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The Other Side
Songs like
The Other Side
by
Ed Prosek
Based on a tempo of (+/- 10%) and a similar genre
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Tyler Edwards
Delta
130 bpm • A Maj • 03:42 • -14.45db
32% Popularity • 65% Danceability • 25% Energy • 24% Liveness
2% Instrumentalness • 22% Positiveness
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Ocie Elliott
Fame
130 bpm • D# Maj • 03:10 • -14db
58% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Jordy Maxwell
She Came Back with Rainbows
130 bpm • G Maj • 03:50 • -9.58db
37% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Riley Pearce
Song for Zula
130 bpm • E Maj • 05:18 • -10.87db
20% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
44% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Foy Vance
Sapling
130 bpm • A# min • 04:17 • -8.53db
45% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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ASKYA
Above the Water
130 bpm • E Maj • 03:16 • -14.23db
39% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jolé
Still
131 bpm • C# Maj • 03:47 • -13.52db
45% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Daniel Pearson
The Open Sea
131 bpm • A Maj • 04:55 • -14.31db
41% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Josh Lee Hamilton
Heart Is Ready
131 bpm • C Maj • 04:12 • -10db
17% Popularity • 69% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ed Patrick
So Glad (I Got You)
131 bpm • D# Maj • 02:59 • -15db
45% Popularity • 74% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 58% Positiveness
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Lucy Clearwater
Cycle
131 bpm • C Maj • 03:45 • -11.13db
15% Popularity • 44% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Ocie Elliott
Baby, You Know
129 bpm • F Maj • 03:02 • -10db
53% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Emmit Fenn
What Falling in Love Is For - Acoustic
132 bpm • F Maj • 02:17 • -17.74db
39% Popularity • 58% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
54% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Kathleen Regan
Halfway There
128 bpm • G# Maj • 03:14 • -8.73db
35% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
51% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
46% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Light The Heat
Belong with You
132 bpm • A# Maj • 03:54 • -8.31db
30% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Plà si
How Do You Know
132 bpm • G# Maj • 03:02 • -9.79db
33% Popularity • 53% Danceability • 27% Energy • 11% Liveness
41% Instrumentalness • 31% Positiveness
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Wild Rivers
Safe Flight
128 bpm • F# Maj • 03:35 • -10db
36% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ocie Elliott
Rainbow and Arrow
132 bpm • D Maj • 03:26 • -14.37db
42% Popularity • 70% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Marti West
The Way Back Home
132 bpm • G# Maj • 03:54 • -14.02db
25% Popularity • 54% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Jonny Morgan
Hurt Me
128 bpm • D# Maj • 04:12 • -4.05db
13% Popularity • 64% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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Edwin Raphael
Will You Think Of Me Later?
128 bpm • D# Maj • 02:15 • -7.33db
55% Popularity • 66% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 54% Positiveness
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Mountain Boy
From the Dust
128 bpm • C Maj • 05:40 • -13.05db
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
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Oliver Hazard
Fly Right
133 bpm • A# Maj • 03:23 • -9.37db
36% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ed Prosek
Let Me Down Easy
133 bpm • C# Maj • 03:05 • -11.44db
34% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Hunter Metts
The River
133 bpm • A min • 04:18 • -12.77db
33% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Hayden Everett
Kennecott
133 bpm • G Maj • 03:28 • -10.21db
26% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Cujo Moon
In the Stars
127 bpm • E Maj • 03:47 • -11.57db
21% Popularity • 62% Danceability • 32% Energy • 12% Liveness
50% Instrumentalness • 23% Positiveness
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Ed Patrick
Mexico
127 bpm • D Maj • 02:52 • -15.18db
40% Popularity • 53% Danceability • 26% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Luca Fogale
You Tried
127 bpm • D# Maj • 01:56 • -17.15db
45% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ed Prosek
Holy Water
133 bpm • D Maj • 04:09 • -10db
33% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Lumineers
where we are - acoustic
126 bpm • B Maj • 02:47 • -8.67db
33% Popularity • 45% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Oscar Blue
A Dance at the Crossroads
126 bpm • G Maj • 04:21 • -9db
39% Popularity • 63% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Eli Teplin
Off The Grid
126 bpm • F# Maj • 03:47 • -12.97db
28% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Marti West
Here
134 bpm • F# Maj • 03:27 • -16.25db
20% Popularity • 48% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Unknown Neighbour
The Fine Line
134 bpm • F# min • 03:21 • -9.4db
19% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Ed Prosek
The Foreigner
127 bpm • F# Maj • 03:03 • -11.49db
29% Popularity • 64% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Soll
River
126 bpm • D Maj • 04:03 • -13.99db
34% Popularity • 64% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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The Neighborly
Only One
134 bpm • D# Maj • 03:25 • -11.51db
29% Popularity • 62% Danceability • 31% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
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Hayden Everett
Still
126 bpm • B Maj • 03:56 • -9.96db
20% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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J.B. Boone
Permafrost
126 bpm • F# Maj • 03:58 • -8.12db
23% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Ocie Elliott
Coming Home
126 bpm • D# Maj • 03:11 • -12.61db
42% Popularity • 55% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
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Ed Prosek
Wisdom
134 bpm • G Maj • 03:38 • -10.87db
14% Popularity • 53% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Luca Fogale
Nothing is Lost
126 bpm • F# Maj • 03:35 • -15.63db
31% Popularity • 65% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Amistat
Still Alive
126 bpm • C# Maj • 02:58 • -12.98db
42% Popularity • 65% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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This New Light
Awakening
135 bpm • D Maj • 04:23 • -8.04db
22% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Northwest Stories
With Me
126 bpm • C# Maj • 02:19 • -13.66db
43% Popularity • 69% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Edwin Raphael
Isle Of Strawberries
135 bpm • C# min • 03:35 • -5.5db
47% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Ocie Elliott
With the Lights Down
135 bpm • F Maj • 03:57 • -9.92db
44% Popularity • 75% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Cujo Moon
Beat of My Heart
135 bpm • C# Maj • 03:35 • -13.6db
42% Popularity • 69% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Salt Tree
Let My Guard Down
135 bpm • F# min • 03:10 • -8.33db
40% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jessie Early
Birds
125 bpm • C# Maj • 03:41 • -11.62db
29% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Wilderado
Surefire - Piano
125 bpm • B Maj • 04:01 • -8db
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ed Prosek
Man Overboard
125 bpm • C# Maj • 02:56 • -10.93db
32% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Cole Scheifele
Back Then
125 bpm • A Maj • 02:30 • -17.75db
29% Popularity • 36% Danceability • 14% Energy • 8% Liveness
19% Instrumentalness • 8% Positiveness
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This New Light
Reverie
136 bpm • B Maj • 04:32 • -13.87db
31% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
47% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Alivan Blu
Home - Acoustic
124 bpm • D Maj • 03:16 • -18.4db
35% Popularity • 55% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Davis John Patton
Brevity
136 bpm • D Maj • 04:29 • -11.83db
14% Popularity • 66% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
60% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Unknown Neighbour
Island
136 bpm • E Maj • 03:01 • -8.68db
21% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Dustin Tebbutt
Cedar On The Fire
136 bpm • E Maj • 04:40 • -12db
34% Popularity • 72% Danceability • 43% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
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Aaron Espe
Only Time
136 bpm • A min • 02:58 • -12.11db
51% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Rod Coote
Wild Pine
136 bpm • D Maj • 03:49 • -12.25db
29% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Hailaker
Famous
136 bpm • C# Maj • 03:53 • -12.56db
44% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Ed Prosek
California
136 bpm • A# Maj • 05:10 • -7.28db
20% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew Pinder
Golden Hour
124 bpm • D Maj • 03:36 • -12.17db
32% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Thomas LaVine
Staring at the Sky
124 bpm • D Maj • 03:47 • -8.79db
17% Popularity • 31% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Humbear
Take Your Time
124 bpm • G Maj • 03:24 • -12db
34% Popularity • 43% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Children of Indigo
After All
124 bpm • A Maj • 02:39 • -12.02db
30% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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James Vincent McMorrow
Hurricane
137 bpm • G Maj • 04:26 • -6.38db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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This New Light
103
123 bpm • G Maj • 02:59 • -6.58db
35% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Oliver Hazard
Northern Lights
138 bpm • G# Maj • 03:43 • -10.59db
34% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Cujo Moon
Diamonds in the Rough
138 bpm • F# Maj • 03:36 • -13.79db
21% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
45% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
40% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Salt Tree
Moving Away
138 bpm • D Maj • 03:40 • -12.02db
25% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Freight Train Foxes
Where The Monsters Live
138 bpm • G# Maj • 03:42 • -12.87db
16% Popularity • 60% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Robby Hecht
Not a Number
138 bpm • D Maj • 03:32 • -14.15db
32% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Riley Pearce
Breathe & Release
122 bpm • E Maj • 03:35 • -7db
36% Popularity • 66% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Wild Rivers
Untouchable
122 bpm • C Maj • 02:47 • -12.28db
31% Popularity • 74% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
44% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Lawson Hull
Mexico - Acoustic
122 bpm • G Maj • 03:45 • -10.56db
28% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -12.83db
29% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Freight Train Foxes
Lucky Penny
122 bpm • G# Maj • 02:48 • -8.76db
24% Popularity • 69% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ed Prosek
4am
139 bpm • F# Maj • 03:32 • -11db
24% Popularity • 57% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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OSKA
Honeymoon Phase - Stripped Duet
122 bpm • G# Maj • 03:26 • -15.59db
31% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
48% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Gallipoli
Blurry Mess
140 bpm • D Maj • 03:51 • -9.53db
38% Popularity • 38% Danceability • 35% Energy • 29% Liveness
4% Instrumentalness • 20% Positiveness
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Boundary Run
Ready To Fall
140 bpm • D Maj • 02:54 • -11.76db
47% Popularity • 28% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
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Hazlett
Even If It’s Lonely
140 bpm • A Maj • 04:05 • -12db
48% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jon Middleton
I See You
140 bpm • F Maj • 03:02 • -17.26db
39% Popularity • 71% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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AHI
Until You
140 bpm • A Maj • 03:18 • -10.18db
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Alivan Blu
Solace
140 bpm • C Maj • 02:08 • -11.24db
42% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Other Side