Songs like The Peach Tree Next Door Grew over Our Fence by Dylan Henner
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Fehlmann
Umarmt
110 bpm • E Maj • 04:40 • -14.87db
21% Popularity • 45% Danceability • 58% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
21% Popularity • 45% Danceability • 58% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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The Black Dog
Cup Noodle
110 bpm • A# min • 03:30 • -20.82db
42% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
42% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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Leif
Seven Hour Flight to Nowhere
110 bpm • F# min • 05:02 • -17.97db
19% Popularity • 66% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
19% Popularity • 66% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
34% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Sofie Birch
Humidity
110 bpm • D min • 03:13 • -22.56db
28% Popularity • 36% Danceability • 13% Energy • 44% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 44% Liveness
91% Instrumentalness • 4% Positiveness
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CS + Kreme
Saint
110 bpm • C min • 06:30 • -20.61db
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Thomas Fehlmann
Vergessen
110 bpm • C Maj • 02:26 • -22db
34% Popularity • 41% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 7% Positiveness
34% Popularity • 41% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 7% Positiveness
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Ana Roxanne
Nocturne
110 bpm • C Maj • 05:36 • -17.97db
33% Popularity • 18% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Perko
Luna
110 bpm • A Maj • 01:36 • -27.86db
31% Popularity • 30% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
31% Popularity • 30% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Dylan Henner
The Beach Was Covered in Coral
110 bpm • F Maj • 03:25 • -18.35db
2% Popularity • 61% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 42% Positiveness
2% Popularity • 61% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 42% Positiveness
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Hinako Omori
A Journey
110 bpm • G# Maj • 04:16 • -12.22db
28% Popularity • 31% Danceability • 49% Energy • 15% Liveness
86% Instrumentalness • 26% Positiveness
28% Popularity • 31% Danceability • 49% Energy • 15% Liveness
86% Instrumentalness • 26% Positiveness
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oqbqbo
Night Perfume
110 bpm • F# Maj • 03:12 • -19db
19% Popularity • 17% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
19% Popularity • 17% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Satoshi & Makoto
White Wall
111 bpm • F# Maj • 03:54 • -18.49db
29% Popularity • 49% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
29% Popularity • 49% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
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Carmen Villain
Two Halves Touching
109 bpm • C Maj • 03:50 • -15.79db
25% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
25% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Vanessa Amara
Leopards, Pt. 8
109 bpm • A Maj • 02:08 • -21.1db
20% Popularity • 26% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 26% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Dylan Henner
Little Frogs Swam by Every Now and Then
110 bpm • A Maj • 04:49 • -19.03db
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Susumu Yokota
Gekkoh
111 bpm • A# Maj • 04:59 • -11db
29% Popularity • 65% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
29% Popularity • 65% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Tomaga
Idioma
111 bpm • G Maj • 04:13 • -11.04db
25% Popularity • 59% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
25% Popularity • 59% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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yes/and
Ugly Orange
109 bpm • D Maj • 04:19 • -17db
33% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
33% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
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Khotin
Processing
112 bpm • G Maj • 03:08 • -15.69db
18% Popularity • 30% Danceability • 69% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
18% Popularity • 30% Danceability • 69% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Visible Cloaks
Mask
111 bpm • D# min • 05:37 • -15.36db
14% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
14% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
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Kaitlyn Aurelia Smith
Brush
112 bpm • C# Maj • 01:20 • -19.2db
46% Popularity • 42% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
46% Popularity • 42% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Sarah Davachi
Doubled Flutes
112 bpm • G# min • 02:17 • -33.24db
25% Popularity • 16% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
25% Popularity • 16% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
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Sofie Birch
Lilieae
108 bpm • A min • 03:49 • -21.15db
25% Popularity • 42% Danceability • 16% Energy • 14% Liveness
86% Instrumentalness • 7% Positiveness
25% Popularity • 42% Danceability • 16% Energy • 14% Liveness
86% Instrumentalness • 7% Positiveness
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E Ruscha V
The Hostess
112 bpm • F Maj • 02:04 • -14.28db
37% Popularity • 51% Danceability • 26% Energy • 53% Liveness
97% Instrumentalness • 8% Positiveness
37% Popularity • 51% Danceability • 26% Energy • 53% Liveness
97% Instrumentalness • 8% Positiveness
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Dylan Henner
I Was Reading the News but I Felt so Sad...
108 bpm • G# Maj • 05:28 • -19.54db
17% Popularity • 64% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 64% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Teebs
Atoms Song
113 bpm • C# Maj • 07:40 • -18.82db
36% Popularity • 48% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Taylor Deupree
elm
113 bpm • D Maj • 01:22 • -24.2db
45% Popularity • 17% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Kelly Moran
Helix - Edit
113 bpm • D# min • 04:45 • -15db
23% Popularity • 37% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
23% Popularity • 37% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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SSIEGE
Regina
113 bpm • A min • 03:25 • -9.95db
23% Popularity • 66% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
23% Popularity • 66% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Slow Attack Ensemble
Recurring Afterimage
107 bpm • D# Maj • 01:56 • -19db
46% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
46% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Imaginary Softwoods
Painted Flowers Loop
114 bpm • C Maj • 02:30 • -11.73db
31% Popularity • 22% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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Nala Sinephro
Space 1
114 bpm • G min • 04:08 • -26.46db
48% Popularity • 27% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 27% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Josiah Steinbrick
House Tears
106 bpm • B min • 02:08 • -16db
42% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
42% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
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Giselle Gabrielle Garcia
Meditation, No. 1
106 bpm • A min • 04:17 • -28db
10% Popularity • 21% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ben Bertrand
Those Behind Us That We Follow
115 bpm • G# Maj • 05:07 • -24.27db
15% Popularity • 27% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 27% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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MEITEI
Sentō - Pt. 2
106 bpm • C min • 03:00 • -16db
30% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
30% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
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Actress
FALLING RIZLAS
115 bpm • E min • 02:25 • -15.9db
46% Popularity • 44% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 44% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Perila
Fallin Into Space
115 bpm • C Maj • 04:58 • -17.57db
19% Popularity • 44% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 44% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Luke Abbott
Roses
105 bpm • D Maj • 01:48 • -14.74db
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
73% Instrumentalness • 16% Positiveness
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
73% Instrumentalness • 16% Positiveness
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Dylan Henner
Marie Fell Asleep With Her Shoes On
105 bpm • A min • 04:06 • -10.3db
1% Popularity • 47% Danceability • 69% Energy • 53% Liveness
86% Instrumentalness • 7% Positiveness
1% Popularity • 47% Danceability • 69% Energy • 53% Liveness
86% Instrumentalness • 7% Positiveness
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Jonny Nash
Inside
115 bpm • G# Maj • 06:34 • -38db
20% Popularity • 51% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
20% Popularity • 51% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
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Visible Cloaks
(Untitled Temp Track)
115 bpm • F# Maj • 01:52 • -17.29db
37% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
37% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Jeremiah Chiu
Kumlinge Kyrka
105 bpm • D# min • 02:32 • -14.82db
30% Popularity • 28% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
30% Popularity • 28% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Fools
Limba
105 bpm • C Maj • 02:12 • -16db
38% Popularity • 44% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
38% Popularity • 44% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
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LI YILEI
KOU / 口
116 bpm • G min • 03:15 • -17.88db
27% Popularity • 24% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Dylan Henner
It Started Raining but it Only Lasted a ...
105 bpm • C# min • 05:43 • -12.16db
3% Popularity • 29% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
3% Popularity • 29% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Kaitlyn Aurelia Smith
Amber
116 bpm • D Maj • 02:04 • -16.62db
31% Popularity • 31% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
31% Popularity • 31% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Pavel Milyakov
Untitled 4
116 bpm • B Maj • 04:33 • -11db
10% Popularity • 26% Danceability • 52% Energy • 10% Liveness
86% Instrumentalness • 69% Positiveness
10% Popularity • 26% Danceability • 52% Energy • 10% Liveness
86% Instrumentalness • 69% Positiveness
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Rachika Nayar
Aurobindo
116 bpm • E min • 08:07 • -16.25db
17% Popularity • 19% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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SSIEGE
Delete Instagram
116 bpm • E min • 03:28 • -15.34db
19% Popularity • 25% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
19% Popularity • 25% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Huerco S.
On The Embankment
117 bpm • C# Maj • 05:56 • -22.35db
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Dylan Henner
Ardmore
116 bpm • B Maj • 05:46 • -13.35db
5% Popularity • 17% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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LI YILEI
TAN / 潭
117 bpm • F Maj • 01:57 • -16.8db
26% Popularity • 30% Danceability • 46% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
26% Popularity • 30% Danceability • 46% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
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Space Afrika
Honest Labour
104 bpm • C min • 03:51 • -18db
28% Popularity • 20% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness
28% Popularity • 20% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness
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Susumu Yokota
Kirakiraboshi
104 bpm • C# Maj • 01:55 • -18db
40% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
40% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
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Lusine
Chatter
104 bpm • E min • 01:40 • -22.35db
42% Popularity • 28% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
42% Popularity • 28% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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Martin Glass
Reach the Beach
117 bpm • C min • 02:31 • -9.69db
16% Popularity • 65% Danceability • 53% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
16% Popularity • 65% Danceability • 53% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
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Dylan Henner
Harrisburg
117 bpm • C min • 04:10 • -15.59db
6% Popularity • 35% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
6% Popularity • 35% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Michel Banabila
Echo Transformations
117 bpm • F# min • 02:14 • -17.66db
34% Popularity • 68% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
34% Popularity • 68% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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Laraaji
The Dance No. 1
118 bpm • F# min • 09:15 • -10db
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
41% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
41% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Lord Of The Isles
Waiting in Arisaig
103 bpm • A min • 06:43 • -11db
27% Popularity • 57% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 57% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Martin Glass
Okinawa Fantasia
117 bpm • D min • 01:32 • -18db
38% Popularity • 54% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 43% Positiveness
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Josiah Steinbrick
Blue Age
118 bpm • A# Maj • 01:16 • -23.4db
50% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
50% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
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LI YILEI
HUO / 惑
103 bpm • A min • 04:15 • -16db
19% Popularity • 19% Danceability • 34% Energy • 30% Liveness
14% Instrumentalness • 3% Positiveness
19% Popularity • 19% Danceability • 34% Energy • 30% Liveness
14% Instrumentalness • 3% Positiveness
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Slow Attack Ensemble
Form and F a d e
102 bpm • B min • 03:55 • -13db
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Susumu Yokota
Kodomotachi
118 bpm • C# min • 04:06 • -9.65db
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
39% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Kaitlyn Aurelia Smith
Unbraiding Boundless Energy Within Bound...
118 bpm • A# Maj • 01:07 • -21.68db
44% Popularity • 40% Danceability • 26% Energy • 55% Liveness
50% Instrumentalness • 46% Positiveness
44% Popularity • 40% Danceability • 26% Energy • 55% Liveness
50% Instrumentalness • 46% Positiveness
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MEITEI
Ike
119 bpm • C# Maj • 03:28 • -17.13db
38% Popularity • 74% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
38% Popularity • 74% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
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Anthony Naples
365
119 bpm • A min • 03:09 • -13.44db
35% Popularity • 34% Danceability • 33% Energy • 12% Liveness
77% Instrumentalness • 20% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 12% Liveness
77% Instrumentalness • 20% Positiveness
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Salamanda
Melting Hazard
102 bpm • D# min • 05:06 • -14db
23% Popularity • 70% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
23% Popularity • 70% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Susumu Yokota
Saku
118 bpm • D Maj • 05:45 • -18db
40% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
40% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Pye Corner Audio
Theme Number Sixty Eight
119 bpm • A# min • 01:50 • -14.23db
39% Popularity • 31% Danceability • 26% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
39% Popularity • 31% Danceability • 26% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
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Whatever The Weather
10°C
120 bpm • B min • 04:22 • -23db
33% Popularity • 37% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 52% Positiveness
33% Popularity • 37% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 52% Positiveness
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Bochum Welt
Ghost
120 bpm • G Maj • 01:46 • -25.38db
43% Popularity • 51% Danceability • 15% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
43% Popularity • 51% Danceability • 15% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Satoshi & Makoto
Closer
101 bpm • F# min • 04:20 • -27db
29% Popularity • 14% Danceability • 1% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 1% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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James Place
Vanishing - Dylan Henner Remix
120 bpm • C# min • 04:47 • -21.07db
0% Popularity • 36% Danceability • 31% Energy • 59% Liveness
94% Instrumentalness • 17% Positiveness
0% Popularity • 36% Danceability • 31% Energy • 59% Liveness
94% Instrumentalness • 17% Positiveness
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Kaitlyn Aurelia Smith
Mt Baker
120 bpm • C# min • 05:12 • -15.74db
39% Popularity • 42% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
39% Popularity • 42% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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H.Takahashi
Photosynthese
120 bpm • F# Maj • 08:02 • -29.08db
25% Popularity • 68% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
25% Popularity • 68% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Kelly Moran
Helix III
120 bpm • G# min • 05:22 • -11.11db
16% Popularity • 38% Danceability • 69% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
16% Popularity • 38% Danceability • 69% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Dylan Henner
The Lake Was Covered In Lilypads
120 bpm • C Maj • 05:24 • -15.09db
15% Popularity • 56% Danceability • 82% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 56% Danceability • 82% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Star Gazing
120 bpm • C Maj • 06:53 • -27.55db
19% Popularity • 46% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
19% Popularity • 46% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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MEITEI
Chōchin
120 bpm • G# min • 04:24 • -20.04db
36% Popularity • 71% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
36% Popularity • 71% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
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LI YILEI
WEI / 未
120 bpm • F# min • 02:13 • -15db
36% Popularity • 74% Danceability • 52% Energy • 51% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 74% Danceability • 52% Energy • 51% Liveness
94% Instrumentalness • 4% Positiveness
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Kaitlyn Aurelia Smith
Stratus
120 bpm • F# min • 03:04 • -22db
43% Popularity • 49% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
43% Popularity • 49% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Elori Saxl
The Blue of Distance
101 bpm • C Maj • 07:05 • -21.14db
21% Popularity • 14% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
21% Popularity • 14% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Sofie Birch
Calibrating Senses
120 bpm • C Maj • 04:02 • -17.86db
27% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
27% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
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Emily A. Sprague
Moon View
120 bpm • C# Maj • 05:47 • -17.11db
20% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Terekke
Closer
100 bpm • C Maj • 03:31 • -30db
25% Popularity • 28% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
25% Popularity • 28% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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SSIEGE
Nebbia Spugna
120 bpm • A min • 03:13 • -28db
34% Popularity • 39% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 39% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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H.Takahashi
Escape
100 bpm • A Maj • 08:00 • -18db
18% Popularity • 62% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 60% Positiveness
18% Popularity • 62% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 60% Positiveness
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Leif
Wake Up Now
100 bpm • G Maj • 03:27 • -23.66db
12% Popularity • 54% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
12% Popularity • 54% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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K. Leimer
Lament To The Open Air
100 bpm • C min • 03:31 • -20.44db
24% Popularity • 54% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 54% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Emily A. Sprague
Horizon
100 bpm • F Maj • 06:24 • -12.48db
16% Popularity • 51% Danceability • 45% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
16% Popularity • 51% Danceability • 45% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Dylan Henner
Today I Learned What Makes Bugs Sick and...
100 bpm • F min • 02:29 • -22.13db
43% Popularity • 59% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
43% Popularity • 59% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness