Songs like The Nearness of You by Milt Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Ray Brown
For Someone I Love
71 bpm • F min • 04:32 • -14.92db
2% Popularity • 43% Danceability • 28% Energy • 13% Liveness
71% Instrumentalness • 24% Positiveness
2% Popularity • 43% Danceability • 28% Energy • 13% Liveness
71% Instrumentalness • 24% Positiveness
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The Cannonball Adderley Quintet
Them Dirty Blues - Remastered
71 bpm • F min • 07:12 • -12.55db
15% Popularity • 57% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
15% Popularity • 57% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Milt Jackson
Save Your Love For Me - Instrumental
71 bpm • A# Maj • 04:19 • -20.78db
1% Popularity • 37% Danceability • 18% Energy • 55% Liveness
30% Instrumentalness • 28% Positiveness
1% Popularity • 37% Danceability • 18% Energy • 55% Liveness
30% Instrumentalness • 28% Positiveness
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Hank Mobley
Dam That Dream
71 bpm • A min • 06:10 • -15.73db
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
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Jan Harbeck Quartet
Lighter Shades
72 bpm • G min • 05:48 • -13db
19% Popularity • 51% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 38% Positiveness
19% Popularity • 51% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 38% Positiveness
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Mary Lou Williams
My Blue Heaven
70 bpm • F min • 03:10 • -14.62db
31% Popularity • 69% Danceability • 26% Energy • 27% Liveness
5% Instrumentalness • 62% Positiveness
31% Popularity • 69% Danceability • 26% Energy • 27% Liveness
5% Instrumentalness • 62% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
41% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
41% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Milt Jackson
The Nearness of You
71 bpm • F# Maj • 05:20 • -18.99db
20% Popularity • 34% Danceability • 18% Energy • 24% Liveness
16% Instrumentalness • 16% Positiveness
20% Popularity • 34% Danceability • 18% Energy • 24% Liveness
16% Instrumentalness • 16% Positiveness
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Red Garland Trio
'Tis Autumn
72 bpm • C min • 09:07 • -18db
42% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
42% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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Ray Brown
In A Crowd
72 bpm • C Maj • 06:02 • -16.82db
4% Popularity • 47% Danceability • 14% Energy • 10% Liveness
62% Instrumentalness • 17% Positiveness
4% Popularity • 47% Danceability • 14% Energy • 10% Liveness
62% Instrumentalness • 17% Positiveness
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Aldo Romano
Song for Ellis
72 bpm • C# min • 04:25 • -17.16db
43% Popularity • 40% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
43% Popularity • 40% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
44% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
24% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
24% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Milt Jackson
Emily
72 bpm • F Maj • 05:48 • -16.41db
2% Popularity • 14% Danceability • 3% Energy • 8% Liveness
45% Instrumentalness • 8% Positiveness
2% Popularity • 14% Danceability • 3% Energy • 8% Liveness
45% Instrumentalness • 8% Positiveness
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Kai Winding
Black Coffee
73 bpm • C Maj • 04:07 • -16.99db
30% Popularity • 63% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 30% Positiveness
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Bobby Timmons
Autumn in New York - Bonus Track
69 bpm • F Maj • 02:11 • -16.72db
41% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
41% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Hampton Hawes Trio
Easy Living
69 bpm • F min • 04:49 • -23db
27% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
27% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Lester Young
I Guess I'll Have To Change My Plan
69 bpm • G min • 09:29 • -14.38db
39% Popularity • 63% Danceability • 13% Energy • 21% Liveness
70% Instrumentalness • 26% Positiveness
39% Popularity • 63% Danceability • 13% Energy • 21% Liveness
70% Instrumentalness • 26% Positiveness
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Gene Harris/Scott Hamilton Quintet
At Last
74 bpm • F Maj • 05:09 • -19.79db
13% Popularity • 34% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
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Milt Jackson
Blues at Twilight
72 bpm • C# Maj • 06:48 • -22.43db
4% Popularity • 63% Danceability • 8% Energy • 9% Liveness
7% Instrumentalness • 37% Positiveness
4% Popularity • 63% Danceability • 8% Energy • 9% Liveness
7% Instrumentalness • 37% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Tal Farlow
Autumn In New York
75 bpm • G min • 05:03 • -21.79db
30% Popularity • 59% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
30% Popularity • 59% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Gerry Mulligan & Johnny Hodges
Shady Side
75 bpm • C Maj • 07:04 • -17.66db
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Lee Konitz Quartet
Memories Of You
68 bpm • F min • 03:10 • -16.7db
19% Popularity • 51% Danceability • 10% Energy • 12% Liveness
18% Instrumentalness • 16% Positiveness
19% Popularity • 51% Danceability • 10% Energy • 12% Liveness
18% Instrumentalness • 16% Positiveness
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John Coltrane Quartet
It's Easy To Remember
68 bpm • F min • 02:45 • -11db
62% Popularity • 51% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
62% Popularity • 51% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Milt Jackson
Soulmates
73 bpm • F Maj • 10:18 • -12.34db
0% Popularity • 47% Danceability • 36% Energy • 18% Liveness
62% Instrumentalness • 24% Positiveness
0% Popularity • 47% Danceability • 36% Energy • 18% Liveness
62% Instrumentalness • 24% Positiveness
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Earl Hines
Fantastic, That's You
68 bpm • C Maj • 04:10 • -19db
43% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
43% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
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Brad Hatfield
Slow Dance
67 bpm • F Maj • 02:24 • -23.53db
36% Popularity • 56% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
36% Popularity • 56% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Gerry Mulligan Quartet
The Nearness Of You
75 bpm • D# Maj • 02:53 • -15.44db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
39% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
39% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Sonny Criss
Summertime
75 bpm • C Maj • 04:01 • -8.06db
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
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Milt Jackson
The Masquerade Is Over
68 bpm • C# Maj • 07:15 • -16.75db
0% Popularity • 41% Danceability • 26% Energy • 12% Liveness
55% Instrumentalness • 28% Positiveness
0% Popularity • 41% Danceability • 26% Energy • 12% Liveness
55% Instrumentalness • 28% Positiveness
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David Benoit
I Remember Bill Evans
75 bpm • D# Maj • 03:31 • -22db
15% Popularity • 38% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 38% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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The Gene Harris Quartet
To You
67 bpm • D min • 05:36 • -26db
10% Popularity • 52% Danceability • 4% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
10% Popularity • 52% Danceability • 4% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Bengt Hallberg
So Long Blues
67 bpm • C min • 03:44 • -18.5db
25% Popularity • 70% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
25% Popularity • 70% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Freddy Cole
Sunday Kind Of Love
66 bpm • F min • 06:41 • -14.76db
28% Popularity • 40% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 40% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sonny Criss
We'll Be Together Again
67 bpm • C Maj • 02:59 • -14.1db
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
46% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
46% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Billy Strayhorn
Chelsea Bridge
76 bpm • G# Maj • 03:17 • -17.34db
31% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
31% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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The Gene Harris Quartet
I've Got A Feeling I'm Falling
67 bpm • F min • 06:40 • -22.59db
9% Popularity • 44% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
9% Popularity • 44% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
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John Coltrane Quartet
Say It (Over And Over Again)
66 bpm • D# Maj • 04:15 • -13.04db
58% Popularity • 49% Danceability • 12% Energy • 25% Liveness
33% Instrumentalness • 20% Positiveness
58% Popularity • 49% Danceability • 12% Energy • 25% Liveness
33% Instrumentalness • 20% Positiveness
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The Cannonball Adderley Quintet
Stars Fell On Alabama
77 bpm • A# Maj • 06:14 • -15db
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Art Tatum
Embraceable You
77 bpm • G Maj • 04:30 • -18.56db
25% Popularity • 42% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
25% Popularity • 42% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Sonny Criss
Willow Weep For Me
77 bpm • G Maj • 03:50 • -11.02db
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
34% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Lester Young
That's All
77 bpm • G min • 04:38 • -19db
23% Popularity • 46% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 28% Positiveness
23% Popularity • 46% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 28% Positiveness
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Tommy Flanagan Trio
You Go To My Head
77 bpm • D# Maj • 04:27 • -21db
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Phil Woods
Hindsight
65 bpm • G# Maj • 06:31 • -19.41db
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
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Beegie Adair
Can't Help Loving
66 bpm • C Maj • 03:41 • -18db
38% Popularity • 53% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
38% Popularity • 53% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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John Coltrane Quartet
They Say It's Wonderful
77 bpm • F# Maj • 03:02 • -17.22db
52% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
52% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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Miles Davis Quartet
You Don't Know What Love Is
65 bpm • D# Maj • 04:23 • -19.44db
24% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Sonny Rollins Quartet
Paul's Pal - Rudy Van Gelder Remaster
77 bpm • G Maj • 05:09 • -12.71db
46% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
46% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
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The Al Cohn - Zoot Sims Quintet
Awful Lonely
77 bpm • F Maj • 04:19 • -13.16db
10% Popularity • 41% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 41% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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John Lewis
I Remember Clifford
78 bpm • D# Maj • 03:30 • -28.19db
39% Popularity • 47% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
39% Popularity • 47% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
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Lou Donaldson
Play Ray
78 bpm • D# Maj • 05:31 • -17.34db
41% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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John Coltrane Quartet
You Don't Know What Love Is
65 bpm • F min • 05:11 • -12db
40% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
40% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
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Nat Adderley
Work Song
78 bpm • D# Maj • 04:12 • -18db
39% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
39% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
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Joey Alexander
For Wee Folks
78 bpm • F min • 06:28 • -20.83db
27% Popularity • 48% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
27% Popularity • 48% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Shelly Manne
Slowly
78 bpm • F min • 05:33 • -18.16db
30% Popularity • 37% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 34% Positiveness
30% Popularity • 37% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 34% Positiveness
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John Lewis
Two Lyric Pieces
78 bpm • F Maj • 06:13 • -20.35db
10% Popularity • 52% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 52% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Buddy Tate
Talk Of The Town
65 bpm • A min • 06:39 • -18.16db
15% Popularity • 55% Danceability • 9% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
15% Popularity • 55% Danceability • 9% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Nestor Torres
So In Love
78 bpm • C# Maj • 08:25 • -14.53db
24% Popularity • 34% Danceability • 31% Energy • 66% Liveness
47% Instrumentalness • 19% Positiveness
24% Popularity • 34% Danceability • 31% Energy • 66% Liveness
47% Instrumentalness • 19% Positiveness
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Teddy Wilson
Laura
78 bpm • A min • 03:30 • -17.63db
25% Popularity • 41% Danceability • 18% Energy • 15% Liveness
93% Instrumentalness • 17% Positiveness
25% Popularity • 41% Danceability • 18% Energy • 15% Liveness
93% Instrumentalness • 17% Positiveness
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Ike Quebec
Linda Flor
79 bpm • F Maj • 03:29 • -18.34db
33% Popularity • 60% Danceability • 17% Energy • 10% Liveness
66% Instrumentalness • 66% Positiveness
33% Popularity • 60% Danceability • 17% Energy • 10% Liveness
66% Instrumentalness • 66% Positiveness
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Duke Pearson
Farewell Machelle
78 bpm • C min • 02:48 • -26.67db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Johnny Hodges
Sweet Lorraine
79 bpm • F Maj • 02:04 • -16.04db
38% Popularity • 48% Danceability • 6% Energy • 19% Liveness
92% Instrumentalness • 36% Positiveness
38% Popularity • 48% Danceability • 6% Energy • 19% Liveness
92% Instrumentalness • 36% Positiveness
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Bob Berg
All The Way
79 bpm • C min • 05:35 • -15.61db
43% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
43% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Phil Woods Quartet
In Your Own Sweet Way
64 bpm • G# Maj • 08:05 • -8.88db
32% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 29% Positiveness
32% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 29% Positiveness
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Jackie McLean
Greasy
79 bpm • D# Maj • 07:25 • -14.2db
33% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Chick Corea
My One And Only Love
79 bpm • F min • 03:34 • -16.05db
49% Popularity • 41% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
49% Popularity • 41% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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John Lewis
I Can't Get Started
64 bpm • C Maj • 03:36 • -16.33db
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Milt Jackson
A Bell for Bags
79 bpm • G# Maj • 10:06 • -11.57db
0% Popularity • 51% Danceability • 46% Energy • 13% Liveness
8% Instrumentalness • 46% Positiveness
0% Popularity • 51% Danceability • 46% Energy • 13% Liveness
8% Instrumentalness • 46% Positiveness
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Billy Taylor
Willow Weep for Me
64 bpm • A# min • 03:31 • -15.48db
18% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
18% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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The Monty Alexander Trio
Feelings - Live
79 bpm • E min • 05:34 • -19db
10% Popularity • 52% Danceability • 14% Energy • 97% Liveness
90% Instrumentalness • 28% Positiveness
10% Popularity • 52% Danceability • 14% Energy • 97% Liveness
90% Instrumentalness • 28% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Sonny Clark
My Conception
63 bpm • D# Maj • 04:44 • -18db
42% Popularity • 53% Danceability • 6% Energy • 11% Liveness
72% Instrumentalness • 37% Positiveness
42% Popularity • 53% Danceability • 6% Energy • 11% Liveness
72% Instrumentalness • 37% Positiveness
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Shirley Scott
Corcovado
80 bpm • C Maj • 05:21 • -16.79db
13% Popularity • 50% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 45% Positiveness
13% Popularity • 50% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 45% Positiveness
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Milt Jackson
Afternoon In Paris
80 bpm • D min • 06:03 • -20.65db
4% Popularity • 48% Danceability • 10% Energy • 13% Liveness
28% Instrumentalness • 54% Positiveness
4% Popularity • 48% Danceability • 10% Energy • 13% Liveness
28% Instrumentalness • 54% Positiveness
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The Cannonball Adderley Quintet
Stella By Starlight
80 bpm • G min • 03:08 • -10.49db
20% Popularity • 16% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
20% Popularity • 16% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Jeremy Pelt
Little Girl Blue
80 bpm • F Maj • 07:17 • -19db
41% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
41% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
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Gathering in Jazz
The Shape of Blue
81 bpm • A# min • 03:17 • -10.35db
43% Popularity • 61% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 71% Positiveness
43% Popularity • 61% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 71% Positiveness
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Kenny Drew
Angie
63 bpm • F Maj • 05:38 • -21.85db
24% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
24% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Milt Jackson
Compassion
63 bpm • C Maj • 04:07 • -18.31db
13% Popularity • 34% Danceability • 25% Energy • 15% Liveness
40% Instrumentalness • 24% Positiveness
13% Popularity • 34% Danceability • 25% Energy • 15% Liveness
40% Instrumentalness • 24% Positiveness
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Teddy Wilson
Stompin' At The Savoy - 1956 Version
82 bpm • F# Maj • 04:09 • -16.32db
42% Popularity • 58% Danceability • 31% Energy • 12% Liveness
80% Instrumentalness • 70% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 12% Liveness
80% Instrumentalness • 70% Positiveness
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Lou Donaldson
Green Eyes
82 bpm • F min • 05:19 • -13.57db
44% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Hank Mobley
I See Your Face Before Me - Remastered
62 bpm • C min • 05:29 • -11.49db
34% Popularity • 41% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
34% Popularity • 41% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Art Farmer
I'm A Fool To Want
62 bpm • E min • 05:33 • -21.18db
38% Popularity • 41% Danceability • 2% Energy • 21% Liveness
90% Instrumentalness • 46% Positiveness
38% Popularity • 41% Danceability • 2% Energy • 21% Liveness
90% Instrumentalness • 46% Positiveness
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Don Byas
Georgia On My Mind
82 bpm • F Maj • 02:52 • -12.69db
37% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
37% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
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Milt Jackson
Isn't She Lovely
80 bpm • C Maj • 04:57 • -15.46db
19% Popularity • 50% Danceability • 36% Energy • 9% Liveness
6% Instrumentalness • 51% Positiveness
19% Popularity • 50% Danceability • 36% Energy • 9% Liveness
6% Instrumentalness • 51% Positiveness
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Johnny Hodges
The Last Time I Saw Paris
82 bpm • C Maj • 02:54 • -21.43db
53% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
53% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
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Linda Presgrave
Billy
61 bpm • D min • 04:43 • -16db
10% Popularity • 33% Danceability • 10% Energy • 18% Liveness
61% Instrumentalness • 16% Positiveness
10% Popularity • 33% Danceability • 10% Energy • 18% Liveness
61% Instrumentalness • 16% Positiveness
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Sonny Clark
Somebody Loves Me
82 bpm • D min • 04:15 • -14db
31% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Lawrence Brown
Mood Indigo
61 bpm • F Maj • 04:27 • -8.04db
26% Popularity • 40% Danceability • 28% Energy • 12% Liveness
32% Instrumentalness • 8% Positiveness
26% Popularity • 40% Danceability • 28% Energy • 12% Liveness
32% Instrumentalness • 8% Positiveness
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The Gene Harris Quartet
Ahmad's Blues
83 bpm • D# Maj • 05:11 • -20.68db
16% Popularity • 44% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 25% Positiveness
16% Popularity • 44% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 25% Positiveness
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Milt Jackson
Heartstrings
81 bpm • D min • 04:57 • -19.33db
4% Popularity • 44% Danceability • 8% Energy • 21% Liveness
20% Instrumentalness • 20% Positiveness
4% Popularity • 44% Danceability • 8% Energy • 21% Liveness
20% Instrumentalness • 20% Positiveness
