Songs like The Only Place by Big Thief
Based on a tempo of (+/- 10%) and a similar genre
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Tomberlin
unsaid
117 bpm • B min • 04:46 • -18.03db
20% Popularity • 67% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
20% Popularity • 67% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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Jessica Pratt
Wrong Hand
117 bpm • G Maj • 03:18 • -12db
42% Popularity • 46% Danceability • 36% Energy • 11% Liveness
52% Instrumentalness • 20% Positiveness
42% Popularity • 46% Danceability • 36% Energy • 11% Liveness
52% Instrumentalness • 20% Positiveness
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Mount Eerie
You Swan, Go On
117 bpm • A min • 01:32 • -16.68db
41% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Babehoven
Break the Ice
117 bpm • G Maj • 04:35 • -9.34db
38% Popularity • 57% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 57% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Big Thief
The Only Place
117 bpm • E Maj • 03:14 • -10.71db
43% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Magnetic Fields
Come Back From San Francisco
117 bpm • D Maj • 02:48 • -11.24db
43% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sufjan Stevens
(This Is) The Thing
116 bpm • F# Maj • 02:48 • -14.99db
33% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sharon Van Etten
Consolation Prize
118 bpm • B min • 04:03 • -15.71db
32% Popularity • 41% Danceability • 20% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
32% Popularity • 41% Danceability • 20% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Faye Webster
Underdressed at the Symphony
118 bpm • E Maj • 03:33 • -10.41db
64% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Japanese Breakfast
Posing For Cars
116 bpm • G Maj • 06:38 • -9.11db
47% Popularity • 30% Danceability • 27% Energy • 13% Liveness
5% Instrumentalness • 13% Positiveness
47% Popularity • 30% Danceability • 27% Energy • 13% Liveness
5% Instrumentalness • 13% Positiveness
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Sloppy Jane
Wilt
116 bpm • E Maj • 03:10 • -10.66db
28% Popularity • 33% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 33% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Field Medic
FULL GROWN
118 bpm • E Maj • 01:34 • -14.57db
48% Popularity • 44% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 44% Positiveness
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Sufjan Stevens
The Pillar Of Souls
118 bpm • C min • 03:10 • -13.2db
34% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Haley Heynderickx
Untitled God Song
119 bpm • F min • 03:44 • -7.13db
44% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Nick Drake
Harvest Breed
118 bpm • D# Maj • 01:35 • -10.89db
48% Popularity • 74% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
48% Popularity • 74% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Japanese Breakfast
In Hell
116 bpm • E Maj • 02:38 • -7db
44% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Tomberlin
tap
115 bpm • A Maj • 04:31 • -14db
32% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Lemon Twigs
Every Day Is The Worst Day Of My Life
115 bpm • A# Maj • 03:25 • -11.01db
36% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Half Waif
Fabric
119 bpm • D Maj • 01:14 • -19db
37% Popularity • 46% Danceability • 9% Energy • 11% Liveness
57% Instrumentalness • 20% Positiveness
37% Popularity • 46% Danceability • 9% Energy • 11% Liveness
57% Instrumentalness • 20% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
54% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Joanna Sternberg
I've Got Me
119 bpm • G Maj • 02:16 • -12.09db
38% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Snail Mail
Headlock
115 bpm • A Maj • 03:12 • -7.38db
38% Popularity • 58% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 58% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Angel Olsen
Unfucktheworld
119 bpm • C Maj • 02:05 • -13db
56% Popularity • 55% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
56% Popularity • 55% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Silver Jews
How to Rent a Room
115 bpm • C Maj • 03:02 • -10db
46% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Better Oblivion Community Center
Sleepwalkin'
119 bpm • C# min • 03:12 • -7.51db
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Babehoven
I'm On Your Team
120 bpm • A Maj • 04:18 • -9.65db
27% Popularity • 58% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 58% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Field Medic
house arrest
120 bpm • A Maj • 04:01 • -11.91db
14% Popularity • 49% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 49% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Tomberlin
Hours
120 bpm • D Maj • 04:07 • -13db
32% Popularity • 58% Danceability • 45% Energy • 20% Liveness
5% Instrumentalness • 37% Positiveness
32% Popularity • 58% Danceability • 45% Energy • 20% Liveness
5% Instrumentalness • 37% Positiveness
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Alex G
Mission
114 bpm • A# Maj • 03:05 • -8.51db
48% Popularity • 77% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 77% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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deer scout
Synesthesia
120 bpm • C Maj • 01:59 • -13.62db
32% Popularity • 62% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 62% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Nick Drake
Free Ride
120 bpm • C Maj • 03:02 • -9.76db
48% Popularity • 82% Danceability • 26% Energy • 11% Liveness
17% Instrumentalness • 58% Positiveness
48% Popularity • 82% Danceability • 26% Energy • 11% Liveness
17% Instrumentalness • 58% Positiveness
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Babehoven
Get Better
114 bpm • F# Maj • 04:11 • -10.64db
25% Popularity • 56% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
25% Popularity • 56% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
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Black Country, New Road
Snow Globes
114 bpm • D Maj • 09:13 • -10db
47% Popularity • 43% Danceability • 41% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
47% Popularity • 43% Danceability • 41% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Haley Heynderickx
Drinking Song
120 bpm • C Maj • 03:15 • -11.31db
49% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Greg Mendez
Cop Caller
121 bpm • F Maj • 02:49 • -12.24db
28% Popularity • 62% Danceability • 21% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
28% Popularity • 62% Danceability • 21% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
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Sufjan Stevens
Romulus
121 bpm • E Maj • 04:41 • -16.92db
45% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Nick Drake
Know
120 bpm • B min • 02:24 • -13.06db
47% Popularity • 71% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 71% Positiveness
47% Popularity • 71% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 71% Positiveness
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Joanna Sternberg
My Angel
113 bpm • C Maj • 02:24 • -16.33db
19% Popularity • 35% Danceability • 12% Energy • 10% Liveness
72% Instrumentalness • 31% Positiveness
19% Popularity • 35% Danceability • 12% Energy • 10% Liveness
72% Instrumentalness • 31% Positiveness
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Fiona Apple
To Your Love
121 bpm • F min • 03:40 • -8.89db
51% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Big Thief
Dried Roses
113 bpm • B Maj • 02:35 • -10.4db
43% Popularity • 56% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 56% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Weyes Blood
Everyday
113 bpm • D Maj • 05:07 • -7db
50% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Whatever, Dad
Papa Ed's Oobe
121 bpm • G Maj • 01:57 • -22.38db
49% Popularity • 57% Danceability • 10% Energy • 11% Liveness
68% Instrumentalness • 23% Positiveness
49% Popularity • 57% Danceability • 10% Energy • 11% Liveness
68% Instrumentalness • 23% Positiveness
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Greg Mendez
Rev. John / Friend
121 bpm • G Maj • 02:49 • -14.06db
34% Popularity • 59% Danceability • 23% Energy • 14% Liveness
56% Instrumentalness • 25% Positiveness
34% Popularity • 59% Danceability • 23% Energy • 14% Liveness
56% Instrumentalness • 25% Positiveness
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Allegra Krieger
Making Sense Of
121 bpm • G min • 02:05 • -9.33db
34% Popularity • 32% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 32% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Mary Lou Lord
I Figured You Out
121 bpm • D Maj • 03:22 • -13.47db
39% Popularity • 74% Danceability • 44% Energy • 11% Liveness
61% Instrumentalness • 69% Positiveness
39% Popularity • 74% Danceability • 44% Energy • 11% Liveness
61% Instrumentalness • 69% Positiveness
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Big Thief
Capacity
113 bpm • D# Maj • 03:51 • -8.18db
42% Popularity • 45% Danceability • 59% Energy • 16% Liveness
83% Instrumentalness • 46% Positiveness
42% Popularity • 45% Danceability • 59% Energy • 16% Liveness
83% Instrumentalness • 46% Positiveness
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Adrianne Lenker
ingydar
113 bpm • A# min • 04:08 • -16db
59% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Diane Cluck
Wild Deer At Dawn
113 bpm • C# min • 03:31 • -16db
21% Popularity • 36% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 36% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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@
Camera Phone
113 bpm • B Maj • 04:22 • -18.88db
21% Popularity • 39% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 39% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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Joanna Sternberg
Mountains High
122 bpm • C Maj • 02:59 • -10.26db
27% Popularity • 50% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 50% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Leith Ross
Orlando
122 bpm • G# Maj • 04:35 • -15.39db
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
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Big Thief
Randy - 2023 Remaster
112 bpm • C Maj • 03:09 • -11.67db
41% Popularity • 38% Danceability • 36% Energy • 65% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 38% Danceability • 36% Energy • 65% Liveness
0% Instrumentalness • 16% Positiveness
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Adrianne Lenker
Real House
112 bpm • C# Maj • 05:58 • -17.57db
59% Popularity • 47% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 47% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Karima Walker
Idaho-Dakota
122 bpm • C Maj • 02:23 • -15.4db
30% Popularity • 68% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 68% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Weyes Blood
Children of the Empire
112 bpm • A# min • 06:03 • -8db
43% Popularity • 37% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
43% Popularity • 37% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Angel Olsen
Right Now
122 bpm • D Maj • 05:07 • -6.99db
34% Popularity • 46% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Jessica Pratt
Jacquelyn in the Background
112 bpm • C# Maj • 03:23 • -11db
37% Popularity • 46% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 46% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Big Thief
Cut My Hair
122 bpm • F min • 03:36 • -13.24db
30% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Phoebe Bridgers
Halloween
122 bpm • C# Maj • 04:31 • -18.74db
58% Popularity • 49% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 37% Positiveness
58% Popularity • 49% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 37% Positiveness
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Adrianne Lenker
forwards beckon rebound
123 bpm • D Maj • 03:09 • -18db
57% Popularity • 54% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 54% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Jockstrap
Neon
111 bpm • C# Maj • 03:45 • -8db
37% Popularity • 30% Danceability • 43% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
37% Popularity • 30% Danceability • 43% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Greg Mendez
Goodbye / Trouble
123 bpm • F Maj • 03:12 • -11.43db
32% Popularity • 64% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 47% Positiveness
32% Popularity • 64% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 47% Positiveness
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Soccer Mommy
Henry
123 bpm • A Maj • 03:47 • -8.71db
44% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Big Thief
Pretty Things
112 bpm • C# Maj • 03:04 • -13.8db
49% Popularity • 47% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 47% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Mojave 3
Candle Song 3
123 bpm • D Maj • 05:26 • -15.28db
34% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Black Country, New Road
The Place Where He Inserted the Blade
123 bpm • B Maj • 07:13 • -8.28db
58% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Dear Nora
The Lonesome Border, Pt. 1
111 bpm • E Maj • 01:31 • -16.83db
41% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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@
Friendship is Frequency
111 bpm • G Maj • 02:09 • -15.36db
27% Popularity • 60% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 60% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Jessica Pratt
On Your Own Love Again
111 bpm • F# Maj • 01:33 • -13db
52% Popularity • 62% Danceability • 31% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
52% Popularity • 62% Danceability • 31% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Big Thief
Orange
124 bpm • C# Maj • 03:30 • -12db
41% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Palace Music
New Partner
124 bpm • B Maj • 03:54 • -14db
40% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Hana Stretton
Can II
110 bpm • C Maj • 03:40 • -16.66db
33% Popularity • 38% Danceability • 23% Energy • 32% Liveness
92% Instrumentalness • 20% Positiveness
33% Popularity • 38% Danceability • 23% Energy • 32% Liveness
92% Instrumentalness • 20% Positiveness
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Free Cake For Every Creature
First Storm of the Summer
110 bpm • G Maj • 02:24 • -16db
35% Popularity • 72% Danceability • 33% Energy • 32% Liveness
84% Instrumentalness • 34% Positiveness
35% Popularity • 72% Danceability • 33% Energy • 32% Liveness
84% Instrumentalness • 34% Positiveness
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Fog Lake
Serotonin
110 bpm • C# Maj • 02:39 • -8db
47% Popularity • 59% Danceability • 56% Energy • 12% Liveness
62% Instrumentalness • 41% Positiveness
47% Popularity • 59% Danceability • 56% Energy • 12% Liveness
62% Instrumentalness • 41% Positiveness
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Weyes Blood
Grapevine
124 bpm • E min • 05:25 • -9db
44% Popularity • 36% Danceability • 40% Energy • 10% Liveness
50% Instrumentalness • 9% Positiveness
44% Popularity • 36% Danceability • 40% Energy • 10% Liveness
50% Instrumentalness • 9% Positiveness
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Skullcrusher
Steps
110 bpm • G# Maj • 01:51 • -8db
33% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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PACKS
fm
110 bpm • G# min • 01:08 • -14.26db
38% Popularity • 50% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 50% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Jockstrap
Glasgow
110 bpm • C Maj • 05:34 • -7.52db
39% Popularity • 67% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 67% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Tomberlin
born again runner
124 bpm • G# Maj • 05:18 • -15.33db
24% Popularity • 70% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
24% Popularity • 70% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Fiona Apple
Valentine
110 bpm • D Maj • 03:32 • -15.67db
53% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
53% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Greg Mendez
Shark's Mouth
110 bpm • F# Maj • 02:06 • -17.34db
31% Popularity • 49% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
31% Popularity • 49% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Black Country, New Road
Track X (The Guest)
110 bpm • A# Maj • 03:25 • -17.87db
29% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Haley Heynderickx
Slow Talkin'
125 bpm • B Maj • 04:00 • -10.88db
40% Popularity • 66% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 66% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Weyes Blood
Mirror Forever
110 bpm • C Maj • 05:05 • -11db
45% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Slow Pulp
Broadview
125 bpm • G# Maj • 04:05 • -6.39db
49% Popularity • 62% Danceability • 52% Energy • 10% Liveness
3% Instrumentalness • 56% Positiveness
49% Popularity • 62% Danceability • 52% Energy • 10% Liveness
3% Instrumentalness • 56% Positiveness
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The Magnetic Fields
When You're Old and Lonely
125 bpm • G Maj • 01:57 • -16db
44% Popularity • 43% Danceability • 24% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
44% Popularity • 43% Danceability • 24% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
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Angel Olsen
Ghost On
109 bpm • E Maj • 04:20 • -10db
37% Popularity • 45% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 45% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Squirrel Flower
I Was Born Swimming
125 bpm • D Maj • 01:35 • -15.23db
34% Popularity • 52% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 52% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Hope Sandoval & The Warm Inventions
Suzanne
125 bpm • G Maj • 04:51 • -15db
50% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
50% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
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Adrianne Lenker
Donut Seam
125 bpm • G# Maj • 02:25 • -10.2db
58% Popularity • 48% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 48% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Big Thief
Blue Lightning
125 bpm • G# Maj • 03:51 • -8db
42% Popularity • 60% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 60% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Sloppy Jane
Jesus and Your Living Room Floor
109 bpm • D Maj • 07:49 • -12.12db
21% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Weyes Blood
Hearts Aglow
109 bpm • A Maj • 05:49 • -8.66db
43% Popularity • 42% Danceability • 50% Energy • 10% Liveness
26% Instrumentalness • 12% Positiveness
43% Popularity • 42% Danceability • 50% Energy • 10% Liveness
26% Instrumentalness • 12% Positiveness
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Haley Heynderickx
How Does the Horse Go Home?
126 bpm • D# Maj • 02:56 • -8.88db
35% Popularity • 57% Danceability • 38% Energy • 21% Liveness
29% Instrumentalness • 26% Positiveness
35% Popularity • 57% Danceability • 38% Energy • 21% Liveness
29% Instrumentalness • 26% Positiveness
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Dear Nora
Hung Up
109 bpm • A Maj • 01:48 • -18db
29% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jessica Pratt
Game That I Play
126 bpm • G# Maj • 04:15 • -12db
37% Popularity • 42% Danceability • 37% Energy • 14% Liveness
3% Instrumentalness • 22% Positiveness
37% Popularity • 42% Danceability • 37% Energy • 14% Liveness
3% Instrumentalness • 22% Positiveness
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Alex G
Runner
109 bpm • B Maj • 02:36 • -7db
55% Popularity • 73% Danceability • 70% Energy • 11% Liveness
4% Instrumentalness • 84% Positiveness
55% Popularity • 73% Danceability • 70% Energy • 11% Liveness
4% Instrumentalness • 84% Positiveness
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Nick Drake
From The Morning
109 bpm • C Maj • 02:30 • -11.06db
59% Popularity • 64% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
59% Popularity • 64% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
