Songs like The Only Place - UCast Remix by Sneijder
Based on a tempo of (+/- 10%) and a similar genre
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Inertia
The System (ASOT 1078) - Sneijder Remix
138 bpm • G min • 03:24 • -7.7db
5% Popularity • 40% Danceability • 95% Energy • 41% Liveness
89% Instrumentalness • 27% Positiveness
5% Popularity • 40% Danceability • 95% Energy • 41% Liveness
89% Instrumentalness • 27% Positiveness
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Key4050
Utterly Butterly
138 bpm • F Maj • 04:15 • -10.21db
23% Popularity • 54% Danceability • 88% Energy • 5% Liveness
87% Instrumentalness • 10% Positiveness
23% Popularity • 54% Danceability • 88% Energy • 5% Liveness
87% Instrumentalness • 10% Positiveness
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Bryan Kearney
All Over Again - Extended Mix
138 bpm • C# min • 07:53 • -5.55db
25% Popularity • 56% Danceability • 98% Energy • 12% Liveness
40% Instrumentalness • 18% Positiveness
25% Popularity • 56% Danceability • 98% Energy • 12% Liveness
40% Instrumentalness • 18% Positiveness
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UDM
Helix
138 bpm • G# Maj • 03:24 • -4db
24% Popularity • 43% Danceability • 99% Energy • 25% Liveness
77% Instrumentalness • 22% Positiveness
24% Popularity • 43% Danceability • 99% Energy • 25% Liveness
77% Instrumentalness • 22% Positiveness
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Vimana
We Came (Sneijder Remix) - Mixed
138 bpm • C Maj • 04:38 • -7.54db
8% Popularity • 36% Danceability • 100% Energy • 23% Liveness
91% Instrumentalness • 14% Positiveness
8% Popularity • 36% Danceability • 100% Energy • 23% Liveness
91% Instrumentalness • 14% Positiveness
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![Next Level [ASOT 671] - Psyneijder Remix cover art](https://i.scdn.co/image/ab67616d00001e029fc39696b0fc9555b188d6c6)
Sneijder
Next Level [ASOT 671] - Psyneijder Remix
138 bpm • A Maj • 04:55 • -10.24db
1% Popularity • 48% Danceability • 96% Energy • 13% Liveness
78% Instrumentalness • 36% Positiveness
1% Popularity • 48% Danceability • 96% Energy • 13% Liveness
78% Instrumentalness • 36% Positiveness
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Lostly
Reach You
138 bpm • F# min • 03:33 • -6.01db
16% Popularity • 47% Danceability • 99% Energy • 37% Liveness
32% Instrumentalness • 28% Positiveness
16% Popularity • 47% Danceability • 99% Energy • 37% Liveness
32% Instrumentalness • 28% Positiveness
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Daniel Skyver
A Trillion Suns
138 bpm • A min • 03:29 • -3.91db
29% Popularity • 39% Danceability • 100% Energy • 73% Liveness
94% Instrumentalness • 34% Positiveness
29% Popularity • 39% Danceability • 100% Energy • 73% Liveness
94% Instrumentalness • 34% Positiveness
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Key4050
Higher Sense
138 bpm • G Maj • 06:43 • -7db
15% Popularity • 54% Danceability • 99% Energy • 61% Liveness
78% Instrumentalness • 11% Positiveness
15% Popularity • 54% Danceability • 99% Energy • 61% Liveness
78% Instrumentalness • 11% Positiveness
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UDM
World Of Illusion
138 bpm • A min • 03:24 • -5db
36% Popularity • 43% Danceability • 99% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
36% Popularity • 43% Danceability • 99% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Exouler
Desertion
138 bpm • F min • 03:54 • -7db
27% Popularity • 42% Danceability • 99% Energy • 84% Liveness
90% Instrumentalness • 25% Positiveness
27% Popularity • 42% Danceability • 99% Energy • 84% Liveness
90% Instrumentalness • 25% Positiveness
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Sneijder
All We Are
138 bpm • C# Maj • 04:36 • -6.4db
9% Popularity • 57% Danceability • 96% Energy • 20% Liveness
84% Instrumentalness • 52% Positiveness
9% Popularity • 57% Danceability • 96% Energy • 20% Liveness
84% Instrumentalness • 52% Positiveness
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AYUUB
Teemo
138 bpm • F Maj • 03:20 • -6.83db
33% Popularity • 51% Danceability • 97% Energy • 10% Liveness
78% Instrumentalness • 45% Positiveness
33% Popularity • 51% Danceability • 97% Energy • 10% Liveness
78% Instrumentalness • 45% Positiveness
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Bryan Kearney
Shine A Light
138 bpm • C Maj • 03:20 • -5db
42% Popularity • 60% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
42% Popularity • 60% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Key4050
Alka - Bryan Kearney Remix
138 bpm • D Maj • 04:46 • -4.71db
19% Popularity • 50% Danceability • 98% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
19% Popularity • 50% Danceability • 98% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
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Matt Bukovski
Blissful Time - Uplifting Mix
138 bpm • F# Maj • 03:27 • -5.6db
30% Popularity • 58% Danceability • 88% Energy • 38% Liveness
61% Instrumentalness • 11% Positiveness
30% Popularity • 58% Danceability • 88% Energy • 38% Liveness
61% Instrumentalness • 11% Positiveness
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Whiteout
ADSR (ASOT 1121)
138 bpm • E Maj • 01:50 • -7.88db
23% Popularity • 50% Danceability • 94% Energy • 64% Liveness
59% Instrumentalness • 4% Positiveness
23% Popularity • 50% Danceability • 94% Energy • 64% Liveness
59% Instrumentalness • 4% Positiveness
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Jordan Suckley
Tranceformations Anthem 2020
138 bpm • A# min • 02:57 • -5.2db
18% Popularity • 45% Danceability • 96% Energy • 5% Liveness
86% Instrumentalness • 22% Positiveness
18% Popularity • 45% Danceability • 96% Energy • 5% Liveness
86% Instrumentalness • 22% Positiveness
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![450 (ASOT 450 Anthem) [ASOT 999] cover art](https://i.scdn.co/image/ab67616d00001e02deafbcd5cd301371da730cc1)
Sebastian Brandt
450 (ASOT 450 Anthem) [ASOT 999]
138 bpm • D Maj • 03:00 • -8db
28% Popularity • 16% Danceability • 92% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 92% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Bryan Kearney
Encanta (ASOT 1140)
138 bpm • B min • 03:07 • -5.28db
11% Popularity • 26% Danceability • 100% Energy • 32% Liveness
52% Instrumentalness • 17% Positiveness
11% Popularity • 26% Danceability • 100% Energy • 32% Liveness
52% Instrumentalness • 17% Positiveness
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Inertia
The System - Sneijder Remix
138 bpm • G min • 05:18 • -4.7db
6% Popularity • 36% Danceability • 100% Energy • 67% Liveness
86% Instrumentalness • 26% Positiveness
6% Popularity • 36% Danceability • 100% Energy • 67% Liveness
86% Instrumentalness • 26% Positiveness
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MurZo
Kiss The Night
138 bpm • D min • 03:37 • -5.74db
31% Popularity • 23% Danceability • 99% Energy • 87% Liveness
11% Instrumentalness • 33% Positiveness
31% Popularity • 23% Danceability • 99% Energy • 87% Liveness
11% Instrumentalness • 33% Positiveness
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Robbie Seed
Komorebi
138 bpm • G Maj • 04:01 • -7.67db
24% Popularity • 56% Danceability • 93% Energy • 31% Liveness
92% Instrumentalness • 6% Positiveness
24% Popularity • 56% Danceability • 93% Energy • 31% Liveness
92% Instrumentalness • 6% Positiveness
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Made Of Light
Stop the Rock
138 bpm • F# Maj • 03:20 • -7.35db
26% Popularity • 44% Danceability • 100% Energy • 16% Liveness
95% Instrumentalness • 7% Positiveness
26% Popularity • 44% Danceability • 100% Energy • 16% Liveness
95% Instrumentalness • 7% Positiveness
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Frank Spector
GENESIS (ASOT 1129)
138 bpm • C# min • 02:35 • -10.01db
31% Popularity • 40% Danceability • 86% Energy • 32% Liveness
82% Instrumentalness • 22% Positiveness
31% Popularity • 40% Danceability • 86% Energy • 32% Liveness
82% Instrumentalness • 22% Positiveness
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Bryan Kearney
Kaia
138 bpm • F# Maj • 03:40 • -4db
31% Popularity • 48% Danceability • 99% Energy • 7% Liveness
79% Instrumentalness • 10% Positiveness
31% Popularity • 48% Danceability • 99% Energy • 7% Liveness
79% Instrumentalness • 10% Positiveness
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Key4050
Exposure
138 bpm • E min • 06:08 • -8.15db
19% Popularity • 64% Danceability • 94% Energy • 27% Liveness
92% Instrumentalness • 15% Positiveness
19% Popularity • 64% Danceability • 94% Energy • 27% Liveness
92% Instrumentalness • 15% Positiveness
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MurZo
Kiss The Night (ASOT 1132)
138 bpm • A min • 03:56 • -11.18db
11% Popularity • 43% Danceability • 86% Energy • 30% Liveness
12% Instrumentalness • 11% Positiveness
11% Popularity • 43% Danceability • 86% Energy • 30% Liveness
12% Instrumentalness • 11% Positiveness
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Alan Morris
Memory Lane
138 bpm • G Maj • 03:25 • -6db
28% Popularity • 45% Danceability • 97% Energy • 21% Liveness
94% Instrumentalness • 28% Positiveness
28% Popularity • 45% Danceability • 97% Energy • 21% Liveness
94% Instrumentalness • 28% Positiveness
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Sean Mathews
Set Me Free
138 bpm • F min • 04:21 • -6.75db
33% Popularity • 40% Danceability • 96% Energy • 16% Liveness
88% Instrumentalness • 16% Positiveness
33% Popularity • 40% Danceability • 96% Energy • 16% Liveness
88% Instrumentalness • 16% Positiveness
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Plumb
Need You Now (How Many Times) - Bryan Ke...
138 bpm • A# Maj • 04:19 • -6db
30% Popularity • 46% Danceability • 99% Energy • 38% Liveness
59% Instrumentalness • 9% Positiveness
30% Popularity • 46% Danceability • 99% Energy • 38% Liveness
59% Instrumentalness • 9% Positiveness
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Ehren Stowers
Supernatural
138 bpm • D min • 02:53 • -4.75db
18% Popularity • 38% Danceability • 99% Energy • 24% Liveness
83% Instrumentalness • 35% Positiveness
18% Popularity • 38% Danceability • 99% Energy • 24% Liveness
83% Instrumentalness • 35% Positiveness
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Abstract Vision
Let's Go
138 bpm • A min • 03:09 • -5db
34% Popularity • 48% Danceability • 98% Energy • 43% Liveness
18% Instrumentalness • 37% Positiveness
34% Popularity • 48% Danceability • 98% Energy • 43% Liveness
18% Instrumentalness • 37% Positiveness
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Miditekk
Slow The World Down
138 bpm • C Maj • 03:21 • -6.48db
14% Popularity • 20% Danceability • 99% Energy • 40% Liveness
55% Instrumentalness • 31% Positiveness
14% Popularity • 20% Danceability • 99% Energy • 40% Liveness
55% Instrumentalness • 31% Positiveness
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Bryan Kearney
Open My Mind
138 bpm • A# Maj • 07:11 • -4.69db
18% Popularity • 56% Danceability • 99% Energy • 4% Liveness
46% Instrumentalness • 15% Positiveness
18% Popularity • 56% Danceability • 99% Energy • 4% Liveness
46% Instrumentalness • 15% Positiveness
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Inertia
The System - Sneijder Extended Remix
138 bpm • C Maj • 07:44 • -3.92db
3% Popularity • 44% Danceability • 99% Energy • 14% Liveness
87% Instrumentalness • 19% Positiveness
3% Popularity • 44% Danceability • 99% Energy • 14% Liveness
87% Instrumentalness • 19% Positiveness
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Orkidea
Purity (Mixed) - Sneijder Remix
138 bpm • G Maj • 04:27 • -7.24db
2% Popularity • 55% Danceability • 97% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
2% Popularity • 55% Danceability • 97% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Ahmed Romel
The Love Potion
138 bpm • C Maj • 04:06 • -7db
27% Popularity • 43% Danceability • 84% Energy • 32% Liveness
93% Instrumentalness • 6% Positiveness
27% Popularity • 43% Danceability • 84% Energy • 32% Liveness
93% Instrumentalness • 6% Positiveness
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Sneijder
The Only Place - Original Mix
138 bpm • B Maj • 07:04 • -5.36db
6% Popularity • 54% Danceability • 99% Energy • 21% Liveness
67% Instrumentalness • 47% Positiveness
6% Popularity • 54% Danceability • 99% Energy • 21% Liveness
67% Instrumentalness • 47% Positiveness
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Maria Healy
From Here
138 bpm • C# Maj • 03:52 • -4.31db
26% Popularity • 42% Danceability • 95% Energy • 50% Liveness
2% Instrumentalness • 23% Positiveness
26% Popularity • 42% Danceability • 95% Energy • 50% Liveness
2% Instrumentalness • 23% Positiveness
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Trance Wax
Ascend (Mixed)
138 bpm • E min • 01:13 • -6.64db
31% Popularity • 45% Danceability • 98% Energy • 44% Liveness
22% Instrumentalness • 64% Positiveness
31% Popularity • 45% Danceability • 98% Energy • 44% Liveness
22% Instrumentalness • 64% Positiveness
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Andrea Ribeca
MAM
138 bpm • A min • 03:25 • -3.84db
32% Popularity • 51% Danceability • 99% Energy • 42% Liveness
85% Instrumentalness • 16% Positiveness
32% Popularity • 51% Danceability • 99% Energy • 42% Liveness
85% Instrumentalness • 16% Positiveness
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Lostly
Runaways
138 bpm • B min • 03:11 • -5.28db
36% Popularity • 50% Danceability • 94% Energy • 16% Liveness
32% Instrumentalness • 20% Positiveness
36% Popularity • 50% Danceability • 94% Energy • 16% Liveness
32% Instrumentalness • 20% Positiveness
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James Dymond
Purely Beautiful
138 bpm • C# Maj • 04:08 • -3.48db
16% Popularity • 45% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 45% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 12% Positiveness
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Sergey Salekhov
Diamond
138 bpm • C min • 03:44 • -6.48db
36% Popularity • 41% Danceability • 99% Energy • 34% Liveness
17% Instrumentalness • 21% Positiveness
36% Popularity • 41% Danceability • 99% Energy • 34% Liveness
17% Instrumentalness • 21% Positiveness
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Maria Healy
From Here - Extended Mix
138 bpm • C# Maj • 07:11 • -4.97db
9% Popularity • 50% Danceability • 97% Energy • 34% Liveness
19% Instrumentalness • 63% Positiveness
9% Popularity • 50% Danceability • 97% Energy • 34% Liveness
19% Instrumentalness • 63% Positiveness
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UDM
Tremolo
138 bpm • F# min • 03:24 • -4.24db
34% Popularity • 42% Danceability • 100% Energy • 29% Liveness
84% Instrumentalness • 32% Positiveness
34% Popularity • 42% Danceability • 100% Energy • 29% Liveness
84% Instrumentalness • 32% Positiveness
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Philippe El Sisi
Sunrise in Buenos Aires - Extended Mix
138 bpm • B min • 06:18 • -5.57db
11% Popularity • 49% Danceability • 100% Energy • 24% Liveness
88% Instrumentalness • 8% Positiveness
11% Popularity • 49% Danceability • 100% Energy • 24% Liveness
88% Instrumentalness • 8% Positiveness
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Will Rees
Defector
138 bpm • D Maj • 03:46 • -6.32db
30% Popularity • 38% Danceability • 100% Energy • 16% Liveness
92% Instrumentalness • 34% Positiveness
30% Popularity • 38% Danceability • 100% Energy • 16% Liveness
92% Instrumentalness • 34% Positiveness
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Bryan Kearney
Encanta - Extended Mix
138 bpm • B min • 06:43 • -4.14db
11% Popularity • 57% Danceability • 100% Energy • 8% Liveness
63% Instrumentalness • 21% Positiveness
11% Popularity • 57% Danceability • 100% Energy • 8% Liveness
63% Instrumentalness • 21% Positiveness
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Alan Morris
Rays Of Light
138 bpm • D Maj • 03:51 • -5.37db
20% Popularity • 42% Danceability • 97% Energy • 92% Liveness
96% Instrumentalness • 22% Positiveness
20% Popularity • 42% Danceability • 97% Energy • 92% Liveness
96% Instrumentalness • 22% Positiveness
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Robbie Seed
Touch Of Memory
138 bpm • F Maj • 04:34 • -7.72db
31% Popularity • 51% Danceability • 94% Energy • 91% Liveness
92% Instrumentalness • 5% Positiveness
31% Popularity • 51% Danceability • 94% Energy • 91% Liveness
92% Instrumentalness • 5% Positiveness
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Hypersia
Another Way
138 bpm • F min • 03:49 • -6.63db
13% Popularity • 35% Danceability • 99% Energy • 32% Liveness
88% Instrumentalness • 14% Positiveness
13% Popularity • 35% Danceability • 99% Energy • 32% Liveness
88% Instrumentalness • 14% Positiveness
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Marc Van Linden
Euphoria
138 bpm • G# min • 03:28 • -4.65db
34% Popularity • 50% Danceability • 99% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
34% Popularity • 50% Danceability • 99% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
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Michael Milov
Antidote
138 bpm • D Maj • 03:35 • -5.4db
19% Popularity • 55% Danceability • 97% Energy • 17% Liveness
96% Instrumentalness • 6% Positiveness
19% Popularity • 55% Danceability • 97% Energy • 17% Liveness
96% Instrumentalness • 6% Positiveness
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Paipy
Desire
138 bpm • F min • 03:33 • -9.47db
27% Popularity • 39% Danceability • 97% Energy • 34% Liveness
93% Instrumentalness • 31% Positiveness
27% Popularity • 39% Danceability • 97% Energy • 34% Liveness
93% Instrumentalness • 31% Positiveness
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John O'Callaghan
Flow Through
138 bpm • B min • 03:21 • -9.15db
32% Popularity • 42% Danceability • 97% Energy • 67% Liveness
83% Instrumentalness • 40% Positiveness
32% Popularity • 42% Danceability • 97% Energy • 67% Liveness
83% Instrumentalness • 40% Positiveness
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Sneijder
E-Motion - Extended Mix
138 bpm • C# Maj • 06:36 • -3.47db
6% Popularity • 61% Danceability • 98% Energy • 18% Liveness
65% Instrumentalness • 7% Positiveness
6% Popularity • 61% Danceability • 98% Energy • 18% Liveness
65% Instrumentalness • 7% Positiveness
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Steve Allen
Variegates
138 bpm • A min • 04:12 • -4.45db
27% Popularity • 40% Danceability • 98% Energy • 22% Liveness
69% Instrumentalness • 39% Positiveness
27% Popularity • 40% Danceability • 98% Energy • 22% Liveness
69% Instrumentalness • 39% Positiveness
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Tycoos
Shadows
138 bpm • G min • 02:41 • -4.57db
19% Popularity • 38% Danceability • 96% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
19% Popularity • 38% Danceability • 96% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
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Jordan Suckley
Pursuit
138 bpm • F min • 03:53 • -2.94db
15% Popularity • 55% Danceability • 95% Energy • 12% Liveness
80% Instrumentalness • 31% Positiveness
15% Popularity • 55% Danceability • 95% Energy • 12% Liveness
80% Instrumentalness • 31% Positiveness
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Bryan Kearney
Encanta
138 bpm • B min • 03:21 • -4db
27% Popularity • 47% Danceability • 100% Energy • 35% Liveness
36% Instrumentalness • 7% Positiveness
27% Popularity • 47% Danceability • 100% Energy • 35% Liveness
36% Instrumentalness • 7% Positiveness
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Key4050
Pikachu
138 bpm • G# min • 04:57 • -8.16db
20% Popularity • 73% Danceability • 90% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
20% Popularity • 73% Danceability • 90% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
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![Killer Instinct (Kearnage 100) [ASOT 882] cover art](https://i.scdn.co/image/ab67616d00001e028473f6cfd6cafb3231af71cf)
Sneijder
Killer Instinct (Kearnage 100) [ASOT 882...
138 bpm • E min • 04:10 • -11.23db
2% Popularity • 52% Danceability • 98% Energy • 12% Liveness
74% Instrumentalness • 8% Positiveness
2% Popularity • 52% Danceability • 98% Energy • 12% Liveness
74% Instrumentalness • 8% Positiveness
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MurZo
Kiss The Night - Extended Mix
138 bpm • D min • 07:11 • -5.8db
12% Popularity • 48% Danceability • 100% Energy • 72% Liveness
53% Instrumentalness • 51% Positiveness
12% Popularity • 48% Danceability • 100% Energy • 72% Liveness
53% Instrumentalness • 51% Positiveness
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Daniel Skyver
We Go Again
138 bpm • A min • 03:21 • -4.5db
15% Popularity • 41% Danceability • 100% Energy • 84% Liveness
95% Instrumentalness • 35% Positiveness
15% Popularity • 41% Danceability • 100% Energy • 84% Liveness
95% Instrumentalness • 35% Positiveness
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Alan Morris
Intergalactic Journey
138 bpm • C# Maj • 03:23 • -4.44db
20% Popularity • 46% Danceability • 99% Energy • 49% Liveness
97% Instrumentalness • 10% Positiveness
20% Popularity • 46% Danceability • 99% Energy • 49% Liveness
97% Instrumentalness • 10% Positiveness
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Skyvol
Intergalactic Filarmony (ASOT 1163)
138 bpm • D Maj • 02:46 • -5.77db
31% Popularity • 49% Danceability • 95% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
31% Popularity • 49% Danceability • 95% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
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Key4050
I Love You
138 bpm • G Maj • 04:02 • -5db
41% Popularity • 54% Danceability • 99% Energy • 46% Liveness
7% Instrumentalness • 17% Positiveness
41% Popularity • 54% Danceability • 99% Energy • 46% Liveness
7% Instrumentalness • 17% Positiveness
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Sneijder
Deadline - Extended Mix
138 bpm • D Maj • 07:06 • -6.2db
6% Popularity • 49% Danceability • 99% Energy • 21% Liveness
92% Instrumentalness • 21% Positiveness
6% Popularity • 49% Danceability • 99% Energy • 21% Liveness
92% Instrumentalness • 21% Positiveness
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Abstract Vision
#energy
138 bpm • C# Maj • 03:35 • -5.82db
26% Popularity • 43% Danceability • 98% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
26% Popularity • 43% Danceability • 98% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
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MurZo
Kiss The Night (ASOT 1128)
138 bpm • C Maj • 03:24 • -8.06db
12% Popularity • 41% Danceability • 98% Energy • 33% Liveness
15% Instrumentalness • 8% Positiveness
12% Popularity • 41% Danceability • 98% Energy • 33% Liveness
15% Instrumentalness • 8% Positiveness
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Sam Laxton
Waiting For The Sun
138 bpm • C# min • 03:22 • -7.78db
32% Popularity • 40% Danceability • 98% Energy • 16% Liveness
86% Instrumentalness • 5% Positiveness
32% Popularity • 40% Danceability • 98% Energy • 16% Liveness
86% Instrumentalness • 5% Positiveness
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Darren Porter
Reason to Rise - Vinny DeGeorge Original...
138 bpm • D Maj • 04:26 • -6.21db
34% Popularity • 44% Danceability • 99% Energy • 22% Liveness
90% Instrumentalness • 7% Positiveness
34% Popularity • 44% Danceability • 99% Energy • 22% Liveness
90% Instrumentalness • 7% Positiveness
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Robbie Seed
Until We Meet Again
138 bpm • A Maj • 03:51 • -8.3db
22% Popularity • 48% Danceability • 93% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 48% Danceability • 93% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
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Sneijder
Need You Here - Extended Mix
138 bpm • C Maj • 08:00 • -5.11db
10% Popularity • 42% Danceability • 100% Energy • 20% Liveness
65% Instrumentalness • 48% Positiveness
10% Popularity • 42% Danceability • 100% Energy • 20% Liveness
65% Instrumentalness • 48% Positiveness
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UDM
Collider
138 bpm • A min • 03:32 • -4.95db
35% Popularity • 47% Danceability • 100% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
35% Popularity • 47% Danceability • 100% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Bryan Kearney
All Over Again
138 bpm • E Maj • 04:10 • -5db
41% Popularity • 56% Danceability • 98% Energy • 20% Liveness
15% Instrumentalness • 12% Positiveness
41% Popularity • 56% Danceability • 98% Energy • 20% Liveness
15% Instrumentalness • 12% Positiveness
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IanT
Break Free
138 bpm • G# min • 04:05 • -5.65db
33% Popularity • 50% Danceability • 99% Energy • 38% Liveness
3% Instrumentalness • 4% Positiveness
33% Popularity • 50% Danceability • 99% Energy • 38% Liveness
3% Instrumentalness • 4% Positiveness
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Maria Healy
Street Rave
138 bpm • F# Maj • 03:35 • -5.76db
38% Popularity • 46% Danceability • 100% Energy • 36% Liveness
84% Instrumentalness • 42% Positiveness
38% Popularity • 46% Danceability • 100% Energy • 36% Liveness
84% Instrumentalness • 42% Positiveness
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Lost Witness
Last Call
138 bpm • F min • 03:47 • -5.2db
14% Popularity • 48% Danceability • 98% Energy • 35% Liveness
8% Instrumentalness • 6% Positiveness
14% Popularity • 48% Danceability • 98% Energy • 35% Liveness
8% Instrumentalness • 6% Positiveness
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James Dymond
Anantara
138 bpm • F min • 03:35 • -4.08db
19% Popularity • 43% Danceability • 99% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
19% Popularity • 43% Danceability • 99% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Will Rees
Spiralling
138 bpm • D# min • 03:53 • -4.85db
15% Popularity • 46% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 46% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 10% Positiveness
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Orkidea
Purity (Mix Cut) - Sneijder Remix
138 bpm • G Maj • 01:37 • -6.3db
5% Popularity • 40% Danceability • 100% Energy • 40% Liveness
97% Instrumentalness • 13% Positiveness
5% Popularity • 40% Danceability • 100% Energy • 40% Liveness
97% Instrumentalness • 13% Positiveness
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Sneijder
Need You Here
138 bpm • C Maj • 03:53 • -5.33db
22% Popularity • 40% Danceability • 98% Energy • 14% Liveness
15% Instrumentalness • 47% Positiveness
22% Popularity • 40% Danceability • 98% Energy • 14% Liveness
15% Instrumentalness • 47% Positiveness
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Trance Wax
Ascend
138 bpm • C# min • 03:29 • -6.61db
27% Popularity • 47% Danceability • 98% Energy • 36% Liveness
88% Instrumentalness • 80% Positiveness
27% Popularity • 47% Danceability • 98% Energy • 36% Liveness
88% Instrumentalness • 80% Positiveness
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Bryan Kearney
Encanta (Mixed)
138 bpm • G Maj • 01:09 • -7.01db
28% Popularity • 62% Danceability • 100% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
28% Popularity • 62% Danceability • 100% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
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Doppenberg
Meet Again
138 bpm • B min • 03:10 • -6.11db
33% Popularity • 42% Danceability • 98% Energy • 29% Liveness
90% Instrumentalness • 40% Positiveness
33% Popularity • 42% Danceability • 98% Energy • 29% Liveness
90% Instrumentalness • 40% Positiveness
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Maria Healy
Blush
138 bpm • F Maj • 03:47 • -3.22db
19% Popularity • 47% Danceability • 99% Energy • 42% Liveness
88% Instrumentalness • 39% Positiveness
19% Popularity • 47% Danceability • 99% Energy • 42% Liveness
88% Instrumentalness • 39% Positiveness
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Michael Milov
Another Way
138 bpm • F# min • 02:45 • -5.91db
31% Popularity • 46% Danceability • 99% Energy • 41% Liveness
91% Instrumentalness • 20% Positiveness
31% Popularity • 46% Danceability • 99% Energy • 41% Liveness
91% Instrumentalness • 20% Positiveness
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Sneijder
Deadline
138 bpm • A min • 03:53 • -6.05db
11% Popularity • 49% Danceability • 96% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
11% Popularity • 49% Danceability • 96% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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Sean Mathews
Divinity
138 bpm • G min • 03:06 • -6.34db
36% Popularity • 44% Danceability • 96% Energy • 13% Liveness
82% Instrumentalness • 16% Positiveness
36% Popularity • 44% Danceability • 96% Energy • 13% Liveness
82% Instrumentalness • 16% Positiveness
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Bryan Kearney
Shine A Light - Extended Mix
138 bpm • F Maj • 07:25 • -5.21db
18% Popularity • 62% Danceability • 99% Energy • 9% Liveness
8% Instrumentalness • 11% Positiveness
18% Popularity • 62% Danceability • 99% Energy • 9% Liveness
8% Instrumentalness • 11% Positiveness
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The Noble Six
The Oracle
138 bpm • B min • 04:05 • -6.63db
15% Popularity • 42% Danceability • 99% Energy • 15% Liveness
95% Instrumentalness • 28% Positiveness
15% Popularity • 42% Danceability • 99% Energy • 15% Liveness
95% Instrumentalness • 28% Positiveness
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Alan Morris
Elation
138 bpm • C# Maj • 04:00 • -5.91db
24% Popularity • 34% Danceability • 94% Energy • 25% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 34% Danceability • 94% Energy • 25% Liveness
93% Instrumentalness • 4% Positiveness
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Nick Callaghan
Murky (Sneijder Tech’ed Up Edit) - Mix...
138 bpm • C# min • 02:48 • -8.66db
8% Popularity • 41% Danceability • 98% Energy • 9% Liveness
83% Instrumentalness • 17% Positiveness
8% Popularity • 41% Danceability • 98% Energy • 9% Liveness
83% Instrumentalness • 17% Positiveness
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U-Mount
Peace Of Heart
138 bpm • C min • 03:51 • -6.45db
37% Popularity • 36% Danceability • 99% Energy • 14% Liveness
98% Instrumentalness • 32% Positiveness
37% Popularity • 36% Danceability • 99% Energy • 14% Liveness
98% Instrumentalness • 32% Positiveness
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Claas Inc.
Euphoric Dreams
138 bpm • C# Maj • 02:56 • -5.48db
38% Popularity • 39% Danceability • 99% Energy • 20% Liveness
95% Instrumentalness • 13% Positiveness
38% Popularity • 39% Danceability • 99% Energy • 20% Liveness
95% Instrumentalness • 13% Positiveness
