Songs like The Man Who Left His Past by Maria Solheim
Based on a tempo of (+/- 10%) and a similar genre
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Christel Alsos
Conquer
117 bpm • B min • 03:54 • -6.5db
12% Popularity • 56% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
12% Popularity • 56% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Lisa Ekdahl
PÃ¥ jakt efter solen
117 bpm • G Maj • 03:37 • -10.22db
30% Popularity • 61% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 61% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Kirsti Huke
Not Dark Yet
117 bpm • E Maj • 06:08 • -11.24db
8% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Grønneberg
I skyggen av en engel
117 bpm • A min • 03:58 • -7.25db
10% Popularity • 60% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 60% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Hello Saferide
Oh God
117 bpm • D min • 02:35 • -13.87db
31% Popularity • 53% Danceability • 27% Energy • 13% Liveness
43% Instrumentalness • 25% Positiveness
31% Popularity • 53% Danceability • 27% Energy • 13% Liveness
43% Instrumentalness • 25% Positiveness
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Stein Torleif Bjella
Romantisk kjærleikssong
117 bpm • B Maj • 03:34 • -12.36db
13% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Madrugada
Sail Away
117 bpm • G min • 06:09 • -7.38db
28% Popularity • 37% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 37% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Unni Wilhelmsen
This Means U To Me Now
116 bpm • E Maj • 03:24 • -11db
33% Popularity • 77% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 77% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Anna Ternheim
Shoreline - Radio Version
118 bpm • G Maj • 03:32 • -15db
45% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lena Anderssen
Home Sweet Home
116 bpm • A Maj • 03:13 • -13.26db
9% Popularity • 60% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 60% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Ingrid Olava
Back to Love
116 bpm • A# min • 04:04 • -9.8db
18% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Minor Majority
Wish You'd Hold That Smile
116 bpm • B min • 03:22 • -13db
35% Popularity • 71% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 71% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Midnight Choir
October 8
118 bpm • C Maj • 04:25 • -8.74db
29% Popularity • 54% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
29% Popularity • 54% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Maria Solheim
You'll Be Ok
118 bpm • C Maj • 03:08 • -9.86db
2% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
2% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Anders Widmark
I Was Dreaming
118 bpm • D# Maj • 04:12 • -11db
29% Popularity • 68% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 68% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Bertine Zetlitz
Sett at vi sier det sånn
116 bpm • D# Maj • 05:13 • -9.23db
12% Popularity • 55% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 55% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Amanda Jenssen
Sing Me To Sleep
115 bpm • A# Maj • 02:16 • -12db
17% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Tønes
Dråba i sjøen
118 bpm • F Maj • 03:29 • -11.73db
32% Popularity • 63% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 63% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Minor Majority
If I Told You, You Were Beautiful
119 bpm • C Maj • 02:18 • -11.36db
30% Popularity • 48% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
30% Popularity • 48% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Hello Saferide
Dad Told Me
115 bpm • C# min • 03:38 • -10.69db
23% Popularity • 76% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 20% Positiveness
23% Popularity • 76% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 20% Positiveness
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Hellsongs
Run to the Hills
119 bpm • A Maj • 04:43 • -13.22db
18% Popularity • 59% Danceability • 22% Energy • 9% Liveness
5% Instrumentalness • 32% Positiveness
18% Popularity • 59% Danceability • 22% Energy • 9% Liveness
5% Instrumentalness • 32% Positiveness
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Jonas Alaska
Morning Light
119 bpm • E min • 02:38 • -17db
36% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Unni Wilhelmsen
Natta Sola
119 bpm • G Maj • 05:25 • -12.64db
14% Popularity • 52% Danceability • 27% Energy • 9% Liveness
4% Instrumentalness • 18% Positiveness
14% Popularity • 52% Danceability • 27% Energy • 9% Liveness
4% Instrumentalness • 18% Positiveness
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Maria Solheim
Cuculus Canorus
120 bpm • D Maj • 03:34 • -11.35db
1% Popularity • 42% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
1% Popularity • 42% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Bendik Brænne
Never Seen a Brighter Shade
114 bpm • C Maj • 03:25 • -14.06db
7% Popularity • 55% Danceability • 21% Energy • 12% Liveness
11% Instrumentalness • 18% Positiveness
7% Popularity • 55% Danceability • 21% Energy • 12% Liveness
11% Instrumentalness • 18% Positiveness
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Stein Torleif Bjella
Psykisk kan du vera sjøl
114 bpm • G# min • 03:28 • -13.43db
28% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Midnight Choir
Neon Moon
120 bpm • G Maj • 03:08 • -13.81db
8% Popularity • 60% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 60% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Amanda Bergman
Poor Symmetry
120 bpm • F# Maj • 02:01 • -10.63db
35% Popularity • 40% Danceability • 35% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
35% Popularity • 40% Danceability • 35% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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Kristin Asbjørnsen
I`m on my way
120 bpm • C min • 03:44 • -10.7db
9% Popularity • 72% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 57% Positiveness
9% Popularity • 72% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 57% Positiveness
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Jennie Abrahamson
Åträsk
120 bpm • G Maj • 03:41 • -9.33db
12% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Maria Solheim
Midnight Song
120 bpm • A Maj • 02:21 • -14db
1% Popularity • 67% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
1% Popularity • 67% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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Hekla Stålstrenga
SANGEN
120 bpm • A# Maj • 03:21 • -13.18db
23% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lillebjørn Nilsen
Hav Og Himmel
120 bpm • D min • 04:43 • -21.29db
18% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Rebekka Karijord
The Noble Art Of Letting Go
120 bpm • G# Maj • 04:51 • -11db
21% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Hellsongs
Run to the Hills
120 bpm • A Maj • 04:25 • -9db
28% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Daniel Kvammen
Satellitt
120 bpm • D Maj • 01:34 • -15.71db
37% Popularity • 68% Danceability • 20% Energy • 11% Liveness
56% Instrumentalness • 19% Positiveness
37% Popularity • 68% Danceability • 20% Energy • 11% Liveness
56% Instrumentalness • 19% Positiveness
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Oh Laura
Release Me - UK Version
120 bpm • G# Maj • 03:02 • -8db
14% Popularity • 63% Danceability • 49% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
14% Popularity • 63% Danceability • 49% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
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Folk & Røvere
Litt nærmere himmelen
120 bpm • C# min • 03:36 • -9.66db
10% Popularity • 59% Danceability • 31% Energy • 16% Liveness
5% Instrumentalness • 23% Positiveness
10% Popularity • 59% Danceability • 31% Energy • 16% Liveness
5% Instrumentalness • 23% Positiveness
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Minor Majority
Think I'm up for You & I
120 bpm • B min • 05:19 • -11.15db
26% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ephemera
Countrysong
113 bpm • G Maj • 02:52 • -9.82db
11% Popularity • 77% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 77% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Maria Solheim
The Willow Tree
113 bpm • A Maj • 03:05 • -8.44db
0% Popularity • 65% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 65% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Georg Wadenius
Come Back And Stay
121 bpm • C# min • 03:33 • -9.85db
9% Popularity • 67% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 67% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Ole Børud
Julefred
113 bpm • G Maj • 05:17 • -16.94db
4% Popularity • 40% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 40% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Anna Ternheim
When Tomorrow Comes
122 bpm • C Maj • 03:29 • -12db
28% Popularity • 60% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 60% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Trinity (NL)
May You Have
122 bpm • B min • 03:51 • -11.62db
12% Popularity • 70% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 70% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Moto Boy
Beat Heart
122 bpm • C# min • 04:19 • -10.52db
31% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Maria Solheim
The Willow Tree
113 bpm • A Maj • 03:36 • -8.33db
2% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bigbang
Swedish Television
112 bpm • A# min • 04:41 • -6.76db
28% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Minor Majority
Don't Say You Love Me
112 bpm • B min • 03:18 • -11.74db
19% Popularity • 64% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
19% Popularity • 64% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Jonathan Johansson
Psalm noll noll
112 bpm • G# Maj • 05:06 • -9.68db
19% Popularity • 54% Danceability • 55% Energy • 11% Liveness
97% Instrumentalness • 11% Positiveness
19% Popularity • 54% Danceability • 55% Energy • 11% Liveness
97% Instrumentalness • 11% Positiveness
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Trinity (NL)
Midt I Alt
122 bpm • E Maj • 04:51 • -12.33db
4% Popularity • 69% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
4% Popularity • 69% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Lars Bremnes
Spelle for de gale
112 bpm • A min • 05:31 • -11.89db
26% Popularity • 72% Danceability • 53% Energy • 9% Liveness
32% Instrumentalness • 55% Positiveness
26% Popularity • 72% Danceability • 53% Energy • 9% Liveness
32% Instrumentalness • 55% Positiveness
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Maria Solheim
Poison in My Wine
122 bpm • A Maj • 02:15 • -14.67db
1% Popularity • 39% Danceability • 25% Energy • 10% Liveness
65% Instrumentalness • 43% Positiveness
1% Popularity • 39% Danceability • 25% Energy • 10% Liveness
65% Instrumentalness • 43% Positiveness
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Christel Alsos
Let´s Pretend
112 bpm • F min • 04:29 • -6.91db
10% Popularity • 47% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 47% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Solveig Slettahjell
Famous Blue Raincoat
112 bpm • A min • 05:32 • -18db
9% Popularity • 47% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 47% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Odd Børretzen
Sommersang
122 bpm • G Maj • 03:40 • -9.89db
25% Popularity • 47% Danceability • 45% Energy • 11% Liveness
25% Instrumentalness • 39% Positiveness
25% Popularity • 47% Danceability • 45% Energy • 11% Liveness
25% Instrumentalness • 39% Positiveness
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Trinity (NL)
May You Have - Instrumental
122 bpm • E Maj • 04:51 • -15.43db
2% Popularity • 75% Danceability • 21% Energy • 10% Liveness
64% Instrumentalness • 33% Positiveness
2% Popularity • 75% Danceability • 21% Energy • 10% Liveness
64% Instrumentalness • 33% Positiveness
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El Rojo Adios
Baby Blue
112 bpm • A Maj • 05:47 • -11db
28% Popularity • 40% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Maria Solheim
Barefoot
112 bpm • A min • 03:19 • -4.38db
2% Popularity • 64% Danceability • 70% Energy • 27% Liveness
6% Instrumentalness • 50% Positiveness
2% Popularity • 64% Danceability • 70% Energy • 27% Liveness
6% Instrumentalness • 50% Positiveness
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Ingrid Olava
Younger Now
123 bpm • B min • 04:51 • -10.51db
9% Popularity • 41% Danceability • 36% Energy • 9% Liveness
32% Instrumentalness • 4% Positiveness
9% Popularity • 41% Danceability • 36% Energy • 9% Liveness
32% Instrumentalness • 4% Positiveness
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Grønneberg
Skumring
112 bpm • E min • 04:30 • -9.18db
11% Popularity • 50% Danceability • 49% Energy • 11% Liveness
42% Instrumentalness • 27% Positiveness
11% Popularity • 50% Danceability • 49% Energy • 11% Liveness
42% Instrumentalness • 27% Positiveness
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Kristin Asbjørnsen
Now we take this feeble body
123 bpm • A# Maj • 02:59 • -17.14db
10% Popularity • 47% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 47% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Dronning Mauds Land
Død Postmann
123 bpm • C Maj • 04:56 • -12db
9% Popularity • 57% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 57% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Tonje Unstad
Æ Ror Aleina
111 bpm • D Maj • 04:08 • -12.76db
21% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Minor Majority
(In That) Premature Way
123 bpm • B min • 03:37 • -10db
29% Popularity • 70% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 70% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Christel Alsos
Suzanne
111 bpm • F Maj • 05:05 • -13.21db
12% Popularity • 48% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 48% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Erlend Ropstad
Lang Bratt Bakke
123 bpm • A Maj • 03:54 • -18.79db
13% Popularity • 47% Danceability • 27% Energy • 8% Liveness
61% Instrumentalness • 22% Positiveness
13% Popularity • 47% Danceability • 27% Energy • 8% Liveness
61% Instrumentalness • 22% Positiveness
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Petter Carlsen
Pull the Brakes
111 bpm • G# min • 04:04 • -8.78db
10% Popularity • 54% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 54% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Kirsti Huke
Wish You Were Here
111 bpm • G Maj • 04:00 • -10db
16% Popularity • 52% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 52% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Ingrid Olava
Guds Kjærleik
111 bpm • D Maj • 04:31 • -15.58db
12% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Heather Nova
Ride
124 bpm • G min • 03:27 • -10.31db
23% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Laleh
Hide Away
124 bpm • C Maj • 03:51 • -13.36db
32% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Maria Solheim
You Know Me
124 bpm • B Maj • 03:07 • -10.39db
1% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Frøkedal
The Man Who Isn't Here
110 bpm • C min • 03:50 • -9.81db
26% Popularity • 33% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
26% Popularity • 33% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Sivert Høyem
Free as a Bird / Chained to the Sky
124 bpm • F Maj • 02:32 • -13.21db
33% Popularity • 63% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 63% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Unni Wilhelmsen
Won't Go Near You Again
124 bpm • D Maj • 04:25 • -12db
34% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Erlend Ropstad
Den eneste
110 bpm • C Maj • 05:38 • -14.32db
15% Popularity • 58% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
15% Popularity • 58% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Irya's Playground
Room 54
124 bpm • B Maj • 03:26 • -5.42db
19% Popularity • 75% Danceability • 63% Energy • 9% Liveness
13% Instrumentalness • 60% Positiveness
19% Popularity • 75% Danceability • 63% Energy • 9% Liveness
13% Instrumentalness • 60% Positiveness
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Elias Akselsen
Hold Mitt Hjerte
110 bpm • A min • 03:04 • -12db
23% Popularity • 28% Danceability • 21% Energy • 71% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 28% Danceability • 21% Energy • 71% Liveness
0% Instrumentalness • 22% Positiveness
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Trygve Skaug
Ravner
110 bpm • C Maj • 04:16 • -7.55db
3% Popularity • 57% Danceability • 66% Energy • 55% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 57% Danceability • 66% Energy • 55% Liveness
0% Instrumentalness • 54% Positiveness
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Frida Öhrn
Jag har gått inunder stjärnor - Single...
110 bpm • E Maj • 03:01 • -8.72db
30% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 55% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Good Harvest
Linger Long Enough
124 bpm • G# Maj • 02:56 • -15.1db
9% Popularity • 36% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 36% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Folk & Røvere
Helt Perfekt
110 bpm • A min • 03:28 • -7.16db
5% Popularity • 66% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
5% Popularity • 66% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Violet Road
Searching For Shore
110 bpm • B min • 05:19 • -11.49db
8% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ensamhushåll
Kärleksvisa #3
110 bpm • F# Maj • 03:46 • -14.09db
21% Popularity • 66% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 41% Positiveness
21% Popularity • 66% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 41% Positiveness
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Highasakite
The Man On The Ferry
110 bpm • F Maj • 04:06 • -10db
6% Popularity • 53% Danceability • 37% Energy • 6% Liveness
30% Instrumentalness • 31% Positiveness
6% Popularity • 53% Danceability • 37% Energy • 6% Liveness
30% Instrumentalness • 31% Positiveness
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Sofia Karlsson
From Here to Here (Grey Skies)
125 bpm • G# Maj • 05:07 • -14.37db
13% Popularity • 37% Danceability • 14% Energy • 71% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 37% Danceability • 14% Energy • 71% Liveness
0% Instrumentalness • 16% Positiveness
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Grønneberg
Ingenmannsland
125 bpm • A min • 04:53 • -6.83db
11% Popularity • 51% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 51% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tommy Tokyo
Far Between Highlights (And Further the ...
110 bpm • F min • 03:26 • -8db
22% Popularity • 44% Danceability • 53% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
22% Popularity • 44% Danceability • 53% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Ingrid Olava
Fire and Snow
110 bpm • E min • 04:43 • -6db
8% Popularity • 38% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 38% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Christian Kjellvander
Somewhere Else
125 bpm • C# min • 05:11 • -17.42db
14% Popularity • 29% Danceability • 15% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
14% Popularity • 29% Danceability • 15% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Teitur
Halfway Between
109 bpm • A# Maj • 02:18 • -9.39db
13% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 59% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Midnight Choir
Will You Carry Me Across the Water?
125 bpm • G Maj • 03:55 • -7.58db
16% Popularity • 53% Danceability • 65% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
16% Popularity • 53% Danceability • 65% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
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Christel Alsos
I need you here tomorrow - Erato
126 bpm • G Maj • 04:35 • -10.06db
9% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Morten Harket
Lay Me Down Tonight
125 bpm • C# Maj • 02:17 • -18.62db
26% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Stein Torleif Bjella
Romantikken gjer meg sjuk
109 bpm • A Maj • 03:07 • -11.93db
30% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ingrid Olava
Her kommer vinteren
126 bpm • D Maj • 02:49 • -13.02db
34% Popularity • 46% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 46% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Tommy Tokyo
If There Ever Was a Paradise
109 bpm • D Maj • 03:18 • -10.68db
13% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
