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The Metrologist
Songs like
The Metrologist
by
Liz Stringer
Based on a tempo of (+/- 10%) and a similar genre
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Liz Stringer
The Metrologist
142 bpm • B min • 05:40 • -7.75db
19% Popularity • 53% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Jenny Mitchell
Somehow
142 bpm • A# Maj • 03:28 • -5.46db
9% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Adam Newling
Leather Face
142 bpm • G Maj • 03:29 • -6.07db
26% Popularity • 52% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Dyson Stringer Cloher
With My Hands
142 bpm • D Maj • 03:07 • -7.63db
8% Popularity • 64% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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Leonardo's Bride
Dreamship
142 bpm • C# Maj • 03:18 • -10.82db
16% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Claire Anne Taylor
I'm Going Home
142 bpm • G Maj • 03:53 • -12db
17% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Liz Stringer
Protecting Myself
142 bpm • C min • 04:00 • -4.76db
10% Popularity • 64% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Hannah Cameron
Take The Blame
142 bpm • A Maj • 03:38 • -10.92db
16% Popularity • 83% Danceability • 42% Energy • 12% Liveness
17% Instrumentalness • 47% Positiveness
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The Whitlams
Nobody Knows I Love You
142 bpm • E min • 05:03 • -9.41db
14% Popularity • 46% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Emma Donovan
Don't Give up on Me
143 bpm • A min • 03:44 • -9.37db
15% Popularity • 43% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Floodlights
Things You Do
143 bpm • G Maj • 04:52 • -10.15db
30% Popularity • 35% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jordie Lane
For Everyone
143 bpm • C Maj • 04:21 • -9db
28% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Liz Stringer
The Devil and My Daughter
142 bpm • B min • 05:12 • -11.72db
3% Popularity • 51% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Thelma Plum
The Brown Snake
143 bpm • C# Maj • 03:15 • -8db
37% Popularity • 70% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Amy Montgomery
Intangible
143 bpm • E Maj • 03:32 • -9.68db
11% Popularity • 50% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Dyson Stringer Cloher
Young Girls
143 bpm • C Maj • 04:11 • -13.02db
8% Popularity • 61% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Watty Thompson
The Beauty That Surrounds Ya
141 bpm • G Maj • 04:48 • -6.07db
16% Popularity • 33% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Jordie Lane
The Winner
144 bpm • F Maj • 03:59 • -8db
16% Popularity • 36% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Liz Stringer
Golden Age
141 bpm • G Maj • 03:35 • -7.16db
9% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Mia Dyson
Roll Me Out (Revisited)
141 bpm • D# Maj • 02:45 • -11.02db
25% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Alice Skye
60%
144 bpm • C Maj • 03:27 • -16.15db
20% Popularity • 32% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Quivers
When It Breaks
140 bpm • A Maj • 03:48 • -6.8db
8% Popularity • 47% Danceability • 76% Energy • 10% Liveness
7% Instrumentalness • 64% Positiveness
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S.G. Goodman
Teeth Marks
140 bpm • A# Maj • 03:37 • -9.5db
30% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Curse of Lono
Let Your Love Rain Down On Me
140 bpm • G Maj • 04:26 • -12.04db
16% Popularity • 62% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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Liz Stringer
It's a Long Way Down
143 bpm • C Maj • 04:28 • -6.46db
4% Popularity • 50% Danceability • 72% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Damian Cowell's Disco Machine
I Hope You Get Laid for Christmas
140 bpm • D Maj • 03:24 • -7.04db
1% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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WILDFIRE MANWURRK
Mararradj
140 bpm • A min • 03:38 • -7.55db
12% Popularity • 55% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Electric Fields
From Little Things Big Things Grow
140 bpm • A min • 05:13 • -9.94db
22% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Kerryn Fields
Atlantis
139 bpm • D Maj • 04:05 • -10.78db
12% Popularity • 44% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Martha Marlow
Emily
140 bpm • D# min • 04:33 • -9.64db
9% Popularity • 44% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Liz Stringer
Angela
140 bpm • G# Maj • 03:55 • -5.59db
3% Popularity • 38% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Fanny Lumsden
Fierce
139 bpm • F# Maj • 02:38 • -5.58db
27% Popularity • 71% Danceability • 88% Energy • 6% Liveness
7% Instrumentalness • 74% Positiveness
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Anthonie Tonnon
Leave Love Out Of This
139 bpm • G Maj • 05:21 • -9.64db
18% Popularity • 36% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Spinifex Gum
Yurala
146 bpm • C min • 05:41 • -9.73db
20% Popularity • 70% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Darren Hanlon
Lapsed Catholic
139 bpm • B Maj • 04:33 • -9.16db
10% Popularity • 71% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Mama Kin
What's Wrong With Me
138 bpm • A min • 04:23 • -12.51db
20% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Liz Stringer
Glutton
140 bpm • F# Maj • 04:35 • -4.95db
3% Popularity • 37% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Dyson Stringer Cloher
Too Seriously
146 bpm • G Maj • 02:50 • -8.24db
17% Popularity • 75% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Du Blonde
Take Me Away
146 bpm • D Maj • 03:49 • -10.62db
18% Popularity • 48% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Don McGlashan
On My Way to You
146 bpm • A min • 03:42 • -8.99db
28% Popularity • 68% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Cousin Tony's Brand New Firebird
Red Dirt Angel
138 bpm • F Maj • 04:07 • -6.71db
26% Popularity • 55% Danceability • 84% Energy • 18% Liveness
27% Instrumentalness • 39% Positiveness
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Jen Cloher
Mothers Desk
138 bpm • D Maj • 04:53 • -6.37db
14% Popularity • 62% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Liz Stringer
Warm in the Darkness
139 bpm • B Maj • 05:25 • -5.49db
2% Popularity • 54% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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JB Paterson
Going Back (Keep on Chooglin')
147 bpm • G Maj • 03:11 • -8.4db
14% Popularity • 54% Danceability • 61% Energy • 74% Liveness
0% Instrumentalness • 67% Positiveness
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Middle Kids
Lost In Los Angeles
147 bpm • G# Maj • 03:48 • -7.03db
23% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Luke Buda
Here Comes the Wind
137 bpm • A Maj • 05:46 • -10.19db
14% Popularity • 54% Danceability • 78% Energy • 39% Liveness
54% Instrumentalness • 71% Positiveness
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Babitha
Brighter Side Of Blue
147 bpm • C Maj • 04:46 • -8.36db
11% Popularity • 49% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Something For Kate
Blue Bird
148 bpm • G# Maj • 03:51 • -3.65db
21% Popularity • 38% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Liz Stringer
In Anybody's Language
138 bpm • B Maj • 03:24 • -6.39db
4% Popularity • 50% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Moreton
Downfall
148 bpm • F# min • 03:55 • -9.28db
10% Popularity • 68% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Mia Dyson
These Words
147 bpm • F Maj • 02:13 • -7.74db
25% Popularity • 54% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Kathleen Edwards
Hard On Everyone
148 bpm • F# Maj • 05:32 • -7.12db
29% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Sweet Whirl
Patterns Of Nature
136 bpm • A# Maj • 04:07 • -7.41db
14% Popularity • 40% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Lisa Mitchell
Zombie
136 bpm • G Maj • 03:36 • -9.69db
20% Popularity • 56% Danceability • 53% Energy • 11% Liveness
22% Instrumentalness • 55% Positiveness
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Liz Stringer
Anyone
138 bpm • D# Maj • 03:04 • -5.28db
19% Popularity • 65% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Tiddas
For A Short Time
136 bpm • A# Maj • 04:59 • -8.25db
9% Popularity • 45% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
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Kelly McMichael
Stepping Stone
136 bpm • A# Maj • 04:16 • -5.79db
9% Popularity • 50% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Turin Brakes
When You're Around
136 bpm • E Maj • 03:31 • -12.56db
18% Popularity • 64% Danceability • 53% Energy • 9% Liveness
24% Instrumentalness • 59% Positiveness
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Jenny Mitchell
Trouble Finds a Girl
136 bpm • B Maj • 04:45 • -6.04db
12% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jen Cloher
The Wild
136 bpm • C Maj • 04:02 • -11.28db
11% Popularity • 58% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Liz Stringer
Enough
138 bpm • E Maj • 04:13 • -2.74db
5% Popularity • 62% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jordie Lane
Frederick Steele McNeil Ferguson
136 bpm • B Maj • 04:04 • -7.99db
14% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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RVG
Perfect Day
136 bpm • D Maj • 03:09 • -6.1db
13% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Erny Belle
Nuclear Bombs
149 bpm • D# Maj • 03:03 • -10.37db
17% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Caitlin Harnett & The Pony Boys
I'll Get By
135 bpm • A Maj • 03:26 • -6.86db
18% Popularity • 34% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Died Pretty
Everybody Moves
135 bpm • A Maj • 04:50 • -6.62db
18% Popularity • 48% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Liz Stringer
Live on Love
136 bpm • A Maj • 05:21 • -6.93db
4% Popularity • 58% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Tex Perkins
Everything I Do Gonna Be Funky
135 bpm • D Maj • 03:26 • -6.12db
16% Popularity • 78% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Quivers
Losing My Religion
135 bpm • A min • 04:48 • -8.27db
8% Popularity • 40% Danceability • 79% Energy • 24% Liveness
3% Instrumentalness • 72% Positiveness
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Tim Rogers & The Twin Set
Been So Good, Been So Far
150 bpm • D Maj • 05:02 • -7.48db
12% Popularity • 49% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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ThornBird
All The Things
150 bpm • F Maj • 04:05 • -8.24db
18% Popularity • 61% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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King Stingray
Sweet Arnhem Land
134 bpm • E min • 03:21 • -5.62db
29% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Liz Stringer
First Frost
135 bpm • D Maj • 06:23 • -11.34db
3% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tex Perkins
Place In The Sun
134 bpm • G Maj • 03:07 • -8db
24% Popularity • 57% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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You Am I
The Waterboy
133 bpm • C Maj • 03:45 • -5.82db
10% Popularity • 57% Danceability • 86% Energy • 53% Liveness
14% Instrumentalness • 55% Positiveness
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Constant Follower
The Merry Dancers On TV
151 bpm • A Maj • 04:48 • -18.09db
10% Popularity • 43% Danceability • 11% Energy • 9% Liveness
13% Instrumentalness • 30% Positiveness
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Alice Skye
Party Tricks
133 bpm • G Maj • 04:40 • -8.64db
12% Popularity • 30% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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King Stingray
Get Me Out
134 bpm • G Maj • 04:03 • -5.72db
37% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Liz Stringer
Dangerous
134 bpm • C min • 04:02 • -5db
24% Popularity • 60% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Ben Lee
Arsehole
152 bpm • C Maj • 04:28 • -8.48db
7% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Floodlights
Lessons Learnt
152 bpm • C# min • 02:37 • -6.82db
29% Popularity • 41% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Mick Thomas
See You When I'm Looking at You - Radio ...
132 bpm • D Maj • 03:56 • -8db
11% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Watty Thompson
City To Run
132 bpm • G Maj • 05:51 • -5.42db
15% Popularity • 37% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny Hunter
Life
153 bpm • A Maj • 03:32 • -7.14db
24% Popularity • 52% Danceability • 71% Energy • 22% Liveness
10% Instrumentalness • 19% Positiveness
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Liz Stringer
Heavy Change
135 bpm • D Maj • 04:26 • -5.21db
2% Popularity • 50% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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RVG
I Used To Love You
132 bpm • C Maj • 03:33 • -5.93db
22% Popularity • 41% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Dyson Stringer Cloher
You Change Me
132 bpm • C Maj • 03:36 • -5db
3% Popularity • 51% Danceability • 79% Energy • 8% Liveness
2% Instrumentalness • 71% Positiveness
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Perch Creek
Daffodils
131 bpm • A min • 03:39 • -9db
11% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Bell X1
Haint Blue
131 bpm • B min • 05:05 • -8.35db
27% Popularity • 54% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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King Stingray
Life Goes On
131 bpm • G Maj • 03:36 • -9.86db
27% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Liz Stringer
Drawn to You
151 bpm • E Maj • 05:59 • -13.02db
3% Popularity • 42% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Folk Bitch Trio
Friendly Neighbour
154 bpm • C Maj • 03:53 • -6.75db
24% Popularity • 35% Danceability • 57% Energy • 12% Liveness
9% Instrumentalness • 45% Positiveness
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Susan O'Neill
Truth Can Be Kind
131 bpm • E min • 03:59 • -7.86db
24% Popularity • 48% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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This Way North
Head Above Water
154 bpm • C# min • 03:56 • -8.22db
9% Popularity • 55% Danceability • 65% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
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Jen Cloher
Aroha Mai, Aroha Atu
131 bpm • F Maj • 03:20 • -9.44db
11% Popularity • 50% Danceability • 70% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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William The Conqueror
Quiet Life
154 bpm • F# Maj • 03:55 • -7.59db
26% Popularity • 66% Danceability • 56% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
► Preview
Liz Stringer
First Time Really Feeling
151 bpm • A# Maj • 05:50 • -8db
21% Popularity • 50% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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Ruby Gill
Public panic attacks
154 bpm • C Maj • 02:56 • -14.25db
17% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Marlon Williams
Soft Boys Make The Grade
131 bpm • A min • 03:26 • -7.3db
26% Popularity • 45% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Cash Savage and the Last Drinks
So This Is Love
130 bpm • C Maj • 06:51 • -7.4db
18% Popularity • 26% Danceability • 65% Energy • 8% Liveness
83% Instrumentalness • 11% Positiveness
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The Metrologist