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The Mackenzies
Songs like
The Mackenzies
by
Bill Callahan
Based on a tempo of (+/- 10%) and a similar genre
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Elvis Costello
I Do (Zula’s Song)
82 bpm • C min • 03:49 • -14.84db
17% Popularity • 35% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
41% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Bill Callahan
The Mackenzies
82 bpm • F Maj • 05:03 • -18.36db
17% Popularity • 52% Danceability • 18% Energy • 10% Liveness
58% Instrumentalness • 19% Positiveness
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Calexico
The Bitter Suite (Pájaro / Evil Eye / T...
81 bpm • C Maj • 08:15 • -10.07db
18% Popularity • 34% Danceability • 52% Energy • 8% Liveness
62% Instrumentalness • 46% Positiveness
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Brigid Mae Power
I Had to Keep My Circle Small
83 bpm • G Maj • 05:18 • -11db
10% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Purple Mountains
Storyline Fever
83 bpm • C Maj • 04:46 • -7.99db
10% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Bob Dylan
Black Rider
81 bpm • D min • 04:12 • -19.78db
31% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Loma
Ocotillo
81 bpm • D# Maj • 04:50 • -11.36db
35% Popularity • 54% Danceability • 55% Energy • 8% Liveness
58% Instrumentalness • 42% Positiveness
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Bill Callahan
Free's
83 bpm • D Maj • 03:13 • -17.03db
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Xerxes Fussell
The River St. Johns
81 bpm • F Maj • 03:38 • -11.82db
30% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Nick Cave
Shattered Ground
81 bpm • F# Maj • 05:34 • -15db
32% Popularity • 23% Danceability • 18% Energy • 8% Liveness
7% Instrumentalness • 6% Positiveness
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Kevin Morby
Oh My God
83 bpm • E Maj • 04:05 • -9db
31% Popularity • 32% Danceability • 26% Energy • 16% Liveness
44% Instrumentalness • 8% Positiveness
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Big Thief
Replaced
83 bpm • G Maj • 04:54 • -10.34db
31% Popularity • 63% Danceability • 48% Energy • 11% Liveness
10% Instrumentalness • 72% Positiveness
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Sam Amidon
Time Has Made A Change
80 bpm • F Maj • 04:57 • -18.18db
16% Popularity • 58% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Karen Dalton
God Bless the Child
80 bpm • B Maj • 04:30 • -14.56db
17% Popularity • 33% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Jake Xerxes Fussell
Drinking of the Wine
84 bpm • C Maj • 04:43 • -10.18db
17% Popularity • 64% Danceability • 24% Energy • 13% Liveness
16% Instrumentalness • 33% Positiveness
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James Yorkston
Ella Mary Leather
84 bpm • E min • 03:05 • -14.25db
10% Popularity • 49% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Buck Meek
Candle
80 bpm • E Maj • 03:43 • -8.68db
36% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Arthur Russell
Words Of Love
80 bpm • B Maj • 03:00 • -12.01db
30% Popularity • 56% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Mercury Rev
Big Boss Man
80 bpm • G Maj • 03:24 • -10.09db
28% Popularity • 51% Danceability • 30% Energy • 13% Liveness
9% Instrumentalness • 22% Positiveness
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Willy Mason
Oh My Country
80 bpm • C min • 03:04 • -8.12db
12% Popularity • 60% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Bill Callahan
35
80 bpm • G Maj • 04:03 • -18.49db
20% Popularity • 56% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 18% Positiveness
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Kurt Vile
Dandelions
80 bpm • A Maj • 06:34 • -8db
33% Popularity • 45% Danceability • 55% Energy • 18% Liveness
64% Instrumentalness • 52% Positiveness
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The Innocence Mission
The Brothers Williams Said
84 bpm • G Maj • 03:30 • -10.82db
14% Popularity • 33% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Marina Allen
Ophelia
84 bpm • F Maj • 03:05 • -12.77db
13% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Kevin Morby
Jamie
85 bpm • B Maj • 04:11 • -11db
20% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Big Thief
Contact
79 bpm • D min • 03:54 • -8.16db
35% Popularity • 45% Danceability • 38% Energy • 15% Liveness
70% Instrumentalness • 31% Positiveness
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Bill Callahan
Small Plane
80 bpm • F Maj • 03:56 • -17.97db
34% Popularity • 57% Danceability • 16% Energy • 10% Liveness
62% Instrumentalness • 10% Positiveness
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Rustin Man
Vanishing Heart
85 bpm • E min • 04:35 • -8.72db
13% Popularity • 49% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Berninger
Collar Of Your Shirt
79 bpm • G Maj • 05:14 • -8.86db
25% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Elvis Costello
They’re Not Laughing At Me Now
79 bpm • A Maj • 04:26 • -11.87db
11% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kevin Morby
Sundowner
85 bpm • A Maj • 05:09 • -12.33db
28% Popularity • 40% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Jason Molina
Be Told the Truth
79 bpm • G Maj • 04:00 • -12.38db
10% Popularity • 15% Danceability • 8% Energy • 12% Liveness
57% Instrumentalness • 9% Positiveness
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Protomartyr
Worm In Heaven
79 bpm • G min • 04:30 • -7.37db
24% Popularity • 57% Danceability • 47% Energy • 11% Liveness
46% Instrumentalness • 40% Positiveness
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Old Fire
When I Was In My Prime
86 bpm • E Maj • 05:04 • -9.79db
3% Popularity • 14% Danceability • 51% Energy • 30% Liveness
60% Instrumentalness • 36% Positiveness
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Bill Callahan
Confederate Jasmine
78 bpm • G Maj • 03:40 • -17.26db
4% Popularity • 55% Danceability • 21% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
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The Innocence Mission
John As Well
86 bpm • G Maj • 04:19 • -9.48db
8% Popularity • 22% Danceability • 29% Energy • 60% Liveness
1% Instrumentalness • 9% Positiveness
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Joan Shelley
Amberlit Morning
78 bpm • C# Maj • 05:15 • -11.52db
15% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Three Queens in Mourning
Stablemate
78 bpm • B Maj • 02:55 • -13db
8% Popularity • 52% Danceability • 33% Energy • 10% Liveness
9% Instrumentalness • 20% Positiveness
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Big Thief
Betsy
78 bpm • C# Maj • 03:28 • -13.71db
31% Popularity • 58% Danceability • 38% Energy • 13% Liveness
75% Instrumentalness • 46% Positiveness
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Tim Heidecker
Nothing
78 bpm • A# Maj • 02:59 • -6.98db
18% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Cate Le Bon
Secretary
78 bpm • G Maj • 02:41 • -11.45db
16% Popularity • 62% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Luluc
Out Beyond
87 bpm • D# Maj • 03:30 • -14.76db
17% Popularity • 24% Danceability • 15% Energy • 7% Liveness
28% Instrumentalness • 12% Positiveness
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Bedouine
Solitary Daughter
87 bpm • A Maj • 04:20 • -17db
36% Popularity • 36% Danceability • 17% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
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Michael Hurley
Little Blue River
77 bpm • A# Maj • 03:50 • -14.49db
13% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Bill Callahan
Seagull
88 bpm • F Maj • 05:39 • -12.76db
18% Popularity • 40% Danceability • 32% Energy • 11% Liveness
76% Instrumentalness • 33% Positiveness
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Lael Neale
How Far Is It to the Grave
88 bpm • A Maj • 03:24 • -3.88db
15% Popularity • 31% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Clap Your Hands Say Yeah
Dee, Forgiven
88 bpm • D Maj • 04:08 • -4.86db
11% Popularity • 21% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Daniel Rossen
You're Crossing a River - Golden Suits C...
76 bpm • G Maj • 05:59 • -11db
22% Popularity • 33% Danceability • 40% Energy • 15% Liveness
29% Instrumentalness • 37% Positiveness
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Bedouine
Echo Park
88 bpm • E min • 02:58 • -18.86db
26% Popularity • 47% Danceability • 21% Energy • 32% Liveness
22% Instrumentalness • 24% Positiveness
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Grandaddy
The Crystal Lake - Piano Version
89 bpm • F Maj • 05:51 • -12.72db
16% Popularity • 43% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Bill Callahan
Call Me Anything
76 bpm • A# Maj • 02:26 • -14.67db
4% Popularity • 58% Danceability • 32% Energy • 11% Liveness
45% Instrumentalness • 78% Positiveness
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Courtney Marie Andrews
Burlap String
89 bpm • D Maj • 03:57 • -10.28db
24% Popularity • 58% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Stephen Malkmus
The Greatest Own In Legal History
75 bpm • F# Maj • 03:47 • -10.56db
12% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Big Thief
Love In Mine
76 bpm • D# Maj • 03:18 • -11.03db
37% Popularity • 45% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
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Jason Molina
Whisper Away
89 bpm • F Maj • 03:01 • -15.33db
12% Popularity • 26% Danceability • 13% Energy • 28% Liveness
6% Instrumentalness • 4% Positiveness
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Dirty Projectors
Overlord
90 bpm • B Maj • 02:43 • -7.43db
30% Popularity • 69% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Bill Callahan
Rococo Zephyr
90 bpm • G# Maj • 05:42 • -12.78db
36% Popularity • 67% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 12% Positiveness
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Jake Xerxes Fussell
The Golden Willow Tree
90 bpm • D Maj • 09:10 • -14db
24% Popularity • 49% Danceability • 18% Energy • 19% Liveness
72% Instrumentalness • 35% Positiveness
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Rustin Man
Jackie’s Room
90 bpm • F Maj • 03:33 • -10.05db
7% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Big Thief
Two Hands
90 bpm • F Maj • 03:52 • -8.83db
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Palace Music
More Brother Rides
75 bpm • F# min • 03:18 • -13.35db
26% Popularity • 56% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Timber Timbre
Dedication Time
90 bpm • C Maj • 02:48 • -19.68db
30% Popularity • 47% Danceability • 19% Energy • 26% Liveness
64% Instrumentalness • 16% Positiveness
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Ryley Walker
A Lenticular Slap
90 bpm • B min • 07:49 • -10.83db
8% Popularity • 63% Danceability • 48% Energy • 13% Liveness
27% Instrumentalness • 49% Positiveness
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Bill Callahan
Let's Move To The Country
90 bpm • D Maj • 03:19 • -18.1db
29% Popularity • 70% Danceability • 22% Energy • 21% Liveness
42% Instrumentalness • 8% Positiveness
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Robert Forster
Crazy Jane On The Day Of Judgement
90 bpm • A Maj • 04:41 • -10.79db
5% Popularity • 68% Danceability • 48% Energy • 10% Liveness
21% Instrumentalness • 54% Positiveness
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Sam Amidon
Spanish Merchant's Daughter
75 bpm • A Maj • 04:36 • -13.99db
16% Popularity • 31% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Owen Pallett
Fire-Mare
74 bpm • G# Maj • 04:19 • -10.58db
13% Popularity • 31% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Karen Dalton
Are You Leaving for the Country
90 bpm • D Maj • 03:14 • -12.77db
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Buck Meek
Two Saviors
74 bpm • B min • 03:06 • -9.41db
21% Popularity • 50% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Bill Callahan
The Ballad Of The Hulk
90 bpm • C Maj • 04:04 • -16.23db
6% Popularity • 47% Danceability • 18% Energy • 10% Liveness
22% Instrumentalness • 17% Positiveness
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Stephen Malkmus
Flowin' Robes
91 bpm • F# Maj • 02:52 • -8db
9% Popularity • 60% Danceability • 61% Energy • 13% Liveness
10% Instrumentalness • 51% Positiveness
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Big Thief
Century
91 bpm • E Maj • 03:07 • -14.52db
38% Popularity • 67% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Matt Berninger
My Eyes Are T-Shirts
91 bpm • C Maj • 02:40 • -11db
31% Popularity • 64% Danceability • 33% Energy • 11% Liveness
32% Instrumentalness • 23% Positiveness
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The Breeders
The Dirt Eaters
92 bpm • B Maj • 03:34 • -13db
11% Popularity • 57% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Buck Meek
Ham On White
91 bpm • C Maj • 02:07 • -8.08db
19% Popularity • 46% Danceability • 70% Energy • 16% Liveness
85% Instrumentalness • 27% Positiveness
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Bill Callahan
Tugboats & Tumbleweeds
91 bpm • G Maj • 04:12 • -15.03db
3% Popularity • 66% Danceability • 27% Energy • 9% Liveness
52% Instrumentalness • 31% Positiveness
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Mountain Man
Through My Sails
92 bpm • G Maj • 02:29 • -19.44db
16% Popularity • 63% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Kevin Morby
Campfire
73 bpm • A Maj • 05:19 • -10.07db
38% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Joan Shelley
Coming Down For You
92 bpm • F min • 03:12 • -11db
25% Popularity • 53% Danceability • 34% Energy • 16% Liveness
8% Instrumentalness • 55% Positiveness
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Matt Berninger
Silver Springs
73 bpm • B Maj • 03:53 • -11.36db
27% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ryan Sambol
You're Still Lovable To Someone
72 bpm • F# Maj • 03:12 • -15.21db
10% Popularity • 40% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
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Bill Callahan
Another Song
93 bpm • C# min • 03:15 • -16.8db
23% Popularity • 43% Danceability • 19% Energy • 10% Liveness
79% Instrumentalness • 34% Positiveness
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The Weather Station
Wear
72 bpm • B Maj • 03:18 • -9.63db
17% Popularity • 54% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Kevin Morby
A Night At The Little Los Angeles
93 bpm • D Maj • 07:10 • -12.8db
21% Popularity • 56% Danceability • 18% Energy • 9% Liveness
12% Instrumentalness • 16% Positiveness
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Cassandra Jenkins
Crosshairs
72 bpm • D Maj • 04:03 • -12db
25% Popularity • 53% Danceability • 29% Energy • 13% Liveness
58% Instrumentalness • 40% Positiveness
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Dirty Projectors
On The Breeze
72 bpm • B Maj • 02:08 • -9.62db
22% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Joanna Sternberg
This is Not Who I Want to Be
72 bpm • C Maj • 03:32 • -14db
34% Popularity • 48% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
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Bill Callahan
Universal Applicant
94 bpm • F Maj • 05:53 • -18.33db
23% Popularity • 46% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Karen Dalton
How Did The Feeling Feel To You
71 bpm • A Maj • 02:57 • -17.54db
32% Popularity • 48% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Veirs
I Was A Fool
95 bpm • D# Maj • 02:44 • -15.57db
21% Popularity • 59% Danceability • 8% Energy • 35% Liveness
68% Instrumentalness • 31% Positiveness
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Richard Swift
Looking Back, I Should Have Been Home Mo...
71 bpm • C Maj • 03:35 • -10db
23% Popularity • 49% Danceability • 38% Energy • 31% Liveness
4% Instrumentalness • 16% Positiveness
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Kurt Vile
Gone Girl
94 bpm • E Maj • 03:44 • -9.26db
20% Popularity • 60% Danceability • 57% Energy • 12% Liveness
26% Instrumentalness • 47% Positiveness
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The Felice Brothers
Silverfish
95 bpm • F Maj • 03:20 • -9.93db
21% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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This Is The Kit
Coming to Get You Nowhere
95 bpm • G Maj • 03:20 • -11db
39% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
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Elvis Costello
We Are All Cowards Now
95 bpm • G min • 03:36 • -9.99db
12% Popularity • 60% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Bill Callahan
Summer Painter
95 bpm • G min • 06:30 • -13.84db
20% Popularity • 39% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Purple Mountains
She's Making Friends, I'm Turning Strang...
96 bpm • G Maj • 04:11 • -8.65db
12% Popularity • 47% Danceability • 65% Energy • 9% Liveness
9% Instrumentalness • 50% Positiveness
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Daniel Romano
All The Reaching Trims
95 bpm • D# Maj • 03:47 • -8.95db
15% Popularity • 39% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Nick Cave
White Elephant
70 bpm • C Maj • 06:08 • -11.83db
36% Popularity • 14% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Mackenzies