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The Mountain
Songs like
The Mountain
by
Marc Shaiman
Based on a tempo of (+/- 10%) and a similar genre
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Marc Shaiman
The Mountain
83 bpm • G Maj • 02:22 • -19.36db
12% Popularity • 13% Danceability • 8% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
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Mark Isham
Ruth and Ira
83 bpm • C Maj • 01:52 • -27.74db
16% Popularity • 29% Danceability • 4% Energy • 10% Liveness
23% Instrumentalness • 12% Positiveness
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Jan A.P. Kaczmarek
Video On The Bed
83 bpm • A min • 01:21 • -26.69db
40% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Joel McNeely
The Journey Begins
83 bpm • C Maj • 02:59 • -17.5db
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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Carter Burwell
Ride to Death
83 bpm • G Maj • 02:28 • -20.92db
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Abel Korzeniowski
Gates of Tomorrow
83 bpm • F# Maj • 02:14 • -14.66db
12% Popularity • 15% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Marc Shaiman
Chase Through the Bank
83 bpm • F Maj • 01:11 • -18.19db
33% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
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Last Of The Dogmen
Last of the Dogmen
82 bpm • C Maj • 03:16 • -19.81db
10% Popularity • 11% Danceability • 17% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Violet
84 bpm • A min • 01:54 • -16db
34% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
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Brian Tyler
The Greatest Game Ever Played - Score
82 bpm • C Maj • 01:47 • -18.32db
18% Popularity • 20% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Kyle Eastwood
Madiba's Theme
82 bpm • E Maj • 01:17 • -20.1db
21% Popularity • 8% Danceability • 16% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Alexandra Harwood
Dawsey's First Letter
82 bpm • D Maj • 02:27 • -14.11db
14% Popularity • 16% Danceability • 19% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Marc Shaiman
Race to Big Ben
82 bpm • B min • 04:55 • -12.96db
24% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
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Dario Marianelli
Denouement
82 bpm • C# Maj • 02:27 • -21db
31% Popularity • 8% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Doe Eyes - Love Theme from the Bridges o...
84 bpm • C Maj • 01:05 • -25.8db
49% Popularity • 31% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Mark Isham
I Built Myself A Life
82 bpm • G# Maj • 05:48 • -19.93db
21% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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BBC Concert Orchestra
River of Life
82 bpm • A min • 02:33 • -8.95db
3% Popularity • 19% Danceability • 44% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
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George Fenton
Empty Store
82 bpm • G Maj • 02:51 • -15.63db
32% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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John Debney
Xan And Duma Say Goodbye
82 bpm • A Maj • 03:24 • -18.93db
10% Popularity • 27% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Go And Help People
82 bpm • E min • 01:37 • -16.78db
9% Popularity • 22% Danceability • 15% Energy • 22% Liveness
88% Instrumentalness • 34% Positiveness
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Thomas Bergersen
The Human Experience - Theme
84 bpm • C Maj • 02:48 • -16.27db
27% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Joel McNeely
Here Beside Me
84 bpm • C Maj • 02:35 • -14.8db
33% Popularity • 20% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Theodore Shapiro
We Can Try
84 bpm • C Maj • 02:08 • -24db
27% Popularity • 16% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
42% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Marc Shaiman
Flipped Suite
81 bpm • C Maj • 03:27 • -18.63db
20% Popularity • 17% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Patrick Doyle
Secret Toast And Jam
85 bpm • C Maj • 02:30 • -21db
24% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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David Newman
Baby's Wild Ride
85 bpm • F Maj • 01:56 • -8.09db
34% Popularity • 49% Danceability • 78% Energy • 6% Liveness
90% Instrumentalness • 45% Positiveness
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Craig Armstrong
You Kept My Letters
85 bpm • D min • 01:22 • -23.93db
32% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Mark Isham
Jackie Robinson
81 bpm • D Maj • 06:46 • -13.07db
13% Popularity • 8% Danceability • 28% Energy • 56% Liveness
90% Instrumentalness • 4% Positiveness
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Peter Allen
I Could Marry the Rain
81 bpm • C Maj • 03:08 • -18.25db
2% Popularity • 27% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Gabriel Yared
Calm After Storm
85 bpm • G Maj • 02:15 • -19.93db
18% Popularity • 19% Danceability • 20% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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David Newman
Walking Through
85 bpm • A# min • 01:25 • -17.91db
36% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Ruth Barrett
Cathy's Theme
80 bpm • G min • 01:49 • -16.87db
12% Popularity • 30% Danceability • 15% Energy • 12% Liveness
67% Instrumentalness • 25% Positiveness
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Bruce Broughton
Reunited
80 bpm • F Maj • 04:23 • -21.32db
23% Popularity • 10% Danceability • 5% Energy • 38% Liveness
3% Instrumentalness • 4% Positiveness
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Gabriel Yared
Anthem
81 bpm • D Maj • 03:24 • -20.59db
22% Popularity • 19% Danceability • 6% Energy • 58% Liveness
91% Instrumentalness • 4% Positiveness
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Patrick Doyle
Fake Wedding
86 bpm • E Maj • 02:35 • -31.62db
8% Popularity • 9% Danceability • 3% Energy • 15% Liveness
8% Instrumentalness • 7% Positiveness
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Howard Shore
Hugo's Father
80 bpm • A min • 03:24 • -29.15db
17% Popularity • 10% Danceability • 3% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
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David Newman
Prep For Flight
86 bpm • D min • 01:33 • -26.64db
25% Popularity • 18% Danceability • 10% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Dario Marianelli
Letter From Mandela
80 bpm • F min • 01:49 • -24.65db
10% Popularity • 9% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Mark Isham
A Trip to the Unknown
86 bpm • G Maj • 02:29 • -18.59db
19% Popularity • 12% Danceability • 11% Energy • 21% Liveness
79% Instrumentalness • 16% Positiveness
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Clint Eastwood
Pick Up Money
80 bpm • D min • 00:57 • -27.6db
38% Popularity • 38% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
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Patrick Doyle
Please Wait
80 bpm • G min • 03:21 • -26.29db
20% Popularity • 14% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
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Howard Shore
Papa Georges Made Movies
80 bpm • D Maj • 01:52 • -30.2db
23% Popularity • 14% Danceability • 2% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
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Randy Edelman
Exposed Heart
86 bpm • E Maj • 01:45 • -22.62db
19% Popularity • 13% Danceability • 7% Energy • 18% Liveness
85% Instrumentalness • 10% Positiveness
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David Newman
Humans / Diego
80 bpm • G Maj • 01:43 • -14.36db
33% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Rolfe Kent
Sunset Goodbye
80 bpm • E min • 03:30 • -17.35db
12% Popularity • 17% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
The Trees
86 bpm • A Maj • 06:04 • -21db
23% Popularity • 17% Danceability • 11% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Damaged
79 bpm • E min • 05:23 • -20.19db
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Burkhard Dallwitz
Truman Sets Sail
86 bpm • F min • 01:57 • -16.87db
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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Marcel Barsotti
Pope Joan (Main Theme)
87 bpm • G min • 02:34 • -19.14db
15% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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John Ottman
How Could You Leave Us
87 bpm • D min • 05:47 • -19db
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Gabriel Yared
Ada Plays
79 bpm • D Maj • 03:18 • -21.92db
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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BBC Concert Orchestra
Shores of Respite
87 bpm • F Maj • 02:15 • -11.63db
2% Popularity • 27% Danceability • 45% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Kyle Eastwood
Thanda
87 bpm • E Maj • 02:08 • -19.45db
16% Popularity • 15% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Patrick Doyle
The Wedding Night
79 bpm • C Maj • 02:05 • -18db
26% Popularity • 18% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Marc Shaiman
Life And Death
79 bpm • G min • 03:54 • -22.17db
12% Popularity • 14% Danceability • 5% Energy • 6% Liveness
55% Instrumentalness • 7% Positiveness
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Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Clint Eastwood
Marie and George
87 bpm • C Maj • 02:09 • -13.84db
16% Popularity • 22% Danceability • 17% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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John Ottman
Little Secrets / Power of the Sun
87 bpm • A min • 02:47 • -15.13db
22% Popularity • 12% Danceability • 11% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Bruce Broughton
Bambi And The Great Prince
79 bpm • A# Maj • 03:34 • -16.17db
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Gabriel Yared
The Outer Banks
87 bpm • A# Maj • 02:30 • -18.66db
15% Popularity • 16% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Dario Marianelli
Cassy Daydreams
87 bpm • D# Maj • 04:11 • -16.97db
15% Popularity • 9% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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BBC Concert Orchestra
Up in the Clouds
79 bpm • A# Maj • 02:06 • -11.17db
10% Popularity • 20% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Conrad Pope
Such Stuff That Dreams Are Made of
88 bpm • E Maj • 03:37 • -23.98db
19% Popularity • 9% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Regency Players
Dawn [2005 Version]
78 bpm • C Maj • 02:37 • -19.63db
13% Popularity • 33% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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John Lunn
You Are The Best Of Me
88 bpm • D# Maj • 02:44 • -16db
28% Popularity • 13% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Dario Marianelli
Sister
88 bpm • G# Maj • 05:34 • -18.65db
8% Popularity • 12% Danceability • 18% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Our Kid
88 bpm • E Maj • 01:19 • -21db
36% Popularity • 39% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 48% Positiveness
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Fernando Velázquez
My Boys, I Cannot See Them
88 bpm • C min • 03:53 • -24.53db
10% Popularity • 9% Danceability • 4% Energy • 12% Liveness
34% Instrumentalness • 3% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Silver Screen Sound Machine
Hand Covers Bruise
78 bpm • D Maj • 04:14 • -29.13db
18% Popularity • 27% Danceability • 9% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Emilio Kauderer & Federico Jusid
Crime Scene
88 bpm • F# min • 02:03 • -18.48db
15% Popularity • 13% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Dario Marianelli
The Half Killed
79 bpm • A# min • 02:09 • -13.65db
26% Popularity • 7% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Clint Eastwood
Talk of the Hereafter
88 bpm • C Maj • 02:07 • -13.08db
10% Popularity • 16% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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David Newman
Checking Out The Cave
78 bpm • F Maj • 03:43 • -16.22db
27% Popularity • 23% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
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Rupert Gregson-Williams
Togetherness
78 bpm • F# min • 01:44 • -18.38db
25% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Fernando Velázquez
The Best Holiday Season Ever
77 bpm • D# Maj • 02:27 • -22db
24% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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John Debney
God's Theme
89 bpm • E Maj • 03:10 • -25db
9% Popularity • 10% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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David Hirschfelder
I Will Come for You
89 bpm • F Maj • 02:32 • -10.96db
23% Popularity • 10% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Nicholas Pike
To Italy for a Kiss
77 bpm • B min • 04:16 • -23.49db
15% Popularity • 10% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Patrick Doyle
Ryan, Mr. President
77 bpm • E Maj • 03:28 • -11.63db
17% Popularity • 14% Danceability • 44% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Kyle Eastwood
Siyalinda
77 bpm • C# min • 02:28 • -22.62db
15% Popularity • 47% Danceability • 13% Energy • 9% Liveness
75% Instrumentalness • 17% Positiveness
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Conrad Pope
Overdose
77 bpm • C Maj • 03:31 • -27.42db
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Natasha and Pierre
90 bpm • A min • 03:56 • -14.94db
27% Popularity • 10% Danceability • 20% Energy • 30% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Marc Shaiman
Pep Talk
77 bpm • A min • 03:17 • -24.08db
8% Popularity • 7% Danceability • 3% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Roque Baños
El Collar
90 bpm • F# min • 03:35 • -28db
23% Popularity • 14% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Brian Tyler
Standing Up Main Theme
77 bpm • C Maj • 04:17 • -13.4db
12% Popularity • 8% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Joel McNeely
Flight Through Never land
76 bpm • C Maj • 02:41 • -15db
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
► Preview
Alexandra Harwood
James
76 bpm • G# Maj • 01:03 • -13.21db
19% Popularity • 10% Danceability • 26% Energy • 16% Liveness
83% Instrumentalness • 4% Positiveness
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The Mountain