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The Other Side
Songs like
The Other Side
by
John Poole
Based on a tempo of (+/- 10%) and a similar genre
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Leroy Van Dyke
Twilight on the Trail
149 bpm • A# Maj • 02:48 • -12.87db
8% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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John Poole
The Other Side
149 bpm • G Maj • 04:53 • -6.74db
2% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Giles Swayne
Cry, Op. 27: VI. Creatures of the Dry La...
150 bpm • D min • 10:43 • -23.2db
0% Popularity • 22% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 3% Positiveness
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Alyssa & Wayne Brewer
Why Baby Why
150 bpm • C# Maj • 02:37 • -6.67db
13% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Cris Mantello
Not A Dime More
150 bpm • E Maj • 03:15 • -4.71db
19% Popularity • 40% Danceability • 80% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Ronnie Rogers
Cheatin' time for Two
150 bpm • A Maj • 02:30 • -12.18db
14% Popularity • 74% Danceability • 50% Energy • 17% Liveness
22% Instrumentalness • 89% Positiveness
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Tex Williams
Wild Card
150 bpm • C Maj • 02:20 • -10.48db
13% Popularity • 71% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Exhaust Windy
Constitute Version
151 bpm • E Maj • 02:56 • -11db
17% Popularity • 60% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Eddie Noack
Sunflower Song
147 bpm • E Maj • 02:00 • -9.57db
9% Popularity • 74% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jim Ed Brown
My Heart Left Long Ago
147 bpm • D Maj • 02:12 • -16.13db
7% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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The Davis Sisters
Gotta Get A-Goin'
147 bpm • F Maj • 02:02 • -8.14db
14% Popularity • 50% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
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Roger Miller
Dad Blame Anything A Man Can't Quit
151 bpm • C Maj • 01:56 • -7.82db
9% Popularity • 63% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Nashville Five
Handsome Molly
146 bpm • E Maj • 02:35 • -4.17db
9% Popularity • 47% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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John Poole
Walkin the Blind Lane
146 bpm • D Maj • 05:05 • -4.34db
0% Popularity • 40% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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ROY BAHAM
Birds Fly and Sing over Everybody but Me
152 bpm • E Maj • 02:14 • -13.63db
11% Popularity • 68% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Sonny James
Mean Ole Mississippi
152 bpm • D min • 02:31 • -11.48db
14% Popularity • 56% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Ned Miller
Love Glow
146 bpm • F Maj • 02:04 • -11.53db
13% Popularity • 75% Danceability • 38% Energy • 20% Liveness
2% Instrumentalness • 85% Positiveness
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Roger Miller
Shame Bird
147 bpm • G Maj • 03:05 • -9.9db
8% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Delmore Brothers
Blues You Never Lose
152 bpm • A Maj • 02:29 • -10.53db
7% Popularity • 58% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Neil Young
Field of Opportunity - 2016 Remaster
146 bpm • G Maj • 03:09 • -13.2db
27% Popularity • 52% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Magee Keats
The Mountain Of Love
145 bpm • D Maj • 02:28 • -7.62db
22% Popularity • 59% Danceability • 88% Energy • 7% Liveness
27% Instrumentalness • 95% Positiveness
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James Walden
Peaceful Easy Feeling
145 bpm • E Maj • 04:13 • -10.81db
8% Popularity • 47% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Kitchen on steriods
Rock Rock Ghali
145 bpm • A min • 01:10 • -10.58db
7% Popularity • 67% Danceability • 70% Energy • 10% Liveness
73% Instrumentalness • 99% Positiveness
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Stanley Mills
Where to Go
145 bpm • D Maj • 03:48 • -14.61db
21% Popularity • 48% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Blue Boys
Raunch - Instrumental
145 bpm • G Maj • 02:24 • -15.41db
13% Popularity • 57% Danceability • 42% Energy • 10% Liveness
79% Instrumentalness • 97% Positiveness
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Dora MacAdam
Your Universe
153 bpm • A# Maj • 03:05 • -16.28db
23% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Imply Synonymous
Touch Dealer
154 bpm • B Maj • 02:29 • -15.1db
17% Popularity • 49% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 76% Positiveness
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Natalie Tomlinson
Under Your Spell Again
145 bpm • B Maj • 02:51 • -11.8db
13% Popularity • 53% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Red Simpson
Rules Of The Road
154 bpm • D Maj • 02:47 • -7.86db
8% Popularity • 65% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmy Dean
Rocky Top
144 bpm • E Maj • 02:30 • -14.93db
7% Popularity • 50% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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BeachBilly's
Hankerin' for Hank
143 bpm • E Maj • 02:48 • -8.53db
18% Popularity • 58% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Dora MacAdam
Remember
144 bpm • C Maj • 03:30 • -13.51db
23% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Elton Britt
Cannonball Yodel
143 bpm • G# Maj • 02:57 • -13.1db
9% Popularity • 54% Danceability • 41% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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The Lonesome Valley Singers
It's Got To Be Done
156 bpm • C Maj • 02:07 • -14.95db
9% Popularity • 59% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Red Rhodes
Wreck of Ole 97
142 bpm • C Maj • 01:31 • -18.65db
14% Popularity • 55% Danceability • 37% Energy • 16% Liveness
83% Instrumentalness • 97% Positiveness
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G.B. Lamb
Little Girl
156 bpm • A min • 04:10 • -10.6db
11% Popularity • 63% Danceability • 50% Energy • 8% Liveness
11% Instrumentalness • 49% Positiveness
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David Wilcox
Love Me Too
156 bpm • B Maj • 02:50 • -7.65db
8% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Smokey River Boys
Tennessee Saturday Night
142 bpm • A Maj • 02:39 • -10.55db
8% Popularity • 68% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Neil Young
Dance, Dance, Dance
142 bpm • A Maj • 02:14 • -6.53db
9% Popularity • 71% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Elton Britt
Pinto Pal (Opening)
141 bpm • G# Maj • 01:05 • -7.79db
14% Popularity • 61% Danceability • 59% Energy • 14% Liveness
3% Instrumentalness • 96% Positiveness
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Alconbury Blue
But I Never
157 bpm • A Maj • 04:11 • -10.35db
29% Popularity • 56% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
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Junior Brown
Semi Crazy
158 bpm • E Maj • 03:27 • -9.99db
21% Popularity • 58% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Lattie Moore
Drunk Again
141 bpm • A Maj • 02:07 • -10.17db
12% Popularity • 55% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Dick Jonas
Pull the Boom From the Gashole
141 bpm • E Maj • 03:33 • -22.09db
8% Popularity • 70% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Red Rhodes
Frankie & Johnny
140 bpm • C Maj • 01:51 • -20.62db
12% Popularity • 68% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 83% Positiveness
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J. R. Rosenberger
A Cowboy Saturday Night
140 bpm • G Maj • 03:24 • -11db
9% Popularity • 86% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Arr
New York Business Man
140 bpm • A Maj • 02:25 • -9.16db
15% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Junior Brown
The Bridge Washed Out
140 bpm • F Maj • 02:58 • -6.05db
10% Popularity • 61% Danceability • 65% Energy • 30% Liveness
41% Instrumentalness • 80% Positiveness
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Brayden Williamson
I Wish Things Were the Way They Used to ...
140 bpm • E Maj • 03:03 • -13.83db
10% Popularity • 77% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Settle Loutish
Relieve Context
159 bpm • C# Maj • 02:24 • -14.94db
17% Popularity • 49% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Dora MacAdam
Photographs
140 bpm • F min • 03:28 • -24.36db
23% Popularity • 72% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 34% Positiveness
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Giles Swayne
Cry, Op. 27: I. Void - Light - Darkness ...
140 bpm • C# min • 05:00 • -24.11db
0% Popularity • 30% Danceability • 59% Energy • 81% Liveness
53% Instrumentalness • 4% Positiveness
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Tex Ritter
Fool's Paradise
140 bpm • D# Maj • 02:57 • -9.94db
13% Popularity • 26% Danceability • 50% Energy • 37% Liveness
61% Instrumentalness • 36% Positiveness
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Ronnie Hawkins
Lonely Hours - 1964 version
139 bpm • B min • 02:46 • -11.07db
2% Popularity • 59% Danceability • 73% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
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Bobby Lord
Hawkey
139 bpm • C Maj • 02:22 • -7.35db
12% Popularity • 63% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Pat Boone
Wolverton Mountain
161 bpm • A Maj • 02:43 • -8.23db
14% Popularity • 54% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 92% Positiveness
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Dora MacAdam
Conjure You
159 bpm • G Maj • 03:02 • -15.22db
23% Popularity • 70% Danceability • 45% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Skip Gorman
Utah Carroll
139 bpm • F Maj • 05:23 • -17.62db
11% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Giles Swayne
Cry, Op. 27: I. Void - Light - Darkness ...
140 bpm • C# min • 11:39 • -24.11db
0% Popularity • 30% Danceability • 59% Energy • 81% Liveness
53% Instrumentalness • 4% Positiveness
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Neil Young
Old Ways
138 bpm • F Maj • 03:08 • -10.75db
16% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Wynn Stewart
I'd Rather Have America
137 bpm • A Maj • 02:37 • -8.24db
12% Popularity • 64% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Barf Bartelby
Underpants of Solid Gold
163 bpm • G min • 01:44 • -7db
20% Popularity • 25% Danceability • 61% Energy • 33% Liveness
34% Instrumentalness • 65% Positiveness
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Dick Curless
Stonin' Around
137 bpm • A Maj • 02:53 • -9.66db
10% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Speedy West
Red Headed Polka
137 bpm • D Maj • 02:32 • -11.76db
3% Popularity • 68% Danceability • 45% Energy • 20% Liveness
94% Instrumentalness • 96% Positiveness
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Joe South
He's Got You Where He Wants You
136 bpm • A Maj • 02:41 • -9.66db
5% Popularity • 67% Danceability • 56% Energy • 14% Liveness
88% Instrumentalness • 57% Positiveness
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Del Reeves
Girl On The Billboard - Rerecorded
163 bpm • D Maj • 02:48 • -15.8db
18% Popularity • 60% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Rogers
Square Dance
136 bpm • D Maj • 01:55 • -5.34db
14% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Robert Saxton
I Will Awake the Dawn: No. 3, Sustained,...
136 bpm • G# Maj • 02:45 • -32.84db
0% Popularity • 18% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Dora MacAdam
Your Eyes
136 bpm • C Maj • 04:08 • -18.68db
23% Popularity • 63% Danceability • 22% Energy • 29% Liveness
2% Instrumentalness • 58% Positiveness
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Hoyt Axton
Young Man
164 bpm • G Maj • 02:16 • -12.24db
8% Popularity • 25% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Spade Cooley
Cowbell Polka
135 bpm • A Maj • 01:50 • -12.12db
24% Popularity • 78% Danceability • 39% Energy • 3% Liveness
82% Instrumentalness • 97% Positiveness
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Sammi Smith
Paste Me on Some Feathers
135 bpm • C Maj • 01:35 • -13.58db
9% Popularity • 69% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Kingston Trio
Leave My Woman Alone
135 bpm • G Maj • 02:19 • -9.27db
13% Popularity • 63% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Sing Town
Leaving
135 bpm • A Maj • 03:20 • -11.69db
17% Popularity • 67% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Assign Tasteless
True Decision
135 bpm • A Maj • 03:20 • -11.69db
17% Popularity • 67% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Buck Owens & The Buckaroos
Tired Of Livin'
165 bpm • A Maj • 02:03 • -5.97db
7% Popularity • 58% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Horton
I Can't Forget You
165 bpm • F Maj • 02:14 • -6.94db
9% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Wynn Stewart
Hungry Heart
134 bpm • D Maj • 02:37 • -6.07db
9% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Bill Reid & The Fewer Sorrows Band
Good Night, Moon (Lullaby for June)
134 bpm • E min • 02:14 • -20.84db
10% Popularity • 53% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Robert Saxton
I Will Awake the Dawn: No. 1, Slow, Sust...
134 bpm • G Maj • 05:26 • -24.31db
0% Popularity • 17% Danceability • 17% Energy • 76% Liveness
21% Instrumentalness • 3% Positiveness
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The Beau Brummels
I'll Be Your Baby Tonight
134 bpm • B Maj • 03:00 • -15.54db
12% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Wilf Carter
Away out on the Mountain - Remastered
134 bpm • C# Maj • 02:41 • -8.8db
9% Popularity • 62% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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The Browns
Springtime
166 bpm • E Maj • 02:20 • -12.26db
10% Popularity • 29% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Molly Fay
The Bottle Or Me
133 bpm • A# Maj • 02:27 • -10.64db
8% Popularity • 65% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Charlie Rich
I Love No One But You - Demo
167 bpm • F Maj • 01:58 • -12.68db
8% Popularity • 46% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Webb Pierce
How Come Your Dog Don't Bite Nobody but ...
133 bpm • B Maj • 02:17 • -12.88db
11% Popularity • 74% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Roy Drusky
Caribbean
133 bpm • F min • 02:13 • -19.95db
8% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Hurry Alike
Swear Negotiation
167 bpm • G Maj • 02:29 • -11db
17% Popularity • 61% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Mind Bedroom
Skillful
167 bpm • D Maj • 01:51 • -16.27db
17% Popularity • 58% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Bobby Lord
Good Ole Song
167 bpm • A Maj • 02:34 • -8.25db
8% Popularity • 45% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Term Membership
Specify Importance
167 bpm • D Maj • 01:51 • -16.27db
17% Popularity • 58% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Horton
Big Wheels Rollin
133 bpm • E Maj • 02:20 • -9.94db
7% Popularity • 70% Danceability • 60% Energy • 14% Liveness
14% Instrumentalness • 97% Positiveness
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Tex Williams
Western Jamboree
132 bpm • A Maj • 02:57 • -8.21db
8% Popularity • 70% Danceability • 76% Energy • 34% Liveness
2% Instrumentalness • 80% Positiveness
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Tommy McLain
Tommy McLain Testimony
132 bpm • D Maj • 03:00 • -9.91db
8% Popularity • 65% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Thomas Haglund
Orrange Blossom Special
169 bpm • E Maj • 02:17 • -16.87db
12% Popularity • 42% Danceability • 59% Energy • 4% Liveness
81% Instrumentalness • 81% Positiveness
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Ronnie Rogers
Dan D. Derby
132 bpm • A Maj • 02:51 • -15.55db
13% Popularity • 78% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Regez Band
I Don't Care
169 bpm • D Maj • 02:13 • -7.73db
14% Popularity • 62% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Freddy Quinn
Guitar Playing Joe
131 bpm • E Maj • 02:18 • -6.7db
11% Popularity • 48% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
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Dora MacAdam
Touch
131 bpm • C Maj • 01:42 • -16.41db
23% Popularity • 72% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Olivier Greif
Portrait No. 8 - Hip-hop story - Jan Pie...
131 bpm • A min • 04:08 • -24.02db
0% Popularity • 40% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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The Other Side