Songs like The Makings of You - From "Claudine" - Original Soundtrack by Gladys Knight & The Pips
Based on a tempo of (+/- 10%) and a similar genre
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Heatwave
Always and Forever
71 bpm • D Maj • 06:17 • -17.57db
54% Popularity • 33% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 33% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Gladys Knight & The Pips
The Makings of You
71 bpm • E Maj • 02:24 • -13.25db
40% Popularity • 44% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 44% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Stylistics
You're A Big Girl Now
72 bpm • F# Maj • 03:18 • -9.76db
46% Popularity • 43% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 43% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Cameo
Why Have I Lost You
72 bpm • G Maj • 04:48 • -13.45db
21% Popularity • 63% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 63% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Mother's Finest
Love Changes
72 bpm • E min • 04:51 • -14db
35% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tyrone Davis
In the Mood
70 bpm • G min • 04:09 • -10.14db
48% Popularity • 60% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 60% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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The Manhattans
Just One Moment Away
73 bpm • A min • 04:26 • -14.13db
10% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Enchantment
Forever More
73 bpm • G# Maj • 05:11 • -13db
29% Popularity • 39% Danceability • 28% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
29% Popularity • 39% Danceability • 28% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Keith Barrow
You Know You Want to Be Loved
73 bpm • D Maj • 03:38 • -10.42db
28% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Cameo
Hangin' Downtown
72 bpm • A# min • 05:07 • -13.7db
33% Popularity • 60% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 60% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Marlena Shaw
Yu-Ma/Go Away Little Boy
73 bpm • C Maj • 06:50 • -11.93db
27% Popularity • 38% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Rene & Angela
You Don't Have To Cry
73 bpm • F min • 05:35 • -12db
47% Popularity • 60% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 60% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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David Ruffin
Statue Of A Fool
73 bpm • C Maj • 04:26 • -10.9db
29% Popularity • 32% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 32% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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The Independents
Leaving Me
74 bpm • C# Maj • 03:22 • -10.07db
31% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Shirley Murdock
As We Lay
74 bpm • G# Maj • 05:59 • -12db
43% Popularity • 49% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 49% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Cameo
Sparkle
73 bpm • D Maj • 04:51 • -13.53db
47% Popularity • 55% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 55% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Gladys Knight & The Pips
If I Were Your Woman - Single Version
74 bpm • F# Maj • 03:14 • -10db
46% Popularity • 47% Danceability • 49% Energy • 68% Liveness
11% Instrumentalness • 56% Positiveness
46% Popularity • 47% Danceability • 49% Energy • 68% Liveness
11% Instrumentalness • 56% Positiveness
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The Spinners
How Could I Let You Get Away
74 bpm • G Maj • 03:49 • -13db
38% Popularity • 60% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 60% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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The Sylvers
That's What Love Is Made Of
74 bpm • C# Maj • 03:18 • -10.14db
14% Popularity • 64% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 64% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Con Funk Shun
Make It Last
75 bpm • D Maj • 05:02 • -14db
27% Popularity • 25% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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The O'Jays
Lovin' You
75 bpm • G Maj • 05:18 • -11db
47% Popularity • 62% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 62% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Earth, Wind & Fire
Love's Holiday
75 bpm • A Maj • 04:22 • -10db
53% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Atlantic Starr
Let's Get Closer
75 bpm • C Maj • 05:22 • -18db
39% Popularity • 58% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 58% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Roy Ayers
You Send Me
75 bpm • C Maj • 08:28 • -10db
34% Popularity • 49% Danceability • 51% Energy • 16% Liveness
2% Instrumentalness • 55% Positiveness
34% Popularity • 49% Danceability • 51% Energy • 16% Liveness
2% Instrumentalness • 55% Positiveness
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Meli'sa Morgan
Now Or Never
75 bpm • G Maj • 04:45 • -17.75db
17% Popularity • 58% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 58% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Danny Pearson
What's Your Sign Girl
75 bpm • A# Maj • 04:20 • -6.1db
15% Popularity • 56% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 56% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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The Stylistics
Stop, Look, Listen (To Your Heart)
75 bpm • D# min • 02:52 • -9db
48% Popularity • 44% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 44% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
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Freddie Jackson
I Could Use A Little Love (Right Now)
66 bpm • A Maj • 05:30 • -10.81db
39% Popularity • 53% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 53% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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L.T.D.
Stranger
76 bpm • F# Maj • 04:32 • -12db
41% Popularity • 50% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 50% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Spinners
Games People Play
76 bpm • B min • 04:44 • -11db
44% Popularity • 68% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 68% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Gladys Knight & The Pips
You're Number One (In My Book)
77 bpm • E Maj • 05:11 • -12db
35% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Enchantment
Enchanted Lady
77 bpm • C# Maj • 05:23 • -5db
22% Popularity • 48% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 48% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Stylistics
You Make Me Feel Brand New
76 bpm • G Maj • 04:48 • -8.57db
64% Popularity • 45% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 45% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Donny Hathaway
Someday We'll All Be Free
77 bpm • F# Maj • 04:10 • -11db
49% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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David Ruffin
Common Man
77 bpm • E Maj • 03:12 • -11.96db
36% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Anita Baker
I Apologize - Single Version
77 bpm • B Maj • 04:16 • -10.9db
39% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Gladys Knight & The Pips
You're Number One (In My Book) - Single ...
77 bpm • E Maj • 04:04 • -10.95db
9% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Stevie Wonder
Rocket Love
78 bpm • B Maj • 04:39 • -15.61db
44% Popularity • 34% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 34% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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The Stylistics
Children of the Night
76 bpm • F# min • 07:04 • -15.43db
30% Popularity • 56% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 56% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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The Memphis Horns
Just for Your Love
78 bpm • D Maj • 04:39 • -8db
25% Popularity • 48% Danceability • 53% Energy • 35% Liveness
10% Instrumentalness • 52% Positiveness
25% Popularity • 48% Danceability • 53% Energy • 35% Liveness
10% Instrumentalness • 52% Positiveness
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L.T.D.
Love Ballad
78 bpm • F# min • 04:35 • -14.81db
57% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Switch
There'll Never Be
78 bpm • E min • 05:23 • -9.67db
48% Popularity • 63% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 89% Positiveness
48% Popularity • 63% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 89% Positiveness
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Gladys Knight & The Pips
Love Finds Its Own Way
77 bpm • A Maj • 03:54 • -9.05db
15% Popularity • 55% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 55% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Simon
It Be's That Way Sometimes
78 bpm • F min • 06:12 • -6db
21% Popularity • 52% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 52% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 28% Positiveness
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Shirley Brown
Passion
78 bpm • A# Maj • 04:01 • -11.89db
22% Popularity • 58% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 58% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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The Manhattans
It Feels so Good to Be Loved so Bad
78 bpm • C min • 04:38 • -9db
41% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Originals
We Can Make It Baby
78 bpm • D# Maj • 02:53 • -9.56db
31% Popularity • 29% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 29% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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One Way
Lost Inside Of You
78 bpm • A# Maj • 07:32 • -18db
28% Popularity • 59% Danceability • 26% Energy • 39% Liveness
30% Instrumentalness • 47% Positiveness
28% Popularity • 59% Danceability • 26% Energy • 39% Liveness
30% Instrumentalness • 47% Positiveness
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Con Funk Shun
Who Has The Time
78 bpm • A min • 04:48 • -14.61db
18% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Freddie Jackson
Do Me Again
78 bpm • C Maj • 04:58 • -14db
32% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Earth, Wind & Fire
Can't Hide Love
78 bpm • F min • 04:10 • -11db
51% Popularity • 52% Danceability • 41% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
51% Popularity • 52% Danceability • 41% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
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Evelyn "Champagne" King
Kisses Don't Lie
79 bpm • F# Maj • 04:47 • -14.66db
29% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Switch
I Wanna Be Closer
64 bpm • D Maj • 04:14 • -10.39db
40% Popularity • 25% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 25% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Terry Huff
I Destroyed Your Love 2
79 bpm • A# Maj • 03:36 • -8.19db
23% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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The Emotions
Me for You
79 bpm • G Maj • 04:16 • -11db
28% Popularity • 50% Danceability • 44% Energy • 18% Liveness
4% Instrumentalness • 71% Positiveness
28% Popularity • 50% Danceability • 44% Energy • 18% Liveness
4% Instrumentalness • 71% Positiveness
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Johnnie Taylor
Running Out Of Lies
79 bpm • A Maj • 04:52 • -9db
40% Popularity • 63% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 63% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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Gladys Knight & The Pips
Still Such a Thing
80 bpm • C# Maj • 05:31 • -5.33db
25% Popularity • 65% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 65% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Miki Howard
Ain't Nobody Like You
80 bpm • F# min • 04:55 • -10db
31% Popularity • 70% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 70% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Switch
My Friend In The Sky
80 bpm • D# Maj • 04:20 • -8.59db
21% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Rene & Angela
My First Love
63 bpm • B min • 04:38 • -11.71db
43% Popularity • 40% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 40% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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L.T.D.
Will Love Grow
80 bpm • B min • 04:21 • -19db
26% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Rose Royce
Would You Please Be Mine
80 bpm • F Maj • 03:48 • -15.49db
24% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Heatwave
Happiness Togetherness
81 bpm • C Maj • 04:02 • -14db
31% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Shirley Murdock
Go on Without You
80 bpm • D# min • 04:52 • -10.04db
41% Popularity • 40% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 40% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Switch
I Call Your Name
80 bpm • B Maj • 07:20 • -8.98db
38% Popularity • 57% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 57% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Anita Baker
Angel
81 bpm • A min • 05:00 • -12.72db
42% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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The Manhattans
Am I Losing You
81 bpm • D min • 03:45 • -10db
26% Popularity • 54% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 54% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Harold Melvin & The Blue Notes
Hope That We Can Be Together Soon
62 bpm • F# Maj • 03:42 • -14.65db
20% Popularity • 55% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 55% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Miki Howard
Come Share My Love
81 bpm • F# Maj • 04:50 • -13.19db
42% Popularity • 60% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 60% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
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Roberta Flack
For All We Know
82 bpm • A Maj • 03:40 • -20.17db
33% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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The Stylistics
Payback Is A Dog
82 bpm • G# min • 04:32 • -9.05db
40% Popularity • 59% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 59% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Earth, Wind & Fire
That's the Way of the World
82 bpm • C# Maj • 05:45 • -11.15db
57% Popularity • 59% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 59% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Love Unlimited
If You Want Me, Say It
82 bpm • C# Maj • 05:38 • -13db
28% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Harold Melvin & The Blue Notes
Hope That We Can Be Together Soon
62 bpm • F# Maj • 03:42 • -15.51db
44% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Tony! Toni! Toné!
Lovin' You
82 bpm • A min • 05:53 • -8db
45% Popularity • 62% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 62% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Miki Howard
Baby, Be Mine
82 bpm • G Maj • 05:28 • -13.74db
37% Popularity • 32% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 32% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Donny Hathaway
You Were Meant for Me
82 bpm • B Maj • 03:51 • -17.55db
28% Popularity • 37% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 37% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lalah Hathaway
Baby Don't Cry
82 bpm • C min • 04:04 • -8.14db
31% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Con Funk Shun
By Your Side
83 bpm • D Maj • 04:06 • -14db
37% Popularity • 64% Danceability • 28% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 64% Danceability • 28% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Barry White
Playing Your Game, Baby
83 bpm • D min • 07:13 • -11.17db
44% Popularity • 68% Danceability • 24% Energy • 9% Liveness
11% Instrumentalness • 88% Positiveness
44% Popularity • 68% Danceability • 24% Energy • 9% Liveness
11% Instrumentalness • 88% Positiveness
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Heatwave
Sho'Nuff Must be Luv
83 bpm • D min • 04:05 • -13db
32% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Patrice Rushen
Where There Is Love - Remastered
83 bpm • F Maj • 03:10 • -10.04db
51% Popularity • 58% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
51% Popularity • 58% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Donny Hathaway
Giving Up
83 bpm • C# min • 06:20 • -14.23db
34% Popularity • 36% Danceability • 20% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 36% Danceability • 20% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Rose Royce
Love Don't Live Here Anymore
83 bpm • B min • 03:58 • -19.55db
51% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Earth, Wind & Fire
Devotion
83 bpm • A min • 04:50 • -12.86db
48% Popularity • 57% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 57% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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The New Birth
Pains of Love
83 bpm • F min • 05:18 • -13.12db
16% Popularity • 44% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 44% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Slave
Starting Over
83 bpm • B Maj • 04:27 • -8db
22% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Patrice Rushen
Heartache Heartbreak
83 bpm • C# Maj • 04:11 • -16db
39% Popularity • 78% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 78% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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The Jones Girls
Children of the Night
83 bpm • G min • 05:11 • -11db
27% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Minnie Riperton
Baby, This Love I Have
84 bpm • F# min • 04:10 • -12.59db
55% Popularity • 59% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 59% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Emotions
So I Can Love You
84 bpm • F Maj • 02:49 • -15.42db
44% Popularity • 65% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 65% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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One Way
Guess You Didn't Know
60 bpm • F# Maj • 06:29 • -16.77db
22% Popularity • 56% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 56% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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The New Birth
You Are What I'm All About
84 bpm • G# Maj • 03:55 • -11.64db
19% Popularity • 67% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 67% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Heatwave
The Star of a Story
84 bpm • B min • 05:50 • -14.48db
38% Popularity • 42% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 42% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Harold Melvin & The Blue Notes
I Really Love You
84 bpm • F# Maj • 05:22 • -9.18db
24% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Glenn Jones
Show Me
84 bpm • C# min • 03:58 • -11db
42% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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The Emotions
Blessed
84 bpm • G min • 04:38 • -8.98db
27% Popularity • 58% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 78% Positiveness
27% Popularity • 58% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 78% Positiveness
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The Stylistics
People Make The World Go Round
84 bpm • G Maj • 06:27 • -11db
38% Popularity • 69% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 69% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
