Songs like The Old Days (feat. Justin Adams) by Upchurch
Based on a tempo of (+/- 10%) and a similar genre
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Upchurch
Ghost Ranch
130 bpm • F# min • 04:02 • -5.59db
42% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Leroy Biggs
Want the Smoke
130 bpm • F min • 02:43 • -8.88db
31% Popularity • 86% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 86% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Adam Calhoun
Huck Fosier
130 bpm • C# min • 02:41 • -7db
50% Popularity • 70% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 70% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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FJ Outlaw
Hot Damn
130 bpm • B Maj • 04:47 • -10db
42% Popularity • 90% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 90% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Koe Wetzel
I'm Done
130 bpm • C Maj • 03:30 • -7.25db
53% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Taylor Ray Holbrook
Southern Land
130 bpm • C# Maj • 03:42 • -6.2db
62% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Upchurch
Parachute
130 bpm • F min • 03:19 • -7db
53% Popularity • 72% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 72% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Stixxx
Country Boy Can Survive
130 bpm • G Maj • 04:05 • -5.56db
19% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Seckond Chaynce
My World
130 bpm • G Maj • 03:36 • -5db
47% Popularity • 71% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 71% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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I4NI
Saddle 'Em Up
130 bpm • C Maj • 03:18 • -5.6db
31% Popularity • 50% Danceability • 74% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 50% Danceability • 74% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
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Koe Wetzel
Forever
130 bpm • C Maj • 02:57 • -6.7db
64% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander King
Take a Bullet
130 bpm • C Maj • 03:45 • -5db
39% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
39% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Upchurch
The Old Days
130 bpm • D Maj • 03:54 • -9.82db
50% Popularity • 62% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 62% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Apalachee Falls
Don't Kill My Vibe
131 bpm • G# Maj • 04:17 • -7db
14% Popularity • 69% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 69% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Bucky Covington
A Different World
129 bpm • A Maj • 03:28 • -5.03db
49% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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I4NI
Think It's a Game
130 bpm • G Maj • 04:58 • -3db
16% Popularity • 59% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 59% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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The Stixxx
Trailer Park Down in Georgia
131 bpm • D Maj • 04:03 • -7.43db
37% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Frank Foster
Good Ol' Girl
132 bpm • D# Maj • 03:49 • -8.67db
40% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Upchurch
Necks Too Red
130 bpm • C Maj • 03:46 • -4.41db
46% Popularity • 77% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 77% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Matt Mason
Feather in Her Halo
132 bpm • G min • 03:36 • -5.85db
53% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Bryan
Drinkin' Beer And Wastin' Bullets
132 bpm • G min • 04:19 • -5db
50% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Creed Fisher
Life of a Workin' Man
128 bpm • D Maj • 03:58 • -5db
44% Popularity • 62% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 62% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Mic Manik
Stuck in My Ways
128 bpm • E Maj • 04:11 • -10.05db
31% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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HARDY
WHERE TO FIND ME
128 bpm • G# Maj • 03:54 • -5.11db
49% Popularity • 59% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 59% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Upchurch
Blue Moon
128 bpm • D Maj • 04:15 • -7.94db
35% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Who TF Is Justin Time?
I'm Crazy
132 bpm • B Maj • 02:40 • -10.6db
33% Popularity • 78% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 78% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Kolby Cooper
Diamond Rings & Cocaine
127 bpm • G Maj • 03:11 • -3.61db
50% Popularity • 50% Danceability • 88% Energy • 51% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 50% Danceability • 88% Energy • 51% Liveness
0% Instrumentalness • 51% Positiveness
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Sean Stemaly
Z71
132 bpm • G Maj • 02:51 • -5db
61% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Koe Wetzel
Cabo
127 bpm • E min • 04:03 • -7db
61% Popularity • 64% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 64% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Hank Williams, Jr.
Red, White & Pink Slip Blues
134 bpm • A min • 03:57 • -5.89db
43% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Trey Lewis
Whole Lotta Nothin
134 bpm • F# Maj • 03:13 • -6.14db
37% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Racket County
Slow Down
134 bpm • C# min • 05:02 • -5.79db
26% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Bottleneck
Off the Rails
134 bpm • F# Maj • 03:12 • -4.6db
51% Popularity • 74% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 74% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
53% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Hosier
Redneck Anthem
126 bpm • E Maj • 02:48 • -5.09db
55% Popularity • 84% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 84% Danceability • 86% Energy • 87% Liveness
0% Instrumentalness • 77% Positiveness
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Muscadine Bloodline
Damn I Need a Dirt Road
126 bpm • B Maj • 03:28 • -7db
50% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Upchurch
Come and Get It
126 bpm • E Maj • 03:33 • -7.3db
45% Popularity • 83% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 83% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Rvshvd
Never Change
134 bpm • B Maj • 03:10 • -4.33db
43% Popularity • 52% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 52% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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YaBoi Dirty
Too Far Gone
135 bpm • G Maj • 02:51 • -10.36db
35% Popularity • 66% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 66% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Young Gunner
Jacked Up
135 bpm • G Maj • 03:50 • -11.15db
24% Popularity • 54% Danceability • 50% Energy • 14% Liveness
4% Instrumentalness • 6% Positiveness
24% Popularity • 54% Danceability • 50% Energy • 14% Liveness
4% Instrumentalness • 6% Positiveness
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Austin Tolliver
Outlaw Kinda Vibe
135 bpm • C# Maj • 03:34 • -8.84db
33% Popularity • 78% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 78% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Wood
Outlaw Soul
135 bpm • G Maj • 03:53 • -7.4db
29% Popularity • 69% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 69% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Mini Thin
City Bitch
135 bpm • G Maj • 03:25 • -12.04db
42% Popularity • 79% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 79% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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FJ Outlaw
I Break Down
125 bpm • F# min • 03:00 • -9db
47% Popularity • 72% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 72% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Koe Wetzel
Front Seat Show
125 bpm • E min • 03:42 • -5.9db
45% Popularity • 58% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 58% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Young Gunner
Country Boyz
135 bpm • F min • 04:13 • -8.16db
15% Popularity • 62% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 62% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Austin Tolliver
Tip My Hat
135 bpm • A min • 03:20 • -6.71db
57% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Big Matt
Long Road
125 bpm • E min • 05:05 • -7db
46% Popularity • 84% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 84% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Aldean
Ride All Night
125 bpm • E min • 02:56 • -5.19db
56% Popularity • 68% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 68% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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OG Caden
Hometown Holler
136 bpm • D# Maj • 02:49 • -6.05db
34% Popularity • 70% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 70% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Demun Jones
Off Road
125 bpm • A Maj • 04:19 • -5.43db
33% Popularity • 48% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 48% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Bryan Martin
Addiction
136 bpm • B Maj • 03:59 • -7.45db
54% Popularity • 55% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 55% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
58% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Franklin Embry
4 Wheel Low
136 bpm • F# Maj • 03:17 • -9db
37% Popularity • 85% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 85% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Daniel Lee
Complain
136 bpm • D Maj • 02:50 • -3.93db
27% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Wess Nyle
Headed for a Hangover
136 bpm • G# Maj • 03:45 • -6.49db
13% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Big Smo
Where You From
136 bpm • C Maj • 03:22 • -5.03db
46% Popularity • 82% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 82% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Upchurch
Alcoholic Shrink
124 bpm • C Maj • 03:34 • -5.84db
33% Popularity • 67% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 67% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Dry County
Next Ex History
124 bpm • C Maj • 03:13 • -2.09db
12% Popularity • 65% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 65% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Granger Smith
Don’t Tread on Me
124 bpm • E min • 03:34 • -5.08db
51% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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DJ CANNON BANYON
Shawty In The Truck
137 bpm • A min • 04:33 • -6db
30% Popularity • 77% Danceability • 67% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 77% Danceability • 67% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
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Demun Jones
An Outlaw's Song
123 bpm • C Maj • 03:12 • -2.22db
42% Popularity • 62% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 62% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Keith Austin
Country Ghetto
123 bpm • A# Maj • 04:54 • -7.01db
24% Popularity • 86% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 86% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Tyler Wood
Wake Up
138 bpm • B Maj • 03:41 • -5.81db
29% Popularity • 64% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 64% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Who TF Is Justin Time?
Moonshine
123 bpm • A Maj • 03:43 • -9.1db
31% Popularity • 84% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 84% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Morgan Wallen
Country A$$ Shit
138 bpm • A# Maj • 03:06 • -3.77db
61% Popularity • 62% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
61% Popularity • 62% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Adam Calhoun
Shut Up
138 bpm • C min • 02:33 • -5.15db
36% Popularity • 84% Danceability • 65% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 84% Danceability • 65% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
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Dylan Wheeler
Bad Bitch
138 bpm • G Maj • 03:35 • -5.76db
52% Popularity • 52% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
52% Popularity • 52% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Wess Nyle
Chasin' Sunsets
138 bpm • E Maj • 04:20 • -8.61db
30% Popularity • 63% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 63% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
48% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Demun Jones
Business
122 bpm • F# min • 02:39 • -4.28db
32% Popularity • 72% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 72% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Trey Lewis
Dicked Down in Dallas - Remix
122 bpm • C# Maj • 03:42 • -5.51db
51% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Aaron Lewis
Country Boy
122 bpm • F# Maj • 04:43 • -6.44db
63% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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HIXTAPE
Redneck Tendencies (HARDY Trace Adkins, ...
122 bpm • E Maj • 02:52 • -5db
51% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Tennessee Shine
Usa
140 bpm • D Maj • 03:36 • -11db
37% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Creed Fisher
The Way That I Am
140 bpm • D Maj • 04:01 • -5.31db
48% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Bryan Martin
If It Was Easy
140 bpm • B Maj • 03:37 • -6.41db
54% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Heath Sanders
Raised On Red
140 bpm • B Maj • 03:06 • -5db
43% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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I4NI
Muscle Car
140 bpm • C# Maj • 03:42 • -5.14db
39% Popularity • 58% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 58% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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KelsOh
Dirty Water
140 bpm • C# Maj • 03:10 • -6.1db
41% Popularity • 83% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 83% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Framing the Red
Country Band Man
140 bpm • C# Maj • 04:16 • -5.94db
42% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Upchurch
One of Them Buddies
140 bpm • G min • 02:57 • -6.19db
49% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Tyler Farr
I Should Go to Church Sometime
140 bpm • D Maj • 03:08 • -5.06db
40% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Calhoun
2 Kings
140 bpm • G# Maj • 03:00 • -6.43db
43% Popularity • 87% Danceability • 79% Energy • 7% Liveness
23% Instrumentalness • 24% Positiveness
43% Popularity • 87% Danceability • 79% Energy • 7% Liveness
23% Instrumentalness • 24% Positiveness
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Who TF Is Justin Time?
Put Some Redneck in It
140 bpm • B Maj • 03:11 • -12db
37% Popularity • 91% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 91% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Young Gunner
I Keep It Kuntry
140 bpm • B min • 03:59 • -9.04db
29% Popularity • 71% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 71% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Chandler Roberts
Southern Summer Nights
140 bpm • F Maj • 03:09 • -9.31db
26% Popularity • 53% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 53% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Upchurch
Traveler
140 bpm • E min • 02:46 • -9.95db
40% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bryan Andrews
Liquor & Pills
140 bpm • C Maj • 04:15 • -6.7db
47% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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HARDY
THIS OLE BOY
140 bpm • G# Maj • 03:16 • -4.37db
50% Popularity • 52% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 52% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Who TF Is Justin Time?
The 2Nd Amendment
140 bpm • B Maj • 03:32 • -8.15db
41% Popularity • 78% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 78% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Alston Webb
Shootout
140 bpm • C Maj • 03:22 • -5db
47% Popularity • 69% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 69% Danceability • 70% Energy • 65% Liveness
0% Instrumentalness • 71% Positiveness
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Demun Jones
Coastin
140 bpm • B min • 02:49 • -4.18db
40% Popularity • 90% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 90% Danceability • 84% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
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Upchurch
Hillbilly
140 bpm • D Maj • 02:30 • -5db
58% Popularity • 79% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 79% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Big Matt
Against the Grain
140 bpm • G Maj • 04:34 • -5.49db
24% Popularity • 88% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 88% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Counts
What Do I Know
140 bpm • C Maj • 03:28 • -6db
46% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Giovannie and the Hired Guns
Change
140 bpm • E min • 03:13 • -5.7db
41% Popularity • 42% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 42% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
