Songs like The Notebook by Steve Hall
Based on a tempo of (+/- 10%) and a similar genre
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Steve Hall
The Notebook
118 bpm • G Maj • 03:15 • -25.83db
35% Popularity • 50% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
35% Popularity • 50% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
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Nigel Hess
On the Beach
118 bpm • D Maj • 02:33 • -34.22db
12% Popularity • 29% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
12% Popularity • 29% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Elijah Bossenbroek
On The Wings
119 bpm • G Maj • 02:45 • -19db
24% Popularity • 36% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
24% Popularity • 36% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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David Lanz
Variations On A Theme From Pachelbel's C...
117 bpm • D Maj • 09:25 • -23db
28% Popularity • 34% Danceability • 7% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
28% Popularity • 34% Danceability • 7% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Dustin O'Halloran
Pool House
119 bpm • C# Maj • 01:07 • -28.56db
27% Popularity • 35% Danceability • 6% Energy • 15% Liveness
95% Instrumentalness • 17% Positiveness
27% Popularity • 35% Danceability • 6% Energy • 15% Liveness
95% Instrumentalness • 17% Positiveness
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Jan A.P. Kaczmarek
The Park On Piano - Finding Neverland/So...
119 bpm • C Maj • 05:23 • -20.61db
34% Popularity • 38% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
34% Popularity • 38% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Serge Mazerand
Pachabel's Canon in D, Variation #2
119 bpm • D# Maj • 03:59 • -23db
31% Popularity • 29% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 29% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Marston Smith
Orinoco Flow (Enya)
117 bpm • C Maj • 04:07 • -17.68db
16% Popularity • 47% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
16% Popularity • 47% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Mary Beth Carlson
Night And Day
119 bpm • A# Maj • 03:37 • -20.08db
7% Popularity • 38% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
7% Popularity • 38% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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David Lanz
First Snow
119 bpm • G# Maj • 05:09 • -18.97db
31% Popularity • 48% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
31% Popularity • 48% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Mélanie Laurent
Début
119 bpm • C Maj • 02:40 • -30.25db
56% Popularity • 38% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
56% Popularity • 38% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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London Music Works
The Meadow
120 bpm • A min • 04:05 • -18.93db
35% Popularity • 46% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
35% Popularity • 46% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
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Rachel Portman
The Duchess
116 bpm • G Maj • 01:41 • -18db
40% Popularity • 32% Danceability • 17% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
40% Popularity • 32% Danceability • 17% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
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Marston Smith
China Roses (Enya)
119 bpm • F Maj • 03:14 • -11.52db
12% Popularity • 22% Danceability • 33% Energy • 16% Liveness
96% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 33% Energy • 16% Liveness
96% Instrumentalness • 8% Positiveness
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Brad Jacobsen
By the Banks (Loch Lomond)
116 bpm • F Maj • 03:33 • -19db
32% Popularity • 33% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
32% Popularity • 33% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
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M.S.
The Lion King: Can you Feel the Love Ton...
120 bpm • A# Maj • 04:09 • -13.74db
18% Popularity • 49% Danceability • 23% Energy • 22% Liveness
85% Instrumentalness • 22% Positiveness
18% Popularity • 49% Danceability • 23% Energy • 22% Liveness
85% Instrumentalness • 22% Positiveness
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Sean Beeson
Moondrops
120 bpm • A# Maj • 03:28 • -28.85db
14% Popularity • 58% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 22% Positiveness
14% Popularity • 58% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 22% Positiveness
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CR Smith
Beginning at the End
120 bpm • F Maj • 03:27 • -18.34db
36% Popularity • 65% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
36% Popularity • 65% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
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Alexandre Desplat
River Waltz
116 bpm • A# min • 02:22 • -24db
44% Popularity • 51% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 9% Positiveness
44% Popularity • 51% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 9% Positiveness
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Nick Laird-Clowes
Golborne Road
120 bpm • C Maj • 02:16 • -24.24db
35% Popularity • 35% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
35% Popularity • 35% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Peggy Duquesnel
An Irish Blessing
116 bpm • A# Maj • 02:59 • -22.66db
16% Popularity • 28% Danceability • 6% Energy • 16% Liveness
80% Instrumentalness • 15% Positiveness
16% Popularity • 28% Danceability • 6% Energy • 16% Liveness
80% Instrumentalness • 15% Positiveness
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Laura Sullivan
Princess Leia's Theme
116 bpm • G min • 02:37 • -19.18db
46% Popularity • 48% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
46% Popularity • 48% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Michele McLaughlin
New Light
116 bpm • C min • 02:17 • -25.28db
47% Popularity • 34% Danceability • 7% Energy • 17% Liveness
82% Instrumentalness • 32% Positiveness
47% Popularity • 34% Danceability • 7% Energy • 17% Liveness
82% Instrumentalness • 32% Positiveness
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Roberto Jonata
Universi Paralleli
121 bpm • F min • 04:40 • -26db
14% Popularity • 36% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
14% Popularity • 36% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Jan A.P. Kaczmarek
Neverland - Piano Variation In Blue - Fi...
121 bpm • C Maj • 04:29 • -22.6db
38% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
38% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
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Thad Fiscella
Wedding Song
121 bpm • A Maj • 05:03 • -18.79db
33% Popularity • 38% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
33% Popularity • 38% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Mauro Costa
A Thousand Years / Twilight Soundtrack
115 bpm • A# Maj • 03:43 • -18db
9% Popularity • 42% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
9% Popularity • 42% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Stefano Guzzetti
The Road To You
121 bpm • D min • 03:36 • -12.65db
27% Popularity • 36% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
27% Popularity • 36% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Michele McLaughlin
Scarborough Fair
115 bpm • A min • 02:15 • -21.93db
37% Popularity • 41% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 60% Positiveness
37% Popularity • 41% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 60% Positiveness
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Dustin O'Halloran
Arrivals n.2
121 bpm • A# Maj • 01:54 • -16.1db
26% Popularity • 32% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 32% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Neverland - Minor Piano Variation - Find...
121 bpm • C Maj • 03:39 • -24.61db
24% Popularity • 42% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
24% Popularity • 42% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
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Philip Wesley
New Day
115 bpm • A Maj • 03:45 • -20.92db
34% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
34% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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Steve Hall
A Time To Say Goodbye - Con Te Partiro
115 bpm • G Maj • 04:08 • -17.94db
16% Popularity • 25% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
16% Popularity • 25% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
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Patrick Doyle
Weep You No More, Sad Fountains
115 bpm • D# Maj • 02:26 • -19.06db
28% Popularity • 37% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
28% Popularity • 37% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Eric Rigler
The Secret Garden
115 bpm • C min • 03:32 • -17.18db
18% Popularity • 46% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
18% Popularity • 46% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Rachel Currea
Dragonflies
122 bpm • B min • 05:17 • -26.29db
19% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
19% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Gavin Greenaway
Smoke
122 bpm • A Maj • 05:27 • -23.07db
29% Popularity • 33% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
29% Popularity • 33% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Steve Donovan
Singin' In The Rain
114 bpm • D# Maj • 04:16 • -15.5db
21% Popularity • 56% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 30% Positiveness
21% Popularity • 56% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 30% Positiveness
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Jon Schmidt
The Fishing Stream
122 bpm • G# Maj • 03:41 • -13.43db
21% Popularity • 46% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
21% Popularity • 46% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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Attila Fias
Schindler's List - Piano Instrumental
114 bpm • G min • 03:54 • -19.49db
32% Popularity • 50% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
32% Popularity • 50% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
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John Fluker
A Time Before
114 bpm • C min • 04:40 • -18.15db
14% Popularity • 47% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
14% Popularity • 47% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Oscar Sundberg
Homebound
122 bpm • G# Maj • 02:57 • -18.87db
17% Popularity • 26% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 26% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Mary Beth Carlson
Sometimes/Vivaldi Interlude
114 bpm • C Maj • 04:19 • -18.57db
8% Popularity • 48% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 11% Positiveness
8% Popularity • 48% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 11% Positiveness
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Steve Donovan
A Day Without Rain
122 bpm • F Maj • 04:14 • -22.94db
9% Popularity • 54% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
9% Popularity • 54% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Roberto Jonata
Il Volo
123 bpm • D Maj • 05:13 • -21.04db
19% Popularity • 23% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
19% Popularity • 23% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Jan A.P. Kaczmarek
The Play And The Flight - Finding Neverl...
114 bpm • C Maj • 01:21 • -16.37db
35% Popularity • 29% Danceability • 14% Energy • 24% Liveness
63% Instrumentalness • 7% Positiveness
35% Popularity • 29% Danceability • 14% Energy • 24% Liveness
63% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Madison
113 bpm • B min • 03:00 • -26.18db
29% Popularity • 28% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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ピアノ
ショパン - Nocturne
113 bpm • A# Maj • 01:20 • -23.33db
39% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
39% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Brad Jacobsen
The Arrow & the Song
124 bpm • G Maj • 03:34 • -19.92db
19% Popularity • 31% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
19% Popularity • 31% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Steve Hall
Anywhere The Heart Goes
112 bpm • E min • 03:21 • -19.54db
23% Popularity • 44% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
23% Popularity • 44% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Peggy Duquesnel
I Can See Clearly Now
124 bpm • A Maj • 04:03 • -15.06db
11% Popularity • 54% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
11% Popularity • 54% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Mark Northam
Forrest Gump: Opening Theme
124 bpm • D Maj • 02:26 • -22db
28% Popularity • 47% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
28% Popularity • 47% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Patrick Doyle
Estella
125 bpm • F Maj • 03:37 • -22.5db
20% Popularity • 36% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
20% Popularity • 36% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Michele McLaughlin
Out of the Darkness
112 bpm • C Maj • 04:00 • -21.18db
27% Popularity • 26% Danceability • 19% Energy • 21% Liveness
86% Instrumentalness • 24% Positiveness
27% Popularity • 26% Danceability • 19% Energy • 21% Liveness
86% Instrumentalness • 24% Positiveness
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Louis Landon
The Painter
125 bpm • G min • 03:14 • -21.55db
43% Popularity • 33% Danceability • 15% Energy • 16% Liveness
93% Instrumentalness • 8% Positiveness
43% Popularity • 33% Danceability • 15% Energy • 16% Liveness
93% Instrumentalness • 8% Positiveness
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Steve Hall
I Believe / The Impossible Dream
112 bpm • C Maj • 04:23 • -17.65db
11% Popularity • 43% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
11% Popularity • 43% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Black Elk
Intro
111 bpm • F min • 01:38 • -19.64db
47% Popularity • 40% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 40% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Secret Garden
Song From A Secret Garden - Piano And Vi...
126 bpm • C min • 03:19 • -15.88db
31% Popularity • 31% Danceability • 18% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 18% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
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Mary Beth Carlson
Can't Help Falling In Love
110 bpm • F Maj • 04:04 • -21.01db
26% Popularity • 43% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
26% Popularity • 43% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Jan A.P. Kaczmarek
At Home
126 bpm • A min • 01:35 • -30.8db
46% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
46% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
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Dirk Maassen
La Mer
110 bpm • A min • 04:30 • -21.2db
38% Popularity • 43% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
38% Popularity • 43% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Steve Hall
Forrest Gump Suite
126 bpm • A min • 04:40 • -17.57db
14% Popularity • 44% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
14% Popularity • 44% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Fabrizio Paterlini
Soffia la notte
110 bpm • E min • 03:24 • -16.08db
52% Popularity • 30% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
52% Popularity • 30% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
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Chad Lawson
Preludium in C Major (Variation) - J.S. ...
126 bpm • C Maj • 04:10 • -32.14db
27% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
27% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Peggy Duquesnel
Divine Light
110 bpm • A Maj • 04:04 • -17db
15% Popularity • 40% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
15% Popularity • 40% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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David Lanz
Norwegian Rain
127 bpm • A min • 03:43 • -17.4db
41% Popularity • 40% Danceability • 22% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 40% Danceability • 22% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Roy Todd
Hope Springs
110 bpm • C Maj • 05:18 • -23.52db
14% Popularity • 49% Danceability • 2% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
14% Popularity • 49% Danceability • 2% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
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Steve Hall
Memory
127 bpm • A# Maj • 03:55 • -22.47db
17% Popularity • 32% Danceability • 5% Energy • 14% Liveness
79% Instrumentalness • 8% Positiveness
17% Popularity • 32% Danceability • 5% Energy • 14% Liveness
79% Instrumentalness • 8% Positiveness
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Keith Martinson
Till There Was You
110 bpm • D Maj • 02:32 • -22db
32% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
32% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
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Thad Fiscella
Orchard Skies
110 bpm • C# min • 04:50 • -20.01db
17% Popularity • 46% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
17% Popularity • 46% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Isisip
My Lonely Road
127 bpm • F min • 02:35 • -15.03db
18% Popularity • 36% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 30% Positiveness
18% Popularity • 36% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 30% Positiveness
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Michele McLaughlin
For The Lambs
110 bpm • C Maj • 03:04 • -19.63db
42% Popularity • 35% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
42% Popularity • 35% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
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David Patt
Desperado
127 bpm • G Maj • 03:41 • -22.44db
21% Popularity • 39% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
21% Popularity • 39% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Steve Hall
Will You Still Love Me Tomorrow
110 bpm • C Maj • 04:14 • -18.42db
20% Popularity • 54% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
20% Popularity • 54% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Steven C
On Golden Pond
127 bpm • G Maj • 04:26 • -23.09db
30% Popularity • 41% Danceability • 15% Energy • 40% Liveness
54% Instrumentalness • 35% Positiveness
30% Popularity • 41% Danceability • 15% Energy • 40% Liveness
54% Instrumentalness • 35% Positiveness
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Solomon Keal
Surrender
109 bpm • A min • 05:48 • -19db
31% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
31% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
41% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Chemayne
Ballad for Adeline
128 bpm • C Maj • 03:35 • -20db
36% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
36% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Tim Neumark
City of Courage
128 bpm • A min • 07:49 • -20.88db
14% Popularity • 32% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
14% Popularity • 32% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Steve Hall
If
110 bpm • A Maj • 04:19 • -26db
20% Popularity • 45% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
20% Popularity • 45% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Jennifer Thomas
A Beautiful Storm
128 bpm • D min • 03:29 • -16.53db
24% Popularity • 30% Danceability • 19% Energy • 24% Liveness
88% Instrumentalness • 5% Positiveness
24% Popularity • 30% Danceability • 19% Energy • 24% Liveness
88% Instrumentalness • 5% Positiveness
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James Todd
Breeze In G
128 bpm • G Maj • 04:31 • -17.55db
15% Popularity • 20% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
15% Popularity • 20% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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David Patt
Angel Of The Morning
128 bpm • G Maj • 05:14 • -20.01db
15% Popularity • 37% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Michael Whalen
I Have Loved You For A Thousand Lifetime...
129 bpm • E Maj • 06:03 • -21.6db
29% Popularity • 28% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
29% Popularity • 28% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Ennio Morricone
Giuseppe Tornatore Suite: Nostalgia from...
129 bpm • A# Maj • 01:58 • -13.4db
40% Popularity • 23% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
40% Popularity • 23% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Steve Hall
Jessica's Theme
127 bpm • D Maj • 03:20 • -23.73db
19% Popularity • 40% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
19% Popularity • 40% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Benny Martin
The Luckiest
129 bpm • D Maj • 04:04 • -22.42db
19% Popularity • 42% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
19% Popularity • 42% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
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Lorenzo de Luca
Photograph - Piano Version
108 bpm • A# Maj • 04:20 • -11.4db
24% Popularity • 38% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
24% Popularity • 38% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Marston Smith
My Heart Will Go On
129 bpm • F Maj • 03:44 • -12.41db
12% Popularity • 48% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 19% Positiveness
12% Popularity • 48% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 19% Positiveness
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Steven C
Edelweiss
129 bpm • A# Maj • 02:14 • -23.82db
38% Popularity • 44% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
38% Popularity • 44% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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David Lanz
Lover's Tarot
129 bpm • G min • 04:24 • -14.82db
34% Popularity • 29% Danceability • 31% Energy • 14% Liveness
95% Instrumentalness • 14% Positiveness
34% Popularity • 29% Danceability • 31% Energy • 14% Liveness
95% Instrumentalness • 14% Positiveness
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Steve Hall
The Impossible Dream
109 bpm • C Maj • 02:59 • -19.55db
17% Popularity • 40% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
17% Popularity • 40% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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James Newton Howard
The Healing
130 bpm • A min • 04:03 • -25.46db
30% Popularity • 30% Danceability • 6% Energy • 64% Liveness
50% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 6% Energy • 64% Liveness
50% Instrumentalness • 4% Positiveness
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Steve Donovan
Secret Love
107 bpm • D# Maj • 04:19 • -20.63db
19% Popularity • 58% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
19% Popularity • 58% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Marston Smith
Canon (Johan Pacheibel)
129 bpm • D Maj • 05:27 • -19db
25% Popularity • 47% Danceability • 8% Energy • 13% Liveness
84% Instrumentalness • 23% Positiveness
25% Popularity • 47% Danceability • 8% Energy • 13% Liveness
84% Instrumentalness • 23% Positiveness
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Gary Barlow
What You Mean to Me
107 bpm • G# Maj • 03:21 • -18.25db
19% Popularity • 46% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
19% Popularity • 46% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Yarumita
River Flows In You Part II
130 bpm • F# Maj • 03:05 • -14.31db
9% Popularity • 54% Danceability • 19% Energy • 13% Liveness
66% Instrumentalness • 23% Positiveness
9% Popularity • 54% Danceability • 19% Energy • 13% Liveness
66% Instrumentalness • 23% Positiveness
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Steve Hall
Somewhere In Time
109 bpm • C Maj • 02:40 • -25.06db
14% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
14% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
