Songs like The People In Nassau by Blue Mitchell
Based on a tempo of (+/- 10%) and a similar genre
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Blue Mitchell
The People In Nassau
110 bpm • G Maj • 05:39 • -9.31db
25% Popularity • 69% Danceability • 55% Energy • 9% Liveness
19% Instrumentalness • 89% Positiveness
25% Popularity • 69% Danceability • 55% Energy • 9% Liveness
19% Instrumentalness • 89% Positiveness
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Christophe Marguet
Dear Don
110 bpm • F Maj • 06:37 • -8.24db
38% Popularity • 55% Danceability • 57% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
38% Popularity • 55% Danceability • 57% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
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Lee Morgan
Ill Wind
110 bpm • F Maj • 07:59 • -20.14db
30% Popularity • 58% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
30% Popularity • 58% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Horace Silver Quintet
Come On Home - Rudy Van Gelder Edition /...
110 bpm • D# min • 05:30 • -10.12db
27% Popularity • 58% Danceability • 37% Energy • 8% Liveness
3% Instrumentalness • 55% Positiveness
27% Popularity • 58% Danceability • 37% Energy • 8% Liveness
3% Instrumentalness • 55% Positiveness
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Larry Goldings
Blueberry Hill
110 bpm • F Maj • 03:51 • -14.37db
36% Popularity • 66% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
36% Popularity • 66% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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Niclas Knudsen Trio
Times Revisited
110 bpm • F min • 05:25 • -19db
18% Popularity • 66% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 35% Positiveness
18% Popularity • 66% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 35% Positiveness
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Blue Mitchell
Chick's Tune - Remastered 2004/Rudy Van ...
110 bpm • G# Maj • 09:35 • -10.27db
14% Popularity • 52% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 52% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Mal Waldron
Cat Walk
110 bpm • D min • 06:56 • -25.42db
16% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
16% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Thad Jones
Bossa Nova Ova
110 bpm • F min • 03:19 • -16.33db
38% Popularity • 58% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 77% Positiveness
38% Popularity • 58% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 77% Positiveness
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Art Farmer
It Ain't Necessarily So
111 bpm • G min • 04:29 • -15.54db
15% Popularity • 71% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 71% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Orrin Evans
Libra
109 bpm • G Maj • 05:54 • -11.25db
29% Popularity • 41% Danceability • 55% Energy • 13% Liveness
22% Instrumentalness • 29% Positiveness
29% Popularity • 41% Danceability • 55% Energy • 13% Liveness
22% Instrumentalness • 29% Positiveness
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Snorre Kirk
West Indian Flower
109 bpm • D Maj • 04:51 • -15db
21% Popularity • 62% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
21% Popularity • 62% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Sonny Stitt
Easy Does It
109 bpm • C Maj • 05:23 • -19db
27% Popularity • 58% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Lee Konitz
Round Midnight
111 bpm • A# min • 05:19 • -21.43db
25% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
25% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
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Red Garland Trio
Stormy Weather
111 bpm • D min • 10:35 • -19db
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Bill Charlap Trio
Make Me Rainbows
109 bpm • B min • 07:04 • -23db
40% Popularity • 64% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 25% Positiveness
40% Popularity • 64% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 25% Positiveness
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The Art Farmer Quartet
Embraceable You
111 bpm • C Maj • 07:02 • -23.02db
33% Popularity • 53% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
33% Popularity • 53% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Snorre Kirk
Blues Jump
111 bpm • G# Maj • 03:55 • -12.39db
13% Popularity • 68% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 68% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Ray Brown Trio
Teach Me Tonight
111 bpm • F Maj • 04:47 • -18.24db
19% Popularity • 58% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
19% Popularity • 58% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
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Sonny Clark
Cool Struttin'
109 bpm • G min • 09:23 • -8db
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Elmo Hope
It's A Lovely Day Today
109 bpm • C Maj • 02:47 • -13db
35% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
35% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
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Gerry Mulligan & Johnny Hodges
18 Carrots for Rabbit
111 bpm • F min • 05:16 • -10db
25% Popularity • 72% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 72% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Rahsaan Roland Kirk
It's A Grand Night For Swinging
109 bpm • F min • 03:09 • -17.98db
3% Popularity • 54% Danceability • 23% Energy • 18% Liveness
82% Instrumentalness • 58% Positiveness
3% Popularity • 54% Danceability • 23% Energy • 18% Liveness
82% Instrumentalness • 58% Positiveness
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Stephan Noel Lang
16-Bar-Blues
109 bpm • C Maj • 02:38 • -13.7db
40% Popularity • 71% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 63% Positiveness
40% Popularity • 71% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 63% Positiveness
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Kresten Osgood
CRAZY WITCH GAME
109 bpm • E min • 03:12 • -10.8db
31% Popularity • 54% Danceability • 50% Energy • 9% Liveness
3% Instrumentalness • 64% Positiveness
31% Popularity • 54% Danceability • 50% Energy • 9% Liveness
3% Instrumentalness • 64% Positiveness
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Blue Mitchell
Fungii Mama - Remastered 2004/Rudy Van G...
109 bpm • D min • 07:48 • -10.1db
21% Popularity • 64% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
21% Popularity • 64% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
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Lou Donaldson
Midnight Creeper
112 bpm • F Maj • 06:32 • -10db
25% Popularity • 72% Danceability • 60% Energy • 27% Liveness
18% Instrumentalness • 69% Positiveness
25% Popularity • 72% Danceability • 60% Energy • 27% Liveness
18% Instrumentalness • 69% Positiveness
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Red Garland Trio
What Is This Thing Called Love? - Instru...
112 bpm • D min • 04:50 • -14db
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Tom Harrell
I nodi e il pettine
108 bpm • D min • 05:49 • -13db
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Snorre Kirk
Going Up
112 bpm • F# Maj • 04:35 • -14db
22% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Harold López-Nussa
Hope
108 bpm • A min • 03:01 • -7.69db
50% Popularity • 82% Danceability • 58% Energy • 12% Liveness
75% Instrumentalness • 68% Positiveness
50% Popularity • 82% Danceability • 58% Energy • 12% Liveness
75% Instrumentalness • 68% Positiveness
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Blue Mitchell
Jamph
108 bpm • G min • 03:50 • -12.93db
4% Popularity • 51% Danceability • 45% Energy • 13% Liveness
12% Instrumentalness • 81% Positiveness
4% Popularity • 51% Danceability • 45% Energy • 13% Liveness
12% Instrumentalness • 81% Positiveness
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Sonny Stitt
Can't We Be Friends? - Remastered
108 bpm • G min • 02:41 • -8.84db
27% Popularity • 64% Danceability • 26% Energy • 15% Liveness
32% Instrumentalness • 57% Positiveness
27% Popularity • 64% Danceability • 26% Energy • 15% Liveness
32% Instrumentalness • 57% Positiveness
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Benny Carter
A Walkin' Thing
112 bpm • G min • 05:58 • -21.25db
34% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Kenny Drew
Blues for Nica
108 bpm • F Maj • 05:28 • -16.16db
18% Popularity • 74% Danceability • 22% Energy • 29% Liveness
64% Instrumentalness • 39% Positiveness
18% Popularity • 74% Danceability • 22% Energy • 29% Liveness
64% Instrumentalness • 39% Positiveness
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Kenny Dorham
Afrodisia - Remastered/Rudy Van Gelder E...
108 bpm • F Maj • 05:06 • -7.13db
32% Popularity • 64% Danceability • 66% Energy • 13% Liveness
46% Instrumentalness • 93% Positiveness
32% Popularity • 64% Danceability • 66% Energy • 13% Liveness
46% Instrumentalness • 93% Positiveness
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Ray Brown Trio
Cry Me A River
108 bpm • C min • 05:44 • -24db
40% Popularity • 52% Danceability • 10% Energy • 13% Liveness
87% Instrumentalness • 19% Positiveness
40% Popularity • 52% Danceability • 10% Energy • 13% Liveness
87% Instrumentalness • 19% Positiveness
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Blue Mitchell
Blue's Theme
112 bpm • D min • 05:21 • -8.34db
5% Popularity • 54% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
5% Popularity • 54% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Keith Jarrett Trio
You've Changed
108 bpm • G# Maj • 08:13 • -26.81db
33% Popularity • 42% Danceability • 13% Energy • 13% Liveness
85% Instrumentalness • 18% Positiveness
33% Popularity • 42% Danceability • 13% Energy • 13% Liveness
85% Instrumentalness • 18% Positiveness
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Eric Rowland
Soon
112 bpm • F min • 03:45 • -10.63db
28% Popularity • 61% Danceability • 48% Energy • 10% Liveness
55% Instrumentalness • 70% Positiveness
28% Popularity • 61% Danceability • 48% Energy • 10% Liveness
55% Instrumentalness • 70% Positiveness
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Thad Jones
April In Paris - 2007 Remaster/Rudy Van ...
112 bpm • C Maj • 06:43 • -11.12db
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
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Duke Jordan
Social Call
112 bpm • C# Maj • 06:08 • -14.2db
19% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
19% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
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Charlie Rouse
Back To The Tropics
108 bpm • F Maj • 03:56 • -10.09db
18% Popularity • 73% Danceability • 61% Energy • 5% Liveness
39% Instrumentalness • 87% Positiveness
18% Popularity • 73% Danceability • 61% Energy • 5% Liveness
39% Instrumentalness • 87% Positiveness
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Yusef Lateef
Oscarlypso - Live At Pep's Lounge, Phila...
113 bpm • G min • 07:46 • -14.09db
19% Popularity • 62% Danceability • 54% Energy • 57% Liveness
17% Instrumentalness • 82% Positiveness
19% Popularity • 62% Danceability • 54% Energy • 57% Liveness
17% Instrumentalness • 82% Positiveness
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Blue Mitchell
Last Tango In Paris
113 bpm • F min • 02:50 • -9.13db
6% Popularity • 63% Danceability • 76% Energy • 7% Liveness
17% Instrumentalness • 87% Positiveness
6% Popularity • 63% Danceability • 76% Energy • 7% Liveness
17% Instrumentalness • 87% Positiveness
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George Shearing
Here, There and Everywhere
107 bpm • G Maj • 04:56 • -19.2db
27% Popularity • 71% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
27% Popularity • 71% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
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Bill Charlap Trio
The One I Love Belongs To Somebody Else
107 bpm • D Maj • 05:01 • -21.95db
17% Popularity • 56% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 52% Positiveness
17% Popularity • 56% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 52% Positiveness
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Red Garland Trio
A Foggy Day
107 bpm • C Maj • 04:47 • -16db
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
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Jackie McLean
Blues Function
107 bpm • D# Maj • 07:18 • -13.92db
13% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Kenny Drew
Lion's Den - Rudy Van Gelder Edition/200...
107 bpm • F Maj • 04:53 • -7.8db
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Blue Mitchell
Minor Vamp (Take 1)
113 bpm • C# Maj • 03:38 • -13.68db
5% Popularity • 52% Danceability • 43% Energy • 8% Liveness
60% Instrumentalness • 81% Positiveness
5% Popularity • 52% Danceability • 43% Energy • 8% Liveness
60% Instrumentalness • 81% Positiveness
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Patrick Saussois
Venez donc chez moi
114 bpm • G Maj • 02:35 • -11.75db
38% Popularity • 74% Danceability • 42% Energy • 8% Liveness
47% Instrumentalness • 62% Positiveness
38% Popularity • 74% Danceability • 42% Energy • 8% Liveness
47% Instrumentalness • 62% Positiveness
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Art Farmer
When Your Lover Has Gone - Instrumental
107 bpm • G Maj • 05:10 • -14.74db
42% Popularity • 49% Danceability • 9% Energy • 9% Liveness
63% Instrumentalness • 18% Positiveness
42% Popularity • 49% Danceability • 9% Energy • 9% Liveness
63% Instrumentalness • 18% Positiveness
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Bart-Jan Hogenhuis
Coffee Break
107 bpm • F min • 05:02 • -9.67db
9% Popularity • 64% Danceability • 35% Energy • 8% Liveness
3% Instrumentalness • 70% Positiveness
9% Popularity • 64% Danceability • 35% Energy • 8% Liveness
3% Instrumentalness • 70% Positiveness
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Tina Brooks
Back To The Tracks
106 bpm • F min • 08:03 • -12.16db
23% Popularity • 67% Danceability • 39% Energy • 18% Liveness
22% Instrumentalness • 67% Positiveness
23% Popularity • 67% Danceability • 39% Energy • 18% Liveness
22% Instrumentalness • 67% Positiveness
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Lou Donaldson
Old Folks
114 bpm • D min • 06:20 • -12.5db
37% Popularity • 50% Danceability • 18% Energy • 22% Liveness
7% Instrumentalness • 29% Positiveness
37% Popularity • 50% Danceability • 18% Energy • 22% Liveness
7% Instrumentalness • 29% Positiveness
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Blue Mitchell
Big Six
107 bpm • F min • 06:45 • -13.01db
6% Popularity • 61% Danceability • 53% Energy • 41% Liveness
1% Instrumentalness • 72% Positiveness
6% Popularity • 61% Danceability • 53% Energy • 41% Liveness
1% Instrumentalness • 72% Positiveness
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Ray Bryant Trio
Django
114 bpm • F min • 05:02 • -20db
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Massimo Faraò
Just Friends
114 bpm • A# Maj • 05:20 • -15.68db
34% Popularity • 59% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 44% Positiveness
34% Popularity • 59% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 44% Positiveness
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Nathan Davis
Sconsolato
106 bpm • G min • 03:28 • -12.61db
19% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Charlie Rouse
Samba De Orfeu
106 bpm • F Maj • 06:18 • -10.24db
17% Popularity • 69% Danceability • 60% Energy • 14% Liveness
80% Instrumentalness • 94% Positiveness
17% Popularity • 69% Danceability • 60% Energy • 14% Liveness
80% Instrumentalness • 94% Positiveness
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Lou Donaldson
Over The Rainbow
106 bpm • D# Maj • 07:11 • -20db
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
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Gerry Mulligan Quartet
Bernie's Tune
106 bpm • C min • 02:54 • -9.94db
46% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
46% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
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Blue Mitchell
I Wish I Knew
107 bpm • G Maj • 04:26 • -14.98db
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
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Woody Shaw
There Will Never Be Another You
106 bpm • C min • 06:59 • -14.48db
28% Popularity • 51% Danceability • 42% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 42% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
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Red Garland Trio
Summertime
115 bpm • C min • 04:43 • -18.54db
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
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Simon Westman Trio
Jakob’s Happy Song
105 bpm • B Maj • 05:32 • -17.38db
45% Popularity • 38% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 69% Positiveness
45% Popularity • 38% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 69% Positiveness
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Jutta Hipp
Just Blues
115 bpm • G# Maj • 08:42 • -10.81db
20% Popularity • 61% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 61% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Horace Silver
Lonely Woman - Remastered 1999/Rudy Van ...
105 bpm • F# Maj • 07:02 • -16db
43% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
43% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Blue Mitchell
Good Humor Man
114 bpm • C min • 05:38 • -8.91db
23% Popularity • 64% Danceability • 65% Energy • 10% Liveness
35% Instrumentalness • 76% Positiveness
23% Popularity • 64% Danceability • 65% Energy • 10% Liveness
35% Instrumentalness • 76% Positiveness
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Phineas Newborn Jr.
Oleo
105 bpm • G# Maj • 03:03 • -18.24db
33% Popularity • 47% Danceability • 37% Energy • 24% Liveness
28% Instrumentalness • 87% Positiveness
33% Popularity • 47% Danceability • 37% Energy • 24% Liveness
28% Instrumentalness • 87% Positiveness
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Howard Roberts
All The Things You Are
115 bpm • G# Maj • 02:42 • -13.23db
33% Popularity • 40% Danceability • 38% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
33% Popularity • 40% Danceability • 38% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
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Roy Hargrove
The Nearness Of You
105 bpm • C# Maj • 07:03 • -24.46db
30% Popularity • 35% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 15% Positiveness
30% Popularity • 35% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 15% Positiveness
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The Jazz Seekers
Night Creatures
115 bpm • A# min • 04:47 • -8.39db
27% Popularity • 59% Danceability • 43% Energy • 5% Liveness
74% Instrumentalness • 54% Positiveness
27% Popularity • 59% Danceability • 43% Energy • 5% Liveness
74% Instrumentalness • 54% Positiveness
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Kenny Dorham
Monaco - Set 1 / Live From Cafe Bohemia/...
105 bpm • C# Maj • 05:38 • -11.58db
34% Popularity • 55% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
34% Popularity • 55% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
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Blue Mitchell
I'll Close My Eyes
105 bpm • F Maj • 05:53 • -13.08db
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Florian Pellissier Quintet
Coup de foudre à Thessalonique
115 bpm • A# min • 04:22 • -11db
34% Popularity • 43% Danceability • 63% Energy • 8% Liveness
97% Instrumentalness • 72% Positiveness
34% Popularity • 43% Danceability • 63% Energy • 8% Liveness
97% Instrumentalness • 72% Positiveness
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John Scofield
Radio
105 bpm • F# min • 04:21 • -18.71db
22% Popularity • 55% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 38% Positiveness
22% Popularity • 55% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 38% Positiveness
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Bill Charlap Trio
There's A Small Hotel
105 bpm • A min • 06:41 • -21db
39% Popularity • 61% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
39% Popularity • 61% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Teddy Wilson
Fools Rush In
116 bpm • F min • 02:29 • -20db
52% Popularity • 63% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
52% Popularity • 63% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
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Trio X of Sweden
Sound the Trumpet, Beat the Drum - Welco...
105 bpm • C Maj • 06:23 • -15.05db
23% Popularity • 52% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
23% Popularity • 52% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
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Blue Mitchell
There Will Never Be Another You
115 bpm • F Maj • 05:04 • -15.58db
25% Popularity • 55% Danceability • 9% Energy • 10% Liveness
47% Instrumentalness • 43% Positiveness
25% Popularity • 55% Danceability • 9% Energy • 10% Liveness
47% Instrumentalness • 43% Positiveness
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Ray Bryant Trio
Daahoud
105 bpm • G# Maj • 04:01 • -18.15db
30% Popularity • 55% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
30% Popularity • 55% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
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Bobby Timmons Trio
Samba Triste
116 bpm • G min • 03:19 • -16.82db
45% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
45% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
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Lauren Richardson
Isfahan
105 bpm • G# Maj • 03:42 • -12.88db
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
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Lee Morgan
I'll Never Be The Same
116 bpm • D# Maj • 07:16 • -10.13db
31% Popularity • 56% Danceability • 35% Energy • 11% Liveness
77% Instrumentalness • 39% Positiveness
31% Popularity • 56% Danceability • 35% Energy • 11% Liveness
77% Instrumentalness • 39% Positiveness
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Zoot Sims
Cinnamon And Clove
104 bpm • A min • 05:45 • -12.78db
25% Popularity • 47% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 47% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Roy Hargrove Quintet
When We Were One
105 bpm • F min • 05:54 • -21.52db
16% Popularity • 48% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 14% Positiveness
16% Popularity • 48% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 14% Positiveness
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Joel Ross
Gato's Gift
116 bpm • G Maj • 06:08 • -11db
21% Popularity • 45% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
21% Popularity • 45% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Horace Silver Quintet
Tippin' - Remastered 2000/Rudy Van Gelde...
104 bpm • G min • 06:12 • -6.74db
37% Popularity • 63% Danceability • 73% Energy • 31% Liveness
69% Instrumentalness • 88% Positiveness
37% Popularity • 63% Danceability • 73% Energy • 31% Liveness
69% Instrumentalness • 88% Positiveness
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Cannonball Adderley Quartet
I Guess I'll Hang My Tears Out To Dry
104 bpm • D min • 05:34 • -12.43db
39% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Blue Mitchell
Blue Dashiki
104 bpm • C Maj • 04:53 • -9.13db
6% Popularity • 78% Danceability • 43% Energy • 10% Liveness
74% Instrumentalness • 81% Positiveness
6% Popularity • 78% Danceability • 43% Energy • 10% Liveness
74% Instrumentalness • 81% Positiveness
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Cyrus Chestnut
Gymnopédie No. 1
104 bpm • G Maj • 06:14 • -21.13db
24% Popularity • 39% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 22% Positiveness
24% Popularity • 39% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 22% Positiveness
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Miles Davis And Milt Jackson Quintet
Changes
116 bpm • C# Maj • 07:10 • -19.37db
41% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
41% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Horace Silver
Opus De Funk - Remastered 1998/Rudy Van ...
104 bpm • A# Maj • 03:29 • -15db
39% Popularity • 50% Danceability • 40% Energy • 16% Liveness
95% Instrumentalness • 76% Positiveness
39% Popularity • 50% Danceability • 40% Energy • 16% Liveness
95% Instrumentalness • 76% Positiveness
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Horace Silver Quintet
The Outlaw - Remastered
104 bpm • F Maj • 06:07 • -11.66db
12% Popularity • 55% Danceability • 49% Energy • 35% Liveness
33% Instrumentalness • 76% Positiveness
12% Popularity • 55% Danceability • 49% Energy • 35% Liveness
33% Instrumentalness • 76% Positiveness
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Coleman Hawkins Quartet
Go Li'l Liza
104 bpm • F Maj • 06:23 • -14db
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
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Blue Mitchell
O Mama Enit - Rudy Van Gelder 24-Bit Mas...
104 bpm • C Maj • 05:34 • -10.36db
23% Popularity • 66% Danceability • 50% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
23% Popularity • 66% Danceability • 50% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
