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The Messenger
Songs like
The Messenger
by
Daniel Lanois
Based on a tempo of (+/- 10%) and a similar genre
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Tom McRae
One More Mile - 2020 Remaster
72 bpm • E min • 04:16 • -10.46db
11% Popularity • 24% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Daniel Lanois
The Messenger
72 bpm • C# Maj • 05:27 • -15.76db
20% Popularity • 57% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Aimee Mann
Driving Sideways
72 bpm • G# Maj • 03:49 • -6.81db
31% Popularity • 46% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Magnolia Electric Co.
The Night Shift Lullaby
72 bpm • D Maj • 04:33 • -11.11db
22% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Bob Dylan
Love Sick
73 bpm • B min • 05:20 • -14db
38% Popularity • 55% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Marianne Faithfull
Loneliest Person
73 bpm • D# min • 02:52 • -6.49db
14% Popularity • 40% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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World Party
Rolling Off a Log
73 bpm • D min • 05:54 • -9.45db
18% Popularity • 18% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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Joe Henry
Parker's Mood
73 bpm • D Maj • 04:16 • -12.16db
12% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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David Sylvian
I Surrender
71 bpm • A# Maj • 09:24 • -12.2db
29% Popularity • 68% Danceability • 35% Energy • 6% Liveness
1% Instrumentalness • 45% Positiveness
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Lloyd Cole
My Other Life
73 bpm • A min • 04:08 • -14.25db
12% Popularity • 53% Danceability • 41% Energy • 10% Liveness
40% Instrumentalness • 33% Positiveness
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Mary Gauthier
Falling Out Of Love
71 bpm • B min • 05:57 • -12db
25% Popularity • 61% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Tinariwen
Jayche Atarak
73 bpm • E min • 05:59 • -10.13db
22% Popularity • 66% Danceability • 52% Energy • 11% Liveness
21% Instrumentalness • 49% Positiveness
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Willard Grant Conspiracy
River in the Pines
71 bpm • E min • 04:45 • -7.06db
15% Popularity • 23% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Greg Brown
No Place Away
74 bpm • C Maj • 04:11 • -19.93db
14% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Ryan Adams
Sylvia Plath
74 bpm • B Maj • 04:10 • -19.65db
20% Popularity • 43% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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World Party
Sunshine
74 bpm • A Maj • 04:30 • -8.53db
29% Popularity • 54% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Giant Sand
Punishing Sun
75 bpm • G Maj • 03:13 • -10.33db
14% Popularity • 60% Danceability • 46% Energy • 12% Liveness
50% Instrumentalness • 19% Positiveness
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The Waterboys
Peace of Iona
75 bpm • G Maj • 06:13 • -15.82db
23% Popularity • 63% Danceability • 24% Energy • 16% Liveness
31% Instrumentalness • 50% Positiveness
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Joe Henry
Sparrow
69 bpm • G Maj • 07:23 • -12.83db
8% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Dylan LeBlanc
Part One: The End
75 bpm • B min • 05:28 • -13.17db
12% Popularity • 22% Danceability • 25% Energy • 11% Liveness
41% Instrumentalness • 10% Positiveness
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Grant Lee Buffalo
Even The Oxen
68 bpm • C# Maj • 03:53 • -12.01db
24% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Nick Lowe
Shelley My Love
75 bpm • E Maj • 03:14 • -17.12db
22% Popularity • 51% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Big Blue Ball
Big Blue Ball
77 bpm • G Maj • 04:52 • -10.07db
16% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Bill Fay
The Geese Are Flying Westward
76 bpm • G# min • 02:57 • -18.37db
14% Popularity • 23% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 10% Positiveness
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Joe Henry
One Too Many Mornings
75 bpm • E Maj • 03:28 • -9.75db
10% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Ron Sexsmith
Secret Heart
77 bpm • C Maj • 03:15 • -12.72db
39% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Natalie Merchant
Nursery Rhyme of Innocence and Experienc...
77 bpm • E min • 05:11 • -10.61db
24% Popularity • 36% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Steve Forbert
Tonight I Feel So Far Away
77 bpm • A min • 03:13 • -15.3db
20% Popularity • 58% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Bob Dylan
What Good Am I?
77 bpm • A Maj • 04:45 • -15.33db
30% Popularity • 57% Danceability • 13% Energy • 30% Liveness
1% Instrumentalness • 10% Positiveness
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Vic Chesnutt
Free of Hope
78 bpm • G Maj • 05:52 • -8.78db
10% Popularity • 45% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Willard Grant Conspiracy
Beyond the Shore
78 bpm • G Maj • 03:13 • -8db
14% Popularity • 42% Danceability • 40% Energy • 10% Liveness
33% Instrumentalness • 14% Positiveness
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Crosby, Stills, Nash & Young
Slowpoke
78 bpm • G Maj • 04:31 • -12.46db
30% Popularity • 64% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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David Ackles
Love's Enough
78 bpm • D# Maj • 03:19 • -21.41db
23% Popularity • 45% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Daniel Lanois
Moon Dog
79 bpm • C Maj • 02:10 • -16.35db
8% Popularity • 50% Danceability • 16% Energy • 30% Liveness
81% Instrumentalness • 11% Positiveness
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Grant Lee Buffalo
It's the Life
79 bpm • C# Maj • 02:57 • -16.04db
29% Popularity • 40% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Vic Chesnutt
Betty Lonely
78 bpm • G min • 04:26 • -10.8db
17% Popularity • 57% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Van Morrison
Oh the Warm Feeling
80 bpm • G Maj • 03:20 • -12.11db
28% Popularity • 42% Danceability • 32% Energy • 12% Liveness
30% Instrumentalness • 38% Positiveness
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Willard Grant Conspiracy
The Ghost of the Girl in the Well
78 bpm • E min • 04:50 • -9db
10% Popularity • 17% Danceability • 34% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
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Natalie Merchant
Saint Judas
80 bpm • F# min • 05:42 • -7.94db
27% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bill Fay
City of Dreams
80 bpm • D# min • 06:10 • -14.82db
14% Popularity • 17% Danceability • 31% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Daniel Lanois
JJ Leaves L.A.
80 bpm • D min • 04:13 • -22.01db
17% Popularity • 17% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Son Volt
Medication
80 bpm • F Maj • 05:00 • -11.36db
16% Popularity • 54% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 24% Positiveness
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Tindersticks
I Know That Loving
81 bpm • A Maj • 06:45 • -10.74db
11% Popularity • 64% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Bob Dylan
Scarlet Town
81 bpm • A# Maj • 07:15 • -10.41db
23% Popularity • 61% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Henry
Ohio Air Show Plane Crash
81 bpm • A Maj • 06:29 • -8.53db
11% Popularity • 67% Danceability • 71% Energy • 8% Liveness
39% Instrumentalness • 63% Positiveness
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David Sylvian
When Poets Dreamed Of Angels
81 bpm • A min • 04:47 • -13.3db
32% Popularity • 73% Danceability • 48% Energy • 10% Liveness
29% Instrumentalness • 47% Positiveness
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Mark Kozelek
Carpet Crawlers
81 bpm • A# Maj • 04:22 • -19.37db
15% Popularity • 49% Danceability • 12% Energy • 35% Liveness
1% Instrumentalness • 36% Positiveness
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Ryan Adams
I See Monsters
81 bpm • C# Maj • 03:54 • -10.3db
31% Popularity • 43% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Tindersticks
What Are You Fighting For?
81 bpm • E Maj • 04:09 • -17db
37% Popularity • 70% Danceability • 19% Energy • 9% Liveness
55% Instrumentalness • 37% Positiveness
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Vic Chesnutt
Supernatural
82 bpm • G min • 03:36 • -18.16db
29% Popularity • 67% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Luka Bloom
Gone to Pablo
64 bpm • G Maj • 03:46 • -15.43db
16% Popularity • 39% Danceability • 25% Energy • 7% Liveness
1% Instrumentalness • 18% Positiveness
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Bob Dylan
What Was It You Wanted
82 bpm • F# min • 05:02 • -13db
30% Popularity • 68% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Bruce Springsteen
Galveston Bay
82 bpm • D Maj • 05:04 • -24.68db
27% Popularity • 38% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jeff Talmadge
Take a Drive With Me
82 bpm • F# min • 04:01 • -14.14db
15% Popularity • 57% Danceability • 31% Energy • 14% Liveness
44% Instrumentalness • 34% Positiveness
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Willard Grant Conspiracy
Fare Thee Well
63 bpm • G min • 04:09 • -7.09db
11% Popularity • 46% Danceability • 45% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
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Grant Lee Buffalo
Superslomotion
82 bpm • B min • 05:42 • -9.17db
22% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Daniel Lanois
Space Kay
82 bpm • B min • 02:01 • -24.03db
16% Popularity • 62% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Lou Reed
Magic and Loss (Summation)
63 bpm • C# min • 06:39 • -14.49db
19% Popularity • 61% Danceability • 30% Energy • 10% Liveness
49% Instrumentalness • 15% Positiveness
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Ryan Adams & The Cardinals
How Do You Keep Love Alive
63 bpm • F# Maj • 03:12 • -11.32db
22% Popularity • 49% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Stuart A. Staples
Which Way the Wind
83 bpm • A Maj • 03:11 • -9.45db
23% Popularity • 38% Danceability • 62% Energy • 14% Liveness
22% Instrumentalness • 49% Positiveness
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Mike Scott
Edinburgh Castle
83 bpm • E min • 04:37 • -11.72db
24% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Crowded House
Help Is Coming
83 bpm • D min • 04:49 • -9.41db
30% Popularity • 41% Danceability • 56% Energy • 12% Liveness
45% Instrumentalness • 45% Positiveness
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Daniel Lanois
San Juan
82 bpm • D# Maj • 02:33 • -22.24db
22% Popularity • 43% Danceability • 13% Energy • 12% Liveness
12% Instrumentalness • 27% Positiveness
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Giant Sand
The Desperate Kingdom of Love
84 bpm • G Maj • 03:26 • -12.43db
18% Popularity • 45% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Morphine
Gone for Good - 2018 Remaster
84 bpm • G Maj • 03:00 • -21.51db
16% Popularity • 61% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
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R.E.M.
How The West Was Won And Where It Got Us
84 bpm • D Maj • 04:31 • -11.64db
35% Popularity • 51% Danceability • 42% Energy • 13% Liveness
33% Instrumentalness • 44% Positiveness
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Richard & Linda Thompson
Walking on a Wire
62 bpm • G Maj • 05:28 • -15.8db
23% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Mike Scott
Iona Song
84 bpm • D Maj • 02:47 • -19.78db
29% Popularity • 40% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
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Daniel Lanois
The Collection of Marie Claire
84 bpm • G min • 04:16 • -21.98db
16% Popularity • 37% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Teddy Thompson
Tonight Will Be Fine
84 bpm • F# Maj • 03:36 • -9db
39% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
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Neil Young
The Painter
85 bpm • G Maj • 04:34 • -15.18db
29% Popularity • 57% Danceability • 34% Energy • 20% Liveness
4% Instrumentalness • 40% Positiveness
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Ryan Adams
Thank You Louise
85 bpm • D# Maj • 02:50 • -14.42db
20% Popularity • 44% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Marianne Faithfull
Visions Of Johanna
85 bpm • A# Maj • 04:36 • -14db
24% Popularity • 58% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Richard Thompson
Salford Sunday
86 bpm • A Maj • 04:08 • -9.31db
19% Popularity • 51% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
► Preview
Daniel Lanois
Shenandoah - Sling Blade
84 bpm • A Maj • 01:17 • -15.12db
8% Popularity • 23% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
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Bruce Springsteen
Straight Time
86 bpm • D Maj • 03:25 • -22.33db
33% Popularity • 30% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Grant Lee Buffalo
Dixie Drug Store
87 bpm • A# min • 05:08 • -14db
30% Popularity • 52% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
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Mike Scott
Long Way to the Light
87 bpm • E Maj • 06:32 • -9.25db
25% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Neil Young
The Old Laughing Lady
88 bpm • G Maj • 05:14 • -14.89db
33% Popularity • 32% Danceability • 39% Energy • 98% Liveness
0% Instrumentalness • 34% Positiveness
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Graham Nash
This Path Tonight
88 bpm • C# min • 04:26 • -12db
21% Popularity • 67% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Daniel Lanois
Slow Giving
87 bpm • C Maj • 03:52 • -12.29db
15% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Bruce Springsteen
Reno
87 bpm • F Maj • 04:04 • -11.65db
28% Popularity • 46% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Luka Bloom
Delirious
88 bpm • G Maj • 03:48 • -16.01db
20% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Loudon Wainwright III
School Days
88 bpm • F Maj • 03:05 • -16.9db
27% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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CPR
Little Blind Fish
88 bpm • C Maj • 03:37 • -12.77db
9% Popularity • 73% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Shawn Colvin
The Facts About Jimmy
89 bpm • A# min • 05:22 • -13.88db
15% Popularity • 65% Danceability • 38% Energy • 13% Liveness
8% Instrumentalness • 36% Positiveness
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Joe Henry
Trampoline
89 bpm • C Maj • 04:33 • -9.8db
17% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Lanois
Still Learning How to Crawl
89 bpm • G Maj • 05:18 • -10.89db
17% Popularity • 53% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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John Martyn
Wildflower
89 bpm • B min • 06:24 • -11.73db
7% Popularity • 32% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Nits
26 A: Clouds in the Sky
90 bpm • F min • 04:21 • -14db
19% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Chris Smither
I Am The Ride
90 bpm • B min • 03:59 • -10.13db
32% Popularity • 45% Danceability • 42% Energy • 75% Liveness
1% Instrumentalness • 32% Positiveness
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Lou Reed
Magician (Internally)
91 bpm • G Maj • 06:23 • -21.44db
20% Popularity • 53% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
► Preview
Ron Sexsmith
Lebanon, Tennessee
91 bpm • D Maj • 02:57 • -11.08db
31% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Daniel Lanois
Indian Red
91 bpm • C Maj • 03:47 • -11.93db
12% Popularity • 62% Danceability • 65% Energy • 15% Liveness
29% Instrumentalness • 71% Positiveness
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Michael Penn
Coal
91 bpm • A Maj • 03:33 • -8.68db
11% Popularity • 69% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
38% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Grant Lee Buffalo
The Hook
92 bpm • C# Maj • 04:07 • -9.33db
41% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mike Scott
I Know She's in the Building
92 bpm • G Maj • 03:16 • -8.19db
27% Popularity • 54% Danceability • 57% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Natalie Merchant
Carnival
92 bpm • F# min • 04:57 • -13.06db
21% Popularity • 77% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Daniel Lanois
Waiting
91 bpm • E min • 01:59 • -19.46db
12% Popularity • 19% Danceability • 50% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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The Messenger