Songs like The Old Man's Back Again (Dedicated To The Neo-Stalinist Regime) by Scott Walker
Based on a tempo of (+/- 10%) and a similar genre
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Scott Walker
The Old Man's Back Again (Dedicated To T...
91 bpm • G# min • 03:40 • -16.46db
41% Popularity • 42% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 42% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Karen Dalton
Are You Leaving for the Country
90 bpm • D Maj • 03:14 • -12.77db
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Dr. John
I Walk on Guilded Splinters
90 bpm • A min • 07:46 • -19db
38% Popularity • 65% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 65% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Nick Drake
One Of These Things First
90 bpm • E Maj • 04:50 • -18.45db
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
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Jefferson Airplane
Today
90 bpm • D min • 02:57 • -14db
54% Popularity • 51% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 51% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Link Wray
La De Da
90 bpm • D Maj • 04:03 • -9.48db
34% Popularity • 31% Danceability • 67% Energy • 9% Liveness
33% Instrumentalness • 92% Positiveness
34% Popularity • 31% Danceability • 67% Energy • 9% Liveness
33% Instrumentalness • 92% Positiveness
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Scott Walker
The Amorous Humphrey Plugg
92 bpm • D Maj • 04:28 • -16db
20% Popularity • 35% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 35% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Leonard Cohen
Avalanche
92 bpm • F min • 05:02 • -16.54db
50% Popularity • 40% Danceability • 28% Energy • 26% Liveness
2% Instrumentalness • 18% Positiveness
50% Popularity • 40% Danceability • 28% Energy • 26% Liveness
2% Instrumentalness • 18% Positiveness
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Irma Thomas
Anyone Who Knows What Love Is (Will Unde...
92 bpm • D Maj • 02:56 • -12.79db
62% Popularity • 60% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
62% Popularity • 60% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Nick Drake
Northern Sky
90 bpm • F min • 03:44 • -18db
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
63% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
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Tindersticks
Show Me Everything
93 bpm • C Maj • 05:29 • -9.57db
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
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Rotary Connection
I Am The Black Gold Of The Sun - Remaste...
89 bpm • C# min • 05:44 • -16.48db
43% Popularity • 50% Danceability • 58% Energy • 7% Liveness
10% Instrumentalness • 69% Positiveness
43% Popularity • 50% Danceability • 58% Energy • 7% Liveness
10% Instrumentalness • 69% Positiveness
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Scott Walker
Rhymes Of Goodbye
89 bpm • C# Maj • 03:05 • -16.02db
24% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Captain Beefheart & His Magic Band
Her Eyes Are a Blue Million Miles
89 bpm • E min • 02:57 • -15.84db
46% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Odetta
Hit Or Miss
89 bpm • D Maj • 03:54 • -13.34db
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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The Kinks
Living on a Thin Line
89 bpm • G Maj • 04:12 • -9.39db
49% Popularity • 61% Danceability • 54% Energy • 13% Liveness
5% Instrumentalness • 38% Positiveness
49% Popularity • 61% Danceability • 54% Energy • 13% Liveness
5% Instrumentalness • 38% Positiveness
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Nico
These Days
93 bpm • F Maj • 03:30 • -17.64db
66% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
66% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Lou Reed
Goodnight Ladies
89 bpm • A# Maj • 04:20 • -12.53db
39% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Scott Walker
Angels Of Ashes
89 bpm • G Maj • 04:18 • -16.35db
27% Popularity • 28% Danceability • 21% Energy • 56% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 56% Liveness
0% Instrumentalness • 20% Positiveness
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The Byrds
Wasn't Born to Follow
93 bpm • G Maj • 02:03 • -8.85db
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Manfred Mann Chapter Three
One Way Glass
88 bpm • F# Maj • 03:34 • -7.86db
36% Popularity • 47% Danceability • 73% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
36% Popularity • 47% Danceability • 73% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
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Marianne Faithfull
Guilt
94 bpm • E min • 05:08 • -14.39db
33% Popularity • 57% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 60% Positiveness
33% Popularity • 57% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 60% Positiveness
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Cream
I Feel Free
88 bpm • A Maj • 02:51 • -14.06db
59% Popularity • 38% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 38% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The West Coast Pop Art Experimental Band
Eighteen Is over the Hill
88 bpm • F# Maj • 02:42 • -13.25db
37% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Irma Thomas
Ruler Of My Heart
94 bpm • A Maj • 02:39 • -14.18db
50% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
50% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
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Gábor Szabó
San Franciscan Nights
94 bpm • C Maj • 03:23 • -18.82db
40% Popularity • 56% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 41% Positiveness
40% Popularity • 56% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 41% Positiveness
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The Creation
If I Stay Too Long
88 bpm • A Maj • 03:27 • -6.77db
31% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Nico
The Fairest Of The Seasons
88 bpm • F# Maj • 04:06 • -13db
48% Popularity • 35% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 35% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Josephine Foster
I'm a Dreamer
95 bpm • A# Maj • 03:38 • -13.74db
36% Popularity • 56% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 56% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Scott Walker
Copenhagen
88 bpm • D Maj • 02:19 • -19db
33% Popularity • 23% Danceability • 18% Energy • 14% Liveness
3% Instrumentalness • 9% Positiveness
33% Popularity • 23% Danceability • 18% Energy • 14% Liveness
3% Instrumentalness • 9% Positiveness
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Amanaz
Khala My Friend
88 bpm • C# Maj • 03:23 • -14.17db
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
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Television Personalities
Diary of a Young Man
95 bpm • F Maj • 03:59 • -14db
32% Popularity • 40% Danceability • 34% Energy • 11% Liveness
47% Instrumentalness • 49% Positiveness
32% Popularity • 40% Danceability • 34% Energy • 11% Liveness
47% Instrumentalness • 49% Positiveness
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Smog
Our Anniversary
95 bpm • F# Maj • 06:17 • -15db
38% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
38% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
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Aphrodite's Child
The Four Horsemen
95 bpm • D Maj • 05:53 • -11.52db
46% Popularity • 29% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 29% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Love
Maybe the People Would Be the Times or B...
95 bpm • A min • 03:34 • -14.85db
37% Popularity • 62% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
37% Popularity • 62% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
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Scott Walker
Rosemary
87 bpm • A min • 03:19 • -16.31db
29% Popularity • 30% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 30% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Galaxie 500
Strange
95 bpm • G Maj • 03:17 • -7.09db
24% Popularity • 30% Danceability • 84% Energy • 16% Liveness
2% Instrumentalness • 62% Positiveness
24% Popularity • 30% Danceability • 84% Energy • 16% Liveness
2% Instrumentalness • 62% Positiveness
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The Lovin' Spoonful
Butchie's Tune
87 bpm • D# Maj • 02:35 • -11.03db
37% Popularity • 62% Danceability • 46% Energy • 4% Liveness
2% Instrumentalness • 90% Positiveness
37% Popularity • 62% Danceability • 46% Energy • 4% Liveness
2% Instrumentalness • 90% Positiveness
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Smith
Baby It's You
95 bpm • C# min • 03:27 • -10.63db
43% Popularity • 60% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 71% Positiveness
43% Popularity • 60% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 71% Positiveness
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Lou Reed
Charley's Girl
87 bpm • A Maj • 02:39 • -7db
55% Popularity • 75% Danceability • 83% Energy • 5% Liveness
13% Instrumentalness • 85% Positiveness
55% Popularity • 75% Danceability • 83% Energy • 5% Liveness
13% Instrumentalness • 85% Positiveness
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Kathy Heideman
Fine Street Woman
87 bpm • B min • 04:29 • -10.67db
29% Popularity • 51% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 51% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Scott Walker
Little Things (That Keep Us Together)
96 bpm • G Maj • 02:16 • -14.45db
14% Popularity • 53% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 53% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Love
You Set the Scene - 2015 Remaster
96 bpm • G Maj • 06:49 • -17.17db
31% Popularity • 43% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 43% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Vanilla Fudge
You Keep Me Hangin' On
86 bpm • A Maj • 02:55 • -6db
48% Popularity • 23% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 23% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The Shangri-Las
I Can Never Go Home Anymore
96 bpm • B min • 03:14 • -12.57db
11% Popularity • 54% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 54% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
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Irma Thomas
Time Is On My Side
96 bpm • C Maj • 02:52 • -9db
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 51% Liveness
1% Instrumentalness • 60% Positiveness
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The The
This Is The Night
96 bpm • B min • 03:50 • -5.58db
41% Popularity • 62% Danceability • 67% Energy • 10% Liveness
5% Instrumentalness • 33% Positiveness
41% Popularity • 62% Danceability • 67% Energy • 10% Liveness
5% Instrumentalness • 33% Positiveness
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Beth Gibbons
Tom The Model
96 bpm • E min • 03:40 • -9.64db
47% Popularity • 46% Danceability • 45% Energy • 11% Liveness
34% Instrumentalness • 24% Positiveness
47% Popularity • 46% Danceability • 45% Energy • 11% Liveness
34% Instrumentalness • 24% Positiveness
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Primal Scream
I'm Losing More Than I'll Ever Have
86 bpm • G Maj • 05:08 • -10.01db
35% Popularity • 52% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 32% Positiveness
35% Popularity • 52% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 32% Positiveness
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Scott Walker
The Girls From The Streets
86 bpm • D Maj • 04:09 • -16.39db
17% Popularity • 19% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 19% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 46% Positiveness
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The Fall
Blindness
96 bpm • G Maj • 07:22 • -5db
28% Popularity • 47% Danceability • 98% Energy • 18% Liveness
46% Instrumentalness • 54% Positiveness
28% Popularity • 47% Danceability • 98% Energy • 18% Liveness
46% Instrumentalness • 54% Positiveness
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Nick Cave & The Bad Seeds
Jubilee Street
86 bpm • F Maj • 06:35 • -12db
50% Popularity • 36% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 36% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Love
Everybody's Gotta Live
96 bpm • E min • 04:03 • -7.32db
39% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Smog
Dress Sexy At My Funeral
96 bpm • G min • 05:30 • -12db
39% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
39% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
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Allen Toussaint
Southern Nights - Remastered Version
86 bpm • C# Maj • 03:36 • -12.96db
42% Popularity • 61% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 48% Positiveness
42% Popularity • 61% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 48% Positiveness
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Buzzcocks
Why Can't I Touch It? - 2001 Remastered ...
86 bpm • C min • 06:36 • -9db
47% Popularity • 59% Danceability • 61% Energy • 18% Liveness
15% Instrumentalness • 66% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 18% Liveness
15% Instrumentalness • 66% Positiveness
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Scott Walker
Butterfly
86 bpm • G# min • 01:39 • -19.04db
29% Popularity • 26% Danceability • 19% Energy • 14% Liveness
7% Instrumentalness • 16% Positiveness
29% Popularity • 26% Danceability • 19% Energy • 14% Liveness
7% Instrumentalness • 16% Positiveness
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Gene Clark
No Other
97 bpm • D Maj • 05:08 • -14db
42% Popularity • 47% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 55% Positiveness
42% Popularity • 47% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 55% Positiveness
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Van Morrison
T. B. Sheets
85 bpm • E min • 09:44 • -14.24db
38% Popularity • 66% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 66% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Link Wray
Rumble
85 bpm • A Maj • 02:25 • -9.86db
52% Popularity • 55% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 55% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 63% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Julee Cruise
Rockin' Back Inside My Heart
85 bpm • B Maj • 05:49 • -17.4db
42% Popularity • 62% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 62% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Scott Walker
30 Century Man
86 bpm • B min • 01:26 • -21.13db
50% Popularity • 50% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 50% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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The Pretty Things
She's a Lover
85 bpm • D Maj • 03:32 • -9.42db
34% Popularity • 44% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 44% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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The Kinks
The Village Green Preservation Society (...
98 bpm • G Maj • 02:51 • -7.28db
41% Popularity • 55% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 55% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Duffy Power
Where Am I
98 bpm • G# Maj • 02:50 • -8db
30% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Talk Talk
The Rainbow - 1997 Remaster
85 bpm • E min • 09:09 • -21.09db
42% Popularity • 30% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
42% Popularity • 30% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Robert Wyatt
Pigs... (In There)
84 bpm • C Maj • 02:39 • -14.63db
29% Popularity • 44% Danceability • 29% Energy • 10% Liveness
16% Instrumentalness • 31% Positiveness
29% Popularity • 44% Danceability • 29% Energy • 10% Liveness
16% Instrumentalness • 31% Positiveness
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Scott Walker
Plastic Palace People
85 bpm • A# Maj • 06:04 • -17.17db
21% Popularity • 20% Danceability • 28% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 20% Danceability • 28% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
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Tim Buckley
Phantasmagoria in Two
84 bpm • B min • 03:28 • -12.53db
43% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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John Cale
Andalucia
98 bpm • F Maj • 03:54 • -17.42db
35% Popularity • 52% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
35% Popularity • 52% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
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David Bowie
Wild Is the Wind - 2016 Remaster
98 bpm • A min • 06:06 • -12.91db
51% Popularity • 52% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 52% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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The Kinks
Nothin' in the World Can Stop Me Worryin...
99 bpm • D min • 02:42 • -15.66db
47% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Robert Wyatt
Heaps Of Sheeps
98 bpm • C# Maj • 04:56 • -10.1db
32% Popularity • 54% Danceability • 69% Energy • 9% Liveness
9% Instrumentalness • 43% Positiveness
32% Popularity • 54% Danceability • 69% Energy • 9% Liveness
9% Instrumentalness • 43% Positiveness
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Margo Guryan
Sunday Morning
99 bpm • C min • 02:20 • -8db
41% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Tim Buckley
Morning Glory
84 bpm • G# Maj • 02:51 • -13db
31% Popularity • 36% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 36% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Captain Beefheart
I'm Glad - (1966 Demo)
84 bpm • A Maj • 03:45 • -10.46db
37% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Nico
Wrap Your Troubles In Dreams
99 bpm • E min • 05:06 • -17.38db
34% Popularity • 62% Danceability • 13% Energy • 11% Liveness
53% Instrumentalness • 37% Positiveness
34% Popularity • 62% Danceability • 13% Energy • 11% Liveness
53% Instrumentalness • 37% Positiveness
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Scott Walker
My Death
84 bpm • E min • 04:57 • -16.43db
21% Popularity • 37% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 37% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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The Three Degrees
Collage
83 bpm • D min • 03:00 • -8.8db
22% Popularity • 55% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 55% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Terry Callier
You Goin' Miss Your Candyman
99 bpm • A min • 07:19 • -12.8db
44% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
44% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
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Tom Waits
Jockey Full Of Bourbon - 2023 Remaster
83 bpm • B Maj • 02:46 • -20.22db
50% Popularity • 67% Danceability • 40% Energy • 15% Liveness
81% Instrumentalness • 96% Positiveness
50% Popularity • 67% Danceability • 40% Energy • 15% Liveness
81% Instrumentalness • 96% Positiveness
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John Cale
Barracuda
83 bpm • E Maj • 03:47 • -12.33db
39% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Felt
Primitive Painters
83 bpm • A Maj • 06:02 • -9.85db
34% Popularity • 9% Danceability • 65% Energy • 15% Liveness
86% Instrumentalness • 60% Positiveness
34% Popularity • 9% Danceability • 65% Energy • 15% Liveness
86% Instrumentalness • 60% Positiveness
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Scott Walker
What Are You Doing The Rest Of Your Life
83 bpm • D min • 03:34 • -19.51db
9% Popularity • 28% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 28% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Leonard Cohen
Tower of Song
100 bpm • E Maj • 05:39 • -21db
44% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Brian Jonestown Massacre
Anemone
83 bpm • F min • 05:34 • -12.89db
44% Popularity • 53% Danceability • 64% Energy • 20% Liveness
84% Instrumentalness • 61% Positiveness
44% Popularity • 53% Danceability • 64% Energy • 20% Liveness
84% Instrumentalness • 61% Positiveness
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The Lollipops
Naked When You Come - Original Version
83 bpm • A min • 02:37 • -8.26db
28% Popularity • 54% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 54% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Brian Eno
On Some Faraway Beach - 2004 Digital Rem...
100 bpm • C Maj • 04:36 • -9.12db
36% Popularity • 46% Danceability • 68% Energy • 14% Liveness
16% Instrumentalness • 37% Positiveness
36% Popularity • 46% Danceability • 68% Energy • 14% Liveness
16% Instrumentalness • 37% Positiveness
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Love
Andmoreagain - 2015 Remaster
100 bpm • G Maj • 03:21 • -18.08db
36% Popularity • 54% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 54% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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D.R. Hooker
Forge Your Own Chains
83 bpm • F min • 04:42 • -11.53db
36% Popularity • 61% Danceability • 65% Energy • 22% Liveness
14% Instrumentalness • 66% Positiveness
36% Popularity • 61% Danceability • 65% Energy • 22% Liveness
14% Instrumentalness • 66% Positiveness
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Scott Walker
Farmer In The City
83 bpm • A Maj • 06:38 • -14.42db
24% Popularity • 33% Danceability • 18% Energy • 8% Liveness
3% Instrumentalness • 11% Positiveness
24% Popularity • 33% Danceability • 18% Energy • 8% Liveness
3% Instrumentalness • 11% Positiveness
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Joe Pass
A Time for Us
83 bpm • A min • 03:15 • -14db
41% Popularity • 33% Danceability • 45% Energy • 14% Liveness
68% Instrumentalness • 37% Positiveness
41% Popularity • 33% Danceability • 45% Energy • 14% Liveness
68% Instrumentalness • 37% Positiveness
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Donovan
Barabajagal
100 bpm • B min • 03:20 • -17db
36% Popularity • 67% Danceability • 57% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
36% Popularity • 67% Danceability • 57% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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Unit 4 + 2
Concrete and Clay
101 bpm • C# Maj • 02:17 • -10.08db
36% Popularity • 62% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 62% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Love
My Little Red Book - Stereo Version
101 bpm • C Maj • 02:30 • -8.17db
34% Popularity • 82% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 82% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Richard Hawley
Born Under A Bad Sign
82 bpm • A# Maj • 03:41 • -11.22db
38% Popularity • 63% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 63% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Scott Walker
The Plague
82 bpm • B min • 03:34 • -12.66db
10% Popularity • 20% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 20% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
