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The Ocean Song
Songs like
The Ocean Song
by
Joe Probert
Based on a tempo of (+/- 10%) and a similar genre
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Graham Colton
Where You Wanna Go
125 bpm • F Maj • 03:24 • -7db
26% Popularity • 60% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Ed Whicher
Unspoken Words
125 bpm • A min • 03:54 • -8db
19% Popularity • 83% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Wooly Mammoth
Edge
125 bpm • B Maj • 04:47 • -8db
23% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Toby Johnson
Wounds
125 bpm • D# Maj • 05:34 • -12db
21% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Joe Probert
The Ocean Song
125 bpm • B Maj • 03:11 • -7db
22% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Lighthouse And The Whaler
Made of Water
125 bpm • D Maj • 04:03 • -3.87db
11% Popularity • 60% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Bjéar
Sierra
125 bpm • A Maj • 05:40 • -11.26db
16% Popularity • 36% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Joel Leggett
Honey I'm Sorry - Acoustic
125 bpm • E Maj • 03:15 • -6db
17% Popularity • 56% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Mantaraybryn
A Piece of Bone
125 bpm • G min • 03:47 • -6.6db
13% Popularity • 84% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Sons Of The East
The Farmer
125 bpm • G# Maj • 04:06 • -8.69db
40% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Beach
Our Favourite Song
125 bpm • C# Maj • 04:05 • -6.51db
23% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Mountain Boy
52
125 bpm • F Maj • 03:30 • -11.12db
24% Popularity • 39% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Toby Johnson
Braids
125 bpm • G# Maj • 03:25 • -12db
15% Popularity • 72% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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VACAY
The Other Side
125 bpm • C Maj • 03:44 • -6.39db
22% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Riley Pearce
Eastbound
124 bpm • E Maj • 04:04 • -10.44db
27% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Besides Daniel
Learn How to Fight (Acoustic)
126 bpm • F# Maj • 05:15 • -15db
25% Popularity • 56% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Benjamin Francis Leftwich
Blue Dress
126 bpm • F min • 03:30 • -7.52db
12% Popularity • 75% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Woodlock
The Only Ones
126 bpm • B Maj • 03:52 • -9.82db
15% Popularity • 52% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Sam Pinkerton
Falling for You
126 bpm • D Maj • 03:12 • -10.24db
14% Popularity • 54% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
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Bjéar
Firefall
124 bpm • A Maj • 05:17 • -16db
14% Popularity • 65% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
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Riley Pearce
Outside the Lines
124 bpm • F# Maj • 03:58 • -9.76db
33% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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All Faces
The Oaks
124 bpm • C Maj • 03:50 • -9.46db
29% Popularity • 52% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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niko+
Glendale
126 bpm • A# Maj • 06:10 • -11.12db
26% Popularity • 49% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Tow'rs
Alright
126 bpm • B Maj • 04:30 • -8.2db
20% Popularity • 57% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 17% Positiveness
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George Ogilvie
Better Man
124 bpm • F Maj • 04:43 • -7db
31% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jake Etheridge
I Can Take It
126 bpm • F Maj • 03:39 • -10.72db
28% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Handsome Ghost
Creatures
126 bpm • D# Maj • 03:50 • -8.7db
11% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Joel Leggett
Changing Currents
126 bpm • C Maj • 04:18 • -8db
31% Popularity • 74% Danceability • 49% Energy • 14% Liveness
7% Instrumentalness • 56% Positiveness
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Sons Of The East
My Repair (Radio Mix)
124 bpm • D Maj • 03:06 • -7.95db
29% Popularity • 60% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Alexander Biggs
Tidal Wave
126 bpm • C Maj • 03:46 • -9db
28% Popularity • 53% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Bjéar
Nevada
124 bpm • D Maj • 04:40 • -8.41db
28% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Zac Saber
Dear Manners
124 bpm • D Maj • 03:44 • -10.83db
10% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Charlie Straw
Water Flows
124 bpm • G# Maj • 03:59 • -10.58db
12% Popularity • 53% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Saint Raymond
Last Time
127 bpm • G Maj • 03:14 • -10.39db
22% Popularity • 68% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Straalen
Help
127 bpm • B min • 03:55 • -8.7db
14% Popularity • 41% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jon Bryant
Don't Wait
127 bpm • A Maj • 04:09 • -11db
20% Popularity • 60% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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William Wild
Sleeptalk
127 bpm • A Maj • 03:59 • -9.73db
23% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Joe Hicks
Rest Your Head
127 bpm • A# Maj • 04:02 • -7.6db
14% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Seafret
Out of Nowhere
123 bpm • B min • 02:35 • -7db
34% Popularity • 72% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Saint Raymond
Oh Brother
123 bpm • C Maj • 03:12 • -7.08db
30% Popularity • 64% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Yoke Lore
Safety
123 bpm • D Maj • 03:32 • -6.2db
26% Popularity • 31% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Barrow & the Tourists
Sing Me Something New
123 bpm • C Maj • 03:38 • -9.45db
17% Popularity • 67% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Mantaraybryn
I've Never Seen a Cyclone
128 bpm • F# Maj • 04:41 • -10.69db
21% Popularity • 32% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Charlie Straw
All I Know
123 bpm • C Maj • 04:18 • -9.91db
9% Popularity • 54% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Milo Greene
Afraid of Everything - Acoustic
128 bpm • C Maj • 03:02 • -15.73db
19% Popularity • 47% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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Tors
Wilder Days - Acoustic
128 bpm • E Maj • 04:15 • -11.4db
16% Popularity • 55% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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KAWALA
Roads
122 bpm • E Maj • 04:04 • -10.57db
28% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Didirri
Worth the Wait
122 bpm • C min • 05:38 • -13.38db
23% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Frances Luke Accord
Who Do You Run From
122 bpm • A# Maj • 02:42 • -14db
10% Popularity • 57% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Oh Wonder
Slip Away
128 bpm • C min • 03:41 • -7.98db
23% Popularity • 55% Danceability • 56% Energy • 11% Liveness
27% Instrumentalness • 6% Positiveness
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BANNERS
Firefly - Acoustic
128 bpm • B Maj • 03:38 • -8.26db
27% Popularity • 68% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Jackson Wooten
Dirt
122 bpm • C Maj • 05:25 • -16.73db
28% Popularity • 48% Danceability • 34% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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FIELDS
Nothing Left to Lose
122 bpm • G Maj • 05:26 • -12.98db
15% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tors
Wilder Days
128 bpm • E Maj • 03:37 • -7.1db
33% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Barnes
Bad Luck
128 bpm • B Maj • 03:49 • -6.78db
10% Popularity • 49% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jake Mirador
Rabbit Hole
122 bpm • F# Maj • 04:34 • -21.22db
14% Popularity • 42% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tim Chadwick
Blindfolded
122 bpm • D# Maj • 03:12 • -8.44db
9% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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BROOKFIELD
Seas of Gold
122 bpm • B Maj • 04:02 • -9db
16% Popularity • 62% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Henry Jamison
The Wilds
128 bpm • C min • 03:55 • -7db
22% Popularity • 71% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Andy Kong
Meteor Showers
122 bpm • D# Maj • 04:14 • -10.63db
34% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Barnes
Hopeful
128 bpm • F# Maj • 03:21 • -7db
10% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Matthew And The Atlas
No Dreamer
128 bpm • E Maj • 03:51 • -13.84db
16% Popularity • 43% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Bad Suns
Disappear Here (OurVinyl Sessions)
129 bpm • G# Maj • 03:02 • -10.49db
17% Popularity • 68% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Skout
Sting
122 bpm • D# Maj • 03:05 • -10.48db
13% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Alae
All Gived Up
121 bpm • B min • 03:39 • -9.65db
26% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Harrison Storm
Broken Feather
121 bpm • G Maj • 04:33 • -12.02db
26% Popularity • 32% Danceability • 26% Energy • 6% Liveness
32% Instrumentalness • 9% Positiveness
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Harry Marshall
Epilogue
121 bpm • C# min • 04:27 • -5.14db
15% Popularity • 53% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Great Caesar
Kiss Me Again
121 bpm • D Maj • 03:06 • -6.49db
19% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Tenderfoot
Life's Not Perfect
129 bpm • D# Maj • 02:46 • -17.12db
20% Popularity • 64% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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niko+
Prayers
121 bpm • C Maj • 04:59 • -12.77db
15% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
FIELDS
In the Morning
121 bpm • G Maj • 05:20 • -10.76db
23% Popularity • 44% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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My Brothers And I
Fly Away
130 bpm • D Maj • 04:07 • -7.21db
26% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Cape Cub
Searchlight
130 bpm • F Maj • 03:21 • -8.73db
14% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Luca Fogale
Hannah
120 bpm • G# Maj • 04:19 • -12.5db
31% Popularity • 76% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Birdtalker
Just This
130 bpm • C min • 04:05 • -7.7db
37% Popularity • 70% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Riley Pearce
The Long Road
130 bpm • A Maj • 03:45 • -9.36db
30% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
MyKey
Running with the Wolves
130 bpm • D# Maj • 04:18 • -6.29db
26% Popularity • 50% Danceability • 89% Energy • 31% Liveness
2% Instrumentalness • 44% Positiveness
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Seafret
Blank You Out
130 bpm • F# min • 03:59 • -4.33db
33% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jacko Hooper
Now Or Never
130 bpm • B Maj • 04:53 • -6.65db
9% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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VVE
Leave to Love You More
130 bpm • D# Maj • 03:22 • -10db
18% Popularity • 61% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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The Tin Pigeons
Steel
120 bpm • E Maj • 03:23 • -6.16db
12% Popularity • 53% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Callum Pitt
You'd Better Sell It While You Can
130 bpm • E min • 04:26 • -6.91db
9% Popularity • 50% Danceability • 52% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Roah Summit
How Could I Not Be Enough
130 bpm • D Maj • 04:26 • -8.4db
11% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Stop Light Observations
coyote
120 bpm • D Maj • 04:44 • -6.05db
27% Popularity • 57% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Dustin Tebbutt
Wild Blood
120 bpm • G Maj • 04:43 • -11.42db
10% Popularity • 38% Danceability • 64% Energy • 11% Liveness
15% Instrumentalness • 24% Positiveness
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Henry Jamison
Dallas Love Field
120 bpm • C Maj • 03:54 • -8.91db
29% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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The Brevet
Upholder
130 bpm • B Maj • 03:48 • -4.07db
10% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Shortstraw
Boo
130 bpm • C Maj • 03:53 • -9.03db
7% Popularity • 40% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Wildlife
Modern Freedom
120 bpm • B Maj • 05:20 • -11.35db
10% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Nathan Hawes
Warmth
120 bpm • G# Maj • 03:51 • -6.84db
29% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Wayward
Gingerbread
120 bpm • E Maj • 03:23 • -11.1db
15% Popularity • 84% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Aquilo
Silent Movies
120 bpm • G Maj • 03:21 • -10.74db
30% Popularity • 40% Danceability • 45% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
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Woodlock
The Fallout
120 bpm • D Maj • 03:22 • -7.36db
15% Popularity • 65% Danceability • 71% Energy • 27% Liveness
15% Instrumentalness • 52% Positiveness
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Ade Mai
Not The One
120 bpm • C Maj • 04:01 • -14.35db
13% Popularity • 61% Danceability • 37% Energy • 10% Liveness
31% Instrumentalness • 23% Positiveness
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King Charles
Find a Way
120 bpm • G# Maj • 03:56 • -5db
30% Popularity • 70% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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FARRO
Islands
130 bpm • C# min • 04:29 • -12.55db
14% Popularity • 36% Danceability • 33% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
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John Allred
Someone to Rely On
120 bpm • E Maj • 03:49 • -18.55db
16% Popularity • 72% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Michigander
Falling
120 bpm • A# Maj • 04:13 • -6.27db
20% Popularity • 52% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Keywest
Man of Chalk
120 bpm • D Maj • 03:31 • -6.74db
11% Popularity • 64% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Penny and Sparrow
Double Heart
120 bpm • A Maj • 03:36 • -8.99db
25% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Ocean Song