49% Popularity • 65% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 65% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Shania Twain
You Win My Love
128 bpm • F# Maj • 04:25 • -8.94db
54% Popularity • 71% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
54% Popularity • 71% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Lyle Lovett
That's Right (You're Not From Texas)
128 bpm • F min • 04:54 • -7.66db
27% Popularity • 62% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 62% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Chicks
The Long Way Around
128 bpm • C Maj • 04:32 • -3.38db
47% Popularity • 60% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 60% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Martina McBride
Safe in the Arms of Love
129 bpm • D Maj • 03:13 • -5.9db
29% Popularity • 59% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 59% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Alabama
I'm in a Hurry (And Don't Know Why)
129 bpm • A Maj • 02:48 • -8db
66% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
66% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Rosanne Cash
The Wheel
127 bpm • D Maj • 04:19 • -10.05db
9% Popularity • 58% Danceability • 54% Energy • 21% Liveness
4% Instrumentalness • 25% Positiveness
9% Popularity • 58% Danceability • 54% Energy • 21% Liveness
4% Instrumentalness • 25% Positiveness
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Rascal Flatts
I'm Movin' On
129 bpm • C Maj • 04:02 • -5db
49% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Kacey Musgraves
It Is What It Is
127 bpm • F Maj • 03:46 • -9.13db
42% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
72% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Young
Love Don't Let Me Down
127 bpm • C Maj • 02:57 • -4.45db
32% Popularity • 58% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 58% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Lonestar
Walking In Memphis
129 bpm • C Maj • 04:17 • -5.18db
48% Popularity • 68% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 68% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Martina McBride
This One's for the Girls
127 bpm • G# Maj • 04:03 • -4.43db
59% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Chicks
There's Your Trouble
127 bpm • D Maj • 03:13 • -5.43db
63% Popularity • 74% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
63% Popularity • 74% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Terri Clark
You're Easy On The Eyes
126 bpm • C Maj • 03:33 • -5.84db
40% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Bonnie Raitt
Thing Called Love
130 bpm • F Maj • 03:52 • -12db
40% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Julie Roberts
Break Down Here
126 bpm • C# Maj • 04:05 • -8.13db
50% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Rankin Family
Forty Days And Nights
130 bpm • F Maj • 05:00 • -11.67db
28% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Grace Potter & The Nocturnals
Things I Never Needed
130 bpm • A Maj • 04:09 • -6.66db
25% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Chicks
Cold Day in July
129 bpm • G Maj • 05:12 • -11db
41% Popularity • 57% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 57% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Terri Clark
Poor, Poor Pitiful Me
126 bpm • C# Maj • 03:10 • -7db
53% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Willie Nelson
Angel Flying Too Close to the Ground
126 bpm • A Maj • 04:27 • -11db
40% Popularity • 46% Danceability • 39% Energy • 15% Liveness
2% Instrumentalness • 12% Positiveness
40% Popularity • 46% Danceability • 39% Energy • 15% Liveness
2% Instrumentalness • 12% Positiveness
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Shania Twain
Up!
126 bpm • C Maj • 02:52 • -4.13db
52% Popularity • 62% Danceability • 75% Energy • 65% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 62% Danceability • 75% Energy • 65% Liveness
0% Instrumentalness • 58% Positiveness
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Lonestar
What About Now
126 bpm • E Maj • 03:30 • -7db
50% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Judds
I Know Where I'm Going
126 bpm • C# min • 03:38 • -13db
40% Popularity • 94% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 94% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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The Chicks
Gaslighter
131 bpm • D Maj • 03:23 • -7.32db
52% Popularity • 68% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 68% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Lucy Kaplansky
End of the Day
131 bpm • A# Maj • 04:10 • -9.12db
15% Popularity • 69% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 69% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Shania Twain
That Don't Impress Me Much - Edit
125 bpm • C# Maj • 03:38 • -5.03db
53% Popularity • 77% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 77% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Trisha Yearwood
She's In Love With The Boy - Single Vers...
125 bpm • D# Maj • 04:08 • -8.27db
70% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
70% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Judds
Why Not Me
126 bpm • A# Maj • 03:29 • -9.28db
64% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
64% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Shawn Colvin
Fill Me Up
125 bpm • G Maj • 03:39 • -5.62db
20% Popularity • 69% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 69% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Patty Loveless
Timber I'm Falling In Love
125 bpm • C# Maj • 02:32 • -11.87db
47% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Kenny Chesney
How Forever Feels
125 bpm • G Maj • 03:08 • -7.43db
61% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
61% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Tift Merritt
Virginia, No One Can Warn You
132 bpm • C Maj • 04:23 • -9db
16% Popularity • 61% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 61% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Martina McBride
My Baby Loves Me
125 bpm • B Maj • 02:34 • -5db
47% Popularity • 72% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 72% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Judds
Flies On The Butter (You Can't Go Home A...
125 bpm • G# Maj • 04:30 • -7.43db
29% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Kelly Willis
Baby Take A Piece Of My Heart
124 bpm • E Maj • 03:45 • -10.5db
9% Popularity • 67% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 67% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Lady A
Stars Tonight
124 bpm • E Maj • 04:04 • -2.58db
28% Popularity • 69% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 69% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Wynonna
She Is His Only Need
132 bpm • F# Maj • 04:27 • -8db
40% Popularity • 72% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 72% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Chicks
Am I the Only One (Who's Ever Felt This ...
132 bpm • C Maj • 03:25 • -5db
40% Popularity • 65% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 65% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Shania Twain
Whose Bed Have Your Boots Been Under? - ...
132 bpm • A# Maj • 04:01 • -3.04db
57% Popularity • 69% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 69% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Reba McEntire
Going Out Like That
124 bpm • F# Maj • 03:42 • -4.73db
48% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Gretchen Wilson
Here for the Party
124 bpm • C Maj • 03:16 • -4.87db
61% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
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Shawn Mullins
Beautiful Wreck
124 bpm • F# min • 04:09 • -7.73db
33% Popularity • 62% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 75% Positiveness
33% Popularity • 62% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 75% Positiveness
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Carrie Underwood
All-American Girl
124 bpm • A Maj • 03:32 • -2.63db
62% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Dwight Yoakam
Suspicious Minds
124 bpm • F Maj • 03:54 • -4db
51% Popularity • 54% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
51% Popularity • 54% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
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Shania Twain
Whose Bed Have Your Boots Been Under?
132 bpm • F Maj • 04:24 • -9db
52% Popularity • 73% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 73% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Linda Ronstadt
When Will I Be Loved
133 bpm • A Maj • 02:04 • -10.02db
61% Popularity • 51% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 51% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Tanya Tucker
Hard Luck
124 bpm • A# Maj • 03:22 • -7db
28% Popularity • 67% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 67% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Patty Loveless
Hurt Me Bad (In A Real Good Way)
133 bpm • D Maj • 03:02 • -11db
39% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Judds
Love Can Build A Bridge
133 bpm • B Maj • 05:22 • -15.64db
51% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Terri Clark
I Wanna Do It All
133 bpm • E Maj • 02:53 • -5db
41% Popularity • 63% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 63% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Shania Twain
I'm Gonna Getcha Good
124 bpm • C# Maj • 04:29 • -4.81db
60% Popularity • 72% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
60% Popularity • 72% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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The Chicks
If I Fall You're Going Down with Me
123 bpm • G# Maj • 03:03 • -7.46db
42% Popularity • 72% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 72% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Shooter Jennings
4th Of July / He Stopped Loving Her Toda...
133 bpm • A Maj • 04:25 • -5.28db
29% Popularity • 48% Danceability • 88% Energy • 62% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 48% Danceability • 88% Energy • 62% Liveness
0% Instrumentalness • 63% Positiveness
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John Mellencamp
Small Town
123 bpm • B Maj • 03:41 • -2.66db
66% Popularity • 66% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
66% Popularity • 66% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
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The Judds
Have Mercy
123 bpm • D Maj • 03:21 • -7.95db
51% Popularity • 86% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
51% Popularity • 86% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Reba McEntire
Turn On The Radio
123 bpm • B Maj • 03:35 • -3.77db
48% Popularity • 60% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 60% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Shania Twain
Love Gets Me Every Time
123 bpm • D Maj • 03:33 • -4.69db
49% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
49% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Suzy Bogguss
Aces
133 bpm • D# Maj • 03:50 • -9db
36% Popularity • 58% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 58% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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John Prine
Angel from Montgomery - Live
133 bpm • A Maj • 04:16 • -17.61db
45% Popularity • 46% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 46% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
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Martina McBride
Love's the Only House
123 bpm • A Maj • 05:12 • -8.21db
9% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Chicks
Goodbye Earl
123 bpm • C Maj • 04:18 • -7.38db
64% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Gretchen Wilson
Work Hard, Play Harder
123 bpm • G Maj • 03:10 • -5db
32% Popularity • 71% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 71% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Mary Chapin Carpenter
Never Had It So Good
123 bpm • G Maj • 04:04 • -12db
30% Popularity • 69% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 69% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Tanya Tucker
Bring My Flowers Now
134 bpm • E Maj • 04:20 • -9.91db
37% Popularity • 56% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Reba McEntire
Because Of You
134 bpm • G Maj • 03:43 • -5.76db
51% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Patty Loveless
You'll Never Leave Harlan Alive
134 bpm • G min • 06:05 • -10db
41% Popularity • 38% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 38% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Don Henley
That Old Flame
134 bpm • D Maj • 04:25 • -9.19db
33% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Sunny Sweeney
Staying’s Worse Than Leaving
134 bpm • B Maj • 03:24 • -4.56db
31% Popularity • 52% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 52% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Sherrié Austin
Lucky In Love
122 bpm • D Maj • 03:28 • -4db
20% Popularity • 70% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 70% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Shania Twain
Don't Be Stupid (You Know I Love You)
122 bpm • D Maj • 03:34 • -4.95db
54% Popularity • 78% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
54% Popularity • 78% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Reba McEntire
The Fear Of Being Alone
123 bpm • D Maj • 03:01 • -4.54db
38% Popularity • 72% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 72% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Patty Loveless
I'm That Kind Of Girl
134 bpm • G# Maj • 03:06 • -13db
36% Popularity • 71% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 71% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Lady A
Lookin' For A Good Time
122 bpm • G Maj • 03:07 • -3db
41% Popularity • 66% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 66% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Garrett Hedlund
Timing Is Everything
134 bpm • C Maj • 03:24 • -13.05db
44% Popularity • 64% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 64% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jo Dee Messina
Bye-Bye
134 bpm • A# Maj • 03:20 • -3.98db
63% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Mary Chapin Carpenter
I Take My Chances
135 bpm • C Maj • 03:45 • -7db
35% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Grace Potter & The Nocturnals
Apologies
135 bpm • F Maj • 05:12 • -9.1db
35% Popularity • 38% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 38% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Julie Roberts
Unlove Me
122 bpm • C# Maj • 03:12 • -9.02db
31% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Rosanne Cash
Seven Year Ache
122 bpm • A min • 03:15 • -8.68db
40% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Shania Twain
No One Needs To Know
135 bpm • G Maj • 03:03 • -9.67db
63% Popularity • 66% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 66% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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The Duhks
You Don't See It
135 bpm • A Maj • 03:44 • -4.81db
13% Popularity • 69% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 69% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Stapleton
More Of You
135 bpm • E Maj • 04:37 • -11.4db
55% Popularity • 68% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 68% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Grace Potter & The Nocturnals
Big White Gate
135 bpm • E Maj • 04:55 • -7.15db
24% Popularity • 29% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 29% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Patty Loveless
You Can Feel Bad
121 bpm • D Maj • 03:24 • -7db
32% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Kellie Pickler
Where's Tammy Wynette
135 bpm • D Maj • 02:42 • -3.92db
13% Popularity • 60% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 60% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Martina McBride
Wild Angels
135 bpm • E Maj • 03:45 • -7db
41% Popularity • 56% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 56% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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John Michael Montgomery
Life's a Dance
135 bpm • F Maj • 03:10 • -4.4db
58% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Brooks Jefferson
The Dance
135 bpm • G Maj • 03:39 • -7.43db
52% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lyle Lovett
In My Own Mind
121 bpm • A# Maj • 05:36 • -8.65db
29% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Shannon McNally
Now That I Know
121 bpm • E Maj • 04:45 • -6.4db
22% Popularity • 56% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 56% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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The Chicks
Tonight the Heartache's on Me
121 bpm • F Maj • 03:26 • -4.64db
50% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Jo Dee Messina
Silver Thunderbird
136 bpm • B Maj • 04:09 • -8db
29% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
