Songs like The Panic is On by Mezz Mezzrow And His Swing Band
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Hal Kemp And His Orchestra
Black Bottom
111 bpm • C Maj • 01:49 • -8db
14% Popularity • 68% Danceability • 79% Energy • 40% Liveness
89% Instrumentalness • 96% Positiveness
14% Popularity • 68% Danceability • 79% Energy • 40% Liveness
89% Instrumentalness • 96% Positiveness
► Preview
Bert Ambrose Orchestra
'leven Thirty Saturday Night
111 bpm • D# Maj • 02:49 • -12.39db
9% Popularity • 88% Danceability • 35% Energy • 16% Liveness
40% Instrumentalness • 67% Positiveness
9% Popularity • 88% Danceability • 35% Energy • 16% Liveness
40% Instrumentalness • 67% Positiveness
► Preview
George Olsen
Bye Bye Blackbird
111 bpm • G# Maj • 03:05 • -16db
20% Popularity • 83% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
20% Popularity • 83% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
► Preview
Isham Jones & His Orchestra
Goodnight Sweet Dreams
111 bpm • A# Maj • 02:50 • -9db
9% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
9% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
► Preview
Mezz Mezzrow And His Swing Band
The Panic is On
111 bpm • D min • 02:39 • -15.25db
12% Popularity • 68% Danceability • 28% Energy • 14% Liveness
72% Instrumentalness • 96% Positiveness
12% Popularity • 68% Danceability • 28% Energy • 14% Liveness
72% Instrumentalness • 96% Positiveness
► Preview
Clarence Williams & His Orchestra
Speakeasy
111 bpm • A# Maj • 02:58 • -12db
12% Popularity • 72% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
12% Popularity • 72% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
► Preview
Bill Brown and His Brownies
Hot Lips
110 bpm • F Maj • 02:49 • -9.14db
11% Popularity • 69% Danceability • 66% Energy • 12% Liveness
45% Instrumentalness • 90% Positiveness
11% Popularity • 69% Danceability • 66% Energy • 12% Liveness
45% Instrumentalness • 90% Positiveness
► Preview
Abe Lyman's California Orchestra
Shake That Thing
111 bpm • G min • 03:02 • -11db
14% Popularity • 73% Danceability • 54% Energy • 60% Liveness
85% Instrumentalness • 94% Positiveness
14% Popularity • 73% Danceability • 54% Energy • 60% Liveness
85% Instrumentalness • 94% Positiveness
► Preview
Gene Goldkette
I`m Looking Over A Four Leaf Clover
111 bpm • A# Maj • 03:14 • -13db
17% Popularity • 77% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
17% Popularity • 77% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
► Preview
Dick Robertson & Gene Kardos Orchestra
Red Headed Baby
112 bpm • D# min • 02:51 • -14db
12% Popularity • 76% Danceability • 38% Energy • 10% Liveness
52% Instrumentalness • 80% Positiveness
12% Popularity • 76% Danceability • 38% Energy • 10% Liveness
52% Instrumentalness • 80% Positiveness
► Preview
Claude Hopkins
Harlem Rhythm Dance (01-11-34)
112 bpm • F min • 03:29 • -16.16db
7% Popularity • 68% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
7% Popularity • 68% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
► Preview
The Seven Blues Babies
That's Him Now
110 bpm • G# Maj • 03:38 • -11.53db
15% Popularity • 92% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 94% Positiveness
15% Popularity • 92% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 94% Positiveness
► Preview
Carmen Cavallaro & His Orchestra
I Didn't Know What Time It Was
112 bpm • G Maj • 03:19 • -14.15db
7% Popularity • 40% Danceability • 29% Energy • 12% Liveness
65% Instrumentalness • 28% Positiveness
7% Popularity • 40% Danceability • 29% Energy • 12% Liveness
65% Instrumentalness • 28% Positiveness
► Preview
Mezz Mezzrow And His Swing Band
The Panic is On
110 bpm • D min • 02:37 • -13.14db
0% Popularity • 73% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
0% Popularity • 73% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
► Preview
Irving Aaronson and His Commanders
Crazy Words - Crazy Tune (Vo-Do-De-O)
112 bpm • D# Maj • 02:50 • -12db
11% Popularity • 79% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 79% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Art Landry & His Orchestra
Five Foot Two, Eyes Of Blue
110 bpm • A# Maj • 03:34 • -16db
15% Popularity • 79% Danceability • 30% Energy • 12% Liveness
10% Instrumentalness • 85% Positiveness
15% Popularity • 79% Danceability • 30% Energy • 12% Liveness
10% Instrumentalness • 85% Positiveness
► Preview
Isham Jones And His Orchestra
I Ain't Lazy, I'm Just Dreamin'
112 bpm • C Maj • 03:33 • -11.99db
16% Popularity • 65% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
16% Popularity • 65% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
► Preview
B. A. Rolfe & His Lucky Strike Orchestra
It Must Be Love
112 bpm • D# Maj • 03:33 • -11db
8% Popularity • 63% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 82% Positiveness
8% Popularity • 63% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 82% Positiveness
► Preview
Red Nichols and His Big Ten
At Last I'm Happy
110 bpm • D# Maj • 02:50 • -9.8db
11% Popularity • 69% Danceability • 33% Energy • 5% Liveness
38% Instrumentalness • 85% Positiveness
11% Popularity • 69% Danceability • 33% Energy • 5% Liveness
38% Instrumentalness • 85% Positiveness
► Preview
Connie's In Orchestra
Low Down on the Bayou
110 bpm • C min • 03:03 • -7db
3% Popularity • 66% Danceability • 68% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
3% Popularity • 66% Danceability • 68% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
► Preview
Carroll Gibbons & The Savoy Hotel Orpheans
Moonlight Becomes You
112 bpm • F Maj • 03:21 • -17db
14% Popularity • 47% Danceability • 10% Energy • 28% Liveness
95% Instrumentalness • 32% Positiveness
14% Popularity • 47% Danceability • 10% Energy • 28% Liveness
95% Instrumentalness • 32% Positiveness
► Preview
George Lewis
Indian Sagua
112 bpm • A min • 02:20 • -9.31db
12% Popularity • 54% Danceability • 62% Energy • 55% Liveness
94% Instrumentalness • 96% Positiveness
12% Popularity • 54% Danceability • 62% Energy • 55% Liveness
94% Instrumentalness • 96% Positiveness
► Preview
Isham Jones And His Orchestra
Blue Lament (Cry for Me)
112 bpm • C min • 03:33 • -16.3db
10% Popularity • 45% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 39% Positiveness
10% Popularity • 45% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 39% Positiveness
► Preview
Vince Giordano
Flying Down to Rio
112 bpm • A# Maj • 02:34 • -14.98db
9% Popularity • 73% Danceability • 34% Energy • 4% Liveness
1% Instrumentalness • 89% Positiveness
9% Popularity • 73% Danceability • 34% Energy • 4% Liveness
1% Instrumentalness • 89% Positiveness
► Preview
Ethel Waters
No Man's Mama - A Woman's Choice
112 bpm • F# Maj • 03:08 • -9.58db
5% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
5% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
King Oliver's Creole Jazz Band
Alligator Hop
112 bpm • A# Maj • 02:23 • -11.48db
23% Popularity • 72% Danceability • 46% Energy • 20% Liveness
73% Instrumentalness • 90% Positiveness
23% Popularity • 72% Danceability • 46% Energy • 20% Liveness
73% Instrumentalness • 90% Positiveness
► Preview
Phil Napoleon & His Orchestra
Go Joe Go
112 bpm • A# Maj • 02:52 • -13.23db
11% Popularity • 80% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 69% Positiveness
11% Popularity • 80% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 69% Positiveness
► Preview
Russ Columbo
When You're In Love
110 bpm • D# Maj • 03:10 • -13.26db
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
► Preview
High Hatters
Low Down Rhythm
112 bpm • A# Maj • 02:57 • -10.99db
14% Popularity • 93% Danceability • 33% Energy • 5% Liveness
59% Instrumentalness • 97% Positiveness
14% Popularity • 93% Danceability • 33% Energy • 5% Liveness
59% Instrumentalness • 97% Positiveness
► Preview
Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
► Preview
Billy Murray
If You Knew Susie
109 bpm • C Maj • 02:59 • -6.35db
16% Popularity • 77% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 87% Positiveness
16% Popularity • 77% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 87% Positiveness
► Preview
The Savoy Orpheans
The Blue Room
113 bpm • F Maj • 03:12 • -15.1db
9% Popularity • 79% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 72% Positiveness
9% Popularity • 79% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 72% Positiveness
► Preview
Lew Stone & His Band
Seein' Is Believin'
113 bpm • D min • 03:12 • -29db
11% Popularity • 43% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
11% Popularity • 43% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
► Preview
Woody Herman & His Orchestra
Blues on Parade (Alternate Take)
109 bpm • F# Maj • 03:06 • -11.94db
5% Popularity • 73% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 73% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Garland Wilson
Mood Indigo
113 bpm • A# Maj • 03:30 • -13.31db
16% Popularity • 74% Danceability • 25% Energy • 35% Liveness
76% Instrumentalness • 31% Positiveness
16% Popularity • 74% Danceability • 25% Energy • 35% Liveness
76% Instrumentalness • 31% Positiveness
► Preview
Country Washburn & Ted Weems Orchestra
Remarkable Girl
109 bpm • D# min • 03:03 • -13.44db
14% Popularity • 76% Danceability • 42% Energy • 38% Liveness
80% Instrumentalness • 93% Positiveness
14% Popularity • 76% Danceability • 42% Energy • 38% Liveness
80% Instrumentalness • 93% Positiveness
► Preview
Lud Gluskin and His Orchestra
Singin' in the Rain
109 bpm • G Maj • 02:57 • -12.28db
9% Popularity • 75% Danceability • 36% Energy • 19% Liveness
91% Instrumentalness • 74% Positiveness
9% Popularity • 75% Danceability • 36% Energy • 19% Liveness
91% Instrumentalness • 74% Positiveness
► Preview
Mills Blue Rhythm Band
Tallahassee
109 bpm • G min • 02:34 • -8.94db
12% Popularity • 75% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 93% Positiveness
12% Popularity • 75% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 93% Positiveness
► Preview
Abe Lyman's California Orchestra
Shake That Thing
113 bpm • F min • 02:57 • -10.58db
21% Popularity • 75% Danceability • 50% Energy • 30% Liveness
84% Instrumentalness • 97% Positiveness
21% Popularity • 75% Danceability • 50% Energy • 30% Liveness
84% Instrumentalness • 97% Positiveness
► Preview
The New Yorkers
Music and Moonlight
113 bpm • F min • 02:33 • -11.95db
13% Popularity • 65% Danceability • 58% Energy • 32% Liveness
90% Instrumentalness • 64% Positiveness
13% Popularity • 65% Danceability • 58% Energy • 32% Liveness
90% Instrumentalness • 64% Positiveness
► Preview
Louis Armstrong Orchestra
I'm a Ding-Dong-Daddy
109 bpm • F Maj • 03:08 • -12.81db
6% Popularity • 76% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 85% Positiveness
6% Popularity • 76% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 85% Positiveness
► Preview
Carroll Gibbons
Better Think Twice
113 bpm • D# Maj • 03:09 • -17.8db
11% Popularity • 79% Danceability • 28% Energy • 11% Liveness
57% Instrumentalness • 87% Positiveness
11% Popularity • 79% Danceability • 28% Energy • 11% Liveness
57% Instrumentalness • 87% Positiveness
► Preview
Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
► Preview
Edgar Hayes
Swingin' in the Promised Land (11-14-38)
113 bpm • F min • 02:39 • -11.31db
8% Popularity • 69% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
8% Popularity • 69% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
► Preview
Claude Hopkins Orchestra
Washington Squabble
109 bpm • C Maj • 03:04 • -17.43db
14% Popularity • 81% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 81% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Ted Weems & His Orchestra
Talk of the Town
109 bpm • D# Maj • 03:12 • -13db
16% Popularity • 80% Danceability • 25% Energy • 18% Liveness
92% Instrumentalness • 91% Positiveness
16% Popularity • 80% Danceability • 25% Energy • 18% Liveness
92% Instrumentalness • 91% Positiveness
► Preview
Harry Roy and His Orchestra
Okay Toots
113 bpm • F Maj • 02:33 • -23db
11% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
11% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
► Preview
Mildred Bailey
So Help Me - Remastered
109 bpm • D# Maj • 02:46 • -5.13db
16% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
John Kirby
Close Shave
113 bpm • D# Maj • 02:27 • -13.15db
16% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
16% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
► Preview
Barney Rapp and His Orchestra
Bagpipe Stomp
109 bpm • A# Maj • 02:45 • -11.36db
8% Popularity • 73% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
8% Popularity • 73% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
► Preview
Freddie Keppard
Stock Yards Strut
109 bpm • D# Maj • 02:33 • -12db
13% Popularity • 77% Danceability • 49% Energy • 27% Liveness
92% Instrumentalness • 97% Positiveness
13% Popularity • 77% Danceability • 49% Energy • 27% Liveness
92% Instrumentalness • 97% Positiveness
► Preview
Louis Armstrong & His Hot Seven
Hotter Than That
109 bpm • G# Maj • 02:59 • -16db
9% Popularity • 79% Danceability • 32% Energy • 13% Liveness
80% Instrumentalness • 85% Positiveness
9% Popularity • 79% Danceability • 32% Energy • 13% Liveness
80% Instrumentalness • 85% Positiveness
► Preview
The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
► Preview
Duke Ellington & His Cotton Club Orchestra
That Lindy Hop
113 bpm • C Maj • 02:57 • -14.47db
8% Popularity • 66% Danceability • 29% Energy • 16% Liveness
3% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 29% Energy • 16% Liveness
3% Instrumentalness • 76% Positiveness
► Preview
The Charleston Chasers
Someday Sweetheart
108 bpm • F Maj • 03:18 • -16.21db
8% Popularity • 82% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 82% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
The Mills Brothers
Don't Be Afraid To Tell Your Mother
108 bpm • A# min • 02:45 • -14.56db
12% Popularity • 74% Danceability • 12% Energy • 9% Liveness
63% Instrumentalness • 68% Positiveness
12% Popularity • 74% Danceability • 12% Energy • 9% Liveness
63% Instrumentalness • 68% Positiveness
► Preview
Red Onion Jazz Babies
Cake Walking Babies From Home
114 bpm • F min • 03:07 • -12db
12% Popularity • 69% Danceability • 42% Energy • 22% Liveness
42% Instrumentalness • 91% Positiveness
12% Popularity • 69% Danceability • 42% Energy • 22% Liveness
42% Instrumentalness • 91% Positiveness
► Preview
New Orleans Rhythm Kings
Bugle Call Blues
108 bpm • F Maj • 02:22 • -6db
14% Popularity • 56% Danceability • 62% Energy • 5% Liveness
92% Instrumentalness • 95% Positiveness
14% Popularity • 56% Danceability • 62% Energy • 5% Liveness
92% Instrumentalness • 95% Positiveness
► Preview
The California Ramblers
Yes She Do (No She Don't)
114 bpm • A# Maj • 02:43 • -14db
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
► Preview
C. Warren & Jan Garber Orchestra
What Do I Care What Somebody Said
108 bpm • D# Maj • 03:07 • -13.47db
9% Popularity • 67% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 86% Positiveness
9% Popularity • 67% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 86% Positiveness
► Preview
Guy Lombardo & His Royal Canadians
I Can't Begin to Tell You
114 bpm • A# Maj • 02:35 • -15.14db
8% Popularity • 39% Danceability • 11% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
8% Popularity • 39% Danceability • 11% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
► Preview
Garland Wilson
Minnie the Moocher's Wedding Day
108 bpm • A# Maj • 02:54 • -13.58db
8% Popularity • 66% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 66% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
John Kirby
From A Flat To C (10-28-38)
108 bpm • B min • 02:36 • -14.8db
10% Popularity • 72% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 84% Positiveness
10% Popularity • 72% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 84% Positiveness
► Preview
Lew Stone
Coffee in the Morning (And Kisses in the...
108 bpm • G# Maj • 03:10 • -10.23db
15% Popularity • 59% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 59% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Lee Morse
I Love My Baby
108 bpm • E Maj • 02:57 • -14.23db
9% Popularity • 88% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 88% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Anson Weeks & His Orchestra
Rain, Rain, Go Away
114 bpm • G Maj • 02:05 • -17db
9% Popularity • 85% Danceability • 32% Energy • 10% Liveness
55% Instrumentalness • 93% Positiveness
9% Popularity • 85% Danceability • 32% Energy • 10% Liveness
55% Instrumentalness • 93% Positiveness
► Preview
Bud Freeman and his Windy City Five
The Buzzard
114 bpm • D# min • 03:10 • -10.46db
10% Popularity • 81% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 69% Positiveness
10% Popularity • 81% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 69% Positiveness
► Preview
Bea Wain
Dancing in the Dark
114 bpm • E Maj • 03:22 • -12.34db
15% Popularity • 46% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 46% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Herb Wiedoeft's Cinderella Roof Orchestra
Everything Is Hotsy Totsy Now
108 bpm • D Maj • 03:04 • -9.07db
11% Popularity • 92% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
11% Popularity • 92% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
► Preview
The Southern Serenaders
Alone At Last
107 bpm • A# Maj • 03:11 • -13.99db
8% Popularity • 66% Danceability • 18% Energy • 30% Liveness
94% Instrumentalness • 43% Positiveness
8% Popularity • 66% Danceability • 18% Energy • 30% Liveness
94% Instrumentalness • 43% Positiveness
► Preview
Irving Aaronson and His Commanders
Hard to Get Gertie
115 bpm • F Maj • 02:43 • -10.62db
10% Popularity • 75% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 96% Positiveness
10% Popularity • 75% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 96% Positiveness
► Preview
Puritan Dance Orchestra
Who's Who Are You?
115 bpm • A# Maj • 02:44 • -10.3db
9% Popularity • 73% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 96% Positiveness
9% Popularity • 73% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 96% Positiveness
► Preview
Glenn Miller & The Army Air Force Band
Carribean Clipper * - Remastered 2001
115 bpm • C# Maj • 02:59 • -9.58db
9% Popularity • 57% Danceability • 67% Energy • 81% Liveness
21% Instrumentalness • 73% Positiveness
9% Popularity • 57% Danceability • 67% Energy • 81% Liveness
21% Instrumentalness • 73% Positiveness
► Preview
Keith Nichols
Time to Quickstep
107 bpm • G Maj • 02:35 • -16.74db
11% Popularity • 77% Danceability • 23% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
11% Popularity • 77% Danceability • 23% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
► Preview
Bert Firman Orchestra
Charleston Charley
115 bpm • A# Maj • 02:34 • -12db
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
► Preview
Ina Ray Hutton and Her Melodears
And I Still Do
107 bpm • D Maj • 02:31 • -13db
15% Popularity • 58% Danceability • 31% Energy • 24% Liveness
76% Instrumentalness • 83% Positiveness
15% Popularity • 58% Danceability • 31% Energy • 24% Liveness
76% Instrumentalness • 83% Positiveness
► Preview
Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
► Preview
Casper Reardon and His Group
Washboard Blues
115 bpm • F Maj • 02:40 • -19.36db
13% Popularity • 62% Danceability • 22% Energy • 13% Liveness
80% Instrumentalness • 35% Positiveness
13% Popularity • 62% Danceability • 22% Energy • 13% Liveness
80% Instrumentalness • 35% Positiveness
► Preview
Johnny Dodds
Bucktown Stomp
115 bpm • E min • 03:14 • -12.11db
11% Popularity • 56% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
11% Popularity • 56% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
► Preview
Larry Clinton
Where in the World
115 bpm • G# Maj • 02:52 • -11.35db
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Eddie Lang
Good Little, Bad Little You
115 bpm • G Maj • 02:42 • -16db
7% Popularity • 82% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 82% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
► Preview
Carmen Cavallaro & His Orchestra
Zing Went The Strings Of My Heart
106 bpm • F# Maj • 01:39 • -12.73db
12% Popularity • 70% Danceability • 42% Energy • 16% Liveness
92% Instrumentalness • 94% Positiveness
12% Popularity • 70% Danceability • 42% Energy • 16% Liveness
92% Instrumentalness • 94% Positiveness
► Preview
The Three Keys
Song of the Islands
116 bpm • A Maj • 02:58 • -12.88db
9% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Johnny Dodds
Red Onion Blues
107 bpm • C Maj • 02:53 • -6.4db
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
► Preview
Benny Goodman & His Orchestra; Vocal by Helen Forrest
Dreaming Out Loud
106 bpm • D Maj • 03:00 • -15.76db
8% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Eva Taylor
Baby Won't You Please Come Home?
116 bpm • F Maj • 02:58 • -14.31db
21% Popularity • 76% Danceability • 15% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 76% Danceability • 15% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Al Friedman & his Orchestra
Building a Nest for Mary
106 bpm • F Maj • 03:10 • -8.57db
20% Popularity • 76% Danceability • 63% Energy • 6% Liveness
82% Instrumentalness • 95% Positiveness
20% Popularity • 76% Danceability • 63% Energy • 6% Liveness
82% Instrumentalness • 95% Positiveness
► Preview
Duke Ellington And His Kentucky Club Orchestra
Immigration Blues
106 bpm • D# Maj • 03:02 • -13db
7% Popularity • 51% Danceability • 27% Energy • 13% Liveness
52% Instrumentalness • 56% Positiveness
7% Popularity • 51% Danceability • 27% Energy • 13% Liveness
52% Instrumentalness • 56% Positiveness
► Preview
Charlie Johnson And His Orchestra
Harlem Drag
116 bpm • F min • 03:16 • -14.6db
10% Popularity • 62% Danceability • 16% Energy • 12% Liveness
60% Instrumentalness • 45% Positiveness
10% Popularity • 62% Danceability • 16% Energy • 12% Liveness
60% Instrumentalness • 45% Positiveness
► Preview
Alix Combelle
Fariboles
106 bpm • A# Maj • 02:47 • -10db
9% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
9% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
► Preview
B.A. Rolfe & His Lucky Strike Orchestra
Hello Sweetie
117 bpm • A Maj • 02:55 • -7db
11% Popularity • 83% Danceability • 52% Energy • 26% Liveness
18% Instrumentalness • 87% Positiveness
11% Popularity • 83% Danceability • 52% Energy • 26% Liveness
18% Instrumentalness • 87% Positiveness
► Preview
New Orleans Rhythm Kings
Tin Roof Blues
106 bpm • A min • 02:29 • -5db
26% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
26% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
► Preview
Benny Goodman Septet
Charlie's Dream
106 bpm • F min • 03:14 • -8db
11% Popularity • 77% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 77% Positiveness
11% Popularity • 77% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 77% Positiveness
► Preview
Connee Boswell
In the Middle of a Kiss
106 bpm • G Maj • 02:58 • -20.68db
12% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
12% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
► Preview
Clarence Williams' Blue Five
Papa De Da Da
106 bpm • A# Maj • 02:58 • -15.69db
8% Popularity • 67% Danceability • 13% Energy • 26% Liveness
11% Instrumentalness • 59% Positiveness
8% Popularity • 67% Danceability • 13% Energy • 26% Liveness
11% Instrumentalness • 59% Positiveness
► Preview
Rudy Vallee
I'm Just a Vagabond Lover
105 bpm • A# Maj • 03:15 • -11db
8% Popularity • 56% Danceability • 21% Energy • 9% Liveness
18% Instrumentalness • 60% Positiveness
8% Popularity • 56% Danceability • 21% Energy • 9% Liveness
18% Instrumentalness • 60% Positiveness
► Preview
Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
