Songs like The Old Man by Yom
Based on a tempo of (+/- 10%) and a similar genre
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Lhasa De Sela
De Cara a la Pared
121 bpm • D min • 04:15 • -13.88db
48% Popularity • 61% Danceability • 42% Energy • 39% Liveness
2% Instrumentalness • 37% Positiveness
48% Popularity • 61% Danceability • 42% Energy • 39% Liveness
2% Instrumentalness • 37% Positiveness
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Hindi Zahra
The Moon
121 bpm • A min • 04:35 • -4.44db
38% Popularity • 52% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 52% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Nicolas Parent trio
Doux mirage
121 bpm • E min • 03:32 • -15.28db
31% Popularity • 43% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
31% Popularity • 43% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Yom
The Old Man
121 bpm • D min • 05:13 • -14db
37% Popularity • 51% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
37% Popularity • 51% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Les Yeux Noirs
Drogoi dalneyou
120 bpm • A min • 03:12 • -16db
31% Popularity • 38% Danceability • 18% Energy • 39% Liveness
11% Instrumentalness • 32% Positiveness
31% Popularity • 38% Danceability • 18% Energy • 39% Liveness
11% Instrumentalness • 32% Positiveness
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Khaled Mouzanar
Yonas
120 bpm • C min • 01:35 • -24.88db
29% Popularity • 62% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
29% Popularity • 62% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
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Chapelier Fou
Antivalse
120 bpm • F Maj • 02:47 • -14.57db
38% Popularity • 43% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 43% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Sages comme des sauvages
Brindiy a mon zenfan
120 bpm • G min • 03:48 • -14.22db
21% Popularity • 80% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 80% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Lund Quartet
Love's Madness
120 bpm • C min • 04:06 • -14db
30% Popularity • 74% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
30% Popularity • 74% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 31% Positiveness
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Ezéchiel Pailhès
Hands On Hips
120 bpm • C# Maj • 04:17 • -12.44db
19% Popularity • 77% Danceability • 22% Energy • 13% Liveness
95% Instrumentalness • 35% Positiveness
19% Popularity • 77% Danceability • 22% Energy • 13% Liveness
95% Instrumentalness • 35% Positiveness
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Renaud Garcia-Fons
Fortaleza
120 bpm • C min • 04:43 • -7db
30% Popularity • 78% Danceability • 55% Energy • 9% Liveness
87% Instrumentalness • 84% Positiveness
30% Popularity • 78% Danceability • 55% Energy • 9% Liveness
87% Instrumentalness • 84% Positiveness
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Khaled Mouzanar
Machkal
120 bpm • C min • 02:57 • -13.17db
19% Popularity • 76% Danceability • 21% Energy • 9% Liveness
66% Instrumentalness • 17% Positiveness
19% Popularity • 76% Danceability • 21% Energy • 9% Liveness
66% Instrumentalness • 17% Positiveness
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Chapelier Fou
Lockers
120 bpm • G min • 02:31 • -9db
39% Popularity • 93% Danceability • 55% Energy • 11% Liveness
84% Instrumentalness • 63% Positiveness
39% Popularity • 93% Danceability • 55% Energy • 11% Liveness
84% Instrumentalness • 63% Positiveness
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Dom La Nena
Universo
120 bpm • G min • 03:55 • -13db
32% Popularity • 54% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
32% Popularity • 54% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Laurent Dury
Inflexibility
120 bpm • D min • 01:55 • -12.57db
33% Popularity • 99% Danceability • 41% Energy • 12% Liveness
80% Instrumentalness • 93% Positiveness
33% Popularity • 99% Danceability • 41% Energy • 12% Liveness
80% Instrumentalness • 93% Positiveness
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Sages comme des sauvages
Paris défend
120 bpm • G Maj • 03:22 • -14.85db
25% Popularity • 89% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 89% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Renaud Garcia-Fons
Ballo cavalino
120 bpm • C min • 04:27 • -11.46db
23% Popularity • 77% Danceability • 36% Energy • 9% Liveness
93% Instrumentalness • 73% Positiveness
23% Popularity • 77% Danceability • 36% Energy • 9% Liveness
93% Instrumentalness • 73% Positiveness
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Yom
Le silence de l'exode - Rouge
122 bpm • E min • 07:21 • -10.31db
13% Popularity • 43% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
13% Popularity • 43% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Albin de la Simone
Merveille
120 bpm • E min • 03:06 • -16.27db
33% Popularity • 78% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
33% Popularity • 78% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Yodelice
Marcellito Fanfare
120 bpm • A Maj • 02:18 • -11db
23% Popularity • 80% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
23% Popularity • 80% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Khaled Mouzanar
Tango el Caramel
122 bpm • C# min • 02:25 • -10.47db
38% Popularity • 46% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
38% Popularity • 46% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Sages comme des sauvages
It Ain't Your Song
120 bpm • B min • 03:38 • -13.28db
25% Popularity • 59% Danceability • 19% Energy • 9% Liveness
24% Instrumentalness • 38% Positiveness
25% Popularity • 59% Danceability • 19% Energy • 9% Liveness
24% Instrumentalness • 38% Positiveness
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Renaud Garcia-Fons
Il Confino
120 bpm • A min • 02:52 • -7.27db
37% Popularity • 69% Danceability • 46% Energy • 7% Liveness
11% Instrumentalness • 27% Positiveness
37% Popularity • 69% Danceability • 46% Energy • 7% Liveness
11% Instrumentalness • 27% Positiveness
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Yom
Journey of Life
122 bpm • B min • 05:51 • -12db
32% Popularity • 56% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 56% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Bertrand Belin
Menuet
120 bpm • E min • 01:44 • -15.82db
36% Popularity • 61% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 50% Positiveness
36% Popularity • 61% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 50% Positiveness
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Le Sextet à Claques
La p'tite fée
120 bpm • E min • 05:28 • -21.61db
32% Popularity • 54% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
32% Popularity • 54% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
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Khaled Mouzanar
L'éveil de Rose
120 bpm • C min • 01:14 • -31.11db
35% Popularity • 75% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
35% Popularity • 75% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
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The Touré-Raichel Collective
Hodu
123 bpm • F# min • 03:26 • -10.87db
31% Popularity • 67% Danceability • 54% Energy • 11% Liveness
6% Instrumentalness • 27% Positiveness
31% Popularity • 67% Danceability • 54% Energy • 11% Liveness
6% Instrumentalness • 27% Positiveness
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Olivier Daviaud
Le spleen du rabbin
119 bpm • G min • 02:42 • -16.43db
18% Popularity • 38% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
18% Popularity • 38% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Lund Quartet
Sequoia
123 bpm • A min • 03:41 • -13db
35% Popularity • 63% Danceability • 29% Energy • 9% Liveness
45% Instrumentalness • 24% Positiveness
35% Popularity • 63% Danceability • 29% Energy • 9% Liveness
45% Instrumentalness • 24% Positiveness
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Trio Chemirani
Sahar
123 bpm • C Maj • 01:48 • -11.84db
20% Popularity • 61% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
20% Popularity • 61% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Yom
Born Again
119 bpm • B min • 05:51 • -10.68db
19% Popularity • 34% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
19% Popularity • 34% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Hadouk Trio
Barca solaris
123 bpm • F# min • 05:30 • -10.4db
23% Popularity • 75% Danceability • 38% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
23% Popularity • 75% Danceability • 38% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
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Karim Baggili
Big Fish - Instrumentale
123 bpm • C min • 04:29 • -14db
31% Popularity • 61% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
31% Popularity • 61% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
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Ballaké Sissoko
Samba Tomora
119 bpm • C min • 03:51 • -16.03db
25% Popularity • 43% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 64% Positiveness
25% Popularity • 43% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 64% Positiveness
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Anouar Brahem
Galilée mon amour
118 bpm • F min • 07:17 • -20.29db
30% Popularity • 64% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
30% Popularity • 64% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
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Moriarty
Za Milena J.
124 bpm • G Maj • 03:23 • -11.51db
52% Popularity • 50% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 50% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Khaled Mouzanar
Mreyte Ya Mreyte
118 bpm • F min • 05:12 • -18.37db
36% Popularity • 31% Danceability • 14% Energy • 10% Liveness
12% Instrumentalness • 10% Positiveness
36% Popularity • 31% Danceability • 14% Energy • 10% Liveness
12% Instrumentalness • 10% Positiveness
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Bremer/McCoy
Midnat
124 bpm • B min • 03:36 • -23.56db
49% Popularity • 63% Danceability • 16% Energy • 24% Liveness
96% Instrumentalness • 40% Positiveness
49% Popularity • 63% Danceability • 16% Energy • 24% Liveness
96% Instrumentalness • 40% Positiveness
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Susheela Raman
Maya
124 bpm • C Maj • 04:37 • -11db
37% Popularity • 76% Danceability • 46% Energy • 12% Liveness
26% Instrumentalness • 89% Positiveness
37% Popularity • 76% Danceability • 46% Energy • 12% Liveness
26% Instrumentalness • 89% Positiveness
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Yom
Saving the World Is Easy
118 bpm • F min • 03:54 • -8.29db
33% Popularity • 49% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
33% Popularity • 49% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Avi Belleli
new small Steps
118 bpm • E min • 01:13 • -24.97db
35% Popularity • 80% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
35% Popularity • 80% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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TSU!
Yesterlove
118 bpm • C# min • 03:33 • -19.49db
21% Popularity • 37% Danceability • 23% Energy • 33% Liveness
75% Instrumentalness • 26% Positiveness
21% Popularity • 37% Danceability • 23% Energy • 33% Liveness
75% Instrumentalness • 26% Positiveness
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anna RF
Lachin - Remastered
124 bpm • G min • 03:29 • -9db
35% Popularity • 45% Danceability • 22% Energy • 6% Liveness
55% Instrumentalness • 42% Positiveness
35% Popularity • 45% Danceability • 22% Energy • 6% Liveness
55% Instrumentalness • 42% Positiveness
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Anouar Brahem
Le voyage de sahar
117 bpm • C Maj • 06:55 • -23db
32% Popularity • 53% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
32% Popularity • 53% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Rabih Abou-Khalil
Nafas
117 bpm • G min • 01:34 • -22db
43% Popularity • 53% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
43% Popularity • 53% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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Yom
Killing a Gypsie
124 bpm • B min • 04:34 • -6.78db
16% Popularity • 54% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
16% Popularity • 54% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Ara Dinkjian
Offering
117 bpm • E min • 03:32 • -22db
35% Popularity • 69% Danceability • 9% Energy • 12% Liveness
14% Instrumentalness • 45% Positiveness
35% Popularity • 69% Danceability • 9% Energy • 12% Liveness
14% Instrumentalness • 45% Positiveness
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Kroke
Time
125 bpm • D min • 09:01 • -11.37db
28% Popularity • 42% Danceability • 27% Energy • 23% Liveness
30% Instrumentalness • 12% Positiveness
28% Popularity • 42% Danceability • 27% Energy • 23% Liveness
30% Instrumentalness • 12% Positiveness
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Roseaux
Kaät
117 bpm • B min • 04:07 • -15.13db
49% Popularity • 48% Danceability • 22% Energy • 9% Liveness
12% Instrumentalness • 57% Positiveness
49% Popularity • 48% Danceability • 22% Energy • 9% Liveness
12% Instrumentalness • 57% Positiveness
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Matéo Langlois
Décoder
125 bpm • F min • 03:51 • -14db
32% Popularity • 65% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 65% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Ana Carla Maza
La Habana
125 bpm • G Maj • 05:19 • -18.81db
18% Popularity • 60% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
18% Popularity • 60% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
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Yom
Le silence de l'exode - Moïse
118 bpm • B min • 04:49 • -13.49db
10% Popularity • 51% Danceability • 25% Energy • 13% Liveness
78% Instrumentalness • 12% Positiveness
10% Popularity • 51% Danceability • 25% Energy • 13% Liveness
78% Instrumentalness • 12% Positiveness
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Sages comme des sauvages
Garçon
117 bpm • E min • 04:08 • -12db
32% Popularity • 90% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 90% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Dom La Nena
Last Day
126 bpm • D min • 02:23 • -13.38db
32% Popularity • 35% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 27% Positiveness
32% Popularity • 35% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 27% Positiveness
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Anouar Brahem
Astrakan Café - 1
116 bpm • D Maj • 03:15 • -28db
45% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
45% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
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Opez
Estelita
116 bpm • B min • 04:40 • -13.08db
33% Popularity • 71% Danceability • 37% Energy • 18% Liveness
86% Instrumentalness • 41% Positiveness
33% Popularity • 71% Danceability • 37% Energy • 18% Liveness
86% Instrumentalness • 41% Positiveness
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Opa Tsupa
Je cherche après Titine - Les yeux noir...
126 bpm • D Maj • 05:24 • -13.73db
29% Popularity • 54% Danceability • 44% Energy • 7% Liveness
28% Instrumentalness • 49% Positiveness
29% Popularity • 54% Danceability • 44% Energy • 7% Liveness
28% Instrumentalness • 49% Positiveness
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Yom
Prière, pt. 9 - Incantation, no. 2
125 bpm • F min • 02:54 • -12.31db
17% Popularity • 23% Danceability • 23% Energy • 25% Liveness
72% Instrumentalness • 3% Positiveness
17% Popularity • 23% Danceability • 23% Energy • 25% Liveness
72% Instrumentalness • 3% Positiveness
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Ballaké Sissoko
Chamber Music
126 bpm • F Maj • 05:31 • -14db
32% Popularity • 43% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
32% Popularity • 43% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Hadouk Trio
Hadouk Blues
116 bpm • F min • 06:13 • -16db
33% Popularity • 50% Danceability • 24% Energy • 14% Liveness
88% Instrumentalness • 16% Positiveness
33% Popularity • 50% Danceability • 24% Energy • 14% Liveness
88% Instrumentalness • 16% Positiveness
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Renaud Garcia-Fons
Tavalod
126 bpm • D min • 04:35 • -13.33db
32% Popularity • 71% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
32% Popularity • 71% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
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Les Yeux Noirs
Danse roumaine
116 bpm • E min • 02:45 • -15.5db
26% Popularity • 40% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 54% Positiveness
26% Popularity • 40% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 54% Positiveness
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Mohamed Abozekry
Safari
116 bpm • D min • 09:40 • -8.72db
10% Popularity • 54% Danceability • 64% Energy • 8% Liveness
88% Instrumentalness • 17% Positiveness
10% Popularity • 54% Danceability • 64% Energy • 8% Liveness
88% Instrumentalness • 17% Positiveness
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Yom
Prière, pt. 2 - Pèlerinage
126 bpm • F min • 04:23 • -20db
9% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
9% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Opez
Dead Dance
116 bpm • D# min • 03:15 • -15.51db
40% Popularity • 73% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 39% Positiveness
40% Popularity • 73% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 39% Positiveness
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Anouar Brahem
Astrakan Café - 2
116 bpm • A Maj • 04:49 • -27.31db
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Rémi Geffroy
Au bord de l'eau (mazurka)
126 bpm • E min • 04:24 • -10.48db
34% Popularity • 45% Danceability • 42% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
34% Popularity • 45% Danceability • 42% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Rita Payés
Porque llorax blanca niña
116 bpm • A# Maj • 03:50 • -14.56db
36% Popularity • 60% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 35% Positiveness
36% Popularity • 60% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 35% Positiveness
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John Surman
Edges Of Illusion
116 bpm • D min • 10:09 • -17.77db
33% Popularity • 53% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 39% Positiveness
33% Popularity • 53% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 39% Positiveness
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Yom
Le silence de l'exode - L'eau jaillie du...
116 bpm • F min • 04:24 • -13.86db
13% Popularity • 44% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 44% Positiveness
13% Popularity • 44% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 44% Positiveness
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Le Trio Joubran
Sama-Sounounou
127 bpm • G Maj • 02:59 • -11.92db
37% Popularity • 63% Danceability • 46% Energy • 4% Liveness
92% Instrumentalness • 90% Positiveness
37% Popularity • 63% Danceability • 46% Energy • 4% Liveness
92% Instrumentalness • 90% Positiveness
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Anouar Brahem
The Astounding Eyes Of Rita
115 bpm • G min • 08:41 • -19.19db
44% Popularity • 53% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 39% Positiveness
44% Popularity • 53% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 39% Positiveness
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Lund Quartet
Merula
115 bpm • G# Maj • 06:07 • -12.78db
33% Popularity • 69% Danceability • 32% Energy • 7% Liveness
87% Instrumentalness • 29% Positiveness
33% Popularity • 69% Danceability • 32% Energy • 7% Liveness
87% Instrumentalness • 29% Positiveness
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No Blues
Columbus Stockade
115 bpm • G Maj • 04:13 • -14db
37% Popularity • 67% Danceability • 52% Energy • 11% Liveness
75% Instrumentalness • 56% Positiveness
37% Popularity • 67% Danceability • 52% Energy • 11% Liveness
75% Instrumentalness • 56% Positiveness
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Khaled Mouzanar
Cicatrices
115 bpm • D# Maj • 02:00 • -23.76db
41% Popularity • 34% Danceability • 9% Energy • 9% Liveness
81% Instrumentalness • 31% Positiveness
41% Popularity • 34% Danceability • 9% Energy • 9% Liveness
81% Instrumentalness • 31% Positiveness
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Airelle Besson
Pouki pouki
128 bpm • F# min • 03:03 • -16.65db
37% Popularity • 64% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
37% Popularity • 64% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
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L'Attirail
Mariposa
128 bpm • C min • 03:12 • -8.14db
32% Popularity • 93% Danceability • 55% Energy • 8% Liveness
93% Instrumentalness • 76% Positiveness
32% Popularity • 93% Danceability • 55% Energy • 8% Liveness
93% Instrumentalness • 76% Positiveness
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Hindi Zahra
Any Story
128 bpm • G min • 04:18 • -10db
52% Popularity • 65% Danceability • 39% Energy • 12% Liveness
59% Instrumentalness • 20% Positiveness
52% Popularity • 65% Danceability • 39% Energy • 12% Liveness
59% Instrumentalness • 20% Positiveness
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Ballaké Sissoko
Musique de nuit
128 bpm • C Maj • 02:32 • -17.61db
29% Popularity • 46% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 37% Positiveness
29% Popularity • 46% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 37% Positiveness
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Aurélie Saada
Pistache au Dôme
128 bpm • E min • 03:30 • -10.13db
37% Popularity • 93% Danceability • 45% Energy • 11% Liveness
84% Instrumentalness • 78% Positiveness
37% Popularity • 93% Danceability • 45% Energy • 11% Liveness
84% Instrumentalness • 78% Positiveness
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Vincent Peirani
Bang Bang
128 bpm • F min • 03:26 • -16db
24% Popularity • 29% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 24% Positiveness
24% Popularity • 29% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 24% Positiveness
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Titi Robin
Payo Michto Zyriab de Cordoba
114 bpm • F# min • 02:28 • -9.97db
39% Popularity • 62% Danceability • 70% Energy • 9% Liveness
86% Instrumentalness • 85% Positiveness
39% Popularity • 62% Danceability • 70% Energy • 9% Liveness
86% Instrumentalness • 85% Positiveness
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Opez
Adriatica
114 bpm • A# Maj • 03:30 • -14.17db
42% Popularity • 84% Danceability • 41% Energy • 10% Liveness
82% Instrumentalness • 55% Positiveness
42% Popularity • 84% Danceability • 41% Energy • 10% Liveness
82% Instrumentalness • 55% Positiveness
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David Lafore
Tempête sur le bassin
128 bpm • D min • 02:31 • -16.77db
19% Popularity • 34% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 22% Positiveness
19% Popularity • 34% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 22% Positiveness
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Yom
Tantric Epic
129 bpm • F min • 05:29 • -16.09db
18% Popularity • 40% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
18% Popularity • 40% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Aurélie Saada
Pistache
128 bpm • E min • 01:09 • -10.52db
47% Popularity • 89% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 68% Positiveness
47% Popularity • 89% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 68% Positiveness
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Les Yeux Noirs
Moyshele
129 bpm • D min • 05:09 • -19.48db
15% Popularity • 40% Danceability • 9% Energy • 14% Liveness
8% Instrumentalness • 27% Positiveness
15% Popularity • 40% Danceability • 9% Energy • 14% Liveness
8% Instrumentalness • 27% Positiveness
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No Blues
Khartoum
129 bpm • A min • 02:33 • -10.41db
24% Popularity • 71% Danceability • 51% Energy • 10% Liveness
86% Instrumentalness • 75% Positiveness
24% Popularity • 71% Danceability • 51% Energy • 10% Liveness
86% Instrumentalness • 75% Positiveness
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Chapelier Fou
Horses - Remastered
129 bpm • D min • 01:31 • -10.58db
52% Popularity • 71% Danceability • 51% Energy • 6% Liveness
92% Instrumentalness • 74% Positiveness
52% Popularity • 71% Danceability • 51% Energy • 6% Liveness
92% Instrumentalness • 74% Positiveness
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Chilly Gonzales
Oregano
129 bpm • G min • 01:24 • -24.5db
48% Popularity • 47% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
48% Popularity • 47% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
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Le Trio Joubran
Masâr
129 bpm • B min • 04:56 • -11.25db
47% Popularity • 58% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
47% Popularity • 58% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
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Fleuves
Riqueniée
113 bpm • D min • 02:20 • -7.69db
24% Popularity • 66% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 19% Positiveness
24% Popularity • 66% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 19% Positiveness
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Yom
Those Who Stayed Behind
113 bpm • B min • 05:01 • -8.96db
22% Popularity • 30% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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London Soundtrack Band
Yumeji's Theme
129 bpm • G# Maj • 02:28 • -15db
29% Popularity • 52% Danceability • 16% Energy • 19% Liveness
86% Instrumentalness • 45% Positiveness
29% Popularity • 52% Danceability • 16% Energy • 19% Liveness
86% Instrumentalness • 45% Positiveness
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Hermanos Gutiérrez
8 Años
113 bpm • E min • 02:59 • -19.06db
50% Popularity • 71% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
50% Popularity • 71% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Olivier Daviaud
Le rêve du chat
113 bpm • G Maj • 01:57 • -18.64db
24% Popularity • 30% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
24% Popularity • 30% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Moriarty
Reverse - Anger
113 bpm • D Maj • 02:54 • -10.54db
49% Popularity • 71% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
49% Popularity • 71% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
