Songs like The Music Played - 2019 Stereo Remix by Matt Monro
Based on a tempo of (+/- 10%) and a similar genre
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Malcolm Vaughan
My Special Angel
81 bpm • G min • 02:46 • -11db
38% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Al Martino
Till
81 bpm • C Maj • 03:00 • -12.28db
29% Popularity • 26% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 26% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Vic Dana
A Million And One
81 bpm • C Maj • 02:29 • -11.76db
37% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Monro
The Music Played - 2019 Stereo Remix
81 bpm • F# min • 03:21 • -12.39db
34% Popularity • 39% Danceability • 39% Energy • 61% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 39% Danceability • 39% Energy • 61% Liveness
0% Instrumentalness • 36% Positiveness
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Eddie Fisher
I'm Walking Behind You
81 bpm • D Maj • 03:06 • -6.61db
21% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Victor Wood
Mr. Lonely
81 bpm • E Maj • 02:49 • -10.13db
47% Popularity • 36% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 36% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Anita Bryant
Have I Told You Lately That I Love You?
81 bpm • G# Maj • 03:08 • -20.85db
19% Popularity • 28% Danceability • 8% Energy • 32% Liveness
1% Instrumentalness • 25% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 32% Liveness
1% Instrumentalness • 25% Positiveness
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Morris Albert
Feelings
80 bpm • E min • 03:44 • -8.97db
56% Popularity • 39% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 39% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Vic Dana
Love Is All We Need
81 bpm • A# Maj • 02:24 • -10.98db
29% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Monro
Alguien Canto (The Music Played)
82 bpm • F# min • 03:17 • -10.5db
47% Popularity • 39% Danceability • 36% Energy • 32% Liveness
1% Instrumentalness • 36% Positiveness
47% Popularity • 39% Danceability • 36% Energy • 32% Liveness
1% Instrumentalness • 36% Positiveness
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The Four Aces
Love is a Many Splendored Thing
82 bpm • D Maj • 02:58 • -10db
30% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Sandpipers
Softly As I Leave You
82 bpm • C Maj • 03:01 • -19.08db
40% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ray Peterson
Wedding Day
80 bpm • F Maj • 02:13 • -9.36db
43% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Cliff Richard, Norrie Paramor And His Orchestra
Carnival - 2008 Remaster
80 bpm • A min • 03:06 • -9.13db
11% Popularity • 40% Danceability • 45% Energy • 11% Liveness
19% Instrumentalness • 19% Positiveness
11% Popularity • 40% Danceability • 45% Energy • 11% Liveness
19% Instrumentalness • 19% Positiveness
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Malcolm Vaughan
Wait for Me (Ti Diro)
80 bpm • A# min • 02:33 • -10db
18% Popularity • 35% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 35% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Tony Christie
So Deep Is The Night
80 bpm • D# Maj • 03:38 • -10db
26% Popularity • 37% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 37% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Four Aces
A Garden in the Rain
80 bpm • C# Maj • 02:37 • -14.42db
30% Popularity • 45% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 45% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Nelson Riddle
You Will Never Grow Old
80 bpm • C Maj • 02:52 • -11.57db
27% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Wayne Newton
Shirl Girl - Remastered
80 bpm • A# Maj • 02:38 • -13.9db
34% Popularity • 51% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 51% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Tom Jones
Let It Be Me
82 bpm • F Maj • 02:59 • -10.29db
47% Popularity • 41% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 41% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Malcolm Vaughan
Chapel of the Roses
82 bpm • G Maj • 02:39 • -11db
14% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Rydell
Blue Velvet - Stereo
80 bpm • A# Maj • 02:48 • -8.16db
27% Popularity • 42% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 42% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Monro
Yesterday
82 bpm • C Maj • 02:49 • -14.51db
38% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Barbra Streisand
It Had to Be You
82 bpm • F min • 04:22 • -7db
46% Popularity • 37% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 37% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Helen Reddy
I Don't Know How To Love Him
80 bpm • D# Maj • 03:18 • -11db
44% Popularity • 27% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 27% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Eddie Peregrina
Memories of Our Dreams
80 bpm • A min • 03:06 • -4db
40% Popularity • 48% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 48% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Earl Grant
Evening Rain
80 bpm • A min • 02:41 • -16.77db
24% Popularity • 20% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 20% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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The Four Aces
A Woman in Love
83 bpm • G# Maj • 03:19 • -11.92db
34% Popularity • 24% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 24% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Matt Monro
When I Fall In Love
80 bpm • D# Maj • 03:42 • -16db
36% Popularity • 20% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
36% Popularity • 20% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Vince Hill
Edelweiss - 2017 Remaster
79 bpm • A# Maj • 03:05 • -10.84db
22% Popularity • 26% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 26% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Bobby Vee
Take Good Care Of My Baby
83 bpm • C# Maj • 02:29 • -11db
58% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Ray Charles
I Can't Stop Loving You
79 bpm • F Maj • 04:16 • -13.55db
61% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Glen Campbell
Yesterday, When I Was Young
83 bpm • D min • 03:43 • -7.37db
48% Popularity • 38% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 38% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Four Aces
Dream
83 bpm • C min • 01:45 • -23.3db
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Tommy Edwards
The Morning Side Of The Mountain
79 bpm • C Maj • 02:38 • -9db
39% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Matt Monro
Strangers In The Night - Remastered 2021
79 bpm • F Maj • 02:31 • -16db
44% Popularity • 40% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 40% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Vince Hill
Roses of Picardy
79 bpm • A# Maj • 02:53 • -8db
12% Popularity • 24% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 24% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Bobby Vee
It Might As Well Rain Until September
83 bpm • F Maj • 02:04 • -12db
33% Popularity • 50% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 50% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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The Seekers
Yesterday
83 bpm • A# Maj • 02:25 • -11.07db
21% Popularity • 17% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 17% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Sue Thompson
Two Of A Kind
79 bpm • A# Maj • 02:52 • -12.78db
16% Popularity • 33% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 33% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Wayne Newton
L-O-V-E - Remastered
79 bpm • A Maj • 02:48 • -12db
38% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Monro
One Day
83 bpm • D Maj • 02:59 • -12.81db
19% Popularity • 17% Danceability • 30% Energy • 45% Liveness
18% Instrumentalness • 18% Positiveness
19% Popularity • 17% Danceability • 30% Energy • 45% Liveness
18% Instrumentalness • 18% Positiveness
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Buddy Holly
True Love Ways
83 bpm • A# Maj • 02:48 • -18.74db
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
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Debbie Reynolds
Am I That Easy To Forget?
79 bpm • D# Maj • 02:21 • -14.41db
41% Popularity • 33% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 33% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Helen Reddy
You And Me Against The World
79 bpm • A Maj • 03:12 • -16db
36% Popularity • 39% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 39% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Ray Peterson
We're Old Enough to Cry
84 bpm • C Maj • 02:31 • -9.74db
19% Popularity • 47% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 47% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Perry Como
Feelings
78 bpm • E min • 03:33 • -14.6db
39% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Monro
Portrait of My Love
79 bpm • C Maj • 02:45 • -15db
45% Popularity • 27% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 27% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Marty Wilde
Sea Of Love
84 bpm • G Maj • 02:24 • -8.63db
29% Popularity • 45% Danceability • 39% Energy • 12% Liveness
10% Instrumentalness • 39% Positiveness
29% Popularity • 45% Danceability • 39% Energy • 12% Liveness
10% Instrumentalness • 39% Positiveness
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Eddie Peregrina
Together Again
78 bpm • D Maj • 02:17 • -7db
42% Popularity • 40% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 40% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Teresa Brewer
Let Me Go, Lover!
78 bpm • A Maj • 02:31 • -10.2db
31% Popularity • 56% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 56% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Jones
One Day Soon
84 bpm • F Maj • 02:38 • -12.06db
47% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Rydell
Forget Him - Bonus Track
78 bpm • D# Maj • 02:08 • -5db
40% Popularity • 51% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 51% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Matt Monro
My Way
83 bpm • C Maj • 04:12 • -13.8db
32% Popularity • 44% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
32% Popularity • 44% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Sue Thompson
Mama, don't cry at my wedding
84 bpm • D Maj • 02:17 • -12.03db
26% Popularity • 34% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 34% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Gary Puckett & The Union Gap
By the Time I Get to Phoenix
84 bpm • E min • 02:55 • -12.53db
29% Popularity • 32% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 32% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Matt Monro Junior
He Ain't Heavy He's My Brother
84 bpm • C Maj • 03:17 • -16.08db
11% Popularity • 51% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
11% Popularity • 51% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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The Sandpipers
Yesterday (Ayer)
85 bpm • D Maj • 02:24 • -18.29db
31% Popularity • 36% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 36% Positiveness
31% Popularity • 36% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 36% Positiveness
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Percy Faith
Where Is Your Heart ?
84 bpm • G Maj • 03:15 • -9.83db
24% Popularity • 22% Danceability • 36% Energy • 28% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 22% Danceability • 36% Energy • 28% Liveness
1% Instrumentalness • 16% Positiveness
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Matt Monro
For Mama
83 bpm • D min • 02:57 • -12.57db
37% Popularity • 36% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 36% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Richard Harris
My Boy
85 bpm • D Maj • 03:13 • -14db
29% Popularity • 28% Danceability • 34% Energy • 21% Liveness
6% Instrumentalness • 19% Positiveness
29% Popularity • 28% Danceability • 34% Energy • 21% Liveness
6% Instrumentalness • 19% Positiveness
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Vince Hill
Look Around (And You'll Find Me There)
85 bpm • C# Maj • 03:26 • -8.74db
27% Popularity • 30% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 30% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Goldsboro
If You Go Away
85 bpm • A min • 03:24 • -9db
36% Popularity • 37% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 37% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Malcolm Vaughan
St Therese of the Roses
85 bpm • E Maj • 02:52 • -9.76db
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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The Sandpipers
La Mer (Beyond The Sea)
85 bpm • F Maj • 02:42 • -15.15db
29% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Monro
Exodus
85 bpm • F min • 03:05 • -11.39db
15% Popularity • 26% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 26% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Vic Dana
Shangri-La
86 bpm • G# Maj • 02:06 • -9.9db
22% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Barbra Streisand
People
76 bpm • A Maj • 03:40 • -7.83db
42% Popularity • 18% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 18% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Sue Thompson
My Hero (That's What You Are)
86 bpm • B Maj • 02:16 • -11db
30% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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The Four Aces
Stranger in Paradise
86 bpm • F Maj • 02:58 • -11db
30% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
30% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
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Eddie Fisher
I'm Yours
76 bpm • D Maj • 02:48 • -4.99db
33% Popularity • 17% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 17% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Monro
If I Never Sing Another Song
86 bpm • B min • 03:48 • -13.32db
45% Popularity • 43% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 43% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Monro Junior
If I Never Sing Another Song
87 bpm • B min • 04:31 • -12.87db
34% Popularity • 54% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 54% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Vic Dana
Bring A Little Sunshine - To My Heart
87 bpm • A Maj • 02:38 • -11.32db
29% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Sue Thompson
I Can't Help It (If I'm Still In Love Wi...
87 bpm • C Maj • 02:35 • -11.16db
14% Popularity • 23% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 23% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Engelbert Humperdinck
Love Me With All Your Heart (Cuando Cali...
87 bpm • D Maj • 03:21 • -11.12db
54% Popularity • 38% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 38% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Jane Morgan
Fascination - 2024 Remastered
88 bpm • F Maj • 02:23 • -13.45db
26% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Monro
Love Story
76 bpm • G min • 03:25 • -9.83db
30% Popularity • 32% Danceability • 39% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
30% Popularity • 32% Danceability • 39% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
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Julie Rogers
Walk Away
87 bpm • G# Maj • 04:16 • -8.24db
17% Popularity • 42% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 42% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Bing Crosby
True Love
88 bpm • D# Maj • 03:06 • -13.08db
30% Popularity • 21% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 21% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Frankie Vaughan
There Must Be a Way
75 bpm • C# Maj • 02:53 • -10.51db
14% Popularity • 21% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 21% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bobby Goldsboro
Yesterday
88 bpm • C Maj • 02:40 • -11.35db
36% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Tommy Edwards
Now And Then There's A Fool Such As I
88 bpm • A# Maj • 02:11 • -18.72db
35% Popularity • 52% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 52% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Monro
If You Go Away
86 bpm • A min • 03:13 • -15.14db
33% Popularity • 42% Danceability • 23% Energy • 16% Liveness
2% Instrumentalness • 35% Positiveness
33% Popularity • 42% Danceability • 23% Energy • 16% Liveness
2% Instrumentalness • 35% Positiveness
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The Four Aces
And I Love Her So
88 bpm • G min • 03:24 • -9.72db
20% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Victor Wood
You Are My Destiny
74 bpm • C min • 02:46 • -9.09db
45% Popularity • 43% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 29% Positiveness
45% Popularity • 43% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 29% Positiveness
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Eddie Fisher
Outside of Heaven
88 bpm • F Maj • 02:38 • -8.59db
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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The Four Lads
No Not Much
88 bpm • G# Maj • 03:16 • -11db
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Perry Como
For the Good Times
89 bpm • D# Maj • 03:39 • -13db
43% Popularity • 33% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
43% Popularity • 33% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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Matt Monro
Somewhere
86 bpm • C# Maj • 03:29 • -14.63db
24% Popularity • 17% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 17% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Pat Boone and His Orchestra
Love Letters In The Sand
88 bpm • D# Maj • 02:19 • -18.75db
44% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Al Martino
I Love You Because
89 bpm • G# Maj • 02:43 • -12.75db
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Ray Peterson
Till Then
74 bpm • F Maj • 02:09 • -8db
34% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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B.J. Thomas
This Guy's In Love With You
89 bpm • A# Maj • 03:43 • -8db
33% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Jim Reeves
You'll Never Know
74 bpm • A# Maj • 02:52 • -19.08db
31% Popularity • 27% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 16% Positiveness
31% Popularity • 27% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 16% Positiveness
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Matt Monro
Sunrise, Sunset - Remastered 2021
76 bpm • F min • 02:57 • -18.28db
20% Popularity • 27% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 27% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Sue Thompson
Never Love Again
74 bpm • F Maj • 02:09 • -11.01db
25% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Victor Wood
Eternally
89 bpm • B Maj • 02:34 • -12.15db
46% Popularity • 72% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 72% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
