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The Man I Love
Songs like
The Man I Love
by
Carmen McRae
Based on a tempo of (+/- 10%) and a similar genre
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Natalie Cole
Route 66
75 bpm • F Maj • 03:01 • -16.28db
47% Popularity • 67% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Margaret Whiting
A Fine Romance
75 bpm • G min • 03:35 • -14.67db
18% Popularity • 74% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Irene Kral
I'd Know You Anywhere
75 bpm • G Maj • 02:11 • -6.41db
40% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Carmen McRae
Watch What Happens
75 bpm • G# Maj • 02:35 • -14.91db
11% Popularity • 24% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Shirley Horn
Love For Sale
75 bpm • F min • 03:51 • -20.39db
42% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Cal Tjader
The Visit
75 bpm • A# Maj • 04:10 • -19.55db
5% Popularity • 33% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Mark Murphy
I Got Rhythm
76 bpm • A min • 02:24 • -15.59db
27% Popularity • 45% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Gerry Mulligan
My Funny Valentine
76 bpm • F min • 04:06 • -21.51db
36% Popularity • 33% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 27% Positiveness
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Karrin Allyson
How Long Has This Been Going On?
76 bpm • A# min • 05:39 • -21.29db
43% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Carmen McRae
Yardbird Suite
76 bpm • G Maj • 01:57 • -11.16db
21% Popularity • 68% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Abbey Lincoln
Do Nothing 'Til You Hear From Me
74 bpm • G Maj • 02:16 • -10db
40% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Eartha Kitt
C'est Si Bon
76 bpm • F min • 02:59 • -15.77db
46% Popularity • 54% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Anita O'Day
You're The Top
76 bpm • F# min • 02:25 • -13db
41% Popularity • 76% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Benny Carter
Body And Soul
76 bpm • A# min • 04:10 • -11db
38% Popularity • 40% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 31% Positiveness
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Karrin Allyson
Everytime We Say Goodbye
76 bpm • C# Maj • 06:01 • -11.57db
45% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Veronica Swift
Prisoner of Love
74 bpm • C# Maj • 04:16 • -12.57db
41% Popularity • 47% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Dave Brubeck
It's a Raggy Waltz
77 bpm • A# Maj • 01:56 • -15.3db
20% Popularity • 66% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Margaret Whiting
Don't Blame Me
77 bpm • E min • 02:56 • -15db
26% Popularity • 32% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Jimmy Giuffre
Crazy She Calls Me
73 bpm • F min • 04:20 • -23.85db
33% Popularity • 50% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Benny Carter
Blue Star
77 bpm • G# Maj • 05:20 • -10.99db
30% Popularity • 33% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 30% Positiveness
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Betty Carter
Jazz (Ain't Nothin' But Soul)
77 bpm • C min • 01:56 • -10.63db
44% Popularity • 63% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Dinah Washington
Teach Me Tonight
73 bpm • F min • 02:47 • -11.44db
60% Popularity • 56% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Sammy Davis Jr.
The Things We Did Last Summer
73 bpm • F Maj • 03:06 • -9.95db
11% Popularity • 47% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Dorothy Dandridge
It's A Beautiful Evening
77 bpm • G Maj • 02:40 • -12.13db
27% Popularity • 20% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Lou Donaldson
Play Ray
78 bpm • D# Maj • 05:31 • -17.34db
41% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Lawrence Brown
Jeep's Blues
72 bpm • A# Maj • 05:45 • -7.64db
30% Popularity • 43% Danceability • 28% Energy • 16% Liveness
77% Instrumentalness • 28% Positiveness
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Dakota Staton
In the Night
78 bpm • F# min • 02:04 • -9db
36% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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John Lewis
I Remember Clifford
78 bpm • D# Maj • 03:30 • -28.19db
39% Popularity • 47% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
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Shirley Horn
Do It Again
78 bpm • C Maj • 02:57 • -21db
47% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Margaret Whiting
Moonlight In Vermont - 1945 Version
72 bpm • D# Maj • 03:12 • -10.67db
26% Popularity • 35% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Benny Carter
The Midnight Sun Will Never Set
72 bpm • G min • 03:57 • -12db
41% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
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Carmen McRae
My Foolish Heart
78 bpm • F# Maj • 03:09 • -12db
35% Popularity • 31% Danceability • 17% Energy • 60% Liveness
0% Instrumentalness • 22% Positiveness
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Jane Monheit
The Man That Got Away
78 bpm • A# Maj • 05:29 • -12.33db
35% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Nat King Cole Trio
I've Got The World On A String - 1993 Di...
72 bpm • C# Maj • 03:16 • -19.39db
38% Popularity • 62% Danceability • 8% Energy • 11% Liveness
63% Instrumentalness • 20% Positiveness
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Morgana King
For You, For Me, For Evermore
78 bpm • A# Maj • 03:07 • -18db
25% Popularity • 26% Danceability • 15% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
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Mildred Bailey
Lover, Come Back To Me
78 bpm • E min • 03:02 • -14db
42% Popularity • 76% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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June Christy
Something Cool - Mono
72 bpm • A# min • 04:18 • -9.92db
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Dave Brubeck
My One Bad Habit
78 bpm • G min • 02:36 • -13.31db
6% Popularity • 57% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Carmen McRae
Just a Dream Ago
78 bpm • E Maj • 03:15 • -11.78db
3% Popularity • 38% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Lee Konitz
Someone To Watch Over Me
72 bpm • C Maj • 03:36 • -24db
46% Popularity • 42% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 12% Positiveness
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Nat King Cole Trio
Exactly Like You - 2003 Digital Remaster
79 bpm • G# Maj • 02:42 • -16.09db
36% Popularity • 79% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Vanessa Rubin
Comes Love
79 bpm • A# Maj • 03:14 • -14db
30% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Sammy Davis Jr.
Two Sleepy People
79 bpm • D# Maj • 02:50 • -10.6db
39% Popularity • 59% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Dean Martin
I've Grown Accustomed To Her Face - Rema...
79 bpm • C Maj • 02:42 • -16db
52% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Carmen McRae
Summer Is Gone
79 bpm • C Maj • 03:25 • -12.88db
10% Popularity • 32% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Lee Konitz
I Can't Get Started
71 bpm • C Maj • 03:55 • -13.2db
38% Popularity • 68% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Dinah Shore
My Melancholy Baby
71 bpm • A min • 03:39 • -14.2db
42% Popularity • 40% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Irene Kral
Love Came On Stealthy Fingers
80 bpm • D min • 03:10 • -16.79db
31% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Dorothy Dandridge
What Is There To Say?
70 bpm • D# Maj • 03:12 • -17.66db
27% Popularity • 50% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Carmen McRae
Ain't Misbehavin'
71 bpm • C Maj • 03:17 • -16.69db
14% Popularity • 62% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Gerry Mulligan
Makin' Whoopee - 1998 Digital Remaster
80 bpm • F Maj • 03:28 • -17db
38% Popularity • 46% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 34% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
46% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Toots Thielemans
Stars Fell On Alabama
70 bpm • F min • 03:12 • -12.58db
33% Popularity • 55% Danceability • 31% Energy • 31% Liveness
72% Instrumentalness • 42% Positiveness
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Nat King Cole Trio
'Deed I Do - Remastered 1993
81 bpm • D min • 02:16 • -18db
50% Popularity • 73% Danceability • 15% Energy • 11% Liveness
42% Instrumentalness • 72% Positiveness
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Margaret Whiting
You Couldn't Be Cuter
80 bpm • C# Maj • 02:02 • -13.81db
45% Popularity • 72% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Carmen McRae
What a Little Moonlight Can Do
81 bpm • G Maj • 03:31 • -10.69db
42% Popularity • 56% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
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Anita O'Day
I Love You
81 bpm • B min • 01:59 • -10.79db
39% Popularity • 38% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Harry Connick, Jr.
He Is They Are
81 bpm • G Maj • 04:11 • -13.96db
35% Popularity • 58% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Helen Forrest
Come Rain or Come Shine
70 bpm • F min • 02:22 • -11.28db
10% Popularity • 28% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jo Stafford
Autumn In New York
81 bpm • C# min • 02:41 • -12.08db
30% Popularity • 19% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Rachael & Vilray
I've Drawn Your Face
81 bpm • D# Maj • 03:41 • -13.37db
41% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Carmen McRae
Summertime
69 bpm • A min • 03:00 • -10.89db
16% Popularity • 22% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Anita O'Day
Crazy He Calls Me
69 bpm • A# Maj • 03:27 • -15.27db
35% Popularity • 48% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lyambiko
I Got Rhythm
82 bpm • G# Maj • 03:25 • -10.21db
21% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Lou Donaldson
Green Eyes
82 bpm • F min • 05:19 • -13.57db
45% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Teddy Wilson
Stompin' At The Savoy - 1956 Version
82 bpm • F# Maj • 04:09 • -16.32db
43% Popularity • 58% Danceability • 31% Energy • 12% Liveness
80% Instrumentalness • 70% Positiveness
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Sammy Davis Jr.
You're The Top
69 bpm • C Maj • 03:02 • -7.28db
27% Popularity • 74% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jo Stafford
You Belong To Me
69 bpm • F Maj • 03:12 • -14.59db
53% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Anita O'Day
Waiter, Make Mine Blues
81 bpm • G# Maj • 03:20 • -17db
39% Popularity • 56% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Bud Powell
There Will Never Be Another You
82 bpm • F min • 04:17 • -16.67db
26% Popularity • 58% Danceability • 33% Energy • 24% Liveness
90% Instrumentalness • 77% Positiveness
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Lionel Hampton
Pick A Rib
82 bpm • F min • 03:32 • -15db
21% Popularity • 64% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Carmen McRae
The More I See You
69 bpm • F# Maj • 04:02 • -17.48db
6% Popularity • 26% Danceability • 5% Energy • 52% Liveness
0% Instrumentalness • 14% Positiveness
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Cyrille Aimee
Softly, as in a Morning Sunrise
82 bpm • G min • 04:35 • -16.09db
33% Popularity • 59% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Jo Stafford
Fools Rush In
68 bpm • G Maj • 03:08 • -9.59db
28% Popularity • 26% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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King Pleasure
Twisted
82 bpm • D# Maj • 02:38 • -12.12db
16% Popularity • 62% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Darin
It Had to Be You
68 bpm • D Maj • 02:13 • -10.82db
50% Popularity • 51% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Morgana King
Bill
83 bpm • G Maj • 02:47 • -18.36db
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Anita O'Day
Beautiful Love
83 bpm • F min • 02:40 • -17.68db
47% Popularity • 65% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Sammy Davis Jr.
Cheek To Cheek
83 bpm • G Maj • 03:58 • -5db
48% Popularity • 65% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Ray Charles
It Had to Be You
83 bpm • D# Maj • 02:44 • -13db
51% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Kevin Mahogany
Pretty Blue
83 bpm • D min • 03:57 • -14db
36% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Lambert, Hendricks & Ross
Twisted
83 bpm • F Maj • 02:16 • -7db
24% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Morgana King
Deep Song
84 bpm • D min • 03:38 • -19.86db
14% Popularity • 27% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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Earl Hines
Fantastic, That's You
68 bpm • C Maj • 04:10 • -19db
44% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
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Sammy Davis Jr.
I Loves You Porgy
83 bpm • F min • 03:47 • -12.97db
8% Popularity • 32% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Carmen McRae
Skylark
84 bpm • G# Maj • 03:00 • -13.22db
11% Popularity • 46% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Sophie Milman
Like Someone In Love
84 bpm • F Maj • 03:30 • -7.49db
36% Popularity • 48% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Ernestine Anderson
My Kinda Love
67 bpm • G min • 02:09 • -14.6db
41% Popularity • 54% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Dakota Staton
(It Will Have To Do) Until The Real Thin...
67 bpm • A Maj • 02:37 • -12.47db
40% Popularity • 32% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Susannah McCorkle
If I Only Had A Heart
67 bpm • F# Maj • 02:22 • -12.35db
16% Popularity • 56% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Hodges & His Orchestra
Satin Doll
85 bpm • D Maj • 05:01 • -19db
35% Popularity • 60% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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Carmen McRae
All The Things You Are
84 bpm • A Maj • 02:23 • -16.01db
10% Popularity • 54% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Margaret Whiting
My Foolish Heart
85 bpm • E Maj • 03:07 • -15db
32% Popularity • 32% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Art Pepper
Bewitched
66 bpm • C min • 04:26 • -12.59db
43% Popularity • 70% Danceability • 12% Energy • 14% Liveness
73% Instrumentalness • 28% Positiveness
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Vic Damone
I'm Glad There Is You
85 bpm • C min • 02:41 • -17.08db
31% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Eartha Kitt
Love for Sale
66 bpm • G# Maj • 03:07 • -14.82db
26% Popularity • 49% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Molly Johnson
Do Nothing 'Til You Hear From Me
65 bpm • A# Maj • 04:23 • -10.83db
35% Popularity • 59% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Carmen McRae
Strange Fruit
85 bpm • C min • 02:46 • -17.07db
11% Popularity • 52% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The Man I Love