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The One Time in Houston
Songs like
The One Time in Houston
by
Wale
Based on a tempo of (+/- 10%) and a similar genre
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Wale
The One Time in Houston
180 bpm • F min • 05:47 • -10.65db
29% Popularity • 52% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Pell
Morning Light
178 bpm • C Maj • 04:08 • -8.3db
7% Popularity • 53% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Summertime Shootout
For the Summer
183 bpm • D Maj • 03:26 • -6.63db
35% Popularity • 48% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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dvsn
Too Deep
184 bpm • A Maj • 03:20 • -13.98db
59% Popularity • 62% Danceability • 24% Energy • 26% Liveness
14% Instrumentalness • 56% Positiveness
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Fat Trel
She Fell in Love
184 bpm • D min • 03:40 • -6.68db
16% Popularity • 39% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Mike WiLL Made-It
Emotions Unlocked
176 bpm • F# min • 03:59 • -5.19db
21% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Vince Staples
Limos
176 bpm • B min • 03:32 • -5.85db
44% Popularity • 59% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Wale
Self Made
176 bpm • B min • 05:03 • -3.51db
25% Popularity • 30% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Freddie Gibbs
Middle of The Night
176 bpm • B min • 04:01 • -8.05db
16% Popularity • 45% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ro James
Bad Timing
175 bpm • B min • 01:19 • -12.09db
20% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Mustard
Tinashe Checks In
186 bpm • B min • 01:59 • -13.08db
15% Popularity • 48% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
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TeeFLii
Change Your World
175 bpm • C min • 04:04 • -4.14db
11% Popularity • 42% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Cozz
Western Ave. Slaves
174 bpm • F min • 03:22 • -6.01db
21% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Wale
The War
175 bpm • G Maj • 04:27 • -4.59db
25% Popularity • 47% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 32% Positiveness
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DRAM
Change My #
174 bpm • C# Maj • 04:24 • -5.54db
9% Popularity • 35% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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ELHAE
Pronouns
172 bpm • E min • 03:33 • -13.31db
11% Popularity • 50% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
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DaniLeigh
All I Know
188 bpm • C min • 02:43 • -8.13db
50% Popularity • 38% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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AWOLNATION
Guilty Filthy Soul - Samantha Ronson Re...
172 bpm • F min • 04:17 • -5.54db
22% Popularity • 63% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Chuck Brown
Beautiful Life
172 bpm • C# min • 04:29 • -5.71db
24% Popularity • 71% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Wale
Money Changes
174 bpm • C# min • 03:18 • -5.69db
13% Popularity • 63% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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DRAM
Wit the Shits
172 bpm • C min • 03:21 • -8.52db
12% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Domani
Numb
171 bpm • E Maj • 03:10 • -8.48db
27% Popularity • 40% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Young Money
Ms. Parker
190 bpm • G# min • 05:19 • -4db
34% Popularity • 52% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Cozz
Come Get It
170 bpm • C Maj • 03:30 • -9.51db
18% Popularity • 60% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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CyHi
Free
192 bpm • D min • 04:50 • -10.76db
20% Popularity • 46% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
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Wale
Running Rebels
174 bpm • B min • 04:55 • -3.55db
18% Popularity • 46% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Stalley
Fluorescent Ink
169 bpm • A min • 03:21 • -5.85db
16% Popularity • 60% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Ab-Soul
Sapiosexual
168 bpm • E min • 03:36 • -10.02db
21% Popularity • 63% Danceability • 58% Energy • 86% Liveness
0% Instrumentalness • 58% Positiveness
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RAAHiiM
Dive
163 bpm • E min • 03:08 • -11db
30% Popularity • 35% Danceability • 36% Energy • 10% Liveness
6% Instrumentalness • 8% Positiveness
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Young Money
She Is Gone
164 bpm • B min • 03:50 • -6.15db
36% Popularity • 66% Danceability • 72% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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The Diplomats
Purple Haze - Skit 3
201 bpm • B min • 04:37 • -5.36db
33% Popularity • 45% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Wale
Still Up
170 bpm • B Maj • 03:51 • -3.94db
14% Popularity • 60% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Translee
Say It Then
160 bpm • D Maj • 03:26 • -11.44db
10% Popularity • 74% Danceability • 43% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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THEY.
Silence
160 bpm • F# min • 03:33 • -5.64db
33% Popularity • 59% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Plies
Ran off on Da Plug Twice
160 bpm • G min • 02:33 • -7.12db
48% Popularity • 87% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Iamsu!
As Far as It Goes
160 bpm • C# min • 03:00 • -8.59db
9% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Pimp C
What Up
160 bpm • C# Maj • 04:24 • -5db
23% Popularity • 42% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Wall
Showroom Ready
160 bpm • C# Maj • 03:00 • -4.54db
14% Popularity • 69% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Domani
Highs N Lows
160 bpm • A# min • 03:44 • -12.02db
36% Popularity • 61% Danceability • 50% Energy • 67% Liveness
0% Instrumentalness • 80% Positiveness
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Job Jetson
Cheeks
204 bpm • F min • 03:14 • -6.88db
16% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Wale
Losing
158 bpm • B min • 03:19 • -6.52db
16% Popularity • 71% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Young Money
Roger That
158 bpm • D Maj • 03:29 • -7.56db
48% Popularity • 48% Danceability • 63% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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JUVENILE
Rodeo
157 bpm • C# Maj • 03:57 • -7.91db
53% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jidenna
The Let Out
157 bpm • C# min • 03:43 • -4.81db
30% Popularity • 75% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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6LACK
Ex Calling
156 bpm • C# Maj • 03:31 • -7.24db
61% Popularity • 77% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Miguel
Hollywood Dreams
156 bpm • G Maj • 03:16 • -6.37db
21% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Rockie Fresh
December Rain
156 bpm • A# Maj • 02:36 • -5.78db
10% Popularity • 62% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Kid Cudi
All In
154 bpm • A min • 04:10 • -8.18db
39% Popularity • 66% Danceability • 60% Energy • 94% Liveness
33% Instrumentalness • 54% Positiveness
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WESTSIDE BOOGIE
Two Days
155 bpm • G Maj • 02:17 • -6.33db
23% Popularity • 57% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 58% Positiveness
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Jidenna
The Let Out
157 bpm • C# min • 03:55 • -4.74db
32% Popularity • 74% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Ro James
'84
154 bpm • F min • 04:31 • -5.99db
23% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Maino
Mama Loves Me
154 bpm • C min • 03:26 • -4.92db
10% Popularity • 56% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The One Time in Houston