Songs like The New Technology (B) by Keith Mansfield
Based on a tempo of (+/- 10%) and a similar genre
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Duncan Lamont
Sunny Side Up
112 bpm • D min • 02:50 • -16.71db
15% Popularity • 65% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 56% Positiveness
15% Popularity • 65% Danceability • 19% Energy • 6% Liveness
85% Instrumentalness • 56% Positiveness
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Dave Hamilton
The Sweeter The Juice
112 bpm • C Maj • 03:15 • -3.66db
10% Popularity • 58% Danceability • 62% Energy • 12% Liveness
5% Instrumentalness • 49% Positiveness
10% Popularity • 58% Danceability • 62% Energy • 12% Liveness
5% Instrumentalness • 49% Positiveness
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Pierre Cavalli
Tempo In Tempo
112 bpm • A Maj • 02:48 • -12db
34% Popularity • 50% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
34% Popularity • 50% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
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Alan Tew
White Elephant Walk
112 bpm • A# min • 01:25 • -22.76db
35% Popularity • 85% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 75% Positiveness
35% Popularity • 85% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 75% Positiveness
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Neil Richardson
Prestige Production
112 bpm • F min • 02:08 • -10.39db
33% Popularity • 40% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 90% Positiveness
33% Popularity • 40% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 90% Positiveness
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Alessandro Alessandroni
Jazz Whistler
112 bpm • G# Maj • 02:45 • -10.11db
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
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Janko Nilovic
Soul Impressions
112 bpm • C Maj • 03:23 • -8db
34% Popularity • 67% Danceability • 62% Energy • 5% Liveness
82% Instrumentalness • 63% Positiveness
34% Popularity • 67% Danceability • 62% Energy • 5% Liveness
82% Instrumentalness • 63% Positiveness
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Jean-Pierre Mirouze
Sexopolis
112 bpm • G min • 04:42 • -4.59db
34% Popularity • 50% Danceability • 71% Energy • 19% Liveness
92% Instrumentalness • 51% Positiveness
34% Popularity • 50% Danceability • 71% Energy • 19% Liveness
92% Instrumentalness • 51% Positiveness
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COUNT BUFFALO & THE JAZZ ROCK BAND
Mago-uta
113 bpm • E min • 03:45 • -11db
14% Popularity • 44% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 44% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Johnny Pearson
Assault Course
113 bpm • A# min • 04:29 • -11.21db
16% Popularity • 59% Danceability • 51% Energy • 14% Liveness
19% Instrumentalness • 92% Positiveness
16% Popularity • 59% Danceability • 51% Energy • 14% Liveness
19% Instrumentalness • 92% Positiveness
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Neil Richardson
The Riviera Affair
113 bpm • C min • 01:34 • -9.41db
38% Popularity • 41% Danceability • 61% Energy • 8% Liveness
83% Instrumentalness • 92% Positiveness
38% Popularity • 41% Danceability • 61% Energy • 8% Liveness
83% Instrumentalness • 92% Positiveness
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Sven Libaek
Nature Waltz
111 bpm • A min • 02:31 • -14.89db
17% Popularity • 52% Danceability • 28% Energy • 26% Liveness
90% Instrumentalness • 47% Positiveness
17% Popularity • 52% Danceability • 28% Energy • 26% Liveness
90% Instrumentalness • 47% Positiveness
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Alessandro Alessandroni
Foggy Town
113 bpm • C Maj • 03:02 • -11.41db
42% Popularity • 60% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
42% Popularity • 60% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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David McCallum
Michelle
114 bpm • D min • 02:32 • -10.46db
22% Popularity • 46% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
22% Popularity • 46% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Augusto Martelli
Mood
110 bpm • G# Maj • 02:59 • -17db
15% Popularity • 75% Danceability • 38% Energy • 7% Liveness
68% Instrumentalness • 78% Positiveness
15% Popularity • 75% Danceability • 38% Energy • 7% Liveness
68% Instrumentalness • 78% Positiveness
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John Cameron
Survival
114 bpm • E min • 02:54 • -13.56db
8% Popularity • 59% Danceability • 55% Energy • 17% Liveness
90% Instrumentalness • 90% Positiveness
8% Popularity • 59% Danceability • 55% Energy • 17% Liveness
90% Instrumentalness • 90% Positiveness
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Keith Mansfield
Summer in Debrovnick
114 bpm • A min • 02:37 • -8.32db
8% Popularity • 50% Danceability • 58% Energy • 36% Liveness
92% Instrumentalness • 39% Positiveness
8% Popularity • 50% Danceability • 58% Energy • 36% Liveness
92% Instrumentalness • 39% Positiveness
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Sven Libaek
Start Growing Up Now - Instrumental
111 bpm • G min • 04:08 • -13.43db
16% Popularity • 42% Danceability • 53% Energy • 11% Liveness
72% Instrumentalness • 65% Positiveness
16% Popularity • 42% Danceability • 53% Energy • 11% Liveness
72% Instrumentalness • 65% Positiveness
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James Clarke
On the Scent
114 bpm • A Maj • 01:58 • -27.21db
17% Popularity • 35% Danceability • 18% Energy • 7% Liveness
57% Instrumentalness • 27% Positiveness
17% Popularity • 35% Danceability • 18% Energy • 7% Liveness
57% Instrumentalness • 27% Positiveness
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Yusef Lateef
Eastern Market
114 bpm • F min • 04:19 • -11.04db
26% Popularity • 55% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 55% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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David McCallum
The Far Side Of The Moon
114 bpm • C min • 02:30 • -10.23db
13% Popularity • 54% Danceability • 37% Energy • 13% Liveness
4% Instrumentalness • 33% Positiveness
13% Popularity • 54% Danceability • 37% Energy • 13% Liveness
4% Instrumentalness • 33% Positiveness
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The Dave Pell Singers
Oh Calcutta
110 bpm • C# min • 02:22 • -12db
13% Popularity • 47% Danceability • 74% Energy • 9% Liveness
55% Instrumentalness • 33% Positiveness
13% Popularity • 47% Danceability • 74% Energy • 9% Liveness
55% Instrumentalness • 33% Positiveness
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John Fiddy
Taste for Living
110 bpm • C Maj • 03:33 • -14.36db
19% Popularity • 57% Danceability • 56% Energy • 9% Liveness
76% Instrumentalness • 62% Positiveness
19% Popularity • 57% Danceability • 56% Energy • 9% Liveness
76% Instrumentalness • 62% Positiveness
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Stringtronics
Dawn Mists
114 bpm • D min • 03:30 • -20.92db
20% Popularity • 24% Danceability • 11% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
20% Popularity • 24% Danceability • 11% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
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Quincy Jones
Go Down Dying
114 bpm • G Maj • 04:12 • -15.59db
13% Popularity • 58% Danceability • 50% Energy • 8% Liveness
81% Instrumentalness • 51% Positiveness
13% Popularity • 58% Danceability • 50% Energy • 8% Liveness
81% Instrumentalness • 51% Positiveness
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Martin Denny
Quiet Village - Original Mono Version
114 bpm • D min • 03:40 • -8.92db
28% Popularity • 82% Danceability • 48% Energy • 23% Liveness
12% Instrumentalness • 30% Positiveness
28% Popularity • 82% Danceability • 48% Energy • 23% Liveness
12% Instrumentalness • 30% Positiveness
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François de Roubaix
Opération FR1
114 bpm • G min • 03:05 • -13.93db
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Keith Mansfield
Exclusive Blend
114 bpm • F min • 03:24 • -8db
25% Popularity • 60% Danceability • 77% Energy • 17% Liveness
83% Instrumentalness • 72% Positiveness
25% Popularity • 60% Danceability • 77% Energy • 17% Liveness
83% Instrumentalness • 72% Positiveness
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Alan Parker
That's What Friends Are For
115 bpm • D Maj • 02:58 • -14db
29% Popularity • 68% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
29% Popularity • 68% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
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James Clarke
Soft Memories
115 bpm • B min • 02:00 • -14.06db
35% Popularity • 72% Danceability • 48% Energy • 18% Liveness
86% Instrumentalness • 64% Positiveness
35% Popularity • 72% Danceability • 48% Energy • 18% Liveness
86% Instrumentalness • 64% Positiveness
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Stefano Torossi
Flying high
109 bpm • B min • 03:40 • -15db
25% Popularity • 51% Danceability • 52% Energy • 5% Liveness
76% Instrumentalness • 80% Positiveness
25% Popularity • 51% Danceability • 52% Energy • 5% Liveness
76% Instrumentalness • 80% Positiveness
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I Marc 4
Sweet-Beat
109 bpm • F# Maj • 02:19 • -11db
35% Popularity • 72% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
35% Popularity • 72% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
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Syd Dale
Artful Dodger
109 bpm • G min • 02:37 • -4.68db
10% Popularity • 35% Danceability • 84% Energy • 34% Liveness
2% Instrumentalness • 79% Positiveness
10% Popularity • 35% Danceability • 84% Energy • 34% Liveness
2% Instrumentalness • 79% Positiveness
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Keith Mansfield
Funky Chase
109 bpm • A# Maj • 01:14 • -12.01db
12% Popularity • 51% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 13% Positiveness
12% Popularity • 51% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 13% Positiveness
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Bobbi Humphrey
It's Too Late
109 bpm • F Maj • 03:08 • -12.64db
26% Popularity • 72% Danceability • 50% Energy • 7% Liveness
82% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 50% Energy • 7% Liveness
82% Instrumentalness • 75% Positiveness
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Young-Holt Unlimited
Light My Fire
115 bpm • F# Maj • 02:43 • -11.38db
24% Popularity • 67% Danceability • 59% Energy • 8% Liveness
35% Instrumentalness • 82% Positiveness
24% Popularity • 67% Danceability • 59% Energy • 8% Liveness
35% Instrumentalness • 82% Positiveness
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Nora Orlandi
The Magic Touch
109 bpm • D# Maj • 03:54 • -15db
14% Popularity • 64% Danceability • 69% Energy • 27% Liveness
80% Instrumentalness • 96% Positiveness
14% Popularity • 64% Danceability • 69% Energy • 27% Liveness
80% Instrumentalness • 96% Positiveness
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Graham De Wilde
Cirrus
109 bpm • C# Maj • 06:19 • -9.27db
27% Popularity • 45% Danceability • 68% Energy • 28% Liveness
53% Instrumentalness • 29% Positiveness
27% Popularity • 45% Danceability • 68% Energy • 28% Liveness
53% Instrumentalness • 29% Positiveness
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Syd Dale
Perfume from Panama
109 bpm • G Maj • 02:36 • -13.72db
30% Popularity • 46% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 65% Positiveness
30% Popularity • 46% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 65% Positiveness
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Keith Mansfield
Je Reviens
115 bpm • G min • 03:07 • -18.1db
16% Popularity • 72% Danceability • 16% Energy • 11% Liveness
52% Instrumentalness • 67% Positiveness
16% Popularity • 72% Danceability • 16% Energy • 11% Liveness
52% Instrumentalness • 67% Positiveness
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Karl-Heinz Schäfer
La Victime
109 bpm • G Maj • 03:39 • -14.43db
19% Popularity • 31% Danceability • 42% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
19% Popularity • 31% Danceability • 42% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
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Alan Moorhouse
Heavy Bopper
115 bpm • G Maj • 02:35 • -10.14db
12% Popularity • 63% Danceability • 84% Energy • 6% Liveness
76% Instrumentalness • 96% Positiveness
12% Popularity • 63% Danceability • 84% Energy • 6% Liveness
76% Instrumentalness • 96% Positiveness
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Stefano Torossi
Going home
115 bpm • G Maj • 02:49 • -10.73db
17% Popularity • 51% Danceability • 76% Energy • 12% Liveness
36% Instrumentalness • 60% Positiveness
17% Popularity • 51% Danceability • 76% Energy • 12% Liveness
36% Instrumentalness • 60% Positiveness
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David McCallum
Final
109 bpm • F Maj • 03:12 • -10.16db
21% Popularity • 58% Danceability • 58% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
21% Popularity • 58% Danceability • 58% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
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Alan Tew
The Detectives (Long Version)
108 bpm • B min • 02:30 • -15.09db
19% Popularity • 64% Danceability • 49% Energy • 13% Liveness
89% Instrumentalness • 54% Positiveness
19% Popularity • 64% Danceability • 49% Energy • 13% Liveness
89% Instrumentalness • 54% Positiveness
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Billy May & His Orchestra
The Odd Couple
109 bpm • E Maj • 02:17 • -17db
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
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Sven Libaek
Sounds of the Deep
108 bpm • A min • 04:00 • -17db
23% Popularity • 68% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 71% Positiveness
23% Popularity • 68% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 71% Positiveness
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Lesiman
Playcar
108 bpm • C# Maj • 02:22 • -13db
14% Popularity • 53% Danceability • 40% Energy • 10% Liveness
74% Instrumentalness • 82% Positiveness
14% Popularity • 53% Danceability • 40% Energy • 10% Liveness
74% Instrumentalness • 82% Positiveness
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Stefano Torossi
Having fun
116 bpm • D min • 04:03 • -14db
23% Popularity • 48% Danceability • 59% Energy • 13% Liveness
29% Instrumentalness • 64% Positiveness
23% Popularity • 48% Danceability • 59% Energy • 13% Liveness
29% Instrumentalness • 64% Positiveness
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Roy Budd
The Cat
108 bpm • F Maj • 01:55 • -11.31db
12% Popularity • 53% Danceability • 85% Energy • 12% Liveness
91% Instrumentalness • 69% Positiveness
12% Popularity • 53% Danceability • 85% Energy • 12% Liveness
91% Instrumentalness • 69% Positiveness
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Duncan Lamont
Funky Express (re-edit)
108 bpm • A# Maj • 03:15 • -13.88db
21% Popularity • 85% Danceability • 78% Energy • 7% Liveness
80% Instrumentalness • 81% Positiveness
21% Popularity • 85% Danceability • 78% Energy • 7% Liveness
80% Instrumentalness • 81% Positiveness
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Jean-Claude Petit
Skyway
108 bpm • D min • 03:20 • -8.78db
11% Popularity • 56% Danceability • 73% Energy • 7% Liveness
70% Instrumentalness • 49% Positiveness
11% Popularity • 56% Danceability • 73% Energy • 7% Liveness
70% Instrumentalness • 49% Positiveness
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Tom Scott
Today
108 bpm • D min • 03:22 • -9.46db
32% Popularity • 47% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 47% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Alan Tew
The Detectives (Short Version)
108 bpm • E min • 01:32 • -12.86db
15% Popularity • 63% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 51% Positiveness
15% Popularity • 63% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 51% Positiveness
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Keith Mansfield
Slow Rocker
108 bpm • G# Maj • 02:44 • -8.27db
10% Popularity • 58% Danceability • 62% Energy • 12% Liveness
74% Instrumentalness • 74% Positiveness
10% Popularity • 58% Danceability • 62% Energy • 12% Liveness
74% Instrumentalness • 74% Positiveness
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David Lindup
Excitement Personified
116 bpm • F Maj • 02:25 • -4.36db
8% Popularity • 61% Danceability • 84% Energy • 12% Liveness
91% Instrumentalness • 65% Positiveness
8% Popularity • 61% Danceability • 84% Energy • 12% Liveness
91% Instrumentalness • 65% Positiveness
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Nino Nardini
Brutus Drum
107 bpm • F min • 02:14 • -11db
12% Popularity • 66% Danceability • 79% Energy • 16% Liveness
91% Instrumentalness • 93% Positiveness
12% Popularity • 66% Danceability • 79% Energy • 16% Liveness
91% Instrumentalness • 93% Positiveness
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ã‚»ã‚トオ・シゲオ
サマータイãƒ
107 bpm • A# min • 06:12 • -8.25db
34% Popularity • 70% Danceability • 64% Energy • 6% Liveness
69% Instrumentalness • 69% Positiveness
34% Popularity • 70% Danceability • 64% Energy • 6% Liveness
69% Instrumentalness • 69% Positiveness
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DALY-WILSON BIG BAND
Dirty Feet
107 bpm • F min • 03:32 • -7.58db
15% Popularity • 62% Danceability • 69% Energy • 3% Liveness
29% Instrumentalness • 71% Positiveness
15% Popularity • 62% Danceability • 69% Energy • 3% Liveness
29% Instrumentalness • 71% Positiveness
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Alan Hawkshaw
Studio 69
106 bpm • F min • 01:54 • -11.47db
24% Popularity • 62% Danceability • 64% Energy • 28% Liveness
1% Instrumentalness • 96% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 28% Liveness
1% Instrumentalness • 96% Positiveness
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Keith Mansfield
Before Summer Ends
108 bpm • E Maj • 06:30 • -13.03db
21% Popularity • 36% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 10% Positiveness
21% Popularity • 36% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 10% Positiveness
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Alessandro Alessandroni
Fields of Flowers
107 bpm • D# Maj • 01:32 • -11.74db
30% Popularity • 75% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
30% Popularity • 75% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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George Semper
Universe
106 bpm • B min • 01:21 • -10.52db
42% Popularity • 56% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
42% Popularity • 56% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
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The Moog Machine
Aquarius / Let the Sunshine In
118 bpm • C Maj • 03:14 • -10.73db
8% Popularity • 39% Danceability • 55% Energy • 23% Liveness
39% Instrumentalness • 52% Positiveness
8% Popularity • 39% Danceability • 55% Energy • 23% Liveness
39% Instrumentalness • 52% Positiveness
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Reg Tilsley
Hold the Road
106 bpm • F min • 02:28 • -9.61db
10% Popularity • 46% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 46% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
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Janko Nilovic
To and Fro
106 bpm • F Maj • 01:57 • -6.48db
33% Popularity • 48% Danceability • 62% Energy • 19% Liveness
67% Instrumentalness • 72% Positiveness
33% Popularity • 48% Danceability • 62% Energy • 19% Liveness
67% Instrumentalness • 72% Positiveness
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Keith Mansfield
Summer Setting
107 bpm • G min • 02:05 • -14.46db
11% Popularity • 22% Danceability • 39% Energy • 20% Liveness
96% Instrumentalness • 30% Positiveness
11% Popularity • 22% Danceability • 39% Energy • 20% Liveness
96% Instrumentalness • 30% Positiveness
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I Marc 4
Aspettando July
118 bpm • A min • 02:37 • -17.59db
41% Popularity • 67% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
41% Popularity • 67% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Riz Ortolani
Serena e Lomunno
106 bpm • C Maj • 02:49 • -17db
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
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David Axelrod
Urizen
118 bpm • A# min • 04:03 • -11.78db
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
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Alan Parker
Unlimited Love
118 bpm • B min • 02:09 • -12db
28% Popularity • 54% Danceability • 80% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
28% Popularity • 54% Danceability • 80% Energy • 6% Liveness
78% Instrumentalness • 96% Positiveness
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Alberto Baldan Bembo
Mubu
106 bpm • A min • 01:52 • -8.19db
42% Popularity • 39% Danceability • 72% Energy • 25% Liveness
93% Instrumentalness • 67% Positiveness
42% Popularity • 39% Danceability • 72% Energy • 25% Liveness
93% Instrumentalness • 67% Positiveness
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Keith Mansfield
Beach Barbeque
119 bpm • G Maj • 02:37 • -3.5db
13% Popularity • 45% Danceability • 84% Energy • 10% Liveness
4% Instrumentalness • 51% Positiveness
13% Popularity • 45% Danceability • 84% Energy • 10% Liveness
4% Instrumentalness • 51% Positiveness
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Pierre Cavalli
Possarinhos
106 bpm • D min • 02:29 • -13.21db
48% Popularity • 69% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
48% Popularity • 69% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
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Quincy Jones
Shady Lady
105 bpm • A min • 01:06 • -19.1db
25% Popularity • 67% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 49% Positiveness
25% Popularity • 67% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 49% Positiveness
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Giuliano Sorgini
Ciclo continuo
119 bpm • B Maj • 02:57 • -9.69db
18% Popularity • 58% Danceability • 90% Energy • 7% Liveness
90% Instrumentalness • 81% Positiveness
18% Popularity • 58% Danceability • 90% Energy • 7% Liveness
90% Instrumentalness • 81% Positiveness
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David Axelrod
Song Of Innocence
105 bpm • G Maj • 04:34 • -12db
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
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James Clarke
Car Patrol Title Sequence
105 bpm • F Maj • 02:42 • -18.34db
20% Popularity • 64% Danceability • 51% Energy • 10% Liveness
94% Instrumentalness • 90% Positiveness
20% Popularity • 64% Danceability • 51% Energy • 10% Liveness
94% Instrumentalness • 90% Positiveness
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Keith Mansfield
Close Shave
119 bpm • G# Maj • 02:10 • -10db
15% Popularity • 72% Danceability • 60% Energy • 6% Liveness
80% Instrumentalness • 79% Positiveness
15% Popularity • 72% Danceability • 60% Energy • 6% Liveness
80% Instrumentalness • 79% Positiveness
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Lesiman
Confronto
119 bpm • F min • 02:18 • -14.72db
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
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Pete Moore
Street Groove
105 bpm • D Maj • 03:01 • -8.09db
10% Popularity • 50% Danceability • 76% Energy • 12% Liveness
66% Instrumentalness • 91% Positiveness
10% Popularity • 50% Danceability • 76% Energy • 12% Liveness
66% Instrumentalness • 91% Positiveness
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Julius Wechter
Flyin' High
105 bpm • C min • 02:13 • -14.86db
20% Popularity • 52% Danceability • 50% Energy • 21% Liveness
66% Instrumentalness • 62% Positiveness
20% Popularity • 52% Danceability • 50% Energy • 21% Liveness
66% Instrumentalness • 62% Positiveness
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Puccio Roelens
Northern Lights
105 bpm • F min • 05:18 • -19.19db
21% Popularity • 68% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 88% Positiveness
21% Popularity • 68% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 88% Positiveness
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The Blues Project
Flute Thing
105 bpm • D min • 06:03 • -13.83db
28% Popularity • 48% Danceability • 41% Energy • 10% Liveness
70% Instrumentalness • 63% Positiveness
28% Popularity • 48% Danceability • 41% Energy • 10% Liveness
70% Instrumentalness • 63% Positiveness
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John Fiddy
Sports Roundup
120 bpm • F Maj • 02:20 • -4db
13% Popularity • 75% Danceability • 78% Energy • 6% Liveness
87% Instrumentalness • 69% Positiveness
13% Popularity • 75% Danceability • 78% Energy • 6% Liveness
87% Instrumentalness • 69% Positiveness
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Nick Ingman
Throng
120 bpm • A min • 03:02 • -11.88db
17% Popularity • 50% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 50% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Bernard Lubat
Aubergine Time
104 bpm • C# Maj • 03:17 • -9.49db
13% Popularity • 79% Danceability • 69% Energy • 12% Liveness
91% Instrumentalness • 72% Positiveness
13% Popularity • 79% Danceability • 69% Energy • 12% Liveness
91% Instrumentalness • 72% Positiveness
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Alan Tew
The Fence (B)
121 bpm • C Maj • 02:13 • -25db
38% Popularity • 62% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
38% Popularity • 62% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
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Gianni Ferrio
La gabbia
104 bpm • E Maj • 02:10 • -21.21db
9% Popularity • 72% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 49% Positiveness
9% Popularity • 72% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 49% Positiveness
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Stelvio Cipriani
Sophisticated Shake
121 bpm • E min • 03:44 • -17.51db
12% Popularity • 54% Danceability • 38% Energy • 12% Liveness
87% Instrumentalness • 92% Positiveness
12% Popularity • 54% Danceability • 38% Energy • 12% Liveness
87% Instrumentalness • 92% Positiveness
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Reuben Wilson
We're In Love
104 bpm • A min • 03:29 • -12.02db
29% Popularity • 55% Danceability • 42% Energy • 8% Liveness
80% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 42% Energy • 8% Liveness
80% Instrumentalness • 56% Positiveness
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Giuliano Sorgini
Wandering man
104 bpm • D min • 03:11 • -20.05db
12% Popularity • 82% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
12% Popularity • 82% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
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Berto Pisano
Orchestra for Edda
104 bpm • C min • 03:05 • -6.32db
16% Popularity • 44% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
16% Popularity • 44% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Roy Budd
The Stone Killer Main Titles
103 bpm • D min • 03:24 • -10.8db
11% Popularity • 45% Danceability • 57% Energy • 13% Liveness
35% Instrumentalness • 11% Positiveness
11% Popularity • 45% Danceability • 57% Energy • 13% Liveness
35% Instrumentalness • 11% Positiveness
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Janko Nilovic
Crazy Enterprise
121 bpm • F min • 02:01 • -5.57db
26% Popularity • 65% Danceability • 91% Energy • 8% Liveness
24% Instrumentalness • 76% Positiveness
26% Popularity • 65% Danceability • 91% Energy • 8% Liveness
24% Instrumentalness • 76% Positiveness
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Keith Mansfield
Young Generation
121 bpm • C Maj • 02:25 • -14.3db
8% Popularity • 62% Danceability • 58% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
8% Popularity • 62% Danceability • 58% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Piero Piccioni
Easy Dreamer (Choir)
103 bpm • C min • 02:46 • -9.97db
18% Popularity • 67% Danceability • 77% Energy • 25% Liveness
77% Instrumentalness • 54% Positiveness
18% Popularity • 67% Danceability • 77% Energy • 25% Liveness
77% Instrumentalness • 54% Positiveness
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Luigi Malatesta
Bakenda Beat
122 bpm • A# Maj • 04:43 • -12.03db
9% Popularity • 55% Danceability • 61% Energy • 15% Liveness
63% Instrumentalness • 76% Positiveness
9% Popularity • 55% Danceability • 61% Energy • 15% Liveness
63% Instrumentalness • 76% Positiveness