Songs like The Moon Represents My Heart - 月亮代表我的心 by Libera
Based on a tempo of (+/- 10%) and a similar genre
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Hans Zimmer
Virtue
79 bpm • A min • 04:37 • -21.9db
21% Popularity • 8% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Going Home
79 bpm • D# Maj • 04:03 • -14.45db
31% Popularity • 13% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Robert Prizeman
Ave Maria
79 bpm • G# min • 04:06 • -15.73db
24% Popularity • 20% Danceability • 16% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Cum Dederit
79 bpm • A# min • 04:27 • -15.42db
19% Popularity • 10% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 6% Positiveness
19% Popularity • 10% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 6% Positiveness
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Back to Earth
Children of Hope
79 bpm • A# Maj • 02:21 • -17db
46% Popularity • 47% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
46% Popularity • 47% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Angèle Dubeau
Happiness Does not Wait
79 bpm • F min • 03:47 • -20db
30% Popularity • 8% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 5% Positiveness
30% Popularity • 8% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 5% Positiveness
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Jean Sibelius
Sibelius / Arr Prizeman: Be Still My Sou...
79 bpm • G# Maj • 03:56 • -17.99db
17% Popularity • 12% Danceability • 17% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 17% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Origen
Lacrimosa
79 bpm • D min • 03:37 • -7.44db
32% Popularity • 14% Danceability • 45% Energy • 18% Liveness
2% Instrumentalness • 6% Positiveness
32% Popularity • 14% Danceability • 45% Energy • 18% Liveness
2% Instrumentalness • 6% Positiveness
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![Debussy / Arr Prizeman : Luminosa [Debussy' Claire de Lune] cover art](https://i.scdn.co/image/ab67616d00001e02c06ef40fceffb4780e563763)
Claude Debussy
Debussy / Arr Prizeman : Luminosa [Debus...
79 bpm • C# Maj • 05:41 • -21.34db
9% Popularity • 14% Danceability • 6% Energy • 4% Liveness
30% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 6% Energy • 4% Liveness
30% Instrumentalness • 3% Positiveness
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Bernward Koch
Golden October
79 bpm • D# Maj • 04:49 • -14.22db
40% Popularity • 19% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 6% Positiveness
40% Popularity • 19% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 6% Positiveness
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2002
Bánchnoic Éireann Ó
78 bpm • F Maj • 06:32 • -16.15db
31% Popularity • 11% Danceability • 21% Energy • 20% Liveness
92% Instrumentalness • 5% Positiveness
31% Popularity • 11% Danceability • 21% Energy • 20% Liveness
92% Instrumentalness • 5% Positiveness
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Libera
The Moon Represents My Heart - 月亮代...
79 bpm • D# Maj • 03:18 • -14.67db
36% Popularity • 19% Danceability • 22% Energy • 9% Liveness
27% Instrumentalness • 6% Positiveness
36% Popularity • 19% Danceability • 22% Energy • 9% Liveness
27% Instrumentalness • 6% Positiveness
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Anonymous
Trad / Arr Prizeman: Morning has Broken ...
79 bpm • C Maj • 03:09 • -17db
24% Popularity • 20% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Méav
The Songline to Home
78 bpm • C# Maj • 04:02 • -13db
27% Popularity • 38% Danceability • 26% Energy • 19% Liveness
2% Instrumentalness • 24% Positiveness
27% Popularity • 38% Danceability • 26% Energy • 19% Liveness
2% Instrumentalness • 24% Positiveness
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Laura Bretan
Adagio
80 bpm • D# min • 04:08 • -6.09db
44% Popularity • 20% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 20% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Konrad Kono
Pachabel Canon
78 bpm • D Maj • 04:30 • -19.48db
32% Popularity • 25% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 25% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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2002
We Meet Again
78 bpm • D min • 05:41 • -18.28db
41% Popularity • 22% Danceability • 17% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
41% Popularity • 22% Danceability • 17% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Libera
Three Ravens
80 bpm • C Maj • 05:46 • -10.79db
16% Popularity • 22% Danceability • 28% Energy • 13% Liveness
4% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 28% Energy • 13% Liveness
4% Instrumentalness • 7% Positiveness
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Bill Douglas
Forest Hymn
80 bpm • E min • 04:15 • -14.77db
31% Popularity • 13% Danceability • 19% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
31% Popularity • 13% Danceability • 19% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Samuel A. Ward
Ward / Arr Prizeman: America the Beautif...
78 bpm • B Maj • 03:58 • -11.55db
9% Popularity • 21% Danceability • 28% Energy • 10% Liveness
70% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 28% Energy • 10% Liveness
70% Instrumentalness • 6% Positiveness
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Sacha Puttnam
Sailing Homeward
78 bpm • A Maj • 03:39 • -20.21db
17% Popularity • 14% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 14% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Robert Prizeman
Prizeman : Vespera
80 bpm • A# min • 03:53 • -20.22db
13% Popularity • 18% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Eric Tingstad
Torna a Surriento
80 bpm • C min • 04:01 • -16.47db
22% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
22% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Glory
80 bpm • A# Maj • 01:57 • -14db
32% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
32% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
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Guy Farley
Maria - Theme
80 bpm • F Maj • 01:29 • -15db
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Andrea Bocelli
Amazing Grace (arr. Mercurio)
80 bpm • C Maj • 03:56 • -11.21db
53% Popularity • 11% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 11% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Bill Douglas
Wind of the Western Sea
78 bpm • G# Maj • 04:07 • -17.1db
13% Popularity • 18% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
13% Popularity • 18% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Robert Prizeman
Voca Me
80 bpm • C min • 04:48 • -16.51db
24% Popularity • 24% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Kitaro
Theme From Silk Road
80 bpm • E min • 06:16 • -7.48db
40% Popularity • 18% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
40% Popularity • 18% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
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University Of Pretoria Camerata
I Love You / What a Wonderful World
80 bpm • D# Maj • 03:30 • -24.38db
27% Popularity • 15% Danceability • 6% Energy • 17% Liveness
14% Instrumentalness • 10% Positiveness
27% Popularity • 15% Danceability • 6% Energy • 17% Liveness
14% Instrumentalness • 10% Positiveness
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Plácido Domingo
Somewhere Over The Rainbow
77 bpm • D# Maj • 04:03 • -12.97db
46% Popularity • 14% Danceability • 24% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
46% Popularity • 14% Danceability • 24% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
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Laclede Quartet
Sophie's Choice
81 bpm • E Maj • 03:07 • -17.72db
17% Popularity • 23% Danceability • 12% Energy • 14% Liveness
80% Instrumentalness • 12% Positiveness
17% Popularity • 23% Danceability • 12% Energy • 14% Liveness
80% Instrumentalness • 12% Positiveness
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George Frideric Handel
Handel: Semele, HWV 58, Act 2: Air. "Whe...
77 bpm • A# Maj • 04:17 • -19.15db
8% Popularity • 13% Danceability • 12% Energy • 9% Liveness
42% Instrumentalness • 9% Positiveness
8% Popularity • 13% Danceability • 12% Energy • 9% Liveness
42% Instrumentalness • 9% Positiveness
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John David
New Day
81 bpm • D# Maj • 02:23 • -13.19db
7% Popularity • 24% Danceability • 25% Energy • 43% Liveness
1% Instrumentalness • 19% Positiveness
7% Popularity • 24% Danceability • 25% Energy • 43% Liveness
1% Instrumentalness • 19% Positiveness
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Robert Prizeman
Vespera
77 bpm • D# Maj • 03:55 • -15.02db
21% Popularity • 27% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
21% Popularity • 27% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Libera
From a Distance
77 bpm • A# Maj • 04:59 • -11.22db
33% Popularity • 14% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
33% Popularity • 14% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Saint-Preux
Concerto Pour Elle
81 bpm • E min • 03:53 • -12db
45% Popularity • 32% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
45% Popularity • 32% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
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Miriam Stockley
Innocents
81 bpm • D# min • 03:35 • -14.8db
28% Popularity • 17% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
28% Popularity • 17% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Anne Dudley
Medhel an Gwyns
77 bpm • F min • 02:13 • -10.1db
35% Popularity • 39% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 39% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Danny Wright
Brian's Song
81 bpm • G Maj • 03:48 • -18.24db
26% Popularity • 34% Danceability • 11% Energy • 18% Liveness
89% Instrumentalness • 9% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 18% Liveness
89% Instrumentalness • 9% Positiveness
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Ernesto Cortazar
My Fair Lady Medley (The Street Where Yo...
81 bpm • A# Maj • 03:51 • -15db
39% Popularity • 12% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 12% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Kim André Arnesen
MAGNIFICAT: II. Ecce enim
77 bpm • A min • 06:01 • -20.05db
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
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Kevin Kern
We Should Waltz
81 bpm • E Maj • 06:07 • -23db
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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John Barry
Somewhere In Time - Main Theme
81 bpm • C Maj • 03:40 • -18.83db
44% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
44% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Órla Fallon
La La Lu
81 bpm • A Maj • 02:29 • -15.88db
31% Popularity • 32% Danceability • 13% Energy • 9% Liveness
32% Instrumentalness • 11% Positiveness
31% Popularity • 32% Danceability • 13% Energy • 9% Liveness
32% Instrumentalness • 11% Positiveness
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Paul Mealor
Blessing
81 bpm • B Maj • 03:56 • -21.79db
25% Popularity • 16% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Joanie Madden
Down By the Salley Gardens
77 bpm • G Maj • 03:49 • -8.71db
33% Popularity • 23% Danceability • 25% Energy • 17% Liveness
88% Instrumentalness • 17% Positiveness
33% Popularity • 23% Danceability • 25% Energy • 17% Liveness
88% Instrumentalness • 17% Positiveness
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The American Boychoir
Pie Jesu
77 bpm • A# Maj • 04:12 • -18.14db
18% Popularity • 25% Danceability • 11% Energy • 14% Liveness
97% Instrumentalness • 5% Positiveness
18% Popularity • 25% Danceability • 11% Energy • 14% Liveness
97% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Dvořák: Going Home (based on Largo fro...
77 bpm • D# Maj • 04:29 • -15.32db
20% Popularity • 22% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Aoife Ni Fhearraigh
Mo Ghrá Thú
81 bpm • G min • 02:28 • -13db
34% Popularity • 36% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 36% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Bill Douglas
Lake Isle of Innisfree
77 bpm • C Maj • 04:29 • -20.39db
21% Popularity • 24% Danceability • 11% Energy • 9% Liveness
65% Instrumentalness • 5% Positiveness
21% Popularity • 24% Danceability • 11% Energy • 9% Liveness
65% Instrumentalness • 5% Positiveness
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Anne Dudley
How the Tide Rushes In
77 bpm • E min • 03:03 • -16db
34% Popularity • 22% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 22% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Giulio Caccini
Caccini / Arr. Prizeman: Ave Maria
81 bpm • A# min • 04:24 • -19.86db
23% Popularity • 13% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
23% Popularity • 13% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Eimear Quinn
The Watchman
81 bpm • C Maj • 03:31 • -14db
17% Popularity • 17% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
17% Popularity • 17% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Fiona Joy Hawkins
Calling County Clare
81 bpm • D Maj • 05:06 • -15db
36% Popularity • 51% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
36% Popularity • 51% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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John Denver
Perhaps Love
81 bpm • A Maj • 02:59 • -13.82db
40% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Enya
Athair Ar Neamh - 2009 Remaster
81 bpm • G min • 03:42 • -19db
53% Popularity • 21% Danceability • 15% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
53% Popularity • 21% Danceability • 15% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
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Andreas Scholl
Lullabye (Goodnight, My Angel)
82 bpm • D# Maj • 03:24 • -16db
26% Popularity • 32% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
26% Popularity • 32% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
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Méav
Glimmering Girl
82 bpm • F min • 03:00 • -15db
32% Popularity • 43% Danceability • 20% Energy • 12% Liveness
52% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 20% Energy • 12% Liveness
52% Instrumentalness • 19% Positiveness
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Ola Gjeilo
The Ground
82 bpm • D# Maj • 03:38 • -17.92db
36% Popularity • 18% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Gabriel Yared
Theresa
82 bpm • D min • 03:02 • -15.99db
29% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
29% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Ann Sweeten
The Hanging Road
82 bpm • F Maj • 05:15 • -18db
21% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
21% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Attila Fias
Only Time - Piano Instrumental
82 bpm • D# Maj • 03:37 • -17.99db
34% Popularity • 48% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
34% Popularity • 48% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Ernesto Cortazar
Our Waltz
76 bpm • C min • 02:22 • -10.97db
47% Popularity • 25% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 25% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Back to Earth
Carry Me Home
76 bpm • A min • 04:21 • -16.64db
16% Popularity • 13% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
16% Popularity • 13% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Miriam Stockley
Quanta Vita - Nimrod
82 bpm • F Maj • 03:36 • -10.34db
15% Popularity • 19% Danceability • 40% Energy • 10% Liveness
9% Instrumentalness • 12% Positiveness
15% Popularity • 19% Danceability • 40% Energy • 10% Liveness
9% Instrumentalness • 12% Positiveness
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Andrea Bocelli
Gloria The Gift Of Life
82 bpm • A# Maj • 03:47 • -8.04db
34% Popularity • 29% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 29% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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2002
My Singing Bird
82 bpm • G Maj • 03:07 • -20.19db
34% Popularity • 19% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
34% Popularity • 19% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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William Henry Monk
Abide with me
82 bpm • E Maj • 03:25 • -14.1db
5% Popularity • 12% Danceability • 20% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
5% Popularity • 12% Danceability • 20% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
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Ernesto Cortazar
Embrasse-Moi
76 bpm • D Maj • 04:00 • -13.28db
41% Popularity • 15% Danceability • 20% Energy • 12% Liveness
47% Instrumentalness • 18% Positiveness
41% Popularity • 15% Danceability • 20% Energy • 12% Liveness
47% Instrumentalness • 18% Positiveness
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John Tavener
The Mother of God
82 bpm • G Maj • 02:43 • -20.7db
22% Popularity • 13% Danceability • 13% Energy • 11% Liveness
57% Instrumentalness • 6% Positiveness
22% Popularity • 13% Danceability • 13% Energy • 11% Liveness
57% Instrumentalness • 6% Positiveness
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Steve Barakatt
Hoping She Would Be There
82 bpm • A Maj • 04:26 • -10.79db
28% Popularity • 33% Danceability • 26% Energy • 13% Liveness
71% Instrumentalness • 25% Positiveness
28% Popularity • 33% Danceability • 26% Energy • 13% Liveness
71% Instrumentalness • 25% Positiveness
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Margaret Rizza
Let Your Beauty
82 bpm • E min • 04:27 • -21.18db
22% Popularity • 15% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
22% Popularity • 15% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Méav
Solveig's Song
76 bpm • A Maj • 03:57 • -12db
23% Popularity • 25% Danceability • 23% Energy • 7% Liveness
55% Instrumentalness • 14% Positiveness
23% Popularity • 25% Danceability • 23% Energy • 7% Liveness
55% Instrumentalness • 14% Positiveness
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Omar Akram
Angel of Hope
76 bpm • D min • 03:33 • -14.43db
34% Popularity • 29% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
34% Popularity • 29% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Nicola Piovani
Buongiorno Principessa
82 bpm • A Maj • 03:23 • -31db
46% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Libera
How Shall I Sing That Majesty
76 bpm • D Maj • 04:08 • -12db
12% Popularity • 22% Danceability • 33% Energy • 5% Liveness
2% Instrumentalness • 5% Positiveness
12% Popularity • 22% Danceability • 33% Energy • 5% Liveness
2% Instrumentalness • 5% Positiveness
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Kenio Fuke
Ave Maria: Giulio Caccini - Instrumental
76 bpm • A min • 03:58 • -12.58db
19% Popularity • 13% Danceability • 27% Energy • 7% Liveness
9% Instrumentalness • 7% Positiveness
19% Popularity • 13% Danceability • 27% Energy • 7% Liveness
9% Instrumentalness • 7% Positiveness
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Steve Barakatt
Valentine's Secret
83 bpm • C Maj • 03:43 • -10db
39% Popularity • 27% Danceability • 30% Energy • 20% Liveness
86% Instrumentalness • 15% Positiveness
39% Popularity • 27% Danceability • 30% Energy • 20% Liveness
86% Instrumentalness • 15% Positiveness
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Philippe Rombi
Une amitié
83 bpm • C Maj • 01:30 • -14.94db
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
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Bill Douglas
A Place Called Morning
83 bpm • G min • 05:05 • -15.53db
25% Popularity • 14% Danceability • 26% Energy • 15% Liveness
54% Instrumentalness • 6% Positiveness
25% Popularity • 14% Danceability • 26% Energy • 15% Liveness
54% Instrumentalness • 6% Positiveness
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Ronan Hardiman
Whispering Wind
75 bpm • G Maj • 02:49 • -14db
30% Popularity • 21% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
30% Popularity • 21% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
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Margaret Rizza
Veni, Lumen Cordium
75 bpm • F min • 05:25 • -23.98db
24% Popularity • 11% Danceability • 14% Energy • 6% Liveness
19% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 14% Energy • 6% Liveness
19% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Ground
83 bpm • D# Maj • 03:41 • -29db
26% Popularity • 10% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo
75 bpm • F Maj • 03:47 • -16.38db
23% Popularity • 8% Danceability • 16% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 16% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Enya
I Could Never Say Goodbye
75 bpm • C# Maj • 03:29 • -18db
42% Popularity • 12% Danceability • 14% Energy • 13% Liveness
49% Instrumentalness • 11% Positiveness
42% Popularity • 12% Danceability • 14% Energy • 13% Liveness
49% Instrumentalness • 11% Positiveness
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The Serenad3
To Make You Feel My Love
75 bpm • G Maj • 03:43 • -10.95db
45% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mr & Mrs Cello
Sound of Silence - Arr. for Two Cellos
83 bpm • G Maj • 05:13 • -12.17db
30% Popularity • 19% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Gio Aria
Like A Dream
83 bpm • E Maj • 03:16 • -11.64db
15% Popularity • 20% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
15% Popularity • 20% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Filippa Giordano
S'Apre Per Te Il Mio Cuor
83 bpm • C# Maj • 03:39 • -10.09db
30% Popularity • 19% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 19% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Bill Douglas
I Shall Not Live in Vain
84 bpm • G min • 04:22 • -18.6db
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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2002
City of Peace
84 bpm • A Maj • 04:28 • -12.26db
33% Popularity • 19% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 6% Positiveness
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Eric Whitacre
Sing Gently
75 bpm • G Maj • 03:25 • -18.97db
27% Popularity • 22% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 22% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Libera
Faithful Heart
84 bpm • E Maj • 03:22 • -19.35db
18% Popularity • 20% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
18% Popularity • 20% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Lisa Kelly
May It Be
75 bpm • A Maj • 03:35 • -10db
38% Popularity • 10% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
38% Popularity • 10% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Tim Janis
The Summer Sea
84 bpm • D Maj • 02:27 • -13.3db
44% Popularity • 17% Danceability • 32% Energy • 34% Liveness
90% Instrumentalness • 13% Positiveness
44% Popularity • 17% Danceability • 32% Energy • 34% Liveness
90% Instrumentalness • 13% Positiveness
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Marie Oppert
Pure Imagination
84 bpm • C# Maj • 04:12 • -16.18db
38% Popularity • 15% Danceability • 11% Energy • 5% Liveness
1% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 11% Energy • 5% Liveness
1% Instrumentalness • 4% Positiveness
