Songs like The New Is In by The Morning Of
Based on a tempo of (+/- 10%) and a similar genre
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The Morning Of
The New Is In
140 bpm • C Maj • 04:17 • -5.86db
9% Popularity • 54% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 54% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Mercy Mercedes
Dr. Huxtable
140 bpm • D# Maj • 03:22 • -4.4db
13% Popularity • 60% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 60% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Bigger Lights
That Kind of Girl
140 bpm • G# Maj • 02:37 • -3.45db
10% Popularity • 64% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 64% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Every Avenue
Picture Perfect
140 bpm • E Maj • 02:55 • -2db
37% Popularity • 53% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 53% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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A Rocket To The Moon
Are You Catching My Drift Yet?
140 bpm • F# min • 04:22 • -6.97db
19% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Rookie Of The Year
Silhouettes (all eyes above)
140 bpm • C Maj • 03:15 • -6.41db
11% Popularity • 43% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 43% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Never Shout Never
Dare4distance
140 bpm • E Maj • 02:47 • -7db
37% Popularity • 53% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 53% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Mayday Parade
Three Cheers For Five Years
140 bpm • B Maj • 05:39 • -4.14db
39% Popularity • 49% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 49% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Daphne Loves Derby
Debussie
140 bpm • F# Maj • 02:30 • -10.94db
14% Popularity • 47% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 47% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Craig Owens
Products of Poverty
140 bpm • E Maj • 03:42 • -5.91db
8% Popularity • 57% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 57% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Amely
I'd Rather Be Alone
139 bpm • B Maj • 03:27 • -4.43db
12% Popularity • 48% Danceability • 90% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 48% Danceability • 90% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
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This Providence
My Beautiful Rescue
140 bpm • B Maj • 02:36 • -9.21db
36% Popularity • 56% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 56% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Cute Is What We Aim For
The Fourth Drink Instinct
141 bpm • E Maj • 04:09 • -6.15db
32% Popularity • 52% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 52% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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We Shot The Moon
Sway Your Head
139 bpm • C Maj • 03:15 • -15db
14% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sparks The Rescue
Chemistry Set
141 bpm • D min • 03:13 • -3.04db
12% Popularity • 48% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 48% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Motion City Soundtrack
It Had To Be You
142 bpm • D# Maj • 03:47 • -5.44db
35% Popularity • 45% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 45% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sing It Loud
I've Got A Feeling
142 bpm • C# Maj • 02:54 • -4.17db
14% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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The Morning Of
Bring Me Home
142 bpm • A Maj • 03:00 • -5.57db
7% Popularity • 45% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 45% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Every Avenue
There Tonight
142 bpm • D# Maj • 03:29 • -6db
30% Popularity • 58% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 58% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Cab
Take My Hand
138 bpm • A# Maj • 03:27 • -4db
36% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Self Against City
Speechless
138 bpm • F# Maj • 03:32 • -4db
9% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Scene Aesthetic
Such Great Heights
138 bpm • D Maj • 03:49 • -6.33db
14% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Making April
These Are The Nights - Original Version
138 bpm • B Maj • 03:20 • -5.69db
12% Popularity • 53% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 53% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Cady Groves
Refrain
142 bpm • E Maj • 02:43 • -8.96db
13% Popularity • 42% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 42% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Every Avenue
Saying Goodbye
138 bpm • C# Maj • 03:30 • -3db
30% Popularity • 52% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 52% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Fight Fair
Pop Rocks
142 bpm • C# Maj • 03:28 • -2.33db
18% Popularity • 62% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 62% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Farewell
War
143 bpm • D# Maj • 04:37 • -4.55db
9% Popularity • 52% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 52% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Yellowcard
With You Around - Acoustic
137 bpm • D Maj • 03:06 • -5.95db
21% Popularity • 71% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 71% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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The Friday Night Boys
Unforget You
137 bpm • D# Maj • 03:23 • -4.16db
13% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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My Favorite Highway
Getaway Car
137 bpm • D Maj • 04:17 • -4db
26% Popularity • 61% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 61% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Every Avenue
This One's A Cheap Shot
138 bpm • G Maj • 02:58 • -3.6db
14% Popularity • 54% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 54% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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The Starting Line
Hurry
137 bpm • F# Maj • 02:52 • -4.02db
25% Popularity • 51% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 51% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Waking Ashland
I Am For You
143 bpm • C min • 03:34 • -4.58db
20% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Self Against City
Ready And Willing
144 bpm • E Maj • 02:51 • -4db
14% Popularity • 53% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 53% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Number One Gun
The Best Of You And Me
144 bpm • F Maj • 03:49 • -7.63db
17% Popularity • 57% Danceability • 57% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
17% Popularity • 57% Danceability • 57% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
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Jack's Mannequin
Bruised - 2015 Remaster
136 bpm • D# Maj • 04:02 • -5db
43% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Brighten
Ready When You Are
136 bpm • G min • 03:30 • -6.15db
21% Popularity • 49% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 49% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Morning Of
The Ones That Fall Apart (Single)
136 bpm • B Maj • 03:36 • -5.63db
15% Popularity • 51% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 51% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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The Academy Is...
Summer Hair = Forever Young
136 bpm • D Maj • 03:38 • -3db
33% Popularity • 50% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Cinematic Sunrise
You Told Me You Loved Me
145 bpm • A Maj • 04:26 • -7db
22% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Acceptance
Breathless
144 bpm • F# min • 02:42 • -4.77db
26% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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We Shot The Moon
Waters Edge
145 bpm • C Maj • 02:33 • -14.67db
8% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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To Be Juliet's Secret
Wrong From The Start
145 bpm • B min • 03:26 • -6db
19% Popularity • 58% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 58% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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JamisonParker
Paper, Rock, Scissors
135 bpm • B Maj • 03:28 • -5.9db
12% Popularity • 63% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 63% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Morning Of
The World As We Know It
145 bpm • A Maj • 03:51 • -3.94db
6% Popularity • 50% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 50% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 43% Positiveness
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Every Avenue
A Story To Tell Your Friends
145 bpm • A Maj • 03:21 • -5.42db
21% Popularity • 53% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 53% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Relient K
Who I Am Hates Who I've Been - Acoustic
145 bpm • D# Maj • 03:25 • -8.35db
38% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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My Favorite Highway
Say So
145 bpm • E Maj • 03:40 • -3.38db
25% Popularity • 55% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 55% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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The Friday Night Boys
Thursday Night Pregame
145 bpm • C# Maj • 02:47 • -3.94db
11% Popularity • 62% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 62% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Mayday Parade
Jamie All Over - EP Version
135 bpm • C# Maj • 04:03 • -4.99db
29% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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This Providence
The Pursuit of Happiness: 1st Movement
135 bpm • F# Maj • 03:25 • -8.1db
10% Popularity • 54% Danceability • 76% Energy • 72% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 54% Danceability • 76% Energy • 72% Liveness
0% Instrumentalness • 30% Positiveness
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The Higher
Weapons Wired
135 bpm • B min • 04:06 • -3.18db
12% Popularity • 62% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 62% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Daphne Loves Derby
Sun
145 bpm • C# Maj • 03:17 • -6.48db
27% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Mercy Mercedes
Shiver Me Timbers
135 bpm • D# Maj • 03:19 • -4.86db
18% Popularity • 61% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 61% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Houston Calls
A Shot In The Dark
135 bpm • A Maj • 03:18 • -6db
10% Popularity • 62% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 62% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Between The Trees
Story of a Boy
135 bpm • B Maj • 04:19 • -3.42db
12% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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This Providence
Card House Dreamer
135 bpm • C Maj • 02:36 • -5.19db
20% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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A Change of Pace
Safe and Sound in Phone Lines
135 bpm • E min • 03:51 • -7.28db
25% Popularity • 46% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 46% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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The Starting Line
Bedroom Talk
135 bpm • A# Maj • 04:04 • -5db
42% Popularity • 55% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 55% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Waking Ashland
Counting The Stars
146 bpm • D# Maj • 03:41 • -5.02db
14% Popularity • 48% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 48% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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The Friday Night Boys
Molly Makeout
146 bpm • B Maj • 03:31 • -5.11db
15% Popularity • 57% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 57% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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The Morning Of
An Unseen Direction
146 bpm • F Maj • 03:28 • -4db
7% Popularity • 50% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 50% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Every Avenue
Trading Heartbeats
134 bpm • C Maj • 03:22 • -5.23db
14% Popularity • 58% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 58% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Something Corporate
Cavanaugh Park
147 bpm • B Maj • 04:18 • -7.71db
22% Popularity • 39% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 39% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The Cab
This City Is Contagious
147 bpm • D Maj • 03:36 • -3.39db
27% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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A Change of Pace
A Song the World Can Sing out Loud
147 bpm • E Maj • 03:34 • -3.95db
27% Popularity • 44% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 44% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Show Me The Skyline
May (Acoustic)
148 bpm • F# Maj • 03:35 • -5.31db
10% Popularity • 50% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 50% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Parade The Day
Growing Old
148 bpm • E Maj • 03:11 • -6db
24% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Every Avenue
For Always, Forever
148 bpm • F Maj • 03:30 • -2.3db
36% Popularity • 53% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 53% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Sparks The Rescue
Better Side Of Me
148 bpm • D Maj • 03:16 • -5db
10% Popularity • 47% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 47% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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My Favorite Highway
The Chase
148 bpm • B Maj • 04:04 • -4.73db
16% Popularity • 55% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 55% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Something Corporate
I Want To Save You
148 bpm • D# Maj • 04:22 • -6db
36% Popularity • 45% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 45% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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A Change of Pace
Take Care
148 bpm • C Maj • 03:50 • -4.49db
33% Popularity • 41% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 41% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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The Friday Night Boys
High School
148 bpm • A Maj • 03:08 • -3.82db
16% Popularity • 46% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 46% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Cinematic Sunrise
If Lilly Isn't Back By Sunset
132 bpm • G Maj • 03:05 • -5.9db
14% Popularity • 54% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
14% Popularity • 54% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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The Morning Of
What You Can't Control
132 bpm • A min • 03:00 • -5.64db
6% Popularity • 49% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 49% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Every Avenue
Where Were You
132 bpm • C Maj • 02:41 • -4.38db
40% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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The Higher
Dare
132 bpm • C Maj • 03:26 • -4.01db
10% Popularity • 63% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 63% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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We Shot The Moon
The Brightside
132 bpm • D# Maj • 02:20 • -4.47db
11% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Daphne Loves Derby
What We Have Been Waiting For
132 bpm • G# Maj • 08:14 • -4.5db
11% Popularity • 57% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 57% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Yellowcard
Life Of Leaving Home - Acoustic
149 bpm • A Maj • 03:30 • -4.44db
17% Popularity • 55% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 55% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Morning Of
Dance With Me
132 bpm • D Maj • 03:01 • -5.73db
9% Popularity • 51% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 51% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Amber Pacific
Fall Back Into My Life
149 bpm • B Maj • 03:29 • -2.56db
30% Popularity • 40% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 40% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Houston Calls
Life Won't Wait
131 bpm • G Maj • 03:09 • -4.72db
12% Popularity • 62% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 62% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Sparks The Rescue
I Swear That She's The One
131 bpm • C Maj • 03:27 • -3.23db
23% Popularity • 51% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 51% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Cute Is What We Aim For
Hollywood
150 bpm • G# min • 03:46 • -5db
26% Popularity • 49% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 49% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Bedlight for Blue Eyes
City and The Ghost
150 bpm • F Maj • 03:59 • -5.17db
13% Popularity • 45% Danceability • 94% Energy • 85% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 45% Danceability • 94% Energy • 85% Liveness
0% Instrumentalness • 34% Positiveness
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Rookie Of The Year
Liars and Battlelines
150 bpm • C Maj • 04:20 • -6.12db
15% Popularity • 35% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 35% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Higher
Rock My Body
150 bpm • C# min • 03:31 • -3db
20% Popularity • 50% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 50% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Brighten
Treasure Island
150 bpm • G# min • 02:57 • -6.27db
16% Popularity • 47% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 47% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Holiday Parade
Walking By
150 bpm • A Maj • 03:41 • -6.75db
17% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Cute Is What We Aim For
I Put the 'Metro' in Metronome
150 bpm • B Maj • 03:26 • -3.86db
27% Popularity • 54% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 54% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Mercy Mercedes
Believe It
150 bpm • A Maj • 03:43 • -4.12db
21% Popularity • 49% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 49% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
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Farewell
Start It Up
150 bpm • C# Maj • 03:36 • -2.48db
13% Popularity • 44% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 44% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Yellowcard
Be The Young - Acoustic
150 bpm • B Maj • 03:59 • -5.19db
18% Popularity • 47% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 47% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Brighten
The Better Way
130 bpm • G# Maj • 03:48 • -5.75db
17% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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Tonight Alive
Sure As Hell
130 bpm • C# Maj • 03:06 • -4.91db
25% Popularity • 62% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 62% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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There For Tomorrow
Remember When (Used To Be Used To It)
130 bpm • C# Maj • 03:53 • -5.61db
22% Popularity • 45% Danceability • 80% Energy • 44% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 45% Danceability • 80% Energy • 44% Liveness
0% Instrumentalness • 69% Positiveness
