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The One That Got Away
Songs like
The One That Got Away
by
Jake Owen
Based on a tempo of (+/- 10%) and a similar genre
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 03:39 • -5.74db
45% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
60% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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The Reklaws
11 Beers
120 bpm • G Maj • 03:24 • -3db
43% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
57% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Craig Campbell
Keep Them Kisses Comin'
120 bpm • F# Maj • 02:39 • -5.71db
46% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
60% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Owen
The One That Got Away
120 bpm • C Maj • 03:14 • -3.29db
52% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Currington
That's How Country Boys Roll
121 bpm • D Maj • 03:44 • -3.01db
49% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Easton Corbin
A Lot To Learn About Livin'
121 bpm • G# Maj • 03:46 • -9db
40% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Brothers Osborne
Rum
121 bpm • D# Maj • 03:33 • -6.01db
54% Popularity • 83% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Gloriana
(Kissed You) Good Night
119 bpm • B Maj • 03:52 • -6.13db
49% Popularity • 52% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Gracin
Nothin' To Lose
121 bpm • G Maj • 02:36 • -4.12db
58% Popularity • 61% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Combs
Memories Are Made Of
121 bpm • D Maj • 03:36 • -6.19db
57% Popularity • 69% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Shania Twain
Party For Two - Country Version With Int...
121 bpm • B Maj • 03:32 • -5db
42% Popularity • 75% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Jake Owen
Who Said Whiskey - Was Meant To Drink A ...
121 bpm • C Maj • 03:26 • -4.75db
20% Popularity • 66% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Chase Bryant
Little Bit of You
122 bpm • C# Maj • 03:06 • -4.28db
52% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
52% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Joe Nichols
Hard to Be Cool
122 bpm • D Maj • 03:06 • -4.7db
37% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Casey Donahew
Kiss Me
118 bpm • E Maj • 03:28 • -4.59db
46% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Rascal Flatts
Fast Cars And Freedom
118 bpm • D# min • 04:22 • -4.84db
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Trace Adkins
Songs About Me
118 bpm • C Maj • 03:24 • -3.04db
44% Popularity • 58% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Little Big Town
Life In A Northern Town - Live
118 bpm • C Maj • 04:16 • -6db
44% Popularity • 56% Danceability • 65% Energy • 93% Liveness
0% Instrumentalness • 22% Positiveness
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Montgomery Gentry
She Couldn't Change Me
117 bpm • F Maj • 04:20 • -11db
44% Popularity • 67% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Bryan
All My Friends Say
117 bpm • A Maj • 04:02 • -4.42db
58% Popularity • 68% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Jake Owen
One Little Kiss (Never Killed Nobody)
117 bpm • G Maj • 02:57 • -3.67db
21% Popularity • 59% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Toby Keith
Whiskey Girl
123 bpm • F# Maj • 03:59 • -5.27db
60% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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High Valley
Make You Mine
123 bpm • C Maj • 03:31 • -4db
50% Popularity • 58% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Missin' You Crazy
117 bpm • E Maj • 03:18 • -3.68db
44% Popularity • 61% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Jon Langston
Right Girl Wrong Time
117 bpm • F# Maj • 03:42 • -6.13db
50% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
124 bpm • B min • 04:00 • -5.32db
54% Popularity • 54% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Jake Owen
The Best I Can
124 bpm • A min • 03:45 • -7.9db
15% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Brad Paisley
Perfect Storm
124 bpm • C Maj • 03:54 • -6db
47% Popularity • 53% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Chase Rice
Gonna Wanna Tonight
124 bpm • D Maj • 03:34 • -7db
28% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Aaron Tippin
Kiss This
116 bpm • F# min • 02:53 • -5.48db
54% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
60% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Carrie Underwood
All-American Girl
124 bpm • A Maj • 03:32 • -2.63db
61% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Big & Rich
California
116 bpm • A Maj • 03:21 • -4.84db
43% Popularity • 63% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Thompson Square
Everything I Shouldn't Be Thinking About
116 bpm • G# Maj • 02:58 • -3.7db
37% Popularity • 68% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Brad Paisley
Old Alabama
116 bpm • G Maj • 05:01 • -5db
51% Popularity • 38% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Owen
Don't Think I Can't Love You
116 bpm • A# Maj • 03:05 • -5.42db
40% Popularity • 44% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Toby Keith
God Love Her
125 bpm • A# Maj • 03:36 • -4db
57% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Billy Currington
Let Me Down Easy
125 bpm • C# Maj • 03:48 • -5db
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Luke Bryan
Someone Else Calling You Baby
115 bpm • G# Maj • 03:49 • -3.73db
57% Popularity • 50% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Frankie Ballard
Young & Crazy
115 bpm • C Maj • 03:00 • -4db
49% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Jake Owen
The Journey Of Your Life
125 bpm • A# Maj • 03:48 • -7.82db
26% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Chase Rice
Ride
115 bpm • A# Maj • 04:01 • -6.35db
59% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Janson
Better I Don't
126 bpm • C Maj • 03:25 • -4.3db
38% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Granger Smith
Silverado Bench Seat
126 bpm • D# Maj • 02:57 • -4.58db
39% Popularity • 66% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Craig Morgan
This Ole Boy
114 bpm • B Maj • 04:23 • -4.4db
37% Popularity • 59% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Jerrod Niemann
One More Drinkin' Song
114 bpm • A Maj • 02:47 • -6db
41% Popularity • 73% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Easton Corbin
Somebody's Gotta Be Country
114 bpm • G# Maj • 03:02 • -2.81db
47% Popularity • 73% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Josh Abbott Band
Wasn't That Drunk
114 bpm • C min • 03:43 • -5.38db
49% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Cole Swindell
Love You Too Late
114 bpm • A min • 03:24 • -4.45db
55% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Miranda Lambert
Kerosene
127 bpm • G Maj • 03:05 • -3.25db
61% Popularity • 63% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Phil Vassar
Little Red Rodeo
127 bpm • C Maj • 03:23 • -5.19db
44% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Currington
Love Done Gone
127 bpm • G# Maj • 03:30 • -3.07db
47% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Jason Aldean
When She Says Baby
113 bpm • C Maj • 02:51 • -5.13db
63% Popularity • 67% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Pardi
When I've Been Drinkin'
113 bpm • B Maj • 03:17 • -6.08db
56% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Rascal Flatts
Yours If You Want It
113 bpm • G# Maj • 03:26 • -3db
53% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Brooks & Dunn
Brand New Man
128 bpm • G Maj • 02:59 • -4.36db
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Canaan Smith
Hole In A Bottle
113 bpm • G# min • 02:36 • -5.53db
36% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Jake Owen
Heaven
128 bpm • B Maj • 03:11 • -5.45db
36% Popularity • 61% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Keith Urban
Long Hot Summer
128 bpm • D# Maj • 04:33 • -8.43db
61% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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John Michael Montgomery
Letters from Home
128 bpm • C Maj • 04:27 • -7db
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Jake Owen
What We Ain't Got
128 bpm • A Maj • 03:38 • -10db
41% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Brooks & Dunn
Red Dirt Road - with Cody Johnson
128 bpm • E Maj • 03:56 • -7.8db
54% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Brothers Osborne
21 Summer
112 bpm • D Maj • 03:34 • -6.99db
57% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Granger Smith
You’re In It
112 bpm • B Maj • 03:16 • -5.45db
41% Popularity • 58% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
36% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Turner
Time Is Love
112 bpm • D Maj • 03:20 • -4.99db
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Owen
Yee Haw
129 bpm • G Maj • 02:52 • -3db
46% Popularity • 67% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Montgomery Gentry
One In Every Crowd
111 bpm • B Maj • 03:31 • -4.45db
46% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
69% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Lee Brice
That Don't Sound Like You
130 bpm • E Maj • 03:30 • -9.5db
53% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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High Valley
She's with Me
111 bpm • B Maj • 03:00 • -4db
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Bryan
I See You
130 bpm • F# Maj • 03:05 • -3db
56% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Jake Owen
Days of Gold
111 bpm • A# Maj • 03:21 • -3.46db
38% Popularity • 48% Danceability • 99% Energy • 13% Liveness
1% Instrumentalness • 45% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
59% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Thomas Rhett
Crash and Burn
130 bpm • F min • 03:10 • -5.1db
63% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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George Strait
Give It All We Got Tonight
130 bpm • G Maj • 04:11 • -7.03db
60% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
73% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The One That Got Away