Songs like The Opening by Capcom Sound Team
Based on a tempo of (+/- 10%) and a similar genre
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Capcom Sound Team
The Opening
137 bpm • C Maj • 01:32 • -12.27db
14% Popularity • 20% Danceability • 55% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
14% Popularity • 20% Danceability • 55% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
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TADAYOSHI MAKINO
Beast with Fire Upon its Back - Zorah Ma...
137 bpm • C min • 04:30 • -11.63db
23% Popularity • 16% Danceability • 39% Energy • 8% Liveness
83% Instrumentalness • 8% Positiveness
23% Popularity • 16% Danceability • 39% Energy • 8% Liveness
83% Instrumentalness • 8% Positiveness
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Ron Fish
Depths of Hades
136 bpm • F# Maj • 02:54 • -9.19db
29% Popularity • 29% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
29% Popularity • 29% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Zhenlan Kang
Panic
138 bpm • A# min • 01:47 • -13.18db
13% Popularity • 27% Danceability • 82% Energy • 20% Liveness
65% Instrumentalness • 15% Positiveness
13% Popularity • 27% Danceability • 82% Energy • 20% Liveness
65% Instrumentalness • 15% Positiveness
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Clark Aboud
Battle With the Champ
138 bpm • G# Maj • 02:17 • -11.15db
32% Popularity • 50% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
32% Popularity • 50% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Castlevania Sound Team
Dracula Castle
136 bpm • C Maj • 01:53 • -9.51db
38% Popularity • 40% Danceability • 69% Energy • 25% Liveness
48% Instrumentalness • 29% Positiveness
38% Popularity • 40% Danceability • 69% Energy • 25% Liveness
48% Instrumentalness • 29% Positiveness
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Capcom Sound Team
The Beginning of Nightmare
138 bpm • C# Maj • 01:23 • -15.92db
16% Popularity • 36% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
16% Popularity • 36% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Akihiko Narita
Keeper of Hades - Vaal Hazak
138 bpm • D Maj • 04:38 • -11.26db
31% Popularity • 47% Danceability • 51% Energy • 21% Liveness
93% Instrumentalness • 5% Positiveness
31% Popularity • 47% Danceability • 51% Energy • 21% Liveness
93% Instrumentalness • 5% Positiveness
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Cris Velasco
All for Nothing
139 bpm • A min • 02:22 • -10.95db
26% Popularity • 19% Danceability • 48% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
26% Popularity • 19% Danceability • 48% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
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Masami Ueda
Save Room (Model Screen)
136 bpm • D min • 02:09 • -29db
37% Popularity • 18% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Laurent Ziliani
Dancing Ocean Waves
139 bpm • C Maj • 02:03 • -14.88db
9% Popularity • 23% Danceability • 33% Energy • 12% Liveness
83% Instrumentalness • 19% Positiveness
9% Popularity • 23% Danceability • 33% Energy • 12% Liveness
83% Instrumentalness • 19% Positiveness
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Bruce Faulconer
The Howling
135 bpm • D# Maj • 01:16 • -12.35db
17% Popularity • 42% Danceability • 72% Energy • 29% Liveness
78% Instrumentalness • 27% Positiveness
17% Popularity • 42% Danceability • 72% Energy • 29% Liveness
78% Instrumentalness • 27% Positiveness
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Capcom Sound Team
The First Malformation of "G"
138 bpm • C Maj • 02:19 • -15.49db
18% Popularity • 53% Danceability • 33% Energy • 15% Liveness
88% Instrumentalness • 36% Positiveness
18% Popularity • 53% Danceability • 33% Energy • 15% Liveness
88% Instrumentalness • 36% Positiveness
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Ola Strandh
Power Plant
135 bpm • C Maj • 03:15 • -19db
14% Popularity • 50% Danceability • 53% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 50% Danceability • 53% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Garry Schyman
Excessum Alighiero
135 bpm • E Maj • 01:53 • -11.78db
9% Popularity • 51% Danceability • 76% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
9% Popularity • 51% Danceability • 76% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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TADAYOSHI MAKINO
Leon and Claire Meet
138 bpm • C Maj • 01:00 • -15.74db
15% Popularity • 18% Danceability • 43% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
15% Popularity • 18% Danceability • 43% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Hideyuki Fukasawa
Street Fighter IV - Orchestra ver.
135 bpm • E min • 04:48 • -8.31db
12% Popularity • 20% Danceability • 63% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 63% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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YUKO KOMIYAMA
Harbinger
135 bpm • D Maj • 01:25 • -18.56db
20% Popularity • 30% Danceability • 21% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
20% Popularity • 30% Danceability • 21% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
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Capcom Sound Team
The Second Malformation of "G"
138 bpm • F# min • 01:39 • -12.62db
21% Popularity • 61% Danceability • 47% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
21% Popularity • 61% Danceability • 47% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Castlevania Sound Team
Lament of Innocence ~ Leon's Theme ~
135 bpm • C# Maj • 04:24 • -10.33db
31% Popularity • 51% Danceability • 72% Energy • 77% Liveness
87% Instrumentalness • 17% Positiveness
31% Popularity • 51% Danceability • 72% Energy • 77% Liveness
87% Instrumentalness • 17% Positiveness
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Cris Velasco
The Beast
135 bpm • F min • 03:45 • -17.91db
8% Popularity • 36% Danceability • 49% Energy • 33% Liveness
92% Instrumentalness • 9% Positiveness
8% Popularity • 36% Danceability • 49% Energy • 33% Liveness
92% Instrumentalness • 9% Positiveness
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TADAYOSHI MAKINO
Betrayal and Death
139 bpm • G Maj • 02:42 • -19.22db
10% Popularity • 19% Danceability • 18% Energy • 22% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 18% Energy • 22% Liveness
92% Instrumentalness • 4% Positiveness
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Sean Murray
Deviant
140 bpm • F min • 04:44 • -11.37db
21% Popularity • 24% Danceability • 30% Energy • 11% Liveness
61% Instrumentalness • 12% Positiveness
21% Popularity • 24% Danceability • 30% Energy • 11% Liveness
61% Instrumentalness • 12% Positiveness
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大本望美
”Two of them. One for each of us!” -...
140 bpm • A# Maj • 03:16 • -12.65db
19% Popularity • 15% Danceability • 62% Energy • 18% Liveness
93% Instrumentalness • 11% Positiveness
19% Popularity • 15% Danceability • 62% Energy • 18% Liveness
93% Instrumentalness • 11% Positiveness
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Capcom Sound Team
The Doomed City
138 bpm • D Maj • 02:42 • -14.72db
15% Popularity • 52% Danceability • 45% Energy • 17% Liveness
76% Instrumentalness • 14% Positiveness
15% Popularity • 52% Danceability • 45% Energy • 17% Liveness
76% Instrumentalness • 14% Positiveness
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Masami Ueda
Nemesis' Theme
140 bpm • D Maj • 02:47 • -15.02db
11% Popularity • 26% Danceability • 96% Energy • 31% Liveness
83% Instrumentalness • 3% Positiveness
11% Popularity • 26% Danceability • 96% Energy • 31% Liveness
83% Instrumentalness • 3% Positiveness
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Sascha Dikiciyan
Trash the Bandits
140 bpm • D Maj • 01:11 • -14.2db
13% Popularity • 45% Danceability • 56% Energy • 13% Liveness
79% Instrumentalness • 10% Positiveness
13% Popularity • 45% Danceability • 56% Energy • 13% Liveness
79% Instrumentalness • 10% Positiveness
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Matt Beane (DonutDrums)
Streets
140 bpm • C min • 02:49 • -13.72db
13% Popularity • 39% Danceability • 63% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
13% Popularity • 39% Danceability • 63% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
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Nick Arundel
Crackin' Heads
140 bpm • G# Maj • 03:18 • -18.86db
19% Popularity • 47% Danceability • 44% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
19% Popularity • 47% Danceability • 44% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Castlevania Sound Team
Stone King Golem
140 bpm • A# min • 03:02 • -7.93db
12% Popularity • 55% Danceability • 96% Energy • 34% Liveness
88% Instrumentalness • 40% Positiveness
12% Popularity • 55% Danceability • 96% Energy • 34% Liveness
88% Instrumentalness • 40% Positiveness
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Capcom Sound Team
The City of Ruin
138 bpm • C Maj • 02:34 • -21.38db
25% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
25% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Masami Ueda
Escape
140 bpm • A Maj • 04:38 • -14.83db
13% Popularity • 25% Danceability • 93% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
13% Popularity • 25% Danceability • 93% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
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Sascha Dikiciyan
Fighting Krom and his Gun
140 bpm • F Maj • 02:58 • -16db
14% Popularity • 52% Danceability • 76% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
14% Popularity • 52% Danceability • 76% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
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Motoi Sakuraba
Iron Golem
140 bpm • C min • 02:51 • -8.09db
23% Popularity • 49% Danceability • 65% Energy • 44% Liveness
83% Instrumentalness • 16% Positiveness
23% Popularity • 49% Danceability • 65% Energy • 44% Liveness
83% Instrumentalness • 16% Positiveness
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Sean Murray
Punch Through
140 bpm • C# Maj • 04:54 • -13.02db
20% Popularity • 38% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
20% Popularity • 38% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Akihiko Narita
The Invading Tyrant - Bazelgeuse
134 bpm • G Maj • 04:37 • -12.9db
35% Popularity • 47% Danceability • 51% Energy • 39% Liveness
91% Instrumentalness • 15% Positiveness
35% Popularity • 47% Danceability • 51% Energy • 39% Liveness
91% Instrumentalness • 15% Positiveness
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Capcom Sound Team
The First Floor
134 bpm • A Maj • 03:07 • -22.22db
18% Popularity • 15% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Nathan Grigg
Special Forces Desert Command - Stage
140 bpm • C# Maj • 04:39 • -10.49db
10% Popularity • 32% Danceability • 79% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
10% Popularity • 32% Danceability • 79% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Sascha Dikiciyan
Warrior Boss - Original OST
140 bpm • C# min • 03:11 • -13db
16% Popularity • 51% Danceability • 87% Energy • 26% Liveness
91% Instrumentalness • 12% Positiveness
16% Popularity • 51% Danceability • 87% Energy • 26% Liveness
91% Instrumentalness • 12% Positiveness
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Kevin Riepl
Attack of the Drones
140 bpm • A# min • 02:05 • -14.66db
18% Popularity • 50% Danceability • 37% Energy • 47% Liveness
76% Instrumentalness • 8% Positiveness
18% Popularity • 50% Danceability • 37% Energy • 47% Liveness
76% Instrumentalness • 8% Positiveness
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Tim Wynn
War of the Chosen
140 bpm • D Maj • 04:02 • -15.79db
16% Popularity • 32% Danceability • 45% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
16% Popularity • 32% Danceability • 45% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Cris Velasco
Lynchwood Sheriff Combat
140 bpm • A# Maj • 03:52 • -16db
2% Popularity • 55% Danceability • 86% Energy • 20% Liveness
85% Instrumentalness • 40% Positiveness
2% Popularity • 55% Danceability • 86% Energy • 20% Liveness
85% Instrumentalness • 40% Positiveness
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Akihiko Narita
The Invading Tyrant - Bazelgeuse : The C...
134 bpm • G Maj • 02:20 • -19.45db
17% Popularity • 58% Danceability • 29% Energy • 33% Liveness
91% Instrumentalness • 41% Positiveness
17% Popularity • 58% Danceability • 29% Energy • 33% Liveness
91% Instrumentalness • 41% Positiveness
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Nick Arundel
I Think You Should Do As He Says
140 bpm • C min • 02:35 • -12db
34% Popularity • 60% Danceability • 63% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
34% Popularity • 60% Danceability • 63% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
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Namco Sounds
Sortie 1
134 bpm • G min • 01:28 • -17.56db
3% Popularity • 63% Danceability • 41% Energy • 14% Liveness
93% Instrumentalness • 48% Positiveness
3% Popularity • 63% Danceability • 41% Energy • 14% Liveness
93% Instrumentalness • 48% Positiveness
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Capcom Sound Team
Final Battle
140 bpm • C min • 02:54 • -13.89db
16% Popularity • 23% Danceability • 77% Energy • 17% Liveness
90% Instrumentalness • 6% Positiveness
16% Popularity • 23% Danceability • 77% Energy • 17% Liveness
90% Instrumentalness • 6% Positiveness
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Yuichi Tsuchiya
A Treatment for Sherry
140 bpm • A min • 03:06 • -24.77db
14% Popularity • 17% Danceability • 5% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 5% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Castlevania Sound Team
Divine Bloodlines / from Akumajo Dracula...
140 bpm • C# Maj • 01:47 • -6.33db
40% Popularity • 44% Danceability • 96% Energy • 12% Liveness
86% Instrumentalness • 78% Positiveness
40% Popularity • 44% Danceability • 96% Energy • 12% Liveness
86% Instrumentalness • 78% Positiveness
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Stephen Barton
Anderson's Mission
141 bpm • F# min • 04:31 • -15.58db
15% Popularity • 15% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Sean Murray
Foe
133 bpm • D min • 03:21 • -15.77db
18% Popularity • 24% Danceability • 16% Energy • 25% Liveness
62% Instrumentalness • 3% Positiveness
18% Popularity • 24% Danceability • 16% Energy • 25% Liveness
62% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Guns of the Patriots
141 bpm • E Maj • 04:07 • -18.31db
17% Popularity • 23% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
17% Popularity • 23% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Bruce Faulconer
16 Rips Off Cells Tail
133 bpm • D# Maj • 03:58 • -11.83db
19% Popularity • 23% Danceability • 56% Energy • 52% Liveness
69% Instrumentalness • 17% Positiveness
19% Popularity • 23% Danceability • 56% Energy • 52% Liveness
69% Instrumentalness • 17% Positiveness
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TADAYOSHI MAKINO
In the Cable Car
133 bpm • F Maj • 01:34 • -27.03db
17% Popularity • 16% Danceability • 9% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 9% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
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Castlevania Sound Team
Illusionary Dance
133 bpm • D Maj • 01:20 • -9db
30% Popularity • 18% Danceability • 65% Energy • 35% Liveness
3% Instrumentalness • 36% Positiveness
30% Popularity • 18% Danceability • 65% Energy • 35% Liveness
3% Instrumentalness • 36% Positiveness
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Nick Arundel
Refusal Will Not Be Tolerated
142 bpm • F Maj • 02:43 • -19.73db
24% Popularity • 19% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Namco Sounds
Dist Thins Out (Character Select)
142 bpm • A Maj • 01:36 • -5.93db
28% Popularity • 44% Danceability • 100% Energy • 42% Liveness
92% Instrumentalness • 23% Positiveness
28% Popularity • 44% Danceability • 100% Energy • 42% Liveness
92% Instrumentalness • 23% Positiveness
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Jesper Kyd
The Forest Combat - Tiny Tina's Assault ...
132 bpm • A min • 02:01 • -11.91db
14% Popularity • 60% Danceability • 64% Energy • 28% Liveness
83% Instrumentalness • 48% Positiveness
14% Popularity • 60% Danceability • 64% Energy • 28% Liveness
83% Instrumentalness • 48% Positiveness
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Capcom Sound Team
Escape From Laboratory
142 bpm • C min • 03:07 • -15.43db
20% Popularity • 43% Danceability • 21% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
20% Popularity • 43% Danceability • 21% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
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Masami Ueda
Raccoon City
142 bpm • D Maj • 03:30 • -16.24db
19% Popularity • 51% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
19% Popularity • 51% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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Dan Forden
The Well - 2021 Remaster
132 bpm • C Maj • 01:57 • -13.89db
12% Popularity • 48% Danceability • 73% Energy • 22% Liveness
70% Instrumentalness • 35% Positiveness
12% Popularity • 48% Danceability • 73% Energy • 22% Liveness
70% Instrumentalness • 35% Positiveness
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Nick Arundel
It's Initiation Time
132 bpm • C Maj • 01:59 • -12.94db
25% Popularity • 49% Danceability • 70% Energy • 13% Liveness
90% Instrumentalness • 28% Positiveness
25% Popularity • 49% Danceability • 70% Energy • 13% Liveness
90% Instrumentalness • 28% Positiveness
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TADAYOSHI MAKINO
Brutish Indigo - Brachydios: World Versi...
143 bpm • C# Maj • 04:04 • -9.95db
36% Popularity • 54% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
36% Popularity • 54% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
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Masafumi Takada
Fire Seems to Work
131 bpm • A min • 01:51 • -11.17db
9% Popularity • 16% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Capcom Sound Team
Fearful is no word for it
132 bpm • C Maj • 02:12 • -18.23db
7% Popularity • 66% Danceability • 52% Energy • 13% Liveness
78% Instrumentalness • 33% Positiveness
7% Popularity • 66% Danceability • 52% Energy • 13% Liveness
78% Instrumentalness • 33% Positiveness
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Harry Gregson-Williams
Mobs Alive
144 bpm • D Maj • 03:24 • -14.66db
12% Popularity • 29% Danceability • 56% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
12% Popularity • 29% Danceability • 56% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
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Jesper Kyd
47 Attacks
144 bpm • C Maj • 02:12 • -15.44db
19% Popularity • 23% Danceability • 28% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 28% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
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Bruce Faulconer
Cell Powers Up
131 bpm • C min • 01:22 • -7.25db
15% Popularity • 33% Danceability • 77% Energy • 14% Liveness
3% Instrumentalness • 63% Positiveness
15% Popularity • 33% Danceability • 77% Energy • 14% Liveness
3% Instrumentalness • 63% Positiveness
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TADAYOSHI MAKINO
Another End
132 bpm • G Maj • 00:56 • -11.25db
12% Popularity • 26% Danceability • 50% Energy • 8% Liveness
97% Instrumentalness • 26% Positiveness
12% Popularity • 26% Danceability • 50% Energy • 8% Liveness
97% Instrumentalness • 26% Positiveness
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Trevor Gureckis
Hunger for the Stars
131 bpm • G# Maj • 03:55 • -17.68db
17% Popularity • 17% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Capcom Sound Team
Special End Title
142 bpm • F Maj • 02:16 • -14.66db
15% Popularity • 22% Danceability • 48% Energy • 20% Liveness
89% Instrumentalness • 6% Positiveness
15% Popularity • 22% Danceability • 48% Energy • 20% Liveness
89% Instrumentalness • 6% Positiveness
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Garry Schyman
Cerberus
130 bpm • C Maj • 02:05 • -10.1db
13% Popularity • 27% Danceability • 88% Energy • 35% Liveness
12% Instrumentalness • 5% Positiveness
13% Popularity • 27% Danceability • 88% Energy • 35% Liveness
12% Instrumentalness • 5% Positiveness
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Castlevania Sound Team
Nocturne in the Moonlight
144 bpm • G min • 01:45 • -12.06db
30% Popularity • 14% Danceability • 44% Energy • 18% Liveness
89% Instrumentalness • 40% Positiveness
30% Popularity • 14% Danceability • 44% Energy • 18% Liveness
89% Instrumentalness • 40% Positiveness
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Nao Sato
Acid Rain
144 bpm • G# Maj • 02:30 • -13.94db
17% Popularity • 28% Danceability • 69% Energy • 24% Liveness
95% Instrumentalness • 18% Positiveness
17% Popularity • 28% Danceability • 69% Energy • 24% Liveness
95% Instrumentalness • 18% Positiveness
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TADAYOSHI MAKINO
The Shadow Upon the Tempest - Kushala Da...
144 bpm • C# Maj • 05:44 • -12.83db
24% Popularity • 41% Danceability • 62% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
24% Popularity • 41% Danceability • 62% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Nathan Whitehead
Holy War
144 bpm • G# Maj • 03:47 • -16.3db
18% Popularity • 31% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
18% Popularity • 31% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Capcom Sound Team
The Third Malformation of "G"
143 bpm • G# Maj • 02:19 • -14.07db
18% Popularity • 51% Danceability • 44% Energy • 37% Liveness
95% Instrumentalness • 76% Positiveness
18% Popularity • 51% Danceability • 44% Energy • 37% Liveness
95% Instrumentalness • 76% Positiveness
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大本望美
Back Up
144 bpm • F Maj • 04:44 • -13.41db
23% Popularity • 34% Danceability • 61% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 34% Danceability • 61% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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SIE Sound Team
異形の者達～巨像との戦い～
130 bpm • F Maj • 02:05 • -7.59db
26% Popularity • 40% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
26% Popularity • 40% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Sascha Dikiciyan
Thousand Cuts Ambience - Original OST Ex...
130 bpm • F Maj • 02:18 • -20.34db
15% Popularity • 70% Danceability • 33% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
15% Popularity • 70% Danceability • 33% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
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Mike Reagan
Battle with Straga
130 bpm • A# Maj • 02:00 • -12.79db
0% Popularity • 46% Danceability • 36% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
0% Popularity • 46% Danceability • 36% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
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Sean Murray
Eagle Claw, Pt. 1
130 bpm • G# Maj • 04:14 • -11.79db
25% Popularity • 39% Danceability • 53% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
25% Popularity • 39% Danceability • 53% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
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Capcom Sound Team
"T"-B
143 bpm • G min • 02:53 • -14.02db
17% Popularity • 40% Danceability • 44% Energy • 13% Liveness
97% Instrumentalness • 14% Positiveness
17% Popularity • 40% Danceability • 44% Energy • 13% Liveness
97% Instrumentalness • 14% Positiveness
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Rich Douglas
Hind D
130 bpm • A min • 01:56 • -10db
11% Popularity • 43% Danceability • 89% Energy • 35% Liveness
63% Instrumentalness • 43% Positiveness
11% Popularity • 43% Danceability • 89% Energy • 35% Liveness
63% Instrumentalness • 43% Positiveness
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Masami Ueda
Fighting in the Flames
130 bpm • D Maj • 03:44 • -11db
10% Popularity • 48% Danceability • 92% Energy • 44% Liveness
89% Instrumentalness • 32% Positiveness
10% Popularity • 48% Danceability • 92% Energy • 44% Liveness
89% Instrumentalness • 32% Positiveness
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Sascha Dikiciyan
Vog Chamber - Original OST
130 bpm • F min • 03:30 • -15.76db
18% Popularity • 57% Danceability • 61% Energy • 10% Liveness
75% Instrumentalness • 36% Positiveness
18% Popularity • 57% Danceability • 61% Energy • 10% Liveness
75% Instrumentalness • 36% Positiveness
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Kevin Riepl
Fish in a Barrel
130 bpm • C Maj • 02:54 • -13.74db
17% Popularity • 64% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 25% Positiveness
17% Popularity • 64% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 25% Positiveness
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Namco Sounds
Anea Landing
130 bpm • D Maj • 04:19 • -13.92db
5% Popularity • 56% Danceability • 61% Energy • 31% Liveness
74% Instrumentalness • 10% Positiveness
5% Popularity • 56% Danceability • 61% Energy • 31% Liveness
74% Instrumentalness • 10% Positiveness
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Capcom Sound Team
Normal End Title
143 bpm • F Maj • 01:45 • -17.74db
15% Popularity • 16% Danceability • 23% Energy • 36% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 23% Energy • 36% Liveness
84% Instrumentalness • 4% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - Low Intensity ...
145 bpm • B min • 01:14 • -16.24db
9% Popularity • 48% Danceability • 72% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 48% Danceability • 72% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Sean Murray
Invictus
145 bpm • G# Maj • 02:17 • -12.25db
25% Popularity • 45% Danceability • 67% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
25% Popularity • 45% Danceability • 67% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
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Raison Varner
Hallowed Hollow Combat - Holidays in the...
130 bpm • A min • 02:16 • -14.17db
10% Popularity • 50% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
10% Popularity • 50% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Sascha Dikiciyan
Removing the Bandit Threat
130 bpm • F# Maj • 01:35 • -15.35db
18% Popularity • 45% Danceability • 57% Energy • 35% Liveness
90% Instrumentalness • 23% Positiveness
18% Popularity • 45% Danceability • 57% Energy • 35% Liveness
90% Instrumentalness • 23% Positiveness
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Kevin Riepl
Miserable Wretches
145 bpm • F Maj • 02:01 • -14.57db
13% Popularity • 67% Danceability • 72% Energy • 17% Liveness
14% Instrumentalness • 50% Positiveness
13% Popularity • 67% Danceability • 72% Energy • 17% Liveness
14% Instrumentalness • 50% Positiveness
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Capcom Sound Team
Hellish Agony
144 bpm • A min • 03:00 • -12.72db
10% Popularity • 33% Danceability • 50% Energy • 22% Liveness
89% Instrumentalness • 18% Positiveness
10% Popularity • 33% Danceability • 50% Energy • 22% Liveness
89% Instrumentalness • 18% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - High Intensity...
145 bpm • G min • 01:20 • -12.55db
11% Popularity • 55% Danceability • 60% Energy • 8% Liveness
79% Instrumentalness • 19% Positiveness
11% Popularity • 55% Danceability • 60% Energy • 8% Liveness
79% Instrumentalness • 19% Positiveness
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Cris Velasco
Crater Lake
145 bpm • D Maj • 02:26 • -17.68db
1% Popularity • 49% Danceability • 73% Energy • 15% Liveness
85% Instrumentalness • 15% Positiveness
1% Popularity • 49% Danceability • 73% Energy • 15% Liveness
85% Instrumentalness • 15% Positiveness
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Sean Murray
Pegasus
145 bpm • G Maj • 03:10 • -10.13db
18% Popularity • 46% Danceability • 64% Energy • 29% Liveness
91% Instrumentalness • 18% Positiveness
18% Popularity • 46% Danceability • 64% Energy • 29% Liveness
91% Instrumentalness • 18% Positiveness
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Sascha Dikiciyan
Trash the Bandits Some More
145 bpm • C# min • 01:08 • -12.75db
17% Popularity • 56% Danceability • 73% Energy • 20% Liveness
65% Instrumentalness • 29% Positiveness
17% Popularity • 56% Danceability • 73% Energy • 20% Liveness
65% Instrumentalness • 29% Positiveness