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The Past Is Over
Songs like
The Past Is Over
by
Thomas Schumacher
Based on a tempo of (+/- 10%) and a similar genre
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UMEK
Aktivate - Radio Edit
133 bpm • G Maj • 04:38 • -4.56db
38% Popularity • 65% Danceability • 95% Energy • 33% Liveness
92% Instrumentalness • 49% Positiveness
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Daniel Levak
Tunnelvision
133 bpm • C# Maj • 05:35 • -8.9db
18% Popularity • 77% Danceability • 76% Energy • 9% Liveness
85% Instrumentalness • 20% Positiveness
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Spektre
Delusion of Choice
133 bpm • F# min • 03:53 • -9.74db
41% Popularity • 68% Danceability • 89% Energy • 9% Liveness
63% Instrumentalness • 12% Positiveness
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Jay Lumen
Spacewalk
133 bpm • D Maj • 06:56 • -5.26db
27% Popularity • 77% Danceability • 89% Energy • 6% Liveness
89% Instrumentalness • 39% Positiveness
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NTO
Gamma (Joyhauser Remix)
133 bpm • G Maj • 07:02 • -9db
34% Popularity • 71% Danceability • 94% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Zajon
Rage Control - Thomas Schumacher Extende...
133 bpm • F# Maj • 06:21 • -7.16db
5% Popularity • 73% Danceability • 73% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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UMEK
Annihilating Rhythm
133 bpm • D Maj • 06:04 • -4.93db
25% Popularity • 79% Danceability • 92% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Daniel Levak
Rebellion of the Machines - Belocca Remi...
133 bpm • B min • 06:24 • -7.38db
14% Popularity • 73% Danceability • 88% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Schumacher
Jibaro
133 bpm • C# Maj • 04:07 • -7.27db
22% Popularity • 69% Danceability • 93% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Sam Paganini
Feeling in the Air - Radio-Edit
133 bpm • B min • 04:15 • -6.56db
29% Popularity • 69% Danceability • 85% Energy • 11% Liveness
20% Instrumentalness • 21% Positiveness
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Chris Veron
Machine Pulse - Extended Mix
133 bpm • D Maj • 06:03 • -8.05db
30% Popularity • 79% Danceability • 71% Energy • 8% Liveness
79% Instrumentalness • 28% Positiveness
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Zajon
Rage Control - Thomas Schumacher Rework
133 bpm • F# Maj • 04:30 • -8.56db
14% Popularity • 69% Danceability • 80% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
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Marie Vaunt
Technology
133 bpm • C Maj • 04:32 • -5.2db
24% Popularity • 66% Danceability • 94% Energy • 35% Liveness
82% Instrumentalness • 33% Positiveness
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LEVT
Chorus Animarum
133 bpm • F min • 04:05 • -5.9db
34% Popularity • 63% Danceability • 97% Energy • 29% Liveness
65% Instrumentalness • 4% Positiveness
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Thomas Schumacher
You Belong Here - Thomas Schumacher & Ca...
133 bpm • C# min • 06:31 • -9.17db
6% Popularity • 69% Danceability • 77% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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A*S*Y*S
Rave The Planet
133 bpm • B Maj • 06:47 • -6.03db
41% Popularity • 70% Danceability • 96% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
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Chris Veron
Bluster of the Moon
133 bpm • D Maj • 03:53 • -7.14db
38% Popularity • 74% Danceability • 96% Energy • 24% Liveness
55% Instrumentalness • 53% Positiveness
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TRYM
It's Better When We Fake It
133 bpm • C# min • 06:58 • -4.95db
40% Popularity • 57% Danceability • 89% Energy • 32% Liveness
76% Instrumentalness • 9% Positiveness
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Fatima Hajji
Ykn - Original Mix
133 bpm • F# Maj • 04:07 • -6.33db
36% Popularity • 52% Danceability • 99% Energy • 19% Liveness
83% Instrumentalness • 29% Positiveness
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Ramon Tapia
303 State
133 bpm • C Maj • 07:33 • -5.25db
42% Popularity • 73% Danceability • 93% Energy • 8% Liveness
83% Instrumentalness • 16% Positiveness
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Thomas Schumacher
Interlinked
133 bpm • F# min • 06:38 • -11.09db
34% Popularity • 72% Danceability • 79% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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DANNY AVILA
Diablo
133 bpm • F# Maj • 05:55 • -4.58db
18% Popularity • 43% Danceability • 97% Energy • 21% Liveness
75% Instrumentalness • 28% Positiveness
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IOA
Purpose Of Life
133 bpm • D Maj • 06:51 • -4.57db
49% Popularity • 78% Danceability • 91% Energy • 5% Liveness
94% Instrumentalness • 26% Positiveness
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Daniel Levak
Eckstein Eckstein
133 bpm • A Maj • 03:07 • -7.38db
42% Popularity • 58% Danceability • 94% Energy • 21% Liveness
80% Instrumentalness • 36% Positiveness
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Marie Vaunt
Dark Room
133 bpm • B min • 04:03 • -5.37db
49% Popularity • 70% Danceability • 97% Energy • 34% Liveness
7% Instrumentalness • 6% Positiveness
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Mario Ochoa
Haunted
133 bpm • F# min • 04:31 • -7.79db
24% Popularity • 71% Danceability • 92% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Thomas Schumacher
Core
133 bpm • D# Maj • 07:29 • -10.06db
11% Popularity • 70% Danceability • 92% Energy • 7% Liveness
92% Instrumentalness • 15% Positiveness
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Marco Faraone
Emergency
133 bpm • D Maj • 03:47 • -5.2db
33% Popularity • 72% Danceability • 94% Energy • 26% Liveness
62% Instrumentalness • 11% Positiveness
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Cores
DJ Made My Day
133 bpm • C# Maj • 03:40 • -7.14db
27% Popularity • 68% Danceability • 95% Energy • 9% Liveness
80% Instrumentalness • 18% Positiveness
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Chris Veron
Machine Pulse
133 bpm • D Maj • 03:41 • -7.58db
44% Popularity • 72% Danceability • 86% Energy • 9% Liveness
77% Instrumentalness • 28% Positiveness
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Veerus
It's Funky
133 bpm • G Maj • 04:00 • -6.3db
24% Popularity • 59% Danceability • 98% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
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NTMTR
Deeper
133 bpm • D Maj • 06:01 • -3.28db
43% Popularity • 70% Danceability • 99% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Thomas Schumacher
Hype
133 bpm • F# Maj • 06:33 • -7.12db
29% Popularity • 58% Danceability • 95% Energy • 11% Liveness
79% Instrumentalness • 49% Positiveness
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Jerome Isma-Ae
Hold That Sucker Down (Mixed) - Charlott...
133 bpm • B min • 01:41 • -10.45db
55% Popularity • 61% Danceability • 90% Energy • 32% Liveness
82% Instrumentalness • 6% Positiveness
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Klanglos
Dystopia
132 bpm • F# min • 06:42 • -5.75db
36% Popularity • 64% Danceability • 82% Energy • 8% Liveness
77% Instrumentalness • 7% Positiveness
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UMEK
Enter the Rave - Radio Edit
134 bpm • G Maj • 03:54 • -5.17db
39% Popularity • 77% Danceability • 88% Energy • 10% Liveness
2% Instrumentalness • 44% Positiveness
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Cosmic Boys
Chorus Of God
132 bpm • C# Maj • 04:00 • -4.68db
30% Popularity • 68% Danceability • 89% Energy • 9% Liveness
73% Instrumentalness • 6% Positiveness
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Spektre
Bodysnatcher
134 bpm • C# min • 03:51 • -8.68db
28% Popularity • 63% Danceability • 96% Energy • 32% Liveness
83% Instrumentalness • 38% Positiveness
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Jay Lumen
Ode to Earth
134 bpm • D Maj • 06:14 • -6.91db
35% Popularity • 75% Danceability • 85% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Dok & Martin
Lucky Boy
134 bpm • G# Maj • 04:47 • -5.23db
16% Popularity • 60% Danceability • 98% Energy • 6% Liveness
87% Instrumentalness • 27% Positiveness
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LEVT
Easy C Easy G
132 bpm • E min • 06:14 • -6.62db
15% Popularity • 70% Danceability • 90% Energy • 10% Liveness
59% Instrumentalness • 28% Positiveness
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Marie Vaunt
Perfect Disorder
134 bpm • G Maj • 06:19 • -5.71db
22% Popularity • 69% Danceability • 93% Energy • 30% Liveness
77% Instrumentalness • 13% Positiveness
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Deborah de Luca
Minimal
134 bpm • B min • 06:30 • -8.24db
52% Popularity • 72% Danceability • 77% Energy • 8% Liveness
89% Instrumentalness • 24% Positiveness
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Spektre
Sacrament
134 bpm • A Maj • 03:35 • -7.91db
31% Popularity • 65% Danceability • 98% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Pleasurekraft
Sex and the Machine
132 bpm • F min • 04:00 • -5.93db
34% Popularity • 55% Danceability • 98% Energy • 11% Liveness
55% Instrumentalness • 23% Positiveness
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BEC
Phantasy
134 bpm • F Maj • 04:00 • -9db
37% Popularity • 76% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Eli Brown
When I Push - Edit
134 bpm • G Maj • 03:33 • -3.63db
62% Popularity • 69% Danceability • 95% Energy • 28% Liveness
79% Instrumentalness • 21% Positiveness
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Patrick Scuro
Black & White
134 bpm • F# Maj • 03:38 • -5.3db
31% Popularity • 68% Danceability • 94% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
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Dominik Saltevski
Night Ride
134 bpm • B min • 05:30 • -7db
26% Popularity • 51% Danceability • 84% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
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Nusha
Addiction - Original Mix
134 bpm • B min • 06:30 • -6db
42% Popularity • 73% Danceability • 97% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Felix Kröcher
Fiction
132 bpm • A Maj • 05:52 • -3.55db
21% Popularity • 75% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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Matt Sassari
Goi - Ramon Tapia Remix
132 bpm • C# Maj • 04:10 • -7.24db
26% Popularity • 62% Danceability • 82% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
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Thomas Schumacher
Somebody Scream
134 bpm • A Maj • 03:52 • -7db
31% Popularity • 58% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Daniel Levak
Gravity
134 bpm • B min • 05:00 • -7.27db
31% Popularity • 62% Danceability • 85% Energy • 8% Liveness
84% Instrumentalness • 13% Positiveness
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Cosmic Boys
Midnight
134 bpm • C Maj • 03:43 • -4.54db
31% Popularity • 64% Danceability • 95% Energy • 59% Liveness
83% Instrumentalness • 9% Positiveness
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Ramon Tapia
Bring It On Down
134 bpm • F# min • 07:12 • -3.56db
27% Popularity • 78% Danceability • 99% Energy • 10% Liveness
79% Instrumentalness • 28% Positiveness
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Klaudia Gawlas
Fireball
134 bpm • F# min • 05:46 • -8.01db
14% Popularity • 64% Danceability • 98% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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A*S*Y*S
Freedom of Expression - Dark Acid Mix
132 bpm • D Maj • 06:37 • -7db
43% Popularity • 70% Danceability • 92% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Thomas Schumacher
Moxie
134 bpm • G Maj • 06:14 • -9.75db
21% Popularity • 62% Danceability • 94% Energy • 9% Liveness
77% Instrumentalness • 12% Positiveness
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Felix Kröcher
Imagination
132 bpm • F# min • 06:16 • -3.73db
49% Popularity • 82% Danceability • 97% Energy • 7% Liveness
90% Instrumentalness • 58% Positiveness
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Drunken Kong
I Want to See
132 bpm • C# Maj • 04:05 • -6.95db
23% Popularity • 67% Danceability • 100% Energy • 12% Liveness
80% Instrumentalness • 18% Positiveness
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Spartaque
I Feel so Free
132 bpm • G Maj • 03:52 • -8.17db
22% Popularity • 65% Danceability • 98% Energy • 38% Liveness
89% Instrumentalness • 15% Positiveness
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AIROD
Adrenaline
134 bpm • C Maj • 06:51 • -8.24db
46% Popularity • 70% Danceability • 77% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Spektre
Dodgems
134 bpm • E min • 03:42 • -6.47db
31% Popularity • 65% Danceability • 95% Energy • 32% Liveness
92% Instrumentalness • 32% Positiveness
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Layton Giordani
Digital Age
132 bpm • F# min • 03:58 • -7.77db
44% Popularity • 64% Danceability • 94% Energy • 8% Liveness
80% Instrumentalness • 18% Positiveness
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Roberto Capuano
Dish Ya Now
132 bpm • A# min • 03:32 • -5.3db
30% Popularity • 63% Danceability • 97% Energy • 28% Liveness
88% Instrumentalness • 28% Positiveness
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Ramon Tapia
Rhythm Machine
134 bpm • C Maj • 06:13 • -5db
25% Popularity • 74% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Enrico Sangiuliano
Physical Change
134 bpm • C# Maj • 09:58 • -8.79db
33% Popularity • 49% Danceability • 94% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Torsten Kanzler
Rave
134 bpm • G Maj • 06:05 • -5.85db
44% Popularity • 78% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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A.D.H.S.
Raveline - Edit
134 bpm • F# min • 04:35 • -8.57db
24% Popularity • 59% Danceability • 94% Energy • 15% Liveness
74% Instrumentalness • 20% Positiveness
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Slin Bourgh
Into the Night
134 bpm • C# min • 05:02 • -4.62db
27% Popularity • 59% Danceability • 100% Energy • 33% Liveness
82% Instrumentalness • 7% Positiveness
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Thomas Schumacher
Blakkout
134 bpm • B min • 03:44 • -8.17db
17% Popularity • 68% Danceability • 98% Energy • 26% Liveness
88% Instrumentalness • 13% Positiveness
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Ramon Tapia
P.A.R.T.Y.
134 bpm • A# min • 07:13 • -4db
26% Popularity • 84% Danceability • 94% Energy • 9% Liveness
88% Instrumentalness • 62% Positiveness
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Jay Lumen
Astronaut
134 bpm • B Maj • 07:14 • -5.75db
20% Popularity • 67% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Belocca
Serenity
134 bpm • B min • 06:55 • -6db
48% Popularity • 74% Danceability • 98% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Charlotte de Witte
Reflection
134 bpm • G# Maj • 06:46 • -7.45db
59% Popularity • 78% Danceability • 72% Energy • 12% Liveness
75% Instrumentalness • 30% Positiveness
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Martin Books
Push
132 bpm • F min • 04:37 • -4.79db
42% Popularity • 82% Danceability • 75% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Vorwerk
Wake Up Call - Extended
134 bpm • F min • 03:53 • -4db
25% Popularity • 67% Danceability • 99% Energy • 5% Liveness
76% Instrumentalness • 35% Positiveness
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Drunken Kong
To The Beat
134 bpm • B min • 06:07 • -5.99db
24% Popularity • 63% Danceability • 98% Energy • 13% Liveness
84% Instrumentalness • 15% Positiveness
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Jason Johnson
Resurrection
134 bpm • B min • 04:05 • -8.49db
30% Popularity • 64% Danceability • 79% Energy • 27% Liveness
84% Instrumentalness • 28% Positiveness
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A.D.H.S.
Rastanta
132 bpm • F# Maj • 04:30 • -4.9db
20% Popularity • 58% Danceability • 94% Energy • 42% Liveness
85% Instrumentalness • 30% Positiveness
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Spektre
Badlands
132 bpm • A# min • 04:00 • -7.59db
39% Popularity • 52% Danceability • 96% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
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Joyhauser
Vesperi
134 bpm • F min • 06:03 • -8.81db
36% Popularity • 60% Danceability • 94% Energy • 12% Liveness
61% Instrumentalness • 5% Positiveness
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Balthazar & JackRock
In the Club
134 bpm • G Maj • 05:47 • -6.62db
16% Popularity • 68% Danceability • 87% Energy • 9% Liveness
83% Instrumentalness • 22% Positiveness
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AKKI (DE)
My Mind
134 bpm • A Maj • 02:59 • -4.58db
46% Popularity • 62% Danceability • 96% Energy • 34% Liveness
87% Instrumentalness • 5% Positiveness
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Felix Kröcher
Action
132 bpm • G Maj • 06:09 • -7.88db
32% Popularity • 76% Danceability • 91% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Bart Skils
Palm Strings
132 bpm • D Maj • 03:57 • -8.71db
24% Popularity • 75% Danceability • 57% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Mijk Van Dijk
Ride-In U
132 bpm • A Maj • 05:11 • -6.96db
1% Popularity • 49% Danceability • 93% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Joyhauser
Crawler
132 bpm • B Maj • 05:23 • -7.1db
37% Popularity • 70% Danceability • 97% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Jam & Spoon
Follow Me - Thomas Schumacher Remix
132 bpm • C Maj • 04:04 • -8.94db
7% Popularity • 54% Danceability • 94% Energy • 41% Liveness
85% Instrumentalness • 8% Positiveness
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Enrico Sangiuliano
Glitch In Time
134 bpm • G Maj • 08:35 • -8.54db
49% Popularity • 74% Danceability • 88% Energy • 31% Liveness
88% Instrumentalness • 4% Positiveness
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Reinier Zonneveld
Inferno (Space 92 Remix)
134 bpm • G# Maj • 05:58 • -3.61db
45% Popularity • 76% Danceability • 92% Energy • 8% Liveness
92% Instrumentalness • 47% Positiveness
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UMEK
Once Again - Original Mix
132 bpm • G Maj • 07:09 • -4.81db
33% Popularity • 79% Danceability • 95% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Thomas Schumacher
Scene
132 bpm • C# min • 07:03 • -10.61db
10% Popularity • 71% Danceability • 89% Energy • 5% Liveness
88% Instrumentalness • 48% Positiveness
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Daniel Levak
Bells of Notre Dame
132 bpm • D Maj • 04:11 • -9.25db
45% Popularity • 71% Danceability • 72% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Cosmic Boys
All Eyes On Me
132 bpm • E min • 03:38 • -3.27db
38% Popularity • 62% Danceability • 94% Energy • 17% Liveness
77% Instrumentalness • 7% Positiveness
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Enrico Sangiuliano
Future Dust
132 bpm • G Maj • 08:29 • -4.9db
49% Popularity • 79% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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Patrick Scuro
Pulchra
132 bpm • G Maj • 04:14 • -5.47db
44% Popularity • 75% Danceability • 98% Energy • 31% Liveness
70% Instrumentalness • 31% Positiveness
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Jam & Spoon
Follow Me (Destinations 22) - Thomas Sch...
132 bpm • D min • 04:00 • -9.96db
2% Popularity • 48% Danceability • 90% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Benja Henley
King Status
132 bpm • E min • 03:41 • -5.03db
27% Popularity • 79% Danceability • 94% Energy • 9% Liveness
87% Instrumentalness • 58% Positiveness
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The Past Is Over