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The Man Upstairs
Songs like
The Man Upstairs
by
Kay Starr
Based on a tempo of (+/- 10%) and a similar genre
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
29% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Pearl Bailey
Zing Went The Strings
128 bpm • F Maj • 02:50 • -11.95db
11% Popularity • 63% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Nat King Cole Trio
You're Nobody 'Til Somebody Loves You
128 bpm • C min • 02:51 • -18db
44% Popularity • 70% Danceability • 9% Energy • 9% Liveness
18% Instrumentalness • 49% Positiveness
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Vaughn Monroe
Ev'rday I Love You (Just a Little Bit Mo...
129 bpm • G min • 02:31 • -11.29db
14% Popularity • 66% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
27% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Etta Jones
Canadian Sunset
129 bpm • C Maj • 02:35 • -13db
31% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Kay Starr
You're Just In Love - Remastered
129 bpm • C Maj • 03:24 • -12.14db
8% Popularity • 76% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Johnnie Ray
Walkin' My Baby Back Home
129 bpm • D Maj • 02:20 • -19db
36% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Annette Hanshaw
Am I Blue
127 bpm • F Maj • 03:14 • -12.17db
21% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Ella Mae Morse
Captain Kidd
129 bpm • A# min • 02:54 • -5.47db
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Margaret Whiting
Make Someone Happy
129 bpm • B min • 02:09 • -7.34db
45% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Four Lads
Breezin' Along With The Breeze
127 bpm • F Maj • 02:11 • -11db
23% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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The Four Aces
Love Is a Many Splendored Thing
129 bpm • D Maj • 02:58 • -9.43db
46% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
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Etta Jones
Don't Go To Strangers
129 bpm • G Maj • 03:48 • -13.58db
52% Popularity • 50% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Guy Lombardo & His Royal Canadians
Pennies from Heaven
127 bpm • A# Maj • 02:43 • -15.03db
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
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Jimmy Dorsey & His Orchestra
I'm Stepping out with a Memory Tonight
129 bpm • F min • 02:45 • -12.11db
24% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
34% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Howard Keel
A Wooin' We Will Go
127 bpm • G# Maj • 02:28 • -11.58db
17% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ruby Murray
Softly Softly
127 bpm • D Maj • 02:29 • -13db
32% Popularity • 30% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kay Starr
Don't Do Something To Someone Else
127 bpm • F# Maj • 01:54 • -14.68db
4% Popularity • 79% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
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The Crew Cuts
Sh-Boom (Life Could Be A Dream)
130 bpm • D min • 02:48 • -10.93db
51% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Johnnie Ray
All of Me
130 bpm • D# Maj • 02:06 • -19.37db
33% Popularity • 76% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Nat King Cole Trio
Blue And Sentimental - 1947 Version
130 bpm • G# Maj • 02:35 • -24.44db
48% Popularity • 51% Danceability • 2% Energy • 12% Liveness
51% Instrumentalness • 33% Positiveness
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Teresa Brewer
Georgia on My Mind
130 bpm • C Maj • 03:45 • -13.17db
22% Popularity • 43% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Etta Jones
Bye Bye Blackbird
126 bpm • C min • 03:14 • -9db
55% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Kay Starr
Side By Side
126 bpm • A# Maj • 02:52 • -10db
44% Popularity • 70% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
21% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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June Christy
I Want To Be Happy
131 bpm • A min • 01:23 • -14db
42% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Nat King Cole Trio
On The Sunny Side Of The Street - 1993 D...
126 bpm • F min • 03:00 • -17db
41% Popularity • 87% Danceability • 10% Energy • 9% Liveness
14% Instrumentalness • 48% Positiveness
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Buddy Greco
The Most Beautiful Girl In The World
130 bpm • F min • 02:10 • -10.98db
9% Popularity • 38% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Ronnie Hilton
Around the World
131 bpm • B min • 02:42 • -10.89db
23% Popularity • 30% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Kay Starr
Powder Your Face With Sunshine
131 bpm • A# Maj • 01:25 • -8.06db
16% Popularity • 65% Danceability • 27% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
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The Ames Brothers
The Naughty Lady of Shady Lane
131 bpm • C# Maj • 02:51 • -8.27db
23% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Jane Morgan
1-2-3
131 bpm • D# Maj • 02:34 • -15.96db
9% Popularity • 57% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Dorothy Dandridge
I've Got A Crush On You
131 bpm • G min • 02:32 • -16.66db
30% Popularity • 53% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Teresa Brewer
Ricochet (Rick-O-Shay)
132 bpm • D# Maj • 02:42 • -6.97db
22% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Johnnie Ray
The Little White Cloud That Cried
132 bpm • G Maj • 02:13 • -19.24db
30% Popularity • 46% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Ernestine Anderson
Wrap Your Troubles in Dreams
125 bpm • F min • 03:03 • -8db
25% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Linda Scott
Oh! Look At Me Now!
132 bpm • D# Maj • 02:19 • -13.2db
11% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Buddy Greco
The Lady Is a Tramp
124 bpm • G min • 03:36 • -14.27db
26% Popularity • 66% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Sue Raney
It Looks Like Rain In Cherry Blossom Lan...
132 bpm • C# Maj • 02:28 • -9.85db
12% Popularity • 42% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Teresa Brewer
Basin Street Blues
124 bpm • C# Maj • 03:20 • -12.94db
12% Popularity • 52% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Alma Cogan
Bell Bottom Blues
124 bpm • A Maj • 02:35 • -10.25db
27% Popularity • 80% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Speedy West
Ain't Nobody's Business but My Own
132 bpm • G# Maj • 02:41 • -2.43db
4% Popularity • 78% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Kay Starr
I Only Have Eyes for You
132 bpm • D# Maj • 02:26 • -11.07db
10% Popularity • 54% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Sue Raney
A Blossom Fell
132 bpm • D min • 02:08 • -14.69db
25% Popularity • 42% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Guy Lombardo
Red Roses For A Blue Lady
124 bpm • C Maj • 02:46 • -13.83db
29% Popularity • 65% Danceability • 7% Energy • 8% Liveness
10% Instrumentalness • 32% Positiveness
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Carroll Gibbons
Goodnight My Love
123 bpm • C min • 03:25 • -19db
35% Popularity • 31% Danceability • 10% Energy • 10% Liveness
75% Instrumentalness • 24% Positiveness
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Nat King Cole Trio
Dream A Little Dream Of Me - Remastered
123 bpm • F min • 02:50 • -17.95db
43% Popularity • 70% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Kate Smith
The Last Time I Saw Paris
133 bpm • D# Maj • 02:34 • -19.11db
13% Popularity • 51% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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The Ames Brothers
A Tree in the Meadow
133 bpm • A Maj • 03:11 • -14.32db
12% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Ernestine Anderson
They Didn't Believe Me
133 bpm • C# Maj • 02:24 • -14.3db
42% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Ella Mae Morse
The Patty Cake Man
133 bpm • G# Maj • 02:53 • -9.33db
10% Popularity • 71% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Kay Starr
On The Street Where You Live - 2002 - Re...
134 bpm • C Maj • 02:57 • -12.55db
9% Popularity • 58% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Eddie Fisher
Just in Time
134 bpm • A# min • 02:36 • -6.59db
6% Popularity • 31% Danceability • 57% Energy • 2% Liveness
0% Instrumentalness • 64% Positiveness
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Guy Lombardo
Seems Like Old Times
122 bpm • D min • 02:58 • -13db
38% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Etta Jones
Someday My Prince Will Come
134 bpm • C min • 03:01 • -17db
39% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Anne Shelton
Taking A Chance On Love
134 bpm • G Maj • 03:03 • -8.92db
8% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Vaughn Monroe
Dance Ballerina Dance
122 bpm • A Maj • 03:28 • -11.71db
22% Popularity • 55% Danceability • 38% Energy • 30% Liveness
92% Instrumentalness • 81% Positiveness
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Annie Ross
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • G# Maj • 02:09 • -7.79db
27% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Boswell Sisters
When I Take My Sugar to Tea
122 bpm • A# Maj • 03:12 • -13db
15% Popularity • 77% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
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Lloyd Price
No If's - No And's
122 bpm • G# Maj • 02:22 • -5.94db
18% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Kay Starr
If I Could Be with You (One Hour Tonight...
122 bpm • A min • 02:44 • -11db
27% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Carroll Gibbons
So Rare
122 bpm • C Maj • 03:03 • -20.49db
43% Popularity • 54% Danceability • 12% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
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The Four Aces
Heart of my Heart
121 bpm • G Maj • 02:32 • -9.99db
27% Popularity • 70% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
24% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Jane Morgan
Summer Wind
121 bpm • C Maj • 02:30 • -11.79db
14% Popularity • 31% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Eckstine
(She's Got The) Blues For Sale
135 bpm • A# Maj • 03:01 • -12.25db
38% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
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Guy Lombardo
Dearie
121 bpm • F Maj • 03:18 • -11db
18% Popularity • 82% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Frank Sinatra Jr.
That Face
136 bpm • F min • 02:23 • -8.18db
32% Popularity • 46% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Peggy Lee
Ain't We Got Fun
136 bpm • G Maj • 02:13 • -11.98db
49% Popularity • 65% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Kay Starr
Becha' I Getcha'
136 bpm • G# Maj • 02:05 • -14.6db
27% Popularity • 71% Danceability • 13% Energy • 25% Liveness
32% Instrumentalness • 83% Positiveness
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Helen O'Connell
Slow poke
136 bpm • D# Maj • 02:32 • -14.45db
9% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Lee Wiley
It's Only a Paper Moon
120 bpm • C Maj • 03:12 • -11.99db
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Jimmy Dorsey
Green Eyes
120 bpm • F min • 03:19 • -12.75db
19% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Annette Hanshaw
Ain’t He Sweet
120 bpm • F Maj • 02:17 • -19.72db
28% Popularity • 73% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 72% Positiveness
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Etta Jones
Till There Was You
136 bpm • G Maj • 02:06 • -16.49db
58% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Eddie Fisher
Games That Lovers Play
120 bpm • B Maj • 02:33 • -9.95db
31% Popularity • 41% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Jo Stafford
It Had to Be You
120 bpm • C# Maj • 02:45 • -10.64db
36% Popularity • 62% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Mel Torme & the Mel-Tones
You're a Heavenly Thing
120 bpm • F Maj • 02:35 • -17db
30% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Kate Smith
I'll Be Seeing You
137 bpm • A# Maj • 03:26 • -17.4db
23% Popularity • 25% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Annette Hanshaw
Little White Lies
120 bpm • C Maj • 02:59 • -8.32db
24% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Tommy Edwards
Please Mr. Sun
120 bpm • D# Maj • 02:20 • -9.78db
36% Popularity • 40% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Kay Starr
Bonaparte's Retreat
137 bpm • G# Maj • 02:37 • -12.35db
22% Popularity • 65% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Lee Wiley
Sugar
137 bpm • C Maj • 03:08 • -15.32db
14% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Four Lads
Somebody Loves Me
137 bpm • G Maj • 01:52 • -15.41db
23% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Billy Williams
I'm Gonna Sit Right Down and Write Mysel...
138 bpm • C# Maj • 02:07 • -17db
31% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Jimmy Dorsey
Green Eyes
119 bpm • G Maj • 03:27 • -16.97db
18% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Les Brown & His Orchestra
I'm Making Believe
119 bpm • C# Maj • 02:02 • -15.45db
23% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Dinah Shore
Shoo Fly Pie and Apple Pan Dowdy - 78rpm...
119 bpm • G Maj • 02:51 • -17.19db
22% Popularity • 78% Danceability • 18% Energy • 39% Liveness
6% Instrumentalness • 65% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Helen O'Connell
I Remember You
138 bpm • D# Maj • 03:01 • -20db
13% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Helen Merrill
I Remember You
138 bpm • F min • 02:11 • -11db
34% Popularity • 54% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Kay Starr
A Faded Summer Love
138 bpm • B min • 02:52 • -13.91db
10% Popularity • 41% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Nat King Cole Trio
Too Marvelous For Words
138 bpm • D min • 02:34 • -21db
55% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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The Man Upstairs