Songs like The Lovers, Op. 43 (Arr. Kyr): V. The Fortunate Isles by Samuel Barber
Based on a tempo of (+/- 10%) and a similar genre
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
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Samuel Barber
Music for a scene from Shelley, Op. 7
88 bpm • C Maj • 09:00 • -23.35db
5% Popularity • 9% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
5% Popularity • 9% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
48% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Frederick Delius
2 Aquarelles: No. 1. Lento, ma non tropp...
88 bpm • A# Maj • 02:03 • -21db
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz 56: III. Pe-loc...
88 bpm • C Maj • 01:06 • -37.89db
56% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
56% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Samuel Barber
Four Songs Op. 13: No. 3 Sure On This Sh...
88 bpm • A# Maj • 02:31 • -17.02db
21% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
36% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
36% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Samuel Barber
Barber: String Quartet in B Major, Op. 1...
89 bpm • A# min • 07:00 • -29db
3% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
3% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Ludovico Einaudi
Einaudi: Una mattina
87 bpm • A min • 03:10 • -34.14db
56% Popularity • 10% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
56% Popularity • 10% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
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RTE Concert Orchestra
49th Parallel Suite: Prelude
87 bpm • G Maj • 02:15 • -20db
38% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
38% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: X. Nocturne -...
89 bpm • A min • 05:03 • -25db
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11 "Agnus Dei" -...
87 bpm • A# min • 08:00 • -26.15db
5% Popularity • 9% Danceability • 6% Energy • 6% Liveness
81% Instrumentalness • 3% Positiveness
5% Popularity • 9% Danceability • 6% Energy • 6% Liveness
81% Instrumentalness • 3% Positiveness
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Alexander Borodin
Les danses polovtsiennes (Extraits de l'...
87 bpm • A Maj • 01:25 • -32db
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
89 bpm • G# Maj • 02:01 • -14db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Arash Safaian
Adagietto
89 bpm • G Maj • 02:22 • -33.27db
57% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
57% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
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Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Remo Giazotto
Adagio for Strings and Organ in G Minor
86 bpm • C min • 11:46 • -23db
48% Popularity • 9% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
48% Popularity • 9% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Cello Sonata, Op. 6: I. Allegro ...
87 bpm • G# Maj • 08:22 • -23.74db
5% Popularity • 17% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
86 bpm • C Maj • 05:41 • -19.38db
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: Le Cygn...
90 bpm • G Maj • 03:10 • -32.49db
31% Popularity • 11% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Adagio in G Minor
90 bpm • G min • 04:26 • -12.94db
51% Popularity • 10% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
51% Popularity • 10% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Molto adagio
90 bpm • A# min • 06:52 • -26.61db
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Henryk Górecki
Symphony No. 3, Op. 36 "Symphony of Sorr...
90 bpm • A# min • 08:54 • -24db
24% Popularity • 15% Danceability • 4% Energy • 16% Liveness
72% Instrumentalness • 3% Positiveness
24% Popularity • 15% Danceability • 4% Energy • 16% Liveness
72% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
90 bpm • G# Maj • 06:46 • -26db
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Karl Jenkins
Palladio: 1. Allegretto (arr. for String...
90 bpm • D min • 03:46 • -16.97db
55% Popularity • 53% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
55% Popularity • 53% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Samuel Barber
Prayers of Kierkegaard, Op. 30: O Thou W...
86 bpm • C Maj • 04:38 • -23.83db
6% Popularity • 9% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • G Maj • 03:25 • -28db
39% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11 - Live
86 bpm • A# min • 08:37 • -25.53db
24% Popularity • 9% Danceability • 2% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Les berceaux, Op. 23, No. 1
85 bpm • C min • 03:07 • -24db
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Cello Concerto, Op. 22: II. Andante sost...
90 bpm • A Maj • 06:27 • -28.59db
12% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Concerto for Piano and Orchestra No. 23 ...
85 bpm • F# min • 06:57 • -28.63db
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
85 bpm • F# min • 02:26 • -16.93db
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Schwanengesang, D.957: No. 4 Serenade
91 bpm • C Maj • 04:23 • -25.32db
55% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Adagio For Strings, Op. 11: 2. Molto ada...
91 bpm • A# min • 06:53 • -28.62db
17% Popularity • 10% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Violin Concerto No. 2 ...
85 bpm • F# Maj • 02:30 • -15.6db
54% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
54% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
► Preview
JoaquÃn Rodrigo
Rodrigo: Concierto de Aranjuez: II. Adag...
85 bpm • B min • 10:40 • -19.88db
56% Popularity • 25% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Peter Samuels
Adagio For Strings
85 bpm • A# min • 10:00 • -17db
44% Popularity • 16% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
44% Popularity • 16% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Samuel Barber
String Quartet, Op. 11: II. Adagio
85 bpm • A# min • 08:49 • -24db
23% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
► Preview
Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Ennio Morricone
Gabriel's Oboe
85 bpm • D Maj • 03:42 • -16.07db
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
52% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Samuel Barber
Adagio for Strings (Platoon)
85 bpm • A# min • 07:01 • -24db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Philip Glass
The Poet Acts
84 bpm • G min • 03:43 • -29.62db
47% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
85 bpm • E Maj • 08:49 • -18db
16% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
16% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Samuel Barber
Barber: Agnus Dei
85 bpm • A# min • 08:26 • -17db
11% Popularity • 8% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
40% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
40% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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John Corigliano
I. Cremona, The Red Violin
93 bpm • B Maj • 01:33 • -21.48db
33% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
33% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
83 bpm • E Maj • 02:39 • -19.05db
44% Popularity • 19% Danceability • 19% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
44% Popularity • 19% Danceability • 19% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
83 bpm • A# min • 07:30 • -25db
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
83 bpm • D# Maj • 01:57 • -25db
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
