Songs like The Mad Ones by Frankie Grande
Based on a tempo of (+/- 10%) and a similar genre
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Proto Zoa
The Galaxy Is Ours
125 bpm • C Maj • 02:36 • -5.46db
24% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Dee & Friends
Could It Be Me - Tin’s Reprise
125 bpm • A# Maj • 01:49 • -6.22db
23% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Nia Sioux
Slay
125 bpm • C Maj • 03:00 • -4.48db
29% Popularity • 70% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 70% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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GEN:ZED
Simon Says
125 bpm • A min • 01:33 • -5.99db
28% Popularity • 74% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 74% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Nick Jonas
Believe
125 bpm • F# min • 03:21 • -5.96db
13% Popularity • 68% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 68% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Sophia Grace Brownlee
It's So Good
125 bpm • F min • 02:13 • -6db
16% Popularity • 82% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 82% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Pink Heart
F.Y.I.
125 bpm • G Maj • 03:33 • -6.77db
11% Popularity • 70% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 70% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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![I Was a Mermaid (And Now I'm a Pop Star) [feat. Matt Lourtie] cover art](https://i.scdn.co/image/ab67616d00001e0244153cd467c6306268489b53)
Rachel Bloom
I Was a Mermaid (And Now I'm a Pop Star)
125 bpm • G Maj • 02:12 • -6.81db
12% Popularity • 81% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 81% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Laura Bell Bundy
You Can't Pray the Gay Away
125 bpm • C Maj • 02:57 • -9.47db
27% Popularity • 62% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Beat by Beat Press
Three Feet Tall
125 bpm • D Maj • 03:13 • -9.8db
8% Popularity • 76% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 76% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Nick Jonas
Watch Me
125 bpm • A Maj • 02:26 • -4.12db
19% Popularity • 73% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 73% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Rhett and Link
One Direction Caption Fail
126 bpm • C Maj • 02:32 • -5.17db
11% Popularity • 60% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 60% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Cozi Zuehlsdorff
Oh, Biology
126 bpm • F# Maj • 03:33 • -6.35db
27% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kendall K
Wear Em Out
124 bpm • G Maj • 03:11 • -4.31db
38% Popularity • 80% Danceability • 81% Energy • 16% Liveness
4% Instrumentalness • 87% Positiveness
38% Popularity • 80% Danceability • 81% Energy • 16% Liveness
4% Instrumentalness • 87% Positiveness
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The Gregory Brothers
Stacy Be Brave (Save the Dogs Today)
124 bpm • G# Maj • 02:31 • -7db
13% Popularity • 80% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 80% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Todrick Hall
Low
126 bpm • G Maj • 03:21 • -5.39db
21% Popularity • 84% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 84% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Derulo
The Rum Tum Tugger
124 bpm • B Maj • 03:48 • -6db
27% Popularity • 69% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 69% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Saturday Night Live
Neurotology
126 bpm • G Maj • 02:51 • -14.05db
10% Popularity • 72% Danceability • 36% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 72% Danceability • 36% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
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Issac Ryan Brown
B.F.F.
124 bpm • C Maj • 03:01 • -10.72db
14% Popularity • 83% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 83% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Asher Angel
Getaway
124 bpm • G min • 03:49 • -3.3db
27% Popularity • 70% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 70% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Lucian Piane
Rucapella (Bitch Perfect)
126 bpm • A min • 05:58 • -7.64db
24% Popularity • 60% Danceability • 52% Energy • 65% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 60% Danceability • 52% Energy • 65% Liveness
0% Instrumentalness • 84% Positiveness
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Computer Games
She Just Laughed Because My Joke Lacked ...
124 bpm • D Maj • 02:27 • -3.6db
8% Popularity • 53% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 53% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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The Cast of RuPaul's Drag Race
Opening
127 bpm • B min • 01:14 • -3.89db
25% Popularity • 65% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 65% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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RuPaul
Cher: The Unauthorized Rusical
123 bpm • B min • 07:08 • -4.44db
19% Popularity • 52% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 52% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Shane Dawson
The Vacation Song
123 bpm • D Maj • 03:16 • -3.31db
22% Popularity • 66% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 66% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Hayley Orrantia
Hit Me With Your Best Shot
127 bpm • A Maj • 02:50 • -6.67db
11% Popularity • 70% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 70% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Citizen Queen
No Tears Left to Cry
123 bpm • A min • 03:36 • -3.03db
23% Popularity • 63% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 63% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Emily Alyn Lind
My Awesomeness Is Awesome
127 bpm • A# min • 02:06 • -7db
21% Popularity • 88% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 88% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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V5
September - X Factor Recording
127 bpm • A Maj • 01:54 • -3.84db
11% Popularity • 74% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 74% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Gigi Rowe
New Reality
127 bpm • C# Maj • 03:27 • -6.51db
20% Popularity • 72% Danceability • 88% Energy • 29% Liveness
6% Instrumentalness • 98% Positiveness
20% Popularity • 72% Danceability • 88% Energy • 29% Liveness
6% Instrumentalness • 98% Positiveness
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The Odd Man Who Sings About Poop, Puke and Pee
The Chloe Poop Song
123 bpm • D Maj • 01:36 • -13.32db
9% Popularity • 67% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 56% Positiveness
9% Popularity • 67% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 56% Positiveness
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Morgan McMichaels
Why You Mad Tho? (Drew G Rdr Remix)
127 bpm • F# min • 01:13 • -10db
14% Popularity • 70% Danceability • 84% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
14% Popularity • 70% Danceability • 84% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Charmed Mix
Forget You
127 bpm • G Maj • 03:41 • -4.29db
16% Popularity • 74% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 74% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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The Singing Animal Lover
The Hamster Song
122 bpm • D Maj • 01:50 • -11.85db
12% Popularity • 84% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 84% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Todrick Hall
You Unfollowed Me
128 bpm • D Maj • 03:28 • -2.96db
17% Popularity • 84% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 84% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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The Cast of RuPaul's Drag Race, Season 12
You Don't Know Me
122 bpm • A# min • 03:41 • -5.13db
29% Popularity • 83% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 83% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Rachel Crow
Glamour Makeover
128 bpm • C min • 01:29 • -8.8db
9% Popularity • 63% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 63% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Scott Stallone
Higher
128 bpm • E Maj • 03:17 • -4.28db
15% Popularity • 59% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 59% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Willam
Fries
128 bpm • G# Maj • 04:04 • -5.08db
15% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Bart Baker
Look What You Made Me Do Parody
128 bpm • A min • 02:58 • -7.73db
18% Popularity • 85% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 85% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Todrick Hall
Relove
128 bpm • E min • 04:09 • -6.27db
26% Popularity • 76% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 76% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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China Anne McClain
I Got My Scream On
128 bpm • G Maj • 02:57 • -4.12db
27% Popularity • 62% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 62% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 86% Positiveness
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Tiger Boo
Boo
128 bpm • F Maj • 02:57 • -4.13db
15% Popularity • 76% Danceability • 72% Energy • 66% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 76% Danceability • 72% Energy • 66% Liveness
0% Instrumentalness • 76% Positiveness
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The Merrell Twins
Runner Runner
128 bpm • F# min • 03:56 • -5db
27% Popularity • 65% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 65% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Willam
Jackie Beat’s Penis in the Ladies Room
128 bpm • A# min • 04:44 • -6.02db
9% Popularity • 85% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 85% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Nia Sioux
Dance (Just Rock)
128 bpm • C# Maj • 03:34 • -8.15db
13% Popularity • 81% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 81% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Hailey Reese
Loving Me
128 bpm • G Maj • 03:30 • -7.01db
9% Popularity • 73% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 73% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Saturday Night Live
(Do It On My) Twin Bed
122 bpm • A Maj • 03:08 • -10db
20% Popularity • 96% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 96% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Glee Cast
Let's Have A Kiki / Turkey Lurkey Time (...
128 bpm • F min • 03:34 • -5.95db
25% Popularity • 76% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 76% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Grant Richards
Ooh Look What U Made Me Do
128 bpm • A min • 03:31 • -8.51db
4% Popularity • 90% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 90% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Simgm
Dumpster Love Yourself
128 bpm • F# min • 03:12 • -7.89db
17% Popularity • 86% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 86% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Alli Fitz
Secret
122 bpm • A min • 02:30 • -5.45db
14% Popularity • 84% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 84% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Todrick Hall
Who Let the Freaks Out
128 bpm • B min • 02:58 • -3.25db
28% Popularity • 68% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 68% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Nina West
I'm An Editor
128 bpm • G Maj • 01:08 • -7.09db
17% Popularity • 71% Danceability • 54% Energy • 50% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 71% Danceability • 54% Energy • 50% Liveness
0% Instrumentalness • 80% Positiveness
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Rebecca Levy
One Little Kiss
128 bpm • D Maj • 02:25 • -8db
19% Popularity • 79% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 79% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Sophia Grace & Rosie
Celebration
128 bpm • F# min • 03:45 • -7db
11% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Trisha Paytas
Red Flags
122 bpm • G# min • 03:24 • -7.14db
13% Popularity • 77% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 77% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Villain
Make It Hot
128 bpm • A Maj • 02:45 • -8.01db
14% Popularity • 73% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 73% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Rachel Bloom
Die When I'm Young
128 bpm • A min • 02:31 • -4.78db
14% Popularity • 82% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 82% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Craig Wedren
Who Let the Dogs
128 bpm • D Maj • 03:59 • -8.16db
8% Popularity • 77% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 77% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Central Park Cast
Enough Is Enough
122 bpm • G Maj • 02:04 • -6.83db
22% Popularity • 78% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 78% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
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Kim Zolciak Biermann
Wig (Wish I Gave a Shit)
128 bpm • F min • 02:54 • -5.3db
10% Popularity • 79% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 79% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Todrick Hall
Epic Love
128 bpm • A min • 03:38 • -3.38db
17% Popularity • 67% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 67% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Frankie Grande
I Got Me
122 bpm • E Maj • 03:11 • -4.71db
4% Popularity • 58% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
4% Popularity • 58% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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ChaseDreams
My Brother's Gay (Gay Club Remix)
122 bpm • F min • 02:39 • -8.11db
13% Popularity • 80% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 80% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Jonnie and Brookie
That's What Girls Do
122 bpm • E Maj • 03:10 • -10.08db
11% Popularity • 79% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 79% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Dove Cameron
Cooties
122 bpm • F Maj • 01:09 • -3.38db
30% Popularity • 79% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 79% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 98% Positiveness
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Jasmine Sagginario
Gyob (Get Your Own Boyfriend)
122 bpm • D# Maj • 03:33 • -4db
10% Popularity • 87% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 87% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Randy Rainbow
Microwaves (Are Watching You)
122 bpm • C# min • 02:44 • -13.55db
7% Popularity • 77% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 77% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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'Pinkalicious' Original Cast
Pinkatastic
129 bpm • F# Maj • 02:54 • -4.57db
18% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Webkinz
Tiger Tiger Michelle Junkin, Leonidas Ko...
129 bpm • B Maj • 02:48 • -4.1db
17% Popularity • 74% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 74% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Rise Cast
Totally Fucked - Rise Cast Version
129 bpm • A# Maj • 02:57 • -5.03db
7% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Tyra Banks
Be a Star 2
129 bpm • C min • 03:17 • -7db
11% Popularity • 89% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 89% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Todrick Hall
Rent
129 bpm • C# Maj • 02:55 • -5.96db
18% Popularity • 84% Danceability • 71% Energy • 89% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 84% Danceability • 71% Energy • 89% Liveness
0% Instrumentalness • 75% Positiveness
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Sarah Silverman
A Place Called Slaughter Race
129 bpm • G# Maj • 03:28 • -9.52db
37% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Lea DeLaria
Meatloaf Mystery
121 bpm • G min • 02:32 • -9.78db
20% Popularity • 83% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 83% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Deхter
Shadow
121 bpm • A# min • 03:04 • -11.17db
8% Popularity • 96% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 96% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Asia Monet
Hey Girl
121 bpm • D min • 03:25 • -5db
16% Popularity • 76% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 76% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Frankie Bostello Orchestra
Always Look on the Bright Side of Life
130 bpm • F# min • 03:23 • -13.95db
13% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Sam Tsui
Gold Jacket
130 bpm • C Maj • 04:26 • -9.81db
10% Popularity • 65% Danceability • 54% Energy • 22% Liveness
42% Instrumentalness • 25% Positiveness
10% Popularity • 65% Danceability • 54% Energy • 22% Liveness
42% Instrumentalness • 25% Positiveness
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Joey Graceffa
Forever Love
130 bpm • G Maj • 03:32 • -6.25db
14% Popularity • 75% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 75% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Trousdale
Dance for Love
130 bpm • G min • 03:34 • -9db
15% Popularity • 65% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 65% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Zach and The Jess
What Is a Blouse?
120 bpm • D# Maj • 03:04 • -9.48db
7% Popularity • 93% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 93% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Rockapella
Carmen Sandiego 2020
130 bpm • C# Maj • 02:28 • -6db
21% Popularity • 79% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 79% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Indiana Massara
I Think We're Alone Now
130 bpm • D Maj • 02:56 • -5.14db
23% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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JAGMAC
Like a Band
130 bpm • C Maj • 02:59 • -5.52db
15% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Jodie Sweetin
The Boy Next Door
130 bpm • G Maj • 02:36 • -6db
37% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Sebastian Castro
Fart
130 bpm • E min • 03:37 • -2.73db
20% Popularity • 78% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 78% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Jenna Marbles
Three Looks
130 bpm • C# Maj • 02:35 • -9.86db
8% Popularity • 95% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 95% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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SM6
LA
130 bpm • G Maj • 02:51 • -6.13db
9% Popularity • 72% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 72% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Smosh
Girls Are Gross (Tomey Bones Remix)
120 bpm • G min • 03:19 • -5.03db
13% Popularity • 50% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 50% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
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Evan Rachel Wood
Straight On
120 bpm • G min • 03:05 • -7.09db
32% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Trinity the Tuck
'TIL DEATH BECOMES US
120 bpm • D Maj • 02:56 • -10.06db
14% Popularity • 77% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 77% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Manila Luzon
Gay Man
120 bpm • F# Maj • 03:07 • -5.34db
21% Popularity • 68% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 68% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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ChaseDreams
Marry U At Recess
120 bpm • D Maj • 01:13 • -6.88db
14% Popularity • 75% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 75% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Alli Fitz
Tragic
120 bpm • F min • 03:30 • -5.47db
13% Popularity • 69% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 69% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Genesis Valle
DANCE ALONE
120 bpm • B min • 03:03 • -6.75db
25% Popularity • 75% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 75% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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![I'm So Happy 4 U (feat. Rachel Bloom) [From Crazy Ex-Girlfriend] [Season 4] cover art](https://i.scdn.co/image/ab67616d00001e023183a77b558d5c9f7c58a79c)
Crazy Ex-Girlfriend Cast
I'm So Happy 4 U [From Crazy Ex-Girlfri...
120 bpm • G# Maj • 02:17 • -5.75db
19% Popularity • 95% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 95% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
